{"id":70492,"date":"2026-04-29T15:52:10","date_gmt":"2026-04-29T15:52:10","guid":{"rendered":"https:\/\/www.europesays.com\/cz\/70492\/"},"modified":"2026-04-29T15:52:10","modified_gmt":"2026-04-29T15:52:10","slug":"otomar-korbelar-z-prstynku-mel-velky-sexappeal-na-zeny-ale-moc-nebyl-tykal-si-s-nacisty-byl-v-ksc","status":"publish","type":"post","link":"https:\/\/www.europesays.com\/cz\/70492\/","title":{"rendered":"Otomar Korbel\u00e1\u0159 z\u00a0Prst\u00fdnku m\u011bl velk\u00fd sexappeal, na \u017eeny ale moc nebyl. Tykal si s\u00a0nacisty, byl v\u00a0KS\u010c"},"content":{"rendered":"

Otomar Korbel\u00e1\u0159 byl nejen skv\u011bl\u00fd herec, ale tak\u00e9 vynikaj\u00edc\u00ed muzikant. Jeho ostr\u00e9 rysy, ku\u010derav\u00e1 hlava a\u00a0pronikav\u00fd pohled jej p\u0159edur\u010dovaly k\u00a0rol\u00edm milovn\u00edk\u016f. M\u011bl mimo\u0159\u00e1dn\u00e9 charisma, tud\u00ed\u017e na pl\u00e1tn\u011b vynikal. \u017deny jej milovaly, mu\u017ei k\u00a0n\u011bmu vzhl\u00ed\u017eeli.<\/p>\n

Temperamentn\u00ed herec s\u00a0n\u00edzko polo\u017een\u00fdm hlasem se narodil 3.\u00a0listopadu 1899\u00a0v\u00a0S\u00e1zav\u011b jako syn \u017eelezni\u010dn\u00edho in\u017een\u00fdra. Ten si ale sv\u00e9ho jedin\u00e9ho syna moc neu\u017eil, nebo\u0165 zem\u0159el, kdy\u017e Otomarovi byly teprve \u010dty\u0159i roky. N\u00e1sledn\u011b se jeho matka protloukala, jak se dalo. St\u0159\u00eddala zam\u011bstn\u00e1n\u00ed, tak\u017ee se \u010dasto st\u011bhovali. Otomar chodil do n\u011bmeck\u00e9 \u0161koly, tak\u017ee \u010desky moc neum\u011bl. To se v\u0161ak zm\u011bnilo, kdy\u017e se jeho matka provdala za \u0159eznick\u00e9ho mistra. Ten trval na tom, aby se mu dostalo vzd\u011bl\u00e1n\u00ed v\u00a0\u010de\u0161tin\u011b. Chodil do \u010desk\u00e9 \u0161koly, kde se za\u010dalo projevovat Otomarovo hudebn\u00ed nad\u00e1n\u00ed. Nau\u010dil se dokonce s\u00e1m hr\u00e1t na violoncello. Kdy\u017e v\u0161ak projevil z\u00e1jem st\u00e1t se muzikantem, se zlou se pot\u00e1zal. Jeho nevlastn\u00ed otec trval na tom, aby vystudoval obchodn\u00ed akademii v\u00a0Kralupech nad Vltavou. Zprvu sice sklopil hlavu a\u00a0poslechl, po \u010dase ale zv\u00edt\u011bzila jeho l\u00e1ska k\u00a0hudb\u011b. Rozhodl se odej\u00edt ze \u0161koly, kter\u00e1 ho nebavila, za co\u017e byl vyk\u00e1z\u00e1n z\u00a0domu. Od ot\u010d\u00edma si vyslechl, \u017ee jej \u017eivit nebude, a\u0165 se \u017eiv\u00ed s\u00e1m. Jeho kroky sm\u011b\u0159ovaly do pra\u017esk\u00e9m biografu, kde za\u010dal doprov\u00e1zet n\u011bm\u00e9 filmy hrou na klav\u00edr.<\/p>\n

Jednoho dne nastal moment, kter\u00fd dal jeho \u017eivotu nov\u00fd sm\u011br. P\u0159i jedn\u00e9 cest\u011b vlakem si v\u0161iml inzer\u00e1tu v\u00a0novin\u00e1ch, \u017ee pra\u017esk\u00e1 konzervato\u0159 p\u0159ijme \u017e\u00e1ky k\u00a0bezplatn\u00e9mu studiu na dechov\u00e9 n\u00e1stroje. Nev\u00e1hal ani vte\u0159inu a\u00a0nam\u00ed\u0159il si to na konzervato\u0159, kde jej okam\u017eit\u011b p\u0159ijali a\u00a0rovnou do druh\u00e9ho ro\u010dn\u00edku. Po dvou letech studia hry na fagot a\u00a0hoboj p\u0159e\u0161el do nov\u011b zalo\u017een\u00e9ho dramatick\u00e9ho odd\u011blen\u00ed, kde za\u010dal rozv\u00edjet sv\u016fj hereck\u00fd talent. Sv\u00e9 prvn\u00ed hereck\u00e9 zku\u0161enosti sb\u00edral jako el\u00e9v \u010dinohry N\u00e1rodn\u00edho divadla. Po absolutoriu v\u00a0roce 1922\u00a0p\u016fsobil na mimopra\u017esk\u00fdch sc\u00e9n\u00e1ch, kde si mohl vyzkou\u0161et i\u00a0divadeln\u00ed re\u017eii. Mezi jeho hereck\u00e9 \u0161tace pat\u0159ila Olomouc, n\u00e1sledn\u011b Plze\u0148. Jednu sez\u00f3nu p\u016fsobil dokonce jako \u0159editel v\u00a0M\u011bstsk\u00e9m divadle Kladno. Od konce 20.\u00a0let a\u017e do konce druh\u00e9 sv\u011btov\u00e9 v\u00e1lky byl \u010dlenem souboru M\u011bstsk\u00e9ho divadla na Kr\u00e1lovsk\u00fdch Vinohradech. Zde zahr\u00e1l mnoho kr\u00e1sn\u00fdch rol\u00ed, k\u00a0jeho nejlep\u0161\u00edm v\u00fdkon\u016fm pat\u0159il c\u00edsa\u0159 Karel IV. v\u00a0Noci na Karl\u0161tejn\u011b.<\/p>\n

B\u011bhem sv\u00e9ho p\u016fsoben\u00ed ve vinohradsk\u00e9m divadle se za\u010dal objevovat tak\u00e9 na st\u0159\u00edbrn\u00e9m pl\u00e1tn\u011b. Jeho filmov\u00fd debut se uskute\u010dnil v\u00a0roce 1931\u00a0ve filmu T\u0159et\u00ed rota, kde mu re\u017eis\u00e9r Svatopluk Innemann sv\u011b\u0159il velkou postavu poru\u010d\u00edka Suka. N\u00e1sledn\u011b \u0161el z\u00a0role do role. Le\u010d d\u00edky sv\u00e9mu exteri\u00e9ru a\u00a0hlasu uv\u00edzl ve \u0161katulce hrdiny sentiment\u00e1ln\u00edch romanc\u00ed. Jeho filmov\u00fdmi partnerkami se postupn\u011b staly t\u00e9m\u011b\u0159 v\u0161echny nejzn\u00e1m\u011bj\u0161\u00ed here\u010dky t\u0159ic\u00e1t\u00fdch a\u00a0\u010dty\u0159ic\u00e1t\u00fdch let. S\u00a0Adinou Mandlovou si zahr\u00e1l nap\u0159. ve filmu Nevinn\u00e1, \u010di \u0160\u0165astnou cestu, s\u00a0Nata\u0161ou Gollovou ve filmu Rukavi\u010dka. Velk\u00fd \u00fasp\u011bch mu p\u0159inesl film Tul\u00e1k Macoun, \u010di \u017eivotopisn\u00fd film To byl \u010desk\u00fd muzikant, kde ztv\u00e1rnil postavu Franti\u0161ka Kmocha.<\/p>\n

Foto: Letec (nezn\u00e1m\u00fd, unknown), Public domain, via Wikimedia Commons<\/p>\n

Otomar Korbel\u00e1\u0159 s\u00a0L\u00eddou Baarovou, 1934<\/p>\n

J\u00e1 m\u00e1m Otomara Korbel\u00e1\u0159e spojen\u00e9ho zejm\u00e9na s\u00a0romantickou komedi\u00ed Prst\u00fdnek, kde uk\u00e1zal, \u017ee dok\u00e1\u017ee zahr\u00e1t jak mlad\u00edka, tak p\u00e1na v\u00a0letech. Kdy\u017e byl film repr\u00edzov\u00e1n, moje babi\u010dka si jej nikdy nenechala uj\u00edt. P\u0159\u00edb\u011bh o\u00a0kr\u00e1sn\u00e9 kn\u011b\u017en\u011b, kter\u00e1 p\u0159ijede se sv\u00fdm v\u011b\u010dn\u011b unaven\u00fdm mu\u017eem na venkov s\u00a0c\u00edlem zplodit d\u011bdice nen\u00ed jen \u010dervenou knihovnou, ale i\u00a0p\u0159\u00edjemnou komedi\u00ed se skv\u011bl\u00fdmi hereck\u00fdmi v\u00fdkony. Kdy\u017e kn\u011b\u017ena svede m\u00edstn\u00edho pytl\u00e1ka Sochora, je o\u00a0z\u00e1pletku postar\u00e1no. Brzy na to ot\u011bhotn\u00ed a\u00a0Sochora, kter\u00fd splnil sv\u016fj \u00fakol jemn\u011b odkopne. Kn\u011b\u017en\u011b se narod\u00ed chlape\u010dek a\u00a0avant\u00fdra by mohla b\u00fdt zapomenuta. To by se v\u0161ak o\u00a0n\u011bkolik let pozd\u011bji nesm\u011bl syn kr\u00e1sn\u00e9 kn\u011b\u017eny zamilovat do nejstar\u0161\u00ed Sochorovy dcery\u2026<\/p>\n

Komedie re\u017eis\u00e9ra Martina Fri\u010de se stala popul\u00e1rn\u00ed, v\u00a0\u017e\u00e1dn\u00e9 dob\u011b nebyl probl\u00e9m s\u00a0jej\u00edm uv\u00e1d\u011bn\u00edm. Jde o\u00a0velmi vd\u011b\u010dn\u00fd div\u00e1ck\u00fd film, kter\u00fd dok\u00e1\u017ee pohladit po du\u0161i. Jisk\u0159en\u00ed mezi hlavn\u00edmi protagonisty\u00a0\u2013 Vlastou Fabi\u00e1novou a\u00a0Otomarem Korbel\u00e1\u0159em p\u016fsobilo opravdov\u011b. Nicm\u00e9n\u011b, jak vzpom\u00ednal re\u017eis\u00e9r Otakar V\u00e1vra, to, co v\u00edd\u00e1me na pl\u00e1tn\u011b, nemus\u00ed m\u00edt s\u00a0realitou moc spole\u010dn\u00e9ho.<\/p>\n

\u201eS Korbel\u00e1\u0159em byla dost obt\u00ed\u017en\u00e1 pr\u00e1ce, hlavn\u011b p\u0159i milostn\u00fdch sc\u00e9n\u00e1ch. Vypadal velice mu\u017en\u011b a\u00a0\u017eensk\u00e9 obecenstvo si ho obl\u00edbilo, ale on na \u017eeny moc nebyl. M\u011bl rad\u011bji alkohol. A\u00a0tak kdy\u017e jsem nat\u00e1\u010del jeho detail p\u0159es Mandlovou, nemohl jsem v\u00a0jeho tv\u00e1\u0159i dos\u00e1hnout \u017e\u00e1dan\u00e9 milostn\u00e9 vzru\u0161en\u00ed. Teprve kdy\u017e jsem mu za jej\u00ed hlavou uk\u00e1zal skleni\u010dku vermutu, dostal tak \u017e\u00e1dostiv\u00fd, roztou\u017een\u00fd v\u00fdraz, \u017ee to byla prav\u00e1 milostn\u00e1 sc\u00e9na,\u201c uvedl V\u00e1vra ve sv\u00fdch pam\u011btech.<\/p>\n

Foto: nezn\u00e1m\u00fd, Public domain, via Wikimedia Commons<\/p>\n

Adina Mandlov\u00e1<\/p>\n

Hercova alkoholick\u00e1 z\u00e1vislost n\u011bkdy zna\u010dn\u011b komplikovala nat\u00e1\u010den\u00ed. \u201eHor\u0161\u00ed bylo, kdy m\u011bl p\u0159i nat\u00e1\u010den\u00ed del\u0161\u00ed pauzu. Zmizel, a\u00a0kdy\u017e ho na\u0161li v\u00a0ateli\u00e9rov\u00e9 restauraci a\u00a0p\u0159ivedli p\u0159ed kameru, byl jako prkno, zuby za\u0165at\u00e9 a\u00a0za nic nemohl vyslovit: ,P\u0159ineste adrenalin!\u00b4 J\u00e1 jsem tyhle v\u011bci nikdy nemohl odpustit, proto\u017ee to kazilo pr\u00e1ci n\u00e1s v\u0161ech ve \u0161t\u00e1bu, i\u00a0pr\u00e1ci ostatn\u00edch herc\u016f. A\u00a0hlavn\u011b v\u00fdsledek filmu, kter\u00fd se u\u00a0n\u00e1s z\u00a0finan\u010dn\u00edch d\u016fvod\u016f nedal opravit,\u201c popisoval kru\u0161n\u00e9 chv\u00edle V\u00e1vra.<\/p>\n

To, \u017ee m\u00e1 herec probl\u00e9my s\u00a0alkoholem se za\u010dalo projevovat u\u017e b\u011bhem jeho prvn\u00edho man\u017eelstv\u00ed. Jeho l\u00e1ska k\u00a0alkoholu se ale uk\u00e1zala b\u00fdt siln\u011bj\u0161\u00ed ne\u017e l\u00e1ska k\u00a0jeho man\u017eelce Jarmile \u0160amal\u00edkov\u00e9, a\u00a0tak se man\u017eelstv\u00ed rozpadlo.<\/p>\n

D\u00e9mon alkohol hr\u00e1l v\u00a0jeho \u017eivot\u011b roli zejm\u00e9na v\u00a0dob\u011b, kdy nat\u00e1\u010del komedii Prst\u00fdnek. V\u00a0roce 1944, kdy film vznikal se t\u011b\u0161il na narozen\u00ed vytou\u017een\u00e9ho syna, kter\u00e9ho \u010dekal s\u00a0vnu\u010dkou b\u00e1sn\u00edka a\u00a0dramatika Jaroslava Vrchlick\u00e9ho, Evou Vrchlickou. Jeho prvorozen\u00fd syn ale kr\u00e1tce po narozen\u00ed zem\u0159el. Rok pot\u00e9 se mu narodila dcera Marie a\u00a0o dva roky pozd\u011bji je\u0161t\u011b dcera Ludmila.<\/p>\n

\"\"<\/a><\/p>\n

R\u00e1na po smrti syna se nikdy zcela nezahojila. St\u00e1le \u010dast\u011bji sahal po sklence alkoholu a\u00a0bylo mu jedno s\u00a0k\u00fdm sed\u00ed u\u00a0stolu. V\u00a0alkoholov\u00e9m opojen\u00ed si klidn\u011b p\u0159i\u0165ukl i\u00a0s nacisty a\u00a0vedl dru\u017en\u00fd rozhovor. Kv\u016fli tomu pak ztratil nejednoho p\u0159\u00edtele. To, \u017ee si za okupace zahr\u00e1l pod pon\u011bm\u010den\u00fdm jm\u00e9nem K\u00f6rbeler i\u00a0v n\u011bkolika n\u011bmeck\u00fdch projektech, mu k\u00a0dobr\u00e9 reputaci tak\u00e9 moc nep\u0159idalo. B\u011bhem pra\u017esk\u00e9ho povst\u00e1n\u00ed se v\u0161ak zachoval jako hrdina, kdy \u0161el spolu s\u00a0dal\u0161\u00edmi dob\u00fdt telefonn\u00ed centr\u00e1lu. D\u00edky tomu p\u0159ede\u0161el obvin\u011bn\u00ed z\u00a0kolaborace.<\/p>\n

Po v\u00e1lce vykro\u010dil ze \u0161katulky milovn\u00edk\u016f a\u00a0p\u0159e\u0161el do velk\u00fdch charaktern\u00edch rol\u00ed. Ztv\u00e1rnil nap\u0159\u00edklad husitsk\u00e9ho hejtmana v\u00a0prvn\u00edm \u010desk\u00e9m barevn\u00e9m filmu re\u017eis\u00e9ra Vladim\u00edra Borsk\u00e9ho z\u00a0roku 1947\u00a0Jan Roh\u00e1\u010d z\u00a0Dub\u00e9. Jeho obli\u010dej se stal inspirac\u00ed pro socha\u0159e Aloise Sopra, kter\u00fd dle n\u011bj vytesal sochu Jana Roh\u00e1\u010de, je\u017e dlouho zdobila pra\u017esk\u00e9 Starom\u011bstsk\u00e9 n\u00e1m\u011bst\u00ed. O\u00a0rok pozd\u011bji jsme Korbel\u00e1\u0159e mohli vid\u011bt ve Fri\u010dov\u011b parodii Pytl\u00e1kova schovanka aneb \u0160lechetn\u00fd milion\u00e1\u0159.<\/p>\n

Pak nastala doba, kdy jako mnoho jin\u00fdch propadl ide\u00e1l\u016fm komunismu a\u00a0stal se \u010dlenem KS\u010c. Komunist\u016fm p\u0159i\u0161la hercova popularita vhod, stal se jednou z\u00a0tv\u00e1\u0159\u00ed strany. R\u00e1zem m\u011bl \u0159adu funkc\u00ed ve stranick\u00fdch a\u00a0odborov\u00fdch organizac\u00edch a\u00a0jako dlouholet\u00fd \u010dlen strany st\u00e1l v\u00a0sedmdes\u00e1t\u00fdch letech u\u00a0zrodu Svazu \u010desk\u00fdch dramatick\u00fdch um\u011blc\u016f.<\/p>\n

\"\"<\/a><\/p>\n

Od roku 1952\u00a0byl op\u011bt \u010dlenem Divadla na Vinohradech, objevil se tak\u00e9 v\u00a0n\u011bkolika budovatelsk\u00fdch sn\u00edmc\u00edch. Rovn\u011b\u017e p\u016fsobil ve filmov\u00e9 tvorb\u011b pro d\u011bti. Vid\u011bt jsme jej mohli v\u00a0roli mlyn\u00e1\u0159e v\u00a0poh\u00e1dce Py\u0161n\u00e1 princezna nebo v\u00a0roli revizora v\u00a0Honz\u00edkov\u011b cest\u011b. Mezit\u00edm se dlouhodob\u011b l\u00e9\u010dil ze sv\u00e9 z\u00e1vislosti na alkoholu. V\u00a0posledn\u00edch letech sv\u00e9ho \u017eivota spolupracoval s\u00a0rozhlasem a\u00a0stal se \u017e\u00e1dan\u00fdm dab\u00e9rem. Po odchodu z\u00a0vinohradsk\u00e9ho divadla p\u016fsobil je\u0161t\u011b n\u011bkolik let na jevi\u0161ti Hudebn\u00edho divadla Karl\u00edn. K\u00a0jeho posledn\u00edm filmov\u00fdm rol\u00edm pat\u0159ila postava c\u00edsa\u0159e Franti\u0161ka Josefa I. v\u00a0koproduk\u010dn\u00edm historick\u00e9m dramatu Sarajevsk\u00fd atent\u00e1t. Rok po nat\u00e1\u010den\u00ed se jeho \u010das naplnil. Zem\u0159el 30.\u00a0listopadu 1976\u00a0ve v\u011bku 77\u00a0let.<\/p>\n

V\u00c1VRA, Otakar. Podivn\u00fd \u017eivot re\u017eis\u00e9ra: obrazy vzpom\u00ednek. Portr\u00e9ty. Praha: Prostor, 1996.\u00a0ISBN 8085190427.<\/p>\n","protected":false},"excerpt":{"rendered":"Otomar Korbel\u00e1\u0159 byl nejen skv\u011bl\u00fd herec, ale tak\u00e9 vynikaj\u00edc\u00ed muzikant. Jeho ostr\u00e9 rysy, ku\u010derav\u00e1 hlava a\u00a0pronikav\u00fd pohled jej…\n","protected":false},"author":2,"featured_media":70493,"comment_status":"","ping_status":"","sticky":false,"template":"","format":"standard","meta":{"footnotes":"","_share_on_mastodon":"0"},"categories":[14],"tags":[6419,879,8689,2432,2775,3330,2209,79,19588,16746,15851,713,11582,650,7478,15405,7080,15647,2780,2421,7854,649,652,80,437,1087],"class_list":["post-70492","post","type-post","status-publish","format-standard","has-post-thumbnail","category-zabava","tag-adina-mandlova","tag-alkohol","tag-alkoholismus","tag-ceske-celebrity","tag-cesky-herec","tag-divadlo-na-vinohradech","tag-druha-svetova-valka","tag-entertainment","tag-filmy-pro-pametniky","tag-kinematografie","tag-kolaborace","tag-komuniste","tag-komunisticka-strana-ceskoslovenska-ksc","tag-lide","tag-naciste","tag-otakar-vavra","tag-prstynek","tag-prvni-republika","tag-retro","tag-role","tag-smrt-ditete","tag-spolecnost","tag-vztahy","tag-zabava","tag-zajimavosti","tag-zeny"],"share_on_mastodon":{"url":"https:\/\/pubeurope.com\/@cz\/116488801228252670","error":""},"_links":{"self":[{"href":"https:\/\/www.europesays.com\/cz\/wp-json\/wp\/v2\/posts\/70492","targetHints":{"allow":["GET"]}}],"collection":[{"href":"https:\/\/www.europesays.com\/cz\/wp-json\/wp\/v2\/posts"}],"about":[{"href":"https:\/\/www.europesays.com\/cz\/wp-json\/wp\/v2\/types\/post"}],"author":[{"embeddable":true,"href":"https:\/\/www.europesays.com\/cz\/wp-json\/wp\/v2\/users\/2"}],"replies":[{"embeddable":true,"href":"https:\/\/www.europesays.com\/cz\/wp-json\/wp\/v2\/comments?post=70492"}],"version-history":[{"count":0,"href":"https:\/\/www.europesays.com\/cz\/wp-json\/wp\/v2\/posts\/70492\/revisions"}],"wp:featuredmedia":[{"embeddable":true,"href":"https:\/\/www.europesays.com\/cz\/wp-json\/wp\/v2\/media\/70493"}],"wp:attachment":[{"href":"https:\/\/www.europesays.com\/cz\/wp-json\/wp\/v2\/media?parent=70492"}],"wp:term":[{"taxonomy":"category","embeddable":true,"href":"https:\/\/www.europesays.com\/cz\/wp-json\/wp\/v2\/categories?post=70492"},{"taxonomy":"post_tag","embeddable":true,"href":"https:\/\/www.europesays.com\/cz\/wp-json\/wp\/v2\/tags?post=70492"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}}