{"id":73354,"date":"2026-05-02T13:03:27","date_gmt":"2026-05-02T13:03:27","guid":{"rendered":"https:\/\/www.europesays.com\/cz\/73354\/"},"modified":"2026-05-02T13:03:27","modified_gmt":"2026-05-02T13:03:27","slug":"composers-summit-prague-zakoncil-mimoradny-koncert-gustava-santaolally","status":"publish","type":"post","link":"https:\/\/www.europesays.com\/cz\/73354\/","title":{"rendered":"Composers Summit Prague zakon\u010dil mimo\u0159\u00e1dn\u00fd koncert Gustava Santaolally"},"content":{"rendered":"

Sly\u0161et na\u017eivo \u00fast\u0159edn\u00ed melodii z videohry a seri\u00e1lu „The Last Of Us“, tedy kusu, kter\u00fd v obou sv\u00fdch ztv\u00e1rn\u011bn\u00edch zaslou\u017een\u011b sb\u00edral \u0159adu cen, pat\u0159\u00ed ke sn\u016fm, v jejich\u017e spln\u011bn\u00ed mnoz\u00ed ani nedoufali. Po\u0159adatel\u00e9 summitu v\u0161ak toto mimo\u0159\u00e1dn\u00e9 d\u00edlo, kter\u00e9 u\u017e d\u00e1vno p\u0159ekro\u010dilo pr\u00e1h nerdsk\u00fdch pokoj\u00edk\u016f, p\u0159ivezli do Prahy.<\/p>\n

Live: Composers Summit Prague 2026 – Gustavo Santaolalla – The Last Of Us<\/p>\n

m\u00edsto: Hudebn\u00ed divadlo Karl\u00edn, Praha
datum: 28. dubna 2026

\n
\nsetlist: Brokeback Mountain Suite, A Love That Will Never Grow Old, In\u0303arritu suite\/Amores Perros & Biutiful, Te Quiero Te Espero (I Love You, I Wait For You), Iguaz\u00fa, The Apology Song, De Ushuaia A La Quiaca, All Gone (No Escape), The Last Of Us Main Theme + dva p\u0159\u00eddavky \n<\/p>\n

Composers Summit Prague 2026 skon\u010dil. \u0160estidenn\u00ed maraton sch\u016fzek, workshop\u016f, p\u0159edn\u00e1\u0161ek, ale p\u0159edev\u0161\u00edm hudebn\u00edch vystoupen\u00ed uzav\u0159ely dva slavnostn\u00ed ve\u010dery v Hudebn\u00edm divadle Karl\u00edn. Na tom pond\u011bln\u00edm se prom\u00edtal \u010dernob\u00edl\u00fd, n\u011bm\u00fd a ne tak docela kompletn\u011b dochovan\u00fd sn\u00edmek „Metropolis“ z roku 1927. Ten uk\u00e1zal, \u017ee u\u017e p\u0159ed bezm\u00e1la sto lety filma\u0159i \u0159e\u0161ili, co se bude d\u00edt, a\u017e jednoho dne v pr\u00e1ci \u010dlov\u011bka nahrad\u00ed stroj.<\/p>\n

\u017de to je t\u00e9ma nad\u010dasov\u00e9 a prudce aktu\u00e1ln\u00ed, dnes s n\u00e1stupem um\u011bl\u00e9 inteligence mnoz\u00ed za\u017e\u00edv\u00e1me na vlastn\u00ed k\u016f\u017ei. U\u017e tehdy ale re\u017eis\u00e9r Fritz Lang tak tro\u0161ku tu\u0161il, \u017ee se v budoucnu bude st\u00e1le siln\u011bji \u0159e\u0161it pal\u010div\u00e9 t\u00e9ma st\u00e1le \u0161ir\u0161\u00edho rozev\u00edr\u00e1n\u00ed n\u016f\u017eek mezi extr\u00e9mn\u011b bohat\u00fdmi a nejchud\u0161\u00edmi, kter\u00e9 vl\u00e1dnouc\u00ed t\u0159\u00edda vyko\u0159is\u0165uje.<\/p>\n

Film o strachu z budoucnosti, kter\u00e1 u\u017e do jist\u00e9 m\u00edry nastala, nov\u011b o hudebn\u00ed doprovod doplnil skladatel Jeff Beal<\/a>, kter\u00fd se o jeho existenci dozv\u011bd\u011bl p\u0159ed t\u0159emi lety. Nyn\u00ed, \u00fadajn\u011b ve sv\u011btov\u00e9 premi\u00e9\u0159e, se sn\u00edmek v t\u00e9to podob\u011b prom\u00edtal v Praze za doprovodu \u010cesk\u00e9ho n\u00e1rodn\u00edho symfonick\u00e9ho orchestru, kter\u00fd Beal s\u00e1m dirigoval.<\/p>\n

Jen \u0161koda \u017ee se v Hudebn\u00edm divadle Karl\u00edn nepoda\u0159ilo upevnit projek\u010dn\u00ed pl\u00e1no o pozn\u00e1n\u00ed v\u00fd\u0161e, proto\u017ee n\u011bm\u00fd film byl pu\u0161t\u011bn s origin\u00e1ln\u00edmi n\u011bmeck\u00fdmi psan\u00fdmi dialogy, kter\u00e9 ve spodn\u00ed \u010d\u00e1sti pl\u00e1tna dopl\u0148ovaly anglick\u00e9 titulky. Na n\u011b ale bohu\u017eel nebylo p\u0159es muzikanty a samotn\u00e9ho Jeffa z \u0159ady m\u00edst v s\u00e1le v\u016fbec vid\u011bt, tak\u017ee kdo nevl\u00e1dl n\u011bm\u010dinou, musel si dialogy ve dvouap\u016flhodinov\u00e9m sn\u00edmku rozd\u011blen\u00e9m na dv\u011b poloviny sp\u00ed\u0161e dom\u00fd\u0161let.<\/p>\n


\n \"Gustavo<\/a>
\n \u00a9 klapper.czO pozn\u00e1n\u00ed, ba a\u017e nesrovnateln\u011b l\u00e9pe v\u0161ak dopadl program konaj\u00edc\u00ed se na stejn\u00e9m m\u00edst\u011b o den pozd\u011bji. Orchestr i tentokr\u00e1t sp\u00ed\u0161e sporadicky vyu\u017e\u00edvan\u00e9 pl\u00e1tno z\u016fstaly na sv\u00e9m m\u00edst\u011b, dirigentskou h\u016flku v\u0161ak p\u0159evzal Bernard P. Eder, kter\u00e9ho v \u010dele pomysln\u00e9ho pelotonu doplnili kytarist\u00e9 Santiago Carrregal, Juan Luqui a p\u0159edev\u0161\u00edm Gustavo Santaolalla<\/a>.<\/p>\n

Filmov\u00fd skladatel, hudebn\u00edk a tak\u00e9 zp\u011bv\u00e1k poch\u00e1zej\u00edc\u00ed p\u016fvodn\u011b z Argentiny m\u00e1 dnes u\u017e \u010dty\u0159iasedmdes\u00e1t let, co\u017e se projevilo pouze na jeho imobilit\u011b. B\u011bhem \u00favodn\u00edho ve\u010dera summitu se pohyboval na voz\u00ed\u010dku, v Karl\u00edn\u011b dokonce chodil, av\u0161ak na jeho m\u00edsto mu krom\u011b h\u016flky pom\u00e1hali dva asistenti. Jakmile se ale za\u010dalo hr\u00e1t, h\u00e1dali byste mu o dv\u011b dek\u00e1dy m\u00e9n\u011b. <\/p>\n

\"\"\"\"<\/a><\/p>\n

Tak pln\u00fd \u017eivota najednou byl. Usm\u011bvav\u00fd, sympatick\u00fd chlap\u00edk s vit\u00e1ln\u00edm hlasem a velmi pozitivn\u00edm p\u0159\u00edstupem k \u017eivotu i div\u00e1k\u016fm jednozna\u010dn\u011b nadchl cel\u00e9 auditorium. A to u\u017e od prvn\u00ed skladby, co\u017e byl instrument\u00e1ln\u00ed hudebn\u00ed doprovod ke sn\u00edmku „Zkrocen\u00e1 hora“, kter\u00fd ve sv\u00e9 dob\u011b (2005) zboural nejedno tabu.<\/p>\n


\n \"Gustavo<\/a>
\n \u00a9 klapper.czKuriozitou v jeho \u017eivot\u011b z\u016fst\u00e1v\u00e1, \u017ee se pr\u00fd nikdy nenau\u010dil noty a hudbu tak skl\u00e1dal intuitivn\u011b a dle emoc\u00ed, kter\u00e9 v n\u011bm vyvol\u00e1vala. A snad to bylo i spr\u00e1vn\u011b, nebo\u0165 pr\u00e1v\u011b emoce z jeho hudby st\u0159\u00edkaly ve velk\u00e9m po celou dobu koncertu.<\/p>\n

Z\u00e1rove\u0148 je pro jeho tvorbu typick\u00e9, \u017ee r\u00e1d kombinuje zvuky akustick\u00e9 kytary (p\u0159\u00edpadn\u011b jin\u00fdch strunn\u00fdch n\u00e1stroj\u016f) se symfonick\u00fdm t\u011blesem. To kl\u00ed\u010dov\u00e9 a pozoruhodn\u00e9 na tom je sledovat, kdy m\u00e1 d\u016fraz hra na kytaru, respektive jeho obl\u00edben\u00fd n\u00e1stroj ronroco, zat\u00edmco orchestr sp\u00ed, a kdy si role vym\u011b\u0148uj\u00ed. Nebo se akcent p\u0159el\u00e9v\u00e1 z jedn\u00e9 strany na druhou a v\u00fdsledek p\u0159ich\u00e1z\u00ed k poslucha\u010dov\u00fdm u\u0161\u00edm jako vlny mo\u0159e, kdy\u017e nar\u00e1\u017e\u00ed na kameny na pob\u0159e\u017e\u00ed.<\/p>\n


\n \"Gustavo<\/a>
\n \u00a9 klapper.cz\u00dapln\u011b jin\u00fd rozm\u011br koncert z\u00edskal, kdy\u017e se Santaolalla hned ve druh\u00e9 skladb\u011b, tedy „A Love That Will Never Grow Old“, rozhodl zavzpom\u00ednat na sv\u00e9 kapeln\u00ed a producentsk\u00e9 ko\u0159eny a za\u010dal zp\u00edvat skladbu z u\u017e zm\u00edn\u011bn\u00e9ho sn\u00edmku s Heathem Ledgerem a Jakem Gyllenhallem, za ni\u017e dostal ve sv\u00e9 dob\u011b Zlat\u00fd gl\u00f3bus.<\/p>\n

V tu chv\u00edli zn\u011bl jeho hlas siln\u011b a pevn\u011b, jako je t\u0159eba aktu\u00e1ln\u011b st\u00e1le je\u0161t\u011b ten Sting\u016fv, kter\u00fd s Gustavem sd\u00edl\u00ed nejen stejn\u00fd v\u011bk, ale patrn\u011b se j\u00edm i tak tro\u0161ku inspiroval p\u0159i sv\u00e9 vlastn\u00ed spolupr\u00e1ci se symfonick\u00fdm orchestrem. Mimochodem – shodou okolnost\u00ed \u0161lo tak\u00e9 o \u010cNSO<\/a>. A kdo si naposlouchal oba p\u00e1ny, jist\u011b podobn\u00e9 aran\u017e\u00e9rsk\u00e9 pentle rovn\u011b\u017e zaznamenal.<\/p>\n

\"\"\"\"<\/a><\/p>\n

Ve\u0161ker\u00e1 podobnost s Englishmanem v New Yorku ale byla ta tam, jakmile se v Los Angeles us\u00eddlen\u00fd majitel p\u011bst\u011bn\u00e9ho plnovousu rozhodl vsadit na sv\u00e9 argentinsk\u00e9 ko\u0159eny. Jeho hudba tak dostala nejen p\u0159i uk\u00e1zce z filmu „Amores perros – L\u00e1ska je kurva“ latinskoamerick\u00fd n\u00e1dech, zv\u00fd\u0161ila sv\u00e9 tempo a koncert nabral \u00fapln\u011b jinou dynamiku.<\/p>\n


\n \"Gustavo<\/a>
\n \u00a9 klapper.czV\u011bhlasn\u00fd skladatel nakonec avizovan\u00e9mu a aktu\u00e1ln\u011b jeho nejv\u011bt\u0161\u00edho hitu – hudb\u011b z post-apo videohry a seri\u00e1lu „The Last Of Us“ – nev\u011bnoval tolik prostoru, kolik asi leckdo \u010dekal. Fanou\u0161ci nez\u0159\u00eddka oble\u010den\u00ed i do tri\u010dek s hern\u00edmi motivy tak mohli na jednu stranu odch\u00e1zet zklaman\u00ed, proto\u017ee cht\u011bli v\u00edc.<\/p>\n

Ve srovn\u00e1n\u00ed s ve\u010derem, kter\u00fd se od A do Z v\u011bnoval „Stranger Things“<\/a>, jsme toti\u017e dostali p\u0159edstaven\u00ed, kter\u00e9 bylo koncipov\u00e1no sp\u00ed\u0161e jako pr\u016f\u0159ez celou tvorbou znamenit\u00e9ho um\u011blce, kter\u00fd si v z\u00e1v\u011bru od Alexandra Smutn\u00e9ho a spol. p\u0159evzal ocen\u011bn\u00ed za celo\u017eivotn\u00ed d\u00edlo. P\u0159esto\u017ee v\u0161ak choutky sp\u00ed\u0161e mlad\u0161\u00edch fanou\u0161k\u016f z\u016fstaly do jist\u00e9 m\u00edry z pouze p\u0159ibli\u017en\u011b hodinov\u00e9ho p\u0159edstaven\u00ed neuspokojeny, za zklam\u00e1n\u00ed to vystoupen\u00ed ozna\u010dit nelze.<\/p>\n


\n \"Gustavo<\/a>
\n \u00a9 klapper.czNab\u00eddlo toti\u017e pomysln\u00e9 best of, d\u00edky \u010demu\u017e m\u011bl koncert \u0159adu r\u016fzn\u00fdch zvukov\u00fdch odst\u00edn\u016f a bavil od za\u010d\u00e1tku a\u017e do konce prodlou\u017een\u00e9ho o dva p\u0159\u00eddavky, p\u0159i nich\u017e se nejen za\u010dalo tleskat, ale dokonce i tancovat vestoje. V divadle. N\u011bco takov\u00e9ho tento slavnostn\u00ed s\u00e1l patrn\u011b je\u0161t\u011b neza\u017eil.<\/p>\n

Ve v\u00fdsledku tak Gustavo Santaolalla<\/a> p\u0159esv\u011bd\u010dil, nadchnul a bez jak\u00e9koliv pochybnosti namotivoval v\u0161echny p\u0159\u00edtomn\u00e9, aby na ro\u010dn\u00edk 2027 dorazili takt\u00e9\u017e. Jeho koncert se toti\u017e povedl tak moc, \u017ee kdyby skladatel p\u0159ijel za rok znovu, bezpochyby by ho v\u0161ichni ti radostn\u011b se usm\u00edvaj\u00edc\u00ed lid\u00e9 v s\u00e1le cht\u011bli vid\u011bt znovu.<\/p>\n

Takto div\u00e1ky namlsat – to se poda\u0159\u00ed m\u00e1lokomu. Tak snad jsme ho nevid\u011bli naposledy! \"\"<\/p>\n","protected":false},"excerpt":{"rendered":"Sly\u0161et na\u017eivo \u00fast\u0159edn\u00ed melodii z videohry a seri\u00e1lu „The Last Of Us“, tedy kusu, kter\u00fd v obou sv\u00fdch…\n","protected":false},"author":2,"featured_media":73355,"comment_status":"","ping_status":"","sticky":false,"template":"","format":"standard","meta":{"footnotes":""},"categories":[30],"tags":[8086,8087,8085,98,99,195],"class_list":{"0":"post-73354","1":"post","2":"type-post","3":"status-publish","4":"format-standard","5":"has-post-thumbnail","7":"category-praha","8":"tag-cs","9":"tag-dvd","10":"tag-musicserver","11":"tag-prague","12":"tag-praha","13":"tag-recenze"},"share_on_mastodon":{"url":"https:\/\/pubeurope.com\/@cz\/116505123631113925","error":""},"_links":{"self":[{"href":"https:\/\/www.europesays.com\/cz\/wp-json\/wp\/v2\/posts\/73354","targetHints":{"allow":["GET"]}}],"collection":[{"href":"https:\/\/www.europesays.com\/cz\/wp-json\/wp\/v2\/posts"}],"about":[{"href":"https:\/\/www.europesays.com\/cz\/wp-json\/wp\/v2\/types\/post"}],"author":[{"embeddable":true,"href":"https:\/\/www.europesays.com\/cz\/wp-json\/wp\/v2\/users\/2"}],"replies":[{"embeddable":true,"href":"https:\/\/www.europesays.com\/cz\/wp-json\/wp\/v2\/comments?post=73354"}],"version-history":[{"count":0,"href":"https:\/\/www.europesays.com\/cz\/wp-json\/wp\/v2\/posts\/73354\/revisions"}],"wp:featuredmedia":[{"embeddable":true,"href":"https:\/\/www.europesays.com\/cz\/wp-json\/wp\/v2\/media\/73355"}],"wp:attachment":[{"href":"https:\/\/www.europesays.com\/cz\/wp-json\/wp\/v2\/media?parent=73354"}],"wp:term":[{"taxonomy":"category","embeddable":true,"href":"https:\/\/www.europesays.com\/cz\/wp-json\/wp\/v2\/categories?post=73354"},{"taxonomy":"post_tag","embeddable":true,"href":"https:\/\/www.europesays.com\/cz\/wp-json\/wp\/v2\/tags?post=73354"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}}