{"id":79268,"date":"2026-05-08T08:44:14","date_gmt":"2026-05-08T08:44:14","guid":{"rendered":"https:\/\/www.europesays.com\/cz\/79268\/"},"modified":"2026-05-08T08:44:14","modified_gmt":"2026-05-08T08:44:14","slug":"miroslav-hornicek-kopanec-od-wericha-osudne-kliste-a-lekar-jako-dedic-milovane-chalupy","status":"publish","type":"post","link":"https:\/\/www.europesays.com\/cz\/79268\/","title":{"rendered":"Miroslav Horn\u00ed\u010dek: Kopanec od Wericha, osudn\u00e9 kl\u00ed\u0161t\u011b a\u00a0l\u00e9ka\u0159 jako d\u011bdic milovan\u00e9 chalupy"},"content":{"rendered":"

Miroslav Horn\u00ed\u010dek nebyl jen herec, re\u017eis\u00e9r a\u00a0spisovatel, ale p\u0159edev\u0161\u00edm vyznava\u010d laskav\u00e9ho a\u00a0inteligentn\u00edho humoru. Mistr improvizace se narodil 10.\u00a0listopadu 1918\u00a0v\u00a0Plzni. Cestu k\u00a0divadlu si chv\u00edli hledal. Sv\u00fdm rodi\u010d\u016f, kte\u0159\u00ed pracovali v\u00a0textilce \u010dasto p\u0159id\u011bl\u00e1val vr\u00e1sky na \u010dele. \u201eOpakoval jsem dvakr\u00e1t tercii, byl jsem l\u00edn\u00fd a\u00a0lehkomysln\u00fd. Nech\u00e1pu, \u017ee m\u011b nezabili,\u201c \u0159\u00edk\u00e1val. Jeho komedi\u00e1ln\u00ed sklony se naplno za\u010daly projevovat na st\u0159edn\u00ed \u0161kole, kde ochotni\u010dil. Se spolu\u017e\u00e1ky zalo\u017eili na re\u00e1lce Studentsk\u00fd avantgardn\u00ed kolektiv.<\/p>\n

Kdy\u017e v\u00a0polovin\u011b 30.\u00a0let zhl\u00e9dl\u00a0plze\u0148sk\u00e9 vystoupen\u00ed Voskovce a\u00a0Wericha, byl ohromen. Horn\u00ed\u010dka u\u010daroval nejen jejich humor a\u00a0poetika, ale\u00a0tak\u00e9 pohotovost, s\u00a0jakou jejich humor vznikal. Ve sv\u00fdch sedmn\u00e1cti letech pak sed\u00e1val na kolo a\u00a0jezdil do Prahy na p\u0159edstaven\u00ed Osvobozen\u00e9ho divadla, kde hltal vystoupen\u00ed sv\u00fdch hereck\u00fdch vzor\u016f.<\/p>\n

Foto: Atelieur Ad\u00e9le, Forster – Prague (Praha), Public domain, via Wikimedia Commons<\/p>\n

Jan Werich a\u00a0Ji\u0159\u00ed Voskovec, hra Golem, 1932<\/p>\n

Na dr\u00e1hu herce si ale zprvu netroufal, byl velk\u00fd tr\u00e9mista. Po maturit\u011b na re\u00e1lce p\u00e1r let \u00fa\u0159edni\u010dil ve \u0160kodovce a\u00a0v plze\u0148sk\u00e9 nemocnici, nicm\u00e9n\u011b v\u00a0roce 1941\u00a0p\u0159eci jen p\u0159ijal anga\u017em\u00e1 v\u00a0M\u011bstsk\u00e9m divadle v\u00a0Plzni. Za\u010d\u00e1tky jeho profesion\u00e1ln\u00ed hereck\u00e9 dr\u00e1hy byly ale velmi krkolomn\u00e9. Vyzkou\u0161el si i\u00a0\u00fa\u010dinkov\u00e1n\u00ed v\u00a0operet\u011b, ale nebylo to prav\u00e9 pro n\u011bj. Pot\u00e9, co se trochu otrkal, zam\u00ed\u0159il do Prahy, kde pro\u0161el n\u011bkolika divadly. Na sc\u00e9n\u011b Divadla satiry se strefoval do \u00fa\u0159edn\u00edk\u016f zneu\u017e\u00edvaj\u00edc\u00edch svou moc, a\u00a0rozv\u00e1d\u011bl r\u016fzn\u00e9 ne\u0161vary t\u00e9 doby. To se znel\u00edbilo vrchnosti a\u00a0roku 1949\u00a0Divadlo satiry zmizelo z\u00a0pra\u017esk\u00e9 sc\u00e9ny. Horn\u00ed\u010dek n\u00e1sledn\u011b chv\u00edli p\u016fsobil v\u00a0Realistick\u00e9m divadle, kam p\u0159e\u0161la \u010d\u00e1st zlikvidovan\u00e9ho souboru. Tam se v\u0161ak dostal do sporu s\u00a0\u0159editelem \u0160kodou, a\u00a0kdy\u017e se ohl\u00ed\u017eel po jin\u00e9m anga\u017em\u00e1, ujal se jej Jind\u0159ich Honzl, s\u00a0n\u00edm\u017e p\u0159i\u0161el do N\u00e1rodn\u00edho divadla.<\/p>\n

Foto: Tilman2007, CC BY-SA 4.0, via Wikimedia Commons<\/p>\n

N\u00e1rodn\u00ed divadlo, Praha<\/p>\n

U\u017e tehdy Horn\u00ed\u010dek vynikal svou bleskovou pohotovost\u00ed, schopnost\u00ed rychl\u00fdch a\u00a0vtipn\u00fdch reakc\u00ed. Jeho vypr\u00e1v\u011bn\u00ed bylo dle vzpom\u00ednek Franti\u0161ka Filipovsk\u00e9ho propln\u011bn\u00e9 moudrost\u00ed vn\u00edmav\u00e9ho pozorovatele, tu a\u00a0tam oko\u0159en\u011bn\u00e9 u\u0161t\u011bpa\u010dnou kritikou s\u00a0vtipnou pointou. \u201eJeho \u017eivotn\u00ed postoje mu samoz\u0159ejm\u011b v\u00a0N\u00e1rodn\u00edm divadle komplikovaly \u017eivot. Brzy si uv\u011bdomil, \u017ee se ocitl v\u00a0prost\u0159ed\u00ed, kde jeho typ neklidn\u00e9ho, p\u0159\u00edli\u0161 individualistick\u00e9ho a\u00a0k tomu kriticky fundovan\u00e9ho herce nenajde pochopen\u00ed, a\u00a0tedy ani uspokojiv\u00e9 uplatn\u011bn\u00ed. Nehodil se do N\u00e1rodn\u00edho divadla. Byl tady p\u0159\u00edli\u0161 v\u00a0\u00fastran\u00ed a\u00a0on pot\u0159eboval b\u00fdt na o\u010d\u00edch. Jeho talent se neum\u011bl pod\u0159izovat,\u201c zhodnotil ho ve sv\u00fdch vzpom\u00ednk\u00e1ch Filipovsk\u00fd.<\/p>\n

Foto: J.Broukal, CC BY-SA 4.0 , via Wikimedia Commons<\/p>\n

Miroslav Horn\u00ed\u010dek, 1989<\/p>\n

N\u00e1rodn\u00ed divadlo sice nebylo jeho \u0161\u00e1lkem \u010daje, ale sezn\u00e1mil se v\u00a0n\u011bm se svou \u017eivotn\u00ed l\u00e1skou B\u011blou. \u201eJednou jsem ji zahl\u00e9dl, jak \u010dekala p\u0159ed pokladnou, a\u00a0po bilet\u00e1\u0159ce jsem j\u00ed poslal vzkaz: V\u0161echno v\u00e1m vysv\u011btl\u00edm, jen mi sd\u011blte svou adresu. Na\u0161t\u011bst\u00ed odpov\u011bd\u011bla a\u00a0dali jsme si rande,\u201c prozradil detaily sezn\u00e1men\u00ed s\u00a0jeho man\u017eelkou. Zrodila se velk\u00e1 l\u00e1ska, ze kter\u00e9 vze\u0161el roku 1950\u00a0syn Jan.<\/p>\n

Vedle \u00favazku v\u00a0N\u00e1rodn\u00edm divadle uv\u00e1d\u011bl Miroslav p\u00e1smo Humor nen\u00ed pro legraci. Tehdy Horn\u00ed\u010dkovi s\u00a0Filipovsk\u00fdm a\u00a0Lipsk\u00fdm za\u010dal d\u011blat p\u0159edn\u00edho klav\u00edristu Ji\u0159\u00ed \u0160litr. Zde Horn\u00ed\u010dek rozv\u00edjel svou schopnost improvizace. Bylo to n\u011bco, co tro\u0161ku p\u0159ipom\u00ednalo ji\u017e neexistuj\u00edc\u00ed Osvobozen\u00e9 divadlo. Tou dobou u\u017e Jan Werich princip\u00e1loval v\u00a0Divadle ABC a\u00a0hledal n\u011bkoho, kdo by mu byl podobn\u00fdm par\u0165\u00e1kem, jako byl Ji\u0159\u00ed Voskovec. P\u0159i jedn\u00e9 z\u00a0n\u00e1v\u0161t\u011bv u\u00a0Werich\u016f se mu Filipovsk\u00fd zm\u00ednil o\u00a0Horn\u00ed\u010dkovi a\u00a0pozval jej do Komorn\u00edho divadla na Horn\u00ed\u010dk\u016fv program \u010clov\u011bk mezi lidmi. Zv\u011bdavost Werichovi nedala a\u00a0p\u0159i\u0161el se do divadla pod\u00edvat, nicm\u00e9n\u011b p\u0159edstaven\u00ed nijak nekomentoval. Nedlouho pot\u00e9 se p\u0159i\u0161el pod\u00edvat tak\u00e9 na jednu z\u00a0repr\u00edz Zkrocen\u00ed zl\u00e9 \u017eeny. Po p\u0159estaven\u00ed se objevil v\u00a0klubu Stavovsk\u00e9ho divadla a\u00a0mezi \u0159e\u010dmi se n\u00e1hle oto\u010dil na Horn\u00ed\u010dka a\u00a0prohl\u00e1sil: \u201eHorn\u00ed\u010dku, to nebyla divadeln\u00ed role, to byl potrat!\u201c V\u00a0t\u00e9 h\u0159e hr\u00e1l Horn\u00ed\u010dek roli rozvern\u00e9ho Trania, co\u017e byla jeho nejv\u00fdrazn\u011bj\u0161\u00ed role v\u00a0N\u00e1rodn\u00edm divadle. \u201eP\u0159\u00edtomn\u00ed udiven\u011b \u010dekali, co \u0159ekne d\u00e1l. V\u011bd\u011blo se, \u017ee Werich je star\u00fd provokat\u00e9r, ale pro\u010d zrovna napadl Horn\u00ed\u010dka, kter\u00e9ho ani po\u0159\u00e1dn\u011b neznal, to nemohlo b\u00fdt z\u00a0obvykl\u00e9ho kamar\u00e1dsk\u00e9ho hecu. Mirek zrudl, u\u0161kl\u00edbl se, a\u00a0ani\u017e \u0159ekl slovo, \u0161el si k\u00a0pultu pro pan\u00e1ka. Hodil ho do sebe, dal si druh\u00e9ho a\u00a0otr\u00e1ven\u011b ml\u010del,\u201c popsal napjatou atmosf\u00e9ru Filipovsk\u00fd. Kdy\u017e si Horn\u00ed\u010dek objedn\u00e1val dal\u0161\u00edho pan\u00e1ka, p\u0159ivalil se Werich, kter\u00fd se do t\u00e9 doby bavil s\u00a0Vydrou a\u00a0objednal vodku. Obr\u00e1til se k\u00a0Horn\u00ed\u010dkovi a\u00a0nab\u00eddl mu anga\u017em\u00e1 v\u00a0ABC.<\/p>\n

\"\"<\/a><\/p>\n

Je\u0161t\u011b, ne\u017e mu Horn\u00ed\u010dek na nab\u00eddku k\u00fdvnul, ov\u011b\u0159il si Werich jeho hereck\u00e9 kvality p\u0159i nat\u00e1\u010den\u00ed poh\u00e1dky Byl jednou jeden kr\u00e1l, kde Horn\u00ed\u010dek ztv\u00e1rnil v\u00a0blon\u010fat\u00e9 paruce a\u00a0s n\u00e1u\u0161nic\u00ed v\u00a0uchu kr\u00e1sn\u00e9ho prince. Bylo to poprv\u00e9 a\u00a0naposled, kdy se p\u0159ed kamerou objevil v\u00a0takov\u00e9 roli. Kdy\u017e mu byla polo\u017eena ot\u00e1zka, jak je mo\u017en\u00e9, \u017ee hraje toho kr\u00e1sn\u00e9ho, odpov\u011bd\u011bl s\u00a0humorem, kter\u00fd mu byl vlastn\u00ed: \u201eKdy\u017e M\u016f\u017ee Milo\u0161 Kopeck\u00fd hr\u00e1t chytr\u00e9ho prince, tak pro\u010d ne?\u201c<\/p>\n

Foto: Barbora.freiova369, CC BY-SA 4.0, via Wikimedia Commons<\/p>\n

Milo\u0161 Kopeck\u00fd<\/p>\n

Horn\u00ed\u010dek v\u00a0roce 1955\u00a0mnoh\u00e9 p\u0159ekvapil, kdy\u017e dal v\u00a0N\u00e1rodn\u00edm divadle v\u00fdpov\u011b\u010f a\u00a0ode\u0161el do divadla ABC, kde se stal Werichov\u00fdm rovnocenn\u00fdm partnerem. Z\u00a0Wericha m\u011bl Horn\u00ed\u010dek zpo\u010d\u00e1tku velk\u00fd respekt, nicm\u00e9n\u011b se dok\u00e1zali perfektn\u011b sladit. P\u0159ed div\u00e1ky rozv\u00edjeli sv\u00e9 brilantn\u00ed jazykov\u00e9 kreace v\u00a0legend\u00e1rn\u00edch p\u0159edsc\u00e9n\u00e1ch. Jejich forb\u00edny skl\u00edzely velk\u00fd \u00fasp\u011bch. \u201eHorn\u00ed\u010dek se uvedl skv\u011ble a\u00a0Werich byl kone\u010dn\u011b spokojen. Velice si Mirka pova\u017eoval. Ocenil pohotovost, s\u00a0jakou ho provokoval k\u00a0vtipn\u00fdm replik\u00e1m, podobn\u011b jako za star\u00fdch \u010das\u016f Voskovec. Prohla\u0161oval, \u017ee p\u00e1nb\u016fh dal Horn\u00ed\u010dkovi v\u0161echno, co herec pot\u0159ebuje k\u00a0improvizaci: bystr\u00fd a\u00a0rychl\u00fd mozek na spr\u00e1vn\u00e9m m\u00edst\u011b a\u00a0o\u010di, jimi\u017e nic neute\u010de,\u201c komentoval jejich spolupr\u00e1ci Filipovsk\u00fd ve sv\u00fdch pam\u011btech. Zaj\u00edmavost\u00ed je, \u017ee Horn\u00ed\u010dek nejen na jevi\u0161ti, ale tak\u00e9 v\u00a0soukrom\u00ed Werichovi d\u016fsledn\u011b vykal. Werich mu nab\u00eddl tyk\u00e1n\u00ed a\u017e pot\u00e9, co spolu po p\u011bti letech p\u0159estali hr\u00e1t. Werich toti\u017e ode\u0161el z\u00a0Divadla ABC, \u00fadajn\u011b proto, \u017ee jej unavovala funkce \u0159editele, kdy\u017e musel neust\u00e1le obru\u0161ovat hrany spor\u016f s\u00a0\u00fa\u0159edn\u00edky. Vadilo mu, \u017ee se jeho polemika m\u016f\u017ee odb\u00fdvat jen v\u00a0p\u0159esn\u011b vyty\u010den\u00fdch mez\u00edch.<\/p>\n

V t\u00e9 dob\u011b Horn\u00ed\u010dek tak\u00e9 \u010dasto nav\u0161t\u011bvoval Redutu, kde se sezn\u00e1mil s\u00a0tehdy je\u0161t\u011b ne tolik zn\u00e1m\u00fdm Ji\u0159\u00edm Such\u00fdm. Tam se zrodila jejich spolupr\u00e1ce, kter\u00e1 pokra\u010dovala v\u00a0legend\u00e1rn\u00edm Semaforu.<\/p>\n

Foto: Tom\u00e1\u0161 Fassati, CC BY-SA 4.0, via Wikimedia Commons<\/p>\n

Ji\u0159\u00ed Such\u00fd<\/p>\n

V 60.\u00a0letech se Horn\u00ed\u010dek nerealizoval jen na jevi\u0161ti, v\u011bnoval se tak\u00e9 liter\u00e1rn\u00ed \u010dinnosti. Psal p\u0159ev\u00e1\u017en\u011b pov\u00eddky. Po jejich kni\u017en\u00edch vyd\u00e1n\u00edch se jen zapr\u00e1\u0161ilo. R\u00e1d se zab\u00fdval t\u00e9matem, jak rozd\u00edln\u011b vid\u00ed sv\u011bt \u017eeny a\u00a0mu\u017ei. Napsal i\u00a0cestopisy. V\u00a0Javorov\u00fdch listech vypr\u00e1v\u011bl o\u00a0sv\u00e9m pobytu v\u00a0kanadsk\u00e9m Montrealu, kde byl na sv\u011btov\u00e9 v\u00fdstav\u011b EXPO jako jeden z\u00a0\u00fa\u010dinkuj\u00edc\u00edch. V\u00a0roce 1967\u00a0p\u0159edv\u00e1d\u011bl sv\u00e9 moder\u00e1torsk\u00e9 um\u011bn\u00ed p\u0159i uv\u00e1d\u011bn\u00ed Kinoautomatu, co\u017e byl v\u00a0podstat\u011b prvn\u00ed interaktivn\u00ed film na sv\u011bt\u011b. Div\u00e1ci sledovali film, kter\u00fd se zastavil ve chv\u00edli, kdy hrdina musel u\u010dinit n\u011bjak\u00e9 rozhodnut\u00ed. Horn\u00ed\u010dek situaci okomentoval a\u00a0vyb\u00eddl publikum, aby p\u0159es hlasovac\u00ed za\u0159\u00edzen\u00ed odhlasovali, jak se bude situace d\u00e1l vyv\u00edjet. M\u011bl nau\u010den\u00e9 texty v\u00a0angli\u010dtin\u011b pro \u00fa\u010del moderov\u00e1n\u00ed, jinak v\u0161ak anglicky neum\u011bl. Novin\u00e1\u0159\u016fm odpov\u00eddal jednou anglickou v\u011btou: \u201ePohovo\u0159it se mnou nelze, pop\u00edt ano.\u201c D\u00e1 se \u0159\u00edci, \u017ee d\u00edky tomu se stal v\u00a0podstat\u011b i\u00a0sv\u011btovou hv\u011bzdou.<\/p>\n

Koncem 60.\u00a0let st\u00e1l tak\u00e9 u\u00a0zrodu\u00a0prvn\u00ed talk show v\u00a0\u010deskoslovensk\u00e9 televizi. V\u00a0letech 1969\u00a0\u2013 1971\u00a0moderoval po\u0159ad Hovory H. V\u00a0po\u0159adu se vyst\u0159\u00eddali host\u00e9, jako byl nap\u0159\u00edklad Jan Werich, Ji\u0159\u00ed Sov\u00e1k, nebo Milan Lasica. Po\u0159ad byl mimo\u0159\u00e1dn\u011b popul\u00e1rn\u00ed. A\u00a0to nejen d\u00edky host\u016fm, ale taky Horn\u00ed\u010dkovi, kter\u00fd dok\u00e1zal vtipn\u011b a\u00a0pohotov\u011b odpov\u00eddat na dotazy div\u00e1k\u016f. Jeho d\u016fvtip a\u00a0konverza\u010dn\u00ed styl se ale znel\u00edbil televizn\u00edm normaliz\u00e1tor\u016fm a\u00a0po\u0159ad byl zru\u0161en. V\u00a0dob\u011b nastupuj\u00edc\u00ed normalizace se toti\u017e na obrazovce sm\u011blo \u0159\u00edkat jen to, co bylo p\u0159edem odsouhlasen\u00e9. Na zru\u0161en\u00fd po\u0159ad nav\u00e1zal Horn\u00ed\u010dek a\u017e po dvaceti letech. K\u00a0televizn\u00ed z\u00e1bav\u011b se u\u017e ale stav\u011bl kriticky: \u201eDnes ub\u00fdv\u00e1 humoru a\u00a0p\u0159ib\u00fdv\u00e1 d\u011bl\u00e1n\u00ed legrace, a\u00a0mezi t\u011bmi dv\u011bma kategoriemi je velik\u00fd rozd\u00edl.\u201c<\/p>\n

K jeho popularit\u011b p\u0159isp\u011bly nejen jeho hereck\u00e9 v\u00fdkony a\u00a0kn\u00ed\u017eky, ale tak\u00e9 spolupr\u00e1ce s\u00a0hereck\u00fdmi partnery. Po Janu Werichovi a\u00a0Ji\u0159\u00edm Such\u00e9m vystupoval s\u00a0Milo\u0161em Kopeck\u00fdm v\u00a0r\u016fzn\u00fdch z\u00e1bavn\u00fdch po\u0159adech. Byli velmi dobr\u00fdmi p\u0159\u00e1teli, Horn\u00ed\u010dek byl dokonce Kopeck\u00e9mu na svatb\u011b za sv\u011bdka. Dal\u0161\u00edm jeho hereck\u00fdm partnerem byl Ji\u0159\u00ed Sov\u00e1k. Objevili se spolu v\u00a0seri\u00e1lu Byli jednou dva p\u00edsa\u0159i, kde m\u011bli prostor pro improvizaci.<\/p>\n

Foto: J.Broukal, CC BY-SA 4.0 , via Wikimedia Commons<\/p>\n

Ji\u0159\u00ed Sov\u00e1k<\/p>\n

Nat\u00e1\u010den\u00ed ale bohu\u017eel poznamenala velk\u00e1 trag\u00e9die. Horn\u00ed\u010dk\u016fv jedin\u00fd syn Jan, kter\u00fd studoval dokumentaristiku na pra\u017esk\u00e9 FAMU, se p\u0159ijel pod\u00edvat na nat\u00e1\u010den\u00ed, proto\u017ee r\u00e1d sledoval otce p\u0159i pr\u00e1ci. V\u00a0podve\u010der \u0161el za usedlost, kde nat\u00e1\u010den\u00ed prob\u00edhalo, chytat ryby. Sedl si na\u00a0skru\u017e pln\u00e9 vody. Kdy\u017e tu n\u00e1hle dostal epileptick\u00fd z\u00e1chvat. Spadl do vody a\u00a0utopil se. \u201eP\u0159ijel jsem z\u00a0nat\u00e1\u010den\u00ed dom\u016f a\u00a0\u0159\u00edkal jsem si: Honza je u\u017e doma. Ale tam nebyl. Tak jsem r\u00e1no vyjel hodn\u011b brzy a\u00a0v ml\u00fdn\u011b jsem ho hledal. P\u0159i\u0161el za mnou Jirka Sov\u00e1k a\u00a0\u0159\u00edkal: Poj\u010f, jedeme, je v\u00a0nemocnici. Co\u017e byl od n\u011bj trik, aby m\u011b tam vyl\u00e1kal. A\u00a0tam mi dali injekci na uklidn\u011bn\u00ed a\u00a0\u0159ekli, \u017ee je mrtv\u00fd,\u201c popsal osudn\u00fd den v\u00a0dokumentu \u010cesk\u00e9 televize Miroslav Horn\u00ed\u010dek: Humor nen\u00ed \u017e\u00e1dn\u00e1 sranda. Prozradil tak\u00e9, \u017ee epileptick\u00e9 z\u00e1chvaty za\u010daly po kousnut\u00ed kl\u00ed\u0161t\u011btem. \u201eTa jeho diagn\u00f3za vypadala tak, \u017ee m\u011bl kl\u00ed\u0161\u0165ovou encefalitidu a\u00a0po n\u00ed n\u00e1sledovaly epileptick\u00fd z\u00e1chvaty. Jedin\u00fd, \u010d\u00edm se trochu ut\u011b\u0161uju, je, \u017ee ty z\u00e1chvaty by se byly zhor\u0161ovaly a\u00a0\u017ee by byl asi skon\u010dil v\u00a0\u00fastavu,\u201c dodal. Se ztr\u00e1tou jednadvacetilet\u00e9ho syna se vyrovn\u00e1val velmi dlouho. D\u00edky Sov\u00e1kovi, kter\u00fd ho neust\u00e1le n\u011b\u010d\u00edm zam\u011bstn\u00e1val, se dostal z\u00a0nejhor\u0161\u00edho a\u00a0nat\u00e1\u010den\u00ed seri\u00e1lu bylo dokon\u010deno.<\/p>\n

\"\"<\/a><\/p>\n

Nejrad\u011bji tr\u00e1vil \u010das na\u00a0chalup\u011b v\u00a0severo\u010desk\u00fdch Kytlic\u00edch, kde si rovnal my\u0161lenky. Na zahrad\u011b chalupy m\u011bl okru\u017e\u00ed, z\u0159ejm\u011b z\u00a0n\u011bjak\u00e9ho ml\u00fdna, kter\u00e9 tam jeho syn kdysi p\u0159ikut\u00e1lel. P\u0159i pohledu na zahradu na n\u011bj vzpom\u00ednal. Uvedl, \u017ee tam na t\u00e9 zahrad\u011b je s\u00a0n\u00edm syn v\u00edce ne\u017e tam na h\u0159bitov\u011b. Zde se tak\u00e9 v\u00fdtvarn\u011b realizoval, vytvo\u0159il \u0159adu fotografick\u00fdch kol\u00e1\u017e\u00ed.<\/p>\n

Toto \u00fato\u010di\u0161t\u011b klidu nakonec odk\u00e1zal doktorovi Vladim\u00edrovi Mare\u0161ovi, v\u00a0n\u011bm\u017e nalezl sv\u00e9ho druh\u00e9ho syna. Pojilo je letit\u00e9 p\u0159\u00e1telstv\u00ed, kter\u00e9 za\u010dalo v\u00a080.\u00a0letech, kdy\u017e jej Mare\u0161 s\u00a0p\u0159\u00e1teli prost\u0159ednictv\u00edm dopisu pozval na bramborov\u00fd gul\u00e1\u0161 a\u00a0v\u00edno. Po smrti Horn\u00ed\u010dkovi milovan\u00e9 man\u017eelky B\u011bly, se Horn\u00ed\u010dek nast\u011bhoval do domu doktora Vladim\u00edra Mare\u0161e. S\u00a0jeho rodinou str\u00e1vil posledn\u00ed rok a\u00a0p\u016fl \u017eivota, kdy u\u017e m\u011bl zna\u010dn\u00e9 zdravotn\u00ed probl\u00e9my. Tr\u00e1pila ho cukrovka a\u00a0trp\u011bl \u00fazkostmi. Jeho \u017eivot vyhasl 15.\u00a0\u00fanora roku 2003\u00a0ve v\u011bku nedo\u017eit\u00fdch osmdes\u00e1ti p\u011bti let.<\/p>\n

TVRZN\u00cdK, Ji\u0159\u00ed. Komik se vrac\u00ed: ze vzpom\u00ednek Franti\u0161ka Filipovsk\u00e9ho. V\u00a0Praze: XYZ, 2007.\u00a0ISBN 9788073880286.<\/p>\n","protected":false},"excerpt":{"rendered":"Miroslav Horn\u00ed\u010dek nebyl jen herec, re\u017eis\u00e9r a\u00a0spisovatel, ale p\u0159edev\u0161\u00edm vyznava\u010d laskav\u00e9ho a\u00a0inteligentn\u00edho humoru. Mistr improvizace se narodil 10.\u00a0listopadu…\n","protected":false},"author":2,"featured_media":79269,"comment_status":"","ping_status":"","sticky":false,"template":"","format":"standard","meta":{"footnotes":""},"categories":[14],"tags":[5082,5809,2847,79,25428,17785,1539,9771,8821,17366,17222,17224,564,650,5774,15562,25426,1253,162,1863,25429,2780,2421,18462,7854,649,5163,1245,652,80,25427,437],"class_list":{"0":"post-79268","1":"post","2":"type-post","3":"status-publish","4":"format-standard","5":"has-post-thumbnail","7":"category-zabava","8":"tag-chalupy","9":"tag-dedictvi","10":"tag-divadla","11":"tag-entertainment","12":"tag-film-byl-jednou-jeden-kral","13":"tag-frantisek-filipovsky","14":"tag-herectvi","15":"tag-humor","16":"tag-jan-werich","17":"tag-jiri-sovak","18":"tag-klistata","19":"tag-klistova-encefalitida","20":"tag-lekari","21":"tag-lide","22":"tag-manzelka","23":"tag-milos-kopecky","24":"tag-miroslav-hornicek","25":"tag-narodni-divadlo","26":"tag-nataceni","27":"tag-plzen","28":"tag-princ","29":"tag-retro","30":"tag-role","31":"tag-seznameni","32":"tag-smrt-ditete","33":"tag-spolecnost","34":"tag-spoluprace","35":"tag-tragedie","36":"tag-vztahy","37":"tag-zabava","38":"tag-zachvat","39":"tag-zajimavosti"},"share_on_mastodon":{"url":"https:\/\/pubeurope.com\/@cz\/116538078984210258","error":""},"_links":{"self":[{"href":"https:\/\/www.europesays.com\/cz\/wp-json\/wp\/v2\/posts\/79268","targetHints":{"allow":["GET"]}}],"collection":[{"href":"https:\/\/www.europesays.com\/cz\/wp-json\/wp\/v2\/posts"}],"about":[{"href":"https:\/\/www.europesays.com\/cz\/wp-json\/wp\/v2\/types\/post"}],"author":[{"embeddable":true,"href":"https:\/\/www.europesays.com\/cz\/wp-json\/wp\/v2\/users\/2"}],"replies":[{"embeddable":true,"href":"https:\/\/www.europesays.com\/cz\/wp-json\/wp\/v2\/comments?post=79268"}],"version-history":[{"count":0,"href":"https:\/\/www.europesays.com\/cz\/wp-json\/wp\/v2\/posts\/79268\/revisions"}],"wp:featuredmedia":[{"embeddable":true,"href":"https:\/\/www.europesays.com\/cz\/wp-json\/wp\/v2\/media\/79269"}],"wp:attachment":[{"href":"https:\/\/www.europesays.com\/cz\/wp-json\/wp\/v2\/media?parent=79268"}],"wp:term":[{"taxonomy":"category","embeddable":true,"href":"https:\/\/www.europesays.com\/cz\/wp-json\/wp\/v2\/categories?post=79268"},{"taxonomy":"post_tag","embeddable":true,"href":"https:\/\/www.europesays.com\/cz\/wp-json\/wp\/v2\/tags?post=79268"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}}