{"id":71132,"date":"2026-04-30T08:13:15","date_gmt":"2026-04-30T08:13:15","guid":{"rendered":"https:\/\/www.europesays.com\/cz\/71132\/"},"modified":"2026-04-30T08:13:15","modified_gmt":"2026-04-30T08:13:15","slug":"nekrolog-oskar-petr-umel-byt-svetovy-citil-se-ale-jako-velryba-na-melcine","status":"publish","type":"post","link":"https:\/\/www.europesays.com\/cz\/71132\/","title":{"rendered":"Nekrolog: Oskar Petr um\u011bl b\u00fdt sv\u011btov\u00fd. C\u00edtil se ale jako velryba na m\u011bl\u010din\u011b"},"content":{"rendered":"

Kdy\u017e se zkraje 90.\u00a0let minul\u00e9ho stolet\u00ed za\u010dal pozvolna vracet z\u00a0exilu, bylo ho v\u0161ude plno. Ne snad, \u017ee by obnovoval svoje star\u00e9 projekty, vyprod\u00e1val s\u00e1ly s\u00a0p\u0159ipom\u00ednkami d\u00e1vn\u00fdch hit\u016f nebo zaplavoval trh, a\u0165 u\u017e reedicemi, nebo tvorbou dovezenou ze Spojen\u00fdch st\u00e1t\u016f, kde v\u00a080.\u00a0letech \u017eil.<\/p>\n

Nejprve se Oskar Petr, kter\u00fd tuto st\u0159edu zem\u0159el ve v\u011bku 73\u00a0let, objevoval jako nep\u0159ehl\u00e9dnuteln\u00e1 a\u00a0neuv\u011b\u0159iteln\u011b charismatick\u00e1 osobnost v\u0161ude, kde se n\u011bco d\u016fle\u017eit\u00e9ho hudebn\u00edho d\u011blo: v\u00a0klubech, na velk\u00fdch koncertech \u010di festivalech. Mohutn\u00fd mu\u017e, v\u017edy v\u00a0\u010dern\u00e9m, se zvl\u00e1\u0161tn\u00edm excentrick\u00fdm \u00fa\u010desem, ray-bany na o\u010d\u00edch a\u00a0videokamerou, kterou zachycoval ten velk\u00fd porevolu\u010dn\u00ed, nejen hudebn\u00ed celospole\u010densk\u00fd mejdan.<\/p>\n

Jist\u011b potk\u00e1val star\u00e9 p\u0159\u00e1tele, ale hlavn\u011b se seznamoval s\u00a0nov\u00fdmi hudebn\u00edky a\u00a0v\u016fbec tv\u016fr\u010d\u00edmi lidmi. Nasko\u010dil do kulturn\u00edho d\u011bn\u00ed a\u00a0jeho talent za\u010dal postupn\u011b rodit ovoce. Nikdy ho nesklidil zdaleka tolik, kolik se tak n\u011bjak o\u010dek\u00e1valo. Ale v\u017edycky to bylo to, \u010demu vina\u0159i \u0159\u00edkaj\u00ed v\u00fdb\u011br z\u00a0bobul\u00ed. To nejlep\u0161\u00ed, co vinice urod\u00ed a\u00a0co se obzvl\u00e1\u0161\u0165 dob\u0159e hod\u00ed k\u00a0archivaci.<\/p>\n

Od tria ke kapele<\/p>\n

V\u011bt\u0161ina \u010desk\u00fdch poslucha\u010d\u016f m\u00e1 Oskara Petra spojen\u00e9ho v\u00a0prvn\u00ed \u0159ad\u011b s\u00a0klasick\u00fdm triov\u00fdm obsazen\u00edm skupiny Marsyas, tedy se Zuzanou Michnovou a\u00a0Petrem Kalandrou, kdy koncertn\u00ed instrument\u00e1\u0159 tvo\u0159ily dv\u011b akustick\u00e9 kytary, foukac\u00ed harmonika, ale p\u0159edev\u0161\u00edm kr\u00e1sn\u011b sezp\u00edvan\u00e9 trojhlasy.<\/p>\n

A\u010dkoli Oskar Petr miloval a\u00a0obdivoval americk\u00fd folk i\u00a0folkrock, j\u00edm\u017e jej ov\u0161em p\u0159edev\u0161\u00edm infikoval stylov\u011b hodn\u011b vyhran\u011bn\u00fd Kalandra, \u017e\u00e1dn\u00fdm p\u0159esv\u011bd\u010den\u00fdm milovn\u00edkem tohoto \u017e\u00e1nru nikdy nebyl. U\u017e od z\u00e1kladn\u00ed \u0161koly hr\u00e1l v\u00a0beatov\u00fdch kapel\u00e1ch a\u00a0hlavn\u011b poslechem nas\u00e1val hudbu v\u0161eho druhu, od Beatles p\u0159es Small Faces po Jimiho Hendrixe. K\u00a0nahr\u00e1vk\u00e1m se dost\u00e1val d\u00edky \u010d\u00e1sti rodiny \u017eij\u00edc\u00ed v\u00a0z\u00e1padn\u00edm N\u011bmecku, kam se mu dokonce poda\u0159ilo vycestovat na pr\u00e1zdniny a\u00a0vid\u011bt n\u011bkolik inicia\u010dn\u00edch velk\u00fdch rockov\u00fdch koncert\u016f.<\/p>\n

Z\u0159ejm\u011b odtud tak\u00e9 pramenila touha Oskara Petra, ale i\u00a0Petra Kalandry \u010dasem obklopit z\u00e1kladn\u00ed trio Marsyas kapelou, kter\u00e1 by jejich p\u00edsn\u00edm dodala v\u011bt\u0161\u00ed instrument\u00e1ln\u00ed barevnost. Povedlo se to v\u00a0roce 1977\u00a0p\u0159i nahr\u00e1v\u00e1n\u00ed prvn\u00edho alba a\u00a0p\u0159i ob\u010dasn\u00e9m koncertov\u00e1n\u00ed s\u00a0tehdy za\u010d\u00ednaj\u00edc\u00edm, je\u0161t\u011b jazzrockov\u00fdm Pra\u017esk\u00fdm v\u00fdb\u011brem Michaela Koc\u00e1ba.<\/p>\n

Jazzrock toho \u010dasu vl\u00e1dl hudebn\u00ed sc\u00e9n\u011b a\u00a0Oskara Petra pohltil naplno. Nastoupil na post zp\u011bv\u00e1ka tehdy v\u016fd\u010d\u00ed kapely tohoto stylu Jazz Q kl\u00e1vesisty Martina Kratochv\u00edla, se kter\u00fdm hr\u00e1l p\u016fl roku paraleln\u011b s\u00a0p\u016fsoben\u00edm v\u00a0Marsyas, posl\u00e9ze folkovou sc\u00e9nu zcela opustil a\u00a0za n\u011bjak\u00fd m\u011bs\u00edc si zabalil kufry, aby p\u0159es n\u011bmeckou mezizast\u00e1vku s\u00a0rodinou emigroval do Spojen\u00fdch st\u00e1t\u016f. \u201eJ\u00e1 nebyl \u017e\u00e1dn\u00fd bojovn\u00edk za n\u011b\u010d\u00ed pr\u00e1va,\u201c \u0159ekl<\/a> v\u00a0jednom rozhovoru. \u201eCht\u011bl jsem prost\u011b zmizet, vid\u011bt Ameriku, Kalifornii, a\u00a0\u017e\u00edt tam i\u00a0um\u0159\u00edt.\u201c<\/p>\n

This Is America<\/p>\n

\u017divot v\u00a0Los Angeles nebyl pro Oskara Petra romantickou proch\u00e1zkou po hollywoodsk\u00e9m bulv\u00e1ru. Aby u\u017eivil rodinu, musel se v\u011bnovat manu\u00e1ln\u00edm prac\u00edm, kter\u00e9 m\u011bly k\u00a0hudebn\u00edmu sv\u011btu daleko. V\u00a0tomto obdob\u00ed se v\u0161ak naplno projevila Petrova vizu\u00e1ln\u00ed kreativita. Za\u010dal se intenzivn\u011b v\u011bnovat fotografii a\u00a0d\u00edky sv\u00e9mu talentu i\u00a0schopnosti b\u00fdt ve spr\u00e1vn\u00fd \u010das na spr\u00e1vn\u00e9m m\u00edst\u011b pronikl do sv\u011bta rockov\u00fdch hv\u011bzd.<\/p>\n

Jako fotograf spolupracoval nejen s\u00a0agenturami, ale tak\u00e9 s\u00a0presti\u017en\u00edm \u010dasopisem Rolling Stone a\u00a0zachytil osobnosti jako Davida Bowieho, U2, The Police nebo The Cars. Jeho \u00fasp\u011bch v\u00a0tomto sm\u011bru byl korunov\u00e1n vytvo\u0159en\u00edm fotografie na obal Bowieho singlu This Is Not America. Vzd\u011bl\u00e1val se i\u00a0v oblasti designu a\u00a0bytov\u00e9 architektury, p\u0159i\u010dem\u017e t\u011bmto obor\u016fm se n\u00e1razov\u011b v\u011bnoval profesion\u00e1ln\u011b.<\/p>\n

Foto: Profimedia.cz<\/p>\n

Oskar Petr do \u010desk\u00e9 kultury vnesl sv\u011btovou jiskru, vkus a\u00a0odvahu st\u00e1t si za sv\u00fdm. I\u00a0za cenu osam\u011bn\u00ed.<\/p>\n

Hudebn\u011b se v\u00a0USA nav\u00e1zat na svou pra\u017eskou kari\u00e9ru nijak zvl\u00e1\u0161\u0165 nesna\u017eil. Zalo\u017eil sice n\u011bkolik, jak s\u00e1m \u0159\u00edkal, \u201eavantgardn\u00edch gar\u00e1\u017eov\u00fdch kapel\u201c, ty v\u0161ak onu gar\u00e1\u017e v\u00a0podstat\u011b neopustily. A\u00a0ve druh\u00e9 polovin\u011b 80.\u00a0let, s\u00a0postupuj\u00edc\u00edmi mo\u017enostmi po\u010d\u00edta\u010d\u016f a\u00a0syntez\u00e1tor\u016f, jej velmi okouzlila tvorba elektronick\u00e9 hudby. K\u00a0t\u00e9 ostatn\u011b sp\u011bl i\u00a0jako v\u00e1\u0161niv\u00fd poslucha\u010d vrcholn\u00e9ho jazzrocku nebo nap\u0159\u00edklad minimalismu.<\/p>\n

U\u017e \u017e\u00e1dn\u00ed Marsyas<\/p>\n

Petr\u016fv fyzick\u00fd i\u00a0um\u011bleck\u00fd n\u00e1vrat do \u010ceskoslovenska po sametov\u00e9 revoluci se nesl p\u0159edev\u0161\u00edm v\u00a0duchu pr\u00e1ce pro jin\u00e9 interprety. Po sp\u0159\u00e1telen\u00ed se skupinou Lucie pro ni napsal n\u011bkolik slavn\u00fdch hit\u016f, nap\u0159\u00edklad Rouh\u00e1\u0161 se boh\u016fm nebo Medv\u00eddek, na s\u00f3lov\u00e9 album Davida Kollera p\u0159isp\u011bl mimo\u0159\u00e1dn\u011b \u00fasp\u011b\u0161nou baladou Chci zas v\u00a0tob\u011b sp\u00e1t.<\/p>\n

Jeho schopnosti napsat \u201ena kl\u00ed\u010d\u201c hit, kter\u00fd p\u0159itom neztr\u00e1c\u00ed um\u011bleckou integritu, vyu\u017e\u00edvala spousta interpret\u016f. Pro Anetu Langerovou, v\u00edt\u011bzku prvn\u00ed \u0159ady SuperStar, napsal z\u00e1sadn\u00ed skladbu jej\u00edho prvn\u00edho tv\u016fr\u010d\u00edho obdob\u00ed H\u0159\u00ed\u0161n\u00e1 t\u011bla, k\u0159\u00eddla mot\u00fdl\u00ed, \u010d\u00edm\u017e j\u00ed pomohl etablovat se jako v\u00e1\u017en\u00e1 um\u011blkyn\u011b. D\u00e1le spolupracoval s\u00a0B.S.P., Danem B\u00e1rtou, Annou K., ale tak\u00e9 s\u00a0Helenou Vondr\u00e1\u010dkovou, pro kterou ji\u017e p\u0159ed emigrac\u00ed otextoval p\u00edsn\u011b na nep\u0159\u00edli\u0161 poveden\u00fd jazzrockov\u00fd experiment Paprsky nato\u010den\u00fd se skupinou Jazz Q.<\/p>\n

Mnoz\u00ed se hned po Petrov\u011b n\u00e1vratu ptali, jestli nenastal \u010das obnovit klasick\u00e9 trio Marsyas. Ale u\u017e bylo pozd\u011b. \u201ePetr Kalandra byl nemocn\u00fd a\u00a0nem\u011bl na to s\u00edlu. Nav\u00edc byli se Zuzanou po\u0159\u00e1d zah\u00e1\u010dkov\u00e1ni v\u00a0t\u00e9 podob\u011b Marsyas s\u00a0Pavlem Sk\u00e1lou a\u00a0Olinem Nejezchlebou, a\u00a0proto\u017ee jsem to byl j\u00e1, kdo tehdy ode\u0161el, nec\u00edtil jsem pr\u00e1vo je n\u011bjak n\u00e1sil\u00edm sh\u00e1n\u011bt dohromady. Nav\u00edc jsem z\u00a0t\u00e9hle muziky opravdu u\u017e d\u00e1vno vypadl,\u201c vzpom\u00ednal na za\u010d\u00e1tku nov\u00e9ho stolet\u00ed.<\/p>\n

Jednou v\u011bc\u00ed se ale \u201esta\u0159\u00ed Marsyas\u201c p\u0159ece jen p\u0159ipomn\u011bli: Jejich nejzn\u00e1m\u011bj\u0161\u00ed p\u00edse\u0148 tohoto obdob\u00ed, Petr\u016fv Zmrzlin\u00e1\u0159, se objevila jako kl\u00ed\u010dov\u00fd song filmu Jana H\u0159ebejka Pupendo. Svou melancholi\u00ed skv\u011ble dokreslila dobovou atmosf\u00e9ru d\u011bje, kter\u00fd se odehr\u00e1val v\u00a0normaliza\u010dn\u00ed \u0161edi \u010ceskoslovenska 70.\u00a0let.<\/p>\n

Um\u011blec v\u00a0osam\u011bn\u00ed<\/p>\n

Oskar Petr vydal pouze t\u0159i autorsk\u00e1 alba, co\u017e sv\u011bd\u010d\u00ed o\u00a0jeho mimo\u0159\u00e1dn\u00e9 n\u00e1ro\u010dnosti na kvalitu materi\u00e1lu a\u00a0neochot\u011b pod\u0159izovat se trhu. Prvn\u00ed s\u00f3lov\u00e1 deska Krev, bl\u00e1to, slzy z\u00a0roku 1994\u00a0byla v\u00fdrazn\u011b ovlivn\u011bna spoluprac\u00ed s\u00a0Davidem Kollerem. P\u0159esto\u017ee obsahovala siln\u00e9 skladby, Petr nebyl spokojen s\u00a0komer\u010dn\u00edm \u00fasp\u011bchem ani s\u00a0p\u0159\u00edstupem vydavatel\u016f, co\u017e vedlo k\u00a0dlouh\u00e9, dev\u00edtilet\u00e9 odmlce p\u0159ed dal\u0161\u00edm albem.<\/p>\n

V roce 2003\u00a0se vr\u00e1til s\u00a0deskou Fabrica Atomica, kter\u00e1 je pr\u00e1vem pova\u017eov\u00e1na za jeho mistrovsk\u00e9 d\u00edlo. Nahr\u00e1vka, produkovan\u00e1 Milanem Cimfem, nab\u00eddla modern\u00ed rockov\u00fd zvuk a\u00a0i d\u00edky \u00fa\u010dasti mnoha vynikaj\u00edc\u00edch hudebn\u00edk\u016f zn\u011bla bez nads\u00e1zky sv\u011btov\u011b. P\u0159esto se Petr c\u00edtil v\u00a0\u010desk\u00e9m showbyznysu jako \u201evelryba na m\u011bl\u010din\u011b\u201c, co\u017e byla metafora, kterou \u010dasto pou\u017e\u00edval pro vyj\u00e1d\u0159en\u00ed pocitu nepochopen\u00ed a\u00a0marginalizace ze strany m\u00e9di\u00ed.<\/p>\n

T\u0159et\u00ed a\u00a0z\u00e1v\u011bre\u010dnou \u010d\u00e1st\u00ed jeho s\u00f3lov\u00e9 diskografie se stalo album Jsme star\u00fd jako d\u011bti z\u00a0roku 2013.\u00a0\u0160lo o\u00a0komorn\u011bj\u0161\u00ed projekt, nahran\u00fd se skupinou Spole\u010densk\u00e1 ud\u00e1lost a\u00a0kombinuj\u00edc\u00ed nov\u00e9 verze star\u00fdch p\u00edsn\u00ed z\u00a0\u00e9ry Marsyas s\u00a0aktu\u00e1ln\u00ed tvorbou. V\u00a0t\u00e9 dob\u011b nikdo netu\u0161il, \u017ee toto neortodoxn\u011b pojat\u00e9 \u201ebest of\u201c bude te\u010dkou za jeho studiovou kari\u00e9rou.<\/p>\n

V posledn\u00edch letech Oskar Petr pouze z\u0159\u00eddka vystupoval v\u00a0nejr\u016fzn\u011bj\u0161\u00edch, vesm\u011bs komorn\u00edch sestav\u00e1ch s\u00a0vlastn\u00edmi star\u0161\u00edmi songy i\u00a0p\u0159evzat\u00fdmi klasikami, kter\u00e9 m\u011bl r\u00e1d. Sice st\u00e1le pl\u00e1noval dal\u0161\u00ed velk\u00e9 projekty, u\u017e mu ale nesta\u010dila s\u00edla je dot\u00e1hnout. Jeho st\u0159ede\u010dn\u00ed \u00famrt\u00ed znamen\u00e1 ztr\u00e1tu um\u011blce, kter\u00fd do \u010desk\u00e9 kultury vnesl sv\u011btovou jiskru, vkus a\u00a0odvahu st\u00e1t si za sv\u00fdm. I\u00a0za cenu osam\u011bn\u00ed.<\/p>\n","protected":false},"excerpt":{"rendered":"Kdy\u017e se zkraje 90.\u00a0let minul\u00e9ho stolet\u00ed za\u010dal pozvolna vracet z\u00a0exilu, bylo ho v\u0161ude plno. Ne snad, \u017ee by…\n","protected":false},"author":2,"featured_media":71133,"comment_status":"","ping_status":"","sticky":false,"template":"","format":"standard","meta":{"footnotes":""},"categories":[14],"tags":[79,84,17295,23415,4343,722,80],"class_list":{"0":"post-71132","1":"post","2":"type-post","3":"status-publish","4":"format-standard","5":"has-post-thumbnail","7":"category-zabava","8":"tag-entertainment","9":"tag-hudba","10":"tag-nekrolog","11":"tag-oskar-petr","12":"tag-rock","13":"tag-umrti-slavnych","14":"tag-zabava"},"share_on_mastodon":{"url":"https:\/\/pubeurope.com\/@cz\/116492658617640238","error":""},"_links":{"self":[{"href":"https:\/\/www.europesays.com\/cz\/wp-json\/wp\/v2\/posts\/71132","targetHints":{"allow":["GET"]}}],"collection":[{"href":"https:\/\/www.europesays.com\/cz\/wp-json\/wp\/v2\/posts"}],"about":[{"href":"https:\/\/www.europesays.com\/cz\/wp-json\/wp\/v2\/types\/post"}],"author":[{"embeddable":true,"href":"https:\/\/www.europesays.com\/cz\/wp-json\/wp\/v2\/users\/2"}],"replies":[{"embeddable":true,"href":"https:\/\/www.europesays.com\/cz\/wp-json\/wp\/v2\/comments?post=71132"}],"version-history":[{"count":0,"href":"https:\/\/www.europesays.com\/cz\/wp-json\/wp\/v2\/posts\/71132\/revisions"}],"wp:featuredmedia":[{"embeddable":true,"href":"https:\/\/www.europesays.com\/cz\/wp-json\/wp\/v2\/media\/71133"}],"wp:attachment":[{"href":"https:\/\/www.europesays.com\/cz\/wp-json\/wp\/v2\/media?parent=71132"}],"wp:term":[{"taxonomy":"category","embeddable":true,"href":"https:\/\/www.europesays.com\/cz\/wp-json\/wp\/v2\/categories?post=71132"},{"taxonomy":"post_tag","embeddable":true,"href":"https:\/\/www.europesays.com\/cz\/wp-json\/wp\/v2\/tags?post=71132"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}}