{"id":69542,"date":"2026-04-28T18:54:15","date_gmt":"2026-04-28T18:54:15","guid":{"rendered":"https:\/\/www.europesays.com\/cz\/69542\/"},"modified":"2026-04-28T18:54:15","modified_gmt":"2026-04-28T18:54:15","slug":"v-zivote-se-bojim-v-podstate-vseho-krome-nataceni-filmu-tvrdi-lars-von-trier-aktualne-cz","status":"publish","type":"post","link":"https:\/\/www.europesays.com\/cz\/69542\/","title":{"rendered":"„V \u017eivot\u011b se boj\u00edm v podstat\u011b v\u0161eho, krom\u011b nat\u00e1\u010den\u00ed film\u016f,“ tvrd\u00ed Lars von Trier \u2013 Aktu\u00e1ln\u011b.cz"},"content":{"rendered":"

Mnoh\u00e9 z jeho sn\u00edmk\u016f, jako nap\u0159\u00edklad Melancholie, Prolomit vlny, Tanec v temnot\u00e1ch \u010di miniseri\u00e1l Kr\u00e1lovstv\u00ed, sklidily ocen\u011bn\u00ed. A kontroverze Lars von Trier<\/a> v\u00edt\u00e1: „Jsou-li n\u00e1zory protich\u016fdn\u00e9, je sv\u011bt v rovnov\u00e1ze.“<\/p>\n

Provokace je podle Triera cesta, jak p\u0159im\u011bt lidi p\u0159em\u00fd\u0161let: „Film by m\u011bl b\u00fdt jako kam\u00ednek v bot\u011b,“ tvrd\u00ed. Nech\u00e1v\u00e1 proto ve sv\u00fdch d\u00edlech vyplouvat na povrch nejr\u016fzn\u011bj\u0161\u00ed lidsk\u00e9 touhy, v\u00e1\u0161n\u011b a pudy. P\u0159edvedl to nap\u0159\u00edklad v thrilleru Antikrist (2009) o man\u017eelsk\u00e9m p\u00e1ru, kter\u00fd se pokou\u0161\u00ed vypo\u0159\u00e1dat se smrt\u00ed d\u00edt\u011bte. Ve vizu\u00e1ln\u011b opulentn\u00edm filmu se koncentruje intenzivn\u00ed bolest, kter\u00e1 se k div\u00e1k\u016fm dost\u00e1v\u00e1 i prost\u0159ednictv\u00edm sc\u00e9n mrza\u010den\u00ed pohlavn\u00edch org\u00e1n\u016f. Sn\u00edmek byl jakousi odpov\u011bd\u00ed na t\u011b\u017ek\u00e9 deprese samotn\u00e9ho re\u017eis\u00e9ra.<\/p>\n

\"cannes<\/p>\n

Re\u017eis\u00e9r Lars von Trier s here\u010dkou Charlotte Gainsbourgovou a hercem Williamem Dafoem b\u011bhem p\u0159edstaven\u00ed sv\u00e9ho filmu Antikrist (2009) na 62. ro\u010dn\u00edku MFF v Cannes.Foto: Reuters<\/p>\n

Fobiemi a chronickou \u00fazkost\u00ed trp\u011bl rod\u00e1k z Kodan\u011b u\u017e od d\u011btstv\u00ed. S\u00e1m \u0159\u00edk\u00e1, \u017ee nikdy neza\u017eil pocit bezpe\u010d\u00ed a jasn\u011b stanoven\u00fdch hranic. Po studi\u00edch re\u017eie na D\u00e1nsk\u00e9 filmov\u00e9 \u0161kole na sebe upoutal mezin\u00e1rodn\u00ed pozornost u\u017e sv\u00fdm prvn\u00edm celove\u010dern\u00edm filmem Prvek zlo\u010dinu (1984). Jedine\u010dn\u00e1 sm\u011bsice filmu noir a n\u011bmeck\u00e9ho expresionismu z n\u011bj ud\u011blaly p\u016fsobiv\u00fd vizu\u00e1ln\u00ed z\u00e1\u017eitek, kter\u00fd filmu vynesl Velkou cenu za technick\u00e9 proveden\u00ed na filmov\u00e9m festivalu v Cannes<\/a>. N\u00e1sleduj\u00edc\u00ed sn\u00edmky Epidemic (1987) a Evropa (1991) byly podobn\u011b ambici\u00f3zn\u00ed, tematicky i vizu\u00e1ln\u011b.<\/p>\n

Nejsi synem sv\u00e9ho otce<\/p>\n

Po\u010d\u00e1tkem 90. let st\u00e1l von Trier u zrodu filmov\u00e9 spole\u010dnosti Zentropa Entertainment, kter\u00e1 mu m\u011bla zajistit tv\u016fr\u010d\u00ed svobodu. Aby spole\u010dnosti dodal finance, nato\u010dil dv\u011b \u0159ady televizn\u00ed minis\u00e9rie s n\u00e1zvem Kr\u00e1lovstv\u00ed. Projekt, kombinuj\u00edc\u00ed nemocni\u010dn\u00ed drama, ducha\u0159sk\u00fd p\u0159\u00edb\u011bh a surrealismus m\u011bl v D\u00e1nsku velk\u00fd \u00fasp\u011bch a von Trier v n\u011bm spojil sv\u016fj vlastn\u00ed filmov\u00fd styl s p\u0159\u00edb\u011bhem o du\u0161\u00edch, bohu a satanovi ve stylu Davida Lynche<\/a>.<\/p>\n

Do jeho tvorby se v polovin\u011b 90. let prom\u00edtla i traumatick\u00e1 zku\u0161enost z osobn\u00edho \u017eivota. Trier se od sv\u00e9 matky dozv\u011bd\u011bl, \u017ee nen\u00ed synem sv\u00e9ho otce Ulfa Triera, ale jist\u00e9ho d\u00e1nsk\u00e9ho hudebn\u00edho skladatele, kter\u00fdm se matka nechala oplodnit, aby syn zd\u011bdil jeho tv\u016fr\u010d\u00ed geny. Pod vlivem toho von Trier ve filmu skoncoval s jakoukoliv stylizac\u00ed a za\u010dal kl\u00e1st d\u016fraz na syrovost a up\u0159\u00edmnost.<\/p>\n

Nakonec s d\u00e1nsk\u00fdm re\u017eis\u00e9rem Thomasem Vinterbergem<\/a> zalo\u017eil filma\u0159sk\u00fd manifest Dogma 95, ze kter\u00e9ho se vyvinulo v\u00fdznamn\u00e9 postmodern\u00ed hnut\u00ed d\u00e1nsk\u00e9ho a evropsk\u00e9ho filmu v\u016fbec. Hlavn\u00ed my\u0161lenkou je odstran\u011bn\u00ed ve\u0161ker\u00fdch iluz\u00ed a efekt\u016f, kter\u00e9 film dnes nab\u00edz\u00ed a soust\u0159ed\u011bn\u00ed se na p\u0159\u00edb\u011bh a herectv\u00ed, n\u00e1vrat k jednoduchosti filmu. Principy programu Dogma 95 von Trier \u010d\u00e1ste\u010dn\u011b uplatnil ve sn\u00edmc\u00edch Prolomit vlny, Tanec v temnot\u00e1ch \u010di Dogville, a pln\u011b ve filmu Idioti. Podle kritik\u016f byla ale pravidla samotn\u00fdmi tv\u016frci ji\u017e od za\u010d\u00e1tku poru\u0161ov\u00e1na a v roce 2005 se von Trier a Vinterberg od manifestu distancovali.<\/p>\n

\"Stellan<\/p>\n

Stellan Skarsg\u00e5rd a Emily Watsonov\u00e1 ve filmu Prolomit vlny (1996).Foto: October Films<\/p>\n

Prolomit vlny a tan\u010dit v temnot\u00e1ch<\/p>\n

Sn\u00edmek Prolomit vlny s Emily Watsonovou<\/a> a Stellanem Skarsgardem<\/a> v hlavn\u00edch rol\u00edch p\u0159ivezl von Trier do Cannes v roce 1996. Mystick\u00fd p\u0159\u00edb\u011bh man\u017eelstv\u00ed hluboce v\u011b\u0159\u00edc\u00ed d\u00edvky Bess a \u00farazem s trval\u00fdmi n\u00e1sledky sti\u017een\u00e9ho Jana, kter\u00fd vypov\u00edd\u00e1 o s\u00edle v\u00edry, m\u00ed\u0159e sebeob\u011btov\u00e1n\u00ed i o poutu l\u00e1sky, doj\u00edmal div\u00e1ky i kritiky, a sklidil Velkou cenu poroty. Pro Larse von Triera to byl jeden z prvn\u00edch velk\u00fdch mezin\u00e1rodn\u00edch \u00fasp\u011bch\u016f, na kter\u00fd pozd\u011bji nav\u00e1zal Zlatou palmou za sn\u00edmek Tanec v temnot\u00e1ch<\/p>\n

Toto melodrama z roku 2000 bylo jedn\u00edm z prvn\u00edch film\u016f na sv\u011bt\u011b nato\u010den\u00fdch v\u00fdhradn\u011b digit\u00e1ln\u00ed technikou. Vypr\u00e1v\u00ed o \u017een\u011b z v\u00fdchodn\u00ed Evropy, kter\u00e1 ob\u011btuje doslova v\u0161e, aby zachr\u00e1nila sv\u00e9ho syna p\u0159ed stejn\u00fdm o\u010dn\u00edm onemocn\u011bn\u00edm, j\u00edm\u017e sama trp\u00ed, a p\u0159ed n\u00e1slednou ztr\u00e1tou zraku. V hlavn\u00ed roli Selmy se p\u0159edstavila islandsk\u00e1 zp\u011bva\u010dka a superstar Bj\u00f6rk<\/a>, kter\u00e1 tak\u00e9 slo\u017eila k filmu ve\u0161kerou hudbu.<\/p>\n

Skand\u00e1l s\u00a0Adolfem Hitlerem<\/p>\n

Velk\u00fd \u00fasp\u011bch sklidilo i Trierovo alegorick\u00e9 drama Melancholie z roku 2011, kter\u00e9 p\u0159edkl\u00e1d\u00e1 nezvykle intimn\u00ed obraz konce sv\u011bta. T\u00e9ma z\u00e1niku planety a lidstva se tu zrcadl\u00ed ve vztahu sester Justine a Claire v pod\u00e1n\u00ed Kirsten Dunstov\u00e9<\/a> a Charlotte Gainsbourgov\u00e9.<\/a> Sn\u00edmek se tak\u00e9 p\u0159edstavil na festivalu v Cannes, kter\u00fd ale musel von Trier je\u0161t\u011b p\u0159ed vyhl\u00e1\u0161en\u00edm v\u00fdsledk\u016f opustit. Na tiskov\u00e9 konferenci toti\u017e prohl\u00e1sil, \u017ee m\u00e1 ur\u010dit\u00e9 pochopen\u00ed pro nacistick\u00e9ho dikt\u00e1tora Adolfa Hitlera.<\/p>\n

\"Kirsten<\/p>\n

Kirsten Dunstov\u00e1, Alexander Skarsg\u00e5rd, Kiefer Sutherland a Charlotte Gainsbourgov\u00e1 v psychologick\u00e9m sn\u00edmku Melancholie (2011).Foto: Nordisk Film Swe.<\/p>\n

Melancholie festival vyhr\u00e1la, pro Zlatou palmu \u0161la Kirsten Dunstov\u00e1 a von Trier si asi poprv\u00e9 v \u017eivot\u011b nasypal popel na hlavu. Omluvil se, odjel, ale z D\u00e1nska pak vzk\u00e1zal, \u017ee je na ozna\u010den\u00ed persona non grata hrd\u00fd. Nicm\u00e9n\u011b jeho dal\u0161\u00ed slavn\u00e9 sn\u00edmky, Nymfomanka I ani II s Charlotte Gainsbourgovou v hlavn\u00ed roli \u017eeny su\u017eovan\u00e9 nymfomani\u00ed, se tedy v Cannes nehr\u00e1ly. Festival v\u0161ak nakonec Trierovi odpustil a jeho zat\u00edm posledn\u00ed film z roku 2018, sebereflexivn\u00ed psychothriller o masov\u00e9m vrahovi Jack stav\u00ed d\u016fm, uvedl mimo sout\u011b\u017e.<\/p>\n

„V \u017eivot\u011b se boj\u00edm v podstat\u011b v\u0161eho, krom\u011b nat\u00e1\u010den\u00ed film\u016f,“ \u0159ekl jednou Lars von Trier, kter\u00fd trp\u00ed mnoha fobiemi, v\u010detn\u011b strachu z\u00a0l\u00e9t\u00e1n\u00ed. V\u0161echny jeho filmy (i ty, jejich\u017e d\u011bj se odehr\u00e1v\u00e1 v jin\u00fdch zem\u00edch) se proto mus\u00ed nat\u00e1\u010det v D\u00e1nsku nebo ve \u0160v\u00e9dsku.<\/p>\n","protected":false},"excerpt":{"rendered":"Mnoh\u00e9 z jeho sn\u00edmk\u016f, jako nap\u0159\u00edklad Melancholie, Prolomit vlny, Tanec v temnot\u00e1ch \u010di miniseri\u00e1l Kr\u00e1lovstv\u00ed, sklidily ocen\u011bn\u00ed. A…\n","protected":false},"author":2,"featured_media":69543,"comment_status":"","ping_status":"","sticky":false,"template":"","format":"standard","meta":{"footnotes":""},"categories":[14],"tags":[79,23177,23178,1528,80],"class_list":{"0":"post-69542","1":"post","2":"type-post","3":"status-publish","4":"format-standard","5":"has-post-thumbnail","7":"category-zabava","8":"tag-entertainment","9":"tag-lars-von-trier","10":"tag-reziser","11":"tag-vyroci","12":"tag-zabava"},"share_on_mastodon":{"url":"https:\/\/pubeurope.com\/@cz\/116483854423660449","error":""},"_links":{"self":[{"href":"https:\/\/www.europesays.com\/cz\/wp-json\/wp\/v2\/posts\/69542","targetHints":{"allow":["GET"]}}],"collection":[{"href":"https:\/\/www.europesays.com\/cz\/wp-json\/wp\/v2\/posts"}],"about":[{"href":"https:\/\/www.europesays.com\/cz\/wp-json\/wp\/v2\/types\/post"}],"author":[{"embeddable":true,"href":"https:\/\/www.europesays.com\/cz\/wp-json\/wp\/v2\/users\/2"}],"replies":[{"embeddable":true,"href":"https:\/\/www.europesays.com\/cz\/wp-json\/wp\/v2\/comments?post=69542"}],"version-history":[{"count":0,"href":"https:\/\/www.europesays.com\/cz\/wp-json\/wp\/v2\/posts\/69542\/revisions"}],"wp:featuredmedia":[{"embeddable":true,"href":"https:\/\/www.europesays.com\/cz\/wp-json\/wp\/v2\/media\/69543"}],"wp:attachment":[{"href":"https:\/\/www.europesays.com\/cz\/wp-json\/wp\/v2\/media?parent=69542"}],"wp:term":[{"taxonomy":"category","embeddable":true,"href":"https:\/\/www.europesays.com\/cz\/wp-json\/wp\/v2\/categories?post=69542"},{"taxonomy":"post_tag","embeddable":true,"href":"https:\/\/www.europesays.com\/cz\/wp-json\/wp\/v2\/tags?post=69542"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}}