Drahom\u00edra p\u0159i\u0161la na sv\u011bt 24.\u00a0srpna 1943\u00a0ve Zl\u00edn\u011b do um\u011blecky zalo\u017een\u00e9 rodiny. Jej\u00edm otcem byl zn\u00e1m\u00fd akademick\u00fd mal\u00ed\u0159 Karel Hofman a\u00a0maminka Drahom\u00edra byla zap\u00e1lenou divadeln\u00ed ochotnic\u00ed. D\u011btstv\u00ed pro\u017eila Drahom\u00edra na Sol\u00e1ni, nedaleko Ro\u017enova pod Radho\u0161t\u011bm. Vala\u0161sko j\u00ed p\u0159irostlo k\u00a0srdci a\u00a0v\u017edy se tam r\u00e1da vracela. \u201eJednou v\u00a0l\u00e9t\u011b jsme takhle s\u00a0tat\u00ednkem sed\u011bli venku, p\u0159ed n\u00e1mi kr\u00e1sn\u00e9 panorama Javorn\u00edk\u016f a\u00a0on mi najednou pov\u00edd\u00e1: \u201aC\u00e9rko, d\u00edvaj sa, jak se ty hory ka\u017ed\u016f chv\u00edlu m\u011b\u0148\u00e1, to nevid\u00ed\u0161 nikde jinde, jen tady. To je tak dramatick\u00e9.\u2018 A\u00a0j\u00e1 jsem si pak uv\u011bdomila, a\u017e u\u017e tu nebyl, jakou pravdu m\u011bl. Je to bo\u017e\u00ed kraj,\u201c vzpom\u00ednala v\u00a0jednom z\u00a0rozhovor\u016f.<\/p>\n
Socha\u0159iny nakonec zanechala<\/p>\n
Tat\u00ednek si moc p\u0159\u00e1l, aby \u0161ly dcery v\u00a0jeho \u0161l\u00e9p\u011bj\u00edch. Drahom\u00ed\u0159ina sestra Marcela Vajceov\u00e1-Hofmanov\u00e1 se skute\u010dn\u011b stala kerami\u010dkou a\u00a0socha\u0159kou. Drahom\u00edru to zprvu t\u00e1hlo k\u00a0tanci, kv\u016fli vrozen\u00e9 vad\u011b p\u00e1te\u0159e musela ov\u0161em tento sv\u016fj sen opustit. Uposlechla otce a\u00a0vystudovala kamenosocha\u0159sk\u00fd obor na Um\u011bleckopr\u016fmyslov\u00e9 \u0161kole v\u00a0Uhersk\u00e9m Hradi\u0161ti. P\u0159i studiu si p\u0159ivyd\u011bl\u00e1vala jako uvad\u011b\u010dka v\u00a0m\u00edstn\u00edm divadle a\u00a0toto um\u011bn\u00ed ji zcela uchv\u00e1tilo. U\u010ditelka \u010de\u0161tiny j\u00ed doporu\u010dila, a\u0165 se zam\u011b\u0159\u00ed pr\u00e1v\u011b t\u00edmto sm\u011brem. \u201eJse\u0161 jak za gro\u0161 kudla\u00a0\u2013 j\u00e1 jsem tehdy v\u00e1\u017eila ani ne 50\u00a0kg na mou v\u00fd\u0161ku\u00a0\u2013 t\u00edm se neu\u017eiv\u00ed\u0161, to maj\u00ed chlapi co d\u011blat, aby je socha\u0159ina u\u017eivila. Zkus to rad\u011bji na JAMU. Tak jsem to zkusila a\u00a0ono to vy\u0161lo,\u201c vypr\u00e1v\u011bla Hofmanov\u00e1. Na Jan\u00e1\u010dkovu akademii se ov\u0161em musela p\u0159ihl\u00e1sit tajn\u011b, aby tat\u00ednek nev\u011bd\u011bl. Maminka ji v\u00a0tom naopak pln\u011b podpo\u0159ila.<\/p>\n
Po absolutoriu v\u00a0roce 1967\u00a0nastoupila Drahom\u00edra Hofmanov\u00e1 do Ostravy, kde str\u00e1vila n\u011bkolik kr\u00e1sn\u00fdch sezon a\u00a0dodnes na ni ned\u00e1 dopustit. Ostrava t\u00e9 doby byla \u00fato\u010di\u0161t\u011bm \u0159ady v\u00fdznamn\u00fdch um\u011blc\u016f, jen\u017e se z\u00a0politick\u00fdch d\u016fvod\u016f nemohli realizovat v\u00a0Praze. Byl mezi nimi mimo jin\u00e9 i\u00a0Jan Ka\u010der. Po sv\u00e9m druh\u00e9m s\u0148atku s\u00a0divadeln\u00edm re\u017eis\u00e9rem Pavlem Hradilem, poprv\u00e9 byla provd\u00e1na jako Karageorgieva, ode\u0161la Drahom\u00edra do Brna, kde u\u017e zakotvila natrvalo. Od roku 1973\u00a0byla \u010dlenkou souboru \u010dinohry St\u00e1tn\u00edho divadla Brno, dne\u0161n\u00edho N\u00e1rodn\u00edho. Herecky aktivn\u00ed z\u016fstala i\u00a0po odchodu do d\u016fchodu a\u00a0n\u00e1vratu na rodn\u00e9 Vala\u0161sko.<\/p>\n
Slavn\u00fd trezorov\u00fd film<\/p>\n
P\u0159ed filmovou kamerou debutovala v\u00a0roce 1968\u00a0a\u00a0hned ve sv\u00e9 \u017eivotn\u00ed roli. Stala se Veselou vdovou v\u00a0Jasn\u00e9ho slavn\u00e9m sn\u00edmku V\u0161ichni dob\u0159\u00ed rod\u00e1ci. K\u00a0v\u00fdrazn\u00e9 \u00faloze j\u00ed dopomohla n\u00e1hoda. P\u016fvodn\u011b toti\u017e m\u011bla hr\u00e1t malou roli Em\u010di, sestry \u0159ezn\u00edka Raboni a\u00a0Vesel\u00e1 vdova byla nab\u00eddnuta Iv\u011b Jan\u017eurov\u00e9. Ta v\u00a0t\u00e9 dob\u011b nat\u00e1\u010dela seri\u00e1l Fantom operety a\u00a0produk\u010dn\u00ed filmu nebyl schopen sladit term\u00edny tak, aby zvl\u00e1dla pr\u00e1ci na filmu i\u00a0seri\u00e1lu. P\u0159\u00edle\u017eitost tak dostala dosud nezn\u00e1m\u00e1 here\u010dka. \u201eByl to pro m\u011b tenkr\u00e1t velik\u00fd \u0161ok! Pozvali m\u011b na Barandov, abych se p\u0159i\u0161la uk\u00e1zat. A\u00a0j\u00e1 jsem vid\u011bla, jak Jarda Ku\u010dera s\u00a0Vojtou Jasn\u00fdm po sob\u011b po\u0159\u00e1d koukaj\u00ed a\u00a0n\u011bco si \u0161pitaj\u00ed\u2026 a\u00a0najednou, kdy\u017e jsem odsud odj\u00ed\u017ed\u011bla, mi \u0159ekli, \u017ee budu d\u011blat Veselou vdovu,\u201c popisovala osudov\u00e9 okam\u017eiky po letech Hofmanov\u00e1. P\u0159i nat\u00e1\u010den\u00ed se pak setkala s\u00a0celou garniturou skv\u011bl\u00fdch herc\u016f\u00a0\u2013 Radoslavem Brzobohat\u00fdm, Vladim\u00edrem Men\u0161\u00edkem, Vlastimilem Brodsk\u00fdm a\u00a0mnoha dal\u0161\u00edmi. Sn\u00edmek V\u0161ichni dob\u0159\u00ed rod\u00e1ci popisuje kolektivizaci zem\u011bd\u011blstv\u00ed na \u010desk\u00e9m venkov\u011b v\u00a0pades\u00e1t\u00fdch letech a\u00a0osudy venkovan\u016f, kte\u0159\u00ed se dost\u00e1vali do konfliktu s\u00a0re\u017eimem a\u00a0komunistickou moc\u00ed. Slou\u017e\u00ed tak jako pov\u00e1le\u010dn\u00e1 kronika \u017eivota na moravsk\u00e9 vesnici. Nedlouho pot\u00e9, co m\u011bl premi\u00e9ru v\u00a0kinech, se dostal na seznam zak\u00e1zan\u00fdch d\u011bl a\u00a0v trezoru z\u016fstal a\u017e do roku 1989.<\/p>\n
Bohu\u017eel se to podepsalo i\u00a0na Drahom\u00ed\u0159in\u011b tvorb\u011b. Dva roky po nat\u00e1\u010den\u00ed vytvo\u0159ila jednu z\u00a0hlavn\u00edch rol\u00ed v\u00a0dodnes nepr\u00e1vem opom\u00edjen\u00e9m dramatu Kate\u0159ina a\u00a0jej\u00ed d\u011bti, objevila se je\u0161t\u011b nap\u0159\u00edklad v\u00a0Kapit\u00e1nu Kordovi \u010di Diagn\u00f3ze smrti. V\u00edce se na filmov\u00e9m pl\u00e1tn\u011b ale neprosadila. Krom\u011b mate\u0159sk\u00fdch povinnost\u00ed svou roli sehr\u00e1la pr\u00e1v\u011b i\u00a0jej\u00ed participace na slavn\u00e9m trezorov\u00e9m sn\u00edmku. V\u00edce p\u0159\u00edle\u017eitost\u00ed j\u00ed poskytla \u010ceskoslovensk\u00e1 televize, hr\u00e1la v\u00a0\u0159ad\u011b inscenac\u00ed ostravsk\u00e9ho a\u00a0brn\u011bnsk\u00e9ho studia, v\u00fdznamnou se stala jej\u00ed hereck\u00e1 \u00fa\u010dast v\u00a0\u0159ad\u011b poh\u00e1dek a\u00a0seri\u00e1l\u016f. Hr\u00e1la mimo jin\u00e9 v\u00a0s\u00e9rii Nejv\u011bt\u0161\u00ed z\u00a0Pierot\u016f. V\u00a0roce 1999\u00a0se pak po dlouh\u00fdch letech vr\u00e1tila p\u0159ed filmovou kameru, aby si v\u00a0Jasn\u00e9ho N\u00e1vratu ztracen\u00e9ho r\u00e1je zopakovala svou kreaci Vesel\u00e9 vdovy. Krom\u011b filmu a\u00a0televize Drahom\u00edra spolupracovala rovn\u011b\u017e s\u00a0rozhlasem a\u00a0dabingem. V\u00a0l\u00e9t\u011b j\u00ed bude osmdes\u00e1t t\u0159i let.<\/p>\n","protected":false},"excerpt":{"rendered":"Drahom\u00edra p\u0159i\u0161la na sv\u011bt 24.\u00a0srpna 1943\u00a0ve Zl\u00edn\u011b do um\u011blecky zalo\u017een\u00e9 rodiny. Jej\u00edm otcem byl zn\u00e1m\u00fd akademick\u00fd mal\u00ed\u0159 Karel…\n","protected":false},"author":2,"featured_media":66757,"comment_status":"","ping_status":"","sticky":false,"template":"","format":"standard","meta":{"footnotes":""},"categories":[14],"tags":[1720,79,1093,441,1448,650,1073,80,437,1087],"class_list":{"0":"post-66756","1":"post","2":"type-post","3":"status-publish","4":"format-standard","5":"has-post-thumbnail","7":"category-zabava","8":"tag-dejiny","9":"tag-entertainment","10":"tag-filmy","11":"tag-historie","12":"tag-kultura","13":"tag-lide","14":"tag-pribeh","15":"tag-zabava","16":"tag-zajimavosti","17":"tag-zeny"},"share_on_mastodon":{"url":"https:\/\/pubeurope.com\/@cz\/116470107604097537","error":""},"_links":{"self":[{"href":"https:\/\/www.europesays.com\/cz\/wp-json\/wp\/v2\/posts\/66756","targetHints":{"allow":["GET"]}}],"collection":[{"href":"https:\/\/www.europesays.com\/cz\/wp-json\/wp\/v2\/posts"}],"about":[{"href":"https:\/\/www.europesays.com\/cz\/wp-json\/wp\/v2\/types\/post"}],"author":[{"embeddable":true,"href":"https:\/\/www.europesays.com\/cz\/wp-json\/wp\/v2\/users\/2"}],"replies":[{"embeddable":true,"href":"https:\/\/www.europesays.com\/cz\/wp-json\/wp\/v2\/comments?post=66756"}],"version-history":[{"count":0,"href":"https:\/\/www.europesays.com\/cz\/wp-json\/wp\/v2\/posts\/66756\/revisions"}],"wp:featuredmedia":[{"embeddable":true,"href":"https:\/\/www.europesays.com\/cz\/wp-json\/wp\/v2\/media\/66757"}],"wp:attachment":[{"href":"https:\/\/www.europesays.com\/cz\/wp-json\/wp\/v2\/media?parent=66756"}],"wp:term":[{"taxonomy":"category","embeddable":true,"href":"https:\/\/www.europesays.com\/cz\/wp-json\/wp\/v2\/categories?post=66756"},{"taxonomy":"post_tag","embeddable":true,"href":"https:\/\/www.europesays.com\/cz\/wp-json\/wp\/v2\/tags?post=66756"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}}