{"id":8174,"date":"2026-02-26T11:22:08","date_gmt":"2026-02-26T11:22:08","guid":{"rendered":"https:\/\/www.europesays.com\/cz\/8174\/"},"modified":"2026-02-26T11:22:08","modified_gmt":"2026-02-26T11:22:08","slug":"recenze-v-brne-hraji-radikalni-adaptaci-ocenenou-predlohu-pozna-malokdo","status":"publish","type":"post","link":"https:\/\/www.europesays.com\/cz\/8174\/","title":{"rendered":"Recenze: V\u00a0Brn\u011b hraj\u00ed radik\u00e1ln\u00ed adaptaci. Ocen\u011bnou p\u0159edlohu pozn\u00e1 m\u00e1lokdo"},"content":{"rendered":"

\u201eMare\u010dku, d\u011bda um\u0159el,\u201c probud\u00ed o\u00a0p\u016fl \u010dtvrt\u00e9 r\u00e1no telefon\u00e1t od matky hrdinu rom\u00e1nu Rozlo\u017e\u00ed\u0161 pam\u011b\u0165<\/a>. Zpr\u00e1va o\u00a0smrti spust\u00ed lavinu bolestn\u00fdch vzpom\u00ednek a\u00a0spolu s\u00a0nimi neur\u010dit\u00fd pocit viny. Nal\u00e9hav\u00fd dojem zintenziv\u0148uje fakt, \u017ee vyprav\u011b\u010d celou dobu oslovuje \u010dten\u00e1\u0159e, jako by se to d\u011blo jemu.<\/p>\n

Debutov\u00e1 pr\u00f3za spisovatele Marka Tor\u010d\u00edka p\u0159edloni z\u00edskala<\/a> Cenu Ji\u0159\u00edho Ortena i\u00a0Magnesii Literu za pr\u00f3zu. Nyn\u00ed se do\u010dkala jevi\u0161tn\u00ed adaptace v\u00a0brn\u011bnsk\u00e9m HaDivadle, je\u017e do nov\u00e9 sezony vstoupilo s\u00a0obm\u011bn\u011bn\u00fdm um\u011bleck\u00fdm veden\u00edm. Trojice \u010derstv\u00fdch absolvent\u016f zdej\u0161\u00ed Jan\u00e1\u010dkovy akademie m\u00fazick\u00fdch um\u011bn\u00ed k\u00a0nastudov\u00e1n\u00ed p\u0159izvala re\u017eis\u00e9ra Ond\u0159eje \u0160tefa\u0148\u00e1ka a\u00a0dramaturga Ond\u0159eje Novotn\u00e9ho. <\/p>\n

Inscenace p\u0159ekvapiv\u011b ponech\u00e1v\u00e1 jen m\u00e1lo prostoru pro to, co je pro rom\u00e1n typick\u00e9, tedy nez\u00fa\u010dastn\u011bn\u00e9 p\u0159em\u00edt\u00e1n\u00ed nad traumatickou minulost\u00ed. U\u017e b\u011bhem \u00favodn\u00edch minut here\u010dce Sa\u0159e Venclovsk\u00e9 v\u00a0roli matky te\u010de z\u00a0nosu um\u011bl\u00e1 krev, zat\u00edmco se z\u00a0kou\u0159e na jevi\u0161t\u011b vkr\u00e1d\u00e1 maskovan\u00fd exekutor a\u00a0potemn\u011bl\u00fdm s\u00e1lem se line dr\u00e1sav\u00fd zvuk elektrick\u00e9 kytary.<\/p>\n

Strach a\u00a0hnus v\u00a0P\u0159erov\u011b<\/p>\n

Mlad\u00fd spisovatel se svou knihou hl\u00e1s\u00ed k\u00a0dnes mo\u017en\u00e1 nejdiskutovan\u011bj\u0161\u00edmu liter\u00e1rn\u00edmu \u017e\u00e1nru, autofikci. V\u00a0posledn\u00ed dek\u00e1d\u011b tak\u00e9 v\u00a0\u010cesku siln\u011b rezonovaly p\u0159eklady d\u011bl francouzsk\u00fdch autor\u016f Didiera Eribona, \u00c9douarda Louise \u010di Annie Ernaux, norsk\u00e9 liter\u00e1rn\u00ed hv\u011bzdy Karla Oveho Knausg\u00e5rda nebo ve Spojen\u00fdch st\u00e1tech \u017eij\u00edc\u00edho liter\u00e1ta vietnamsk\u00e9ho p\u016fvodu Oceana Vuonga. P\u0159es v\u0161echny rozd\u00edly v\u00a0poetice i\u00a0tematick\u00e9m zam\u011b\u0159en\u00ed je spojuje psan\u00ed o\u00a0sob\u011b, intimn\u00ed zpracov\u00e1n\u00ed vlastn\u00ed, \u010dasto bolestn\u00e9 minulosti \u010di osud\u016f nejbli\u017e\u0161\u00edch.<\/p>\n

Marek Tor\u010d\u00edk v\u00a0Rozlo\u017e\u00ed\u0161 pam\u011b\u0165 zachycuje bez\u00fat\u011b\u0161n\u00e9 dosp\u00edv\u00e1n\u00ed teenagera za\u010d\u00e1tkem tis\u00edcilet\u00ed v\u00a0P\u0159erov\u011b. L\u00ed\u010d\u00ed vy\u010derp\u00e1vaj\u00edc\u00ed \u017eivot matky samo\u017eivitelky, rozkro\u010den\u00e9 mezi dv\u011b zam\u011bstn\u00e1n\u00ed, v\u00fdchovu syna a\u00a0p\u00e9\u010di o\u00a0vlastn\u00edho otce alkoholika. Paraleln\u011b s\u00a0t\u00edm hrdina ve \u0161kole za\u017e\u00edv\u00e1 \u0161ikanu\u00a0\u2013 nejen kv\u016fli zak\u0159iknutosti, ale tak\u00e9 v\u00a0d\u016fsledku bl\u00edzk\u00e9ho p\u0159\u00e1telstv\u00ed s\u00a0Mari\u00e1nem, chlapcem \u010d\u00e1ste\u010dn\u011b romsk\u00e9ho p\u016fvodu. S\u00a0n\u00edm z\u00e1rove\u0148 postupn\u011b objevuje svou homosexu\u00e1ln\u00ed orientaci.<\/p>\n

Foto: Al\u017eb\u011bta Drcm\u00e1nkov\u00e1<\/p>\n

Jemnou zranitelnost textu nahrazuje adaptace naturalisticky vyhrocenou karikaturou. \u0160tefa\u0148\u00e1k navrhl i\u00a0sc\u00e9nu, tvo\u0159enou z\u00a0praktik\u00e1bl\u016f sestaven\u00fdm jevi\u0161t\u011bm, nad n\u00edm\u017e se vzn\u00e1\u0161\u00ed naklon\u011bn\u00e1 rovina. Z\u00a0jej\u00edho \u0161tukov\u00e9ho st\u0159edu vis\u00ed dr\u00e1t s\u00a0holou \u017e\u00e1rovkou. B\u00edl\u00e1 plocha p\u0159ipom\u00ednaj\u00edc\u00ed strop neslou\u017e\u00ed pouze jako projek\u010dn\u00ed pl\u00e1tno a\u00a0odkaz k\u00a0dom\u00e1c\u00edmu prost\u0159ed\u00ed, z\u00e1rove\u0148 zt\u011bles\u0148uje pro re\u017eis\u00e9ra typicky pok\u0159ivenou, groteskn\u00ed stylizaci.<\/p>\n

Liter\u00e1rn\u00ed p\u0159edloha motiv n\u00e1sil\u00ed obsahuje hojn\u011b, l\u00ed\u010d\u00ed jej v\u0161ak s\u00a0chladnou strohost\u00ed, bez emocion\u00e1ln\u00edho patosu. \u0160tefa\u0148\u00e1k ho naopak exponuje a\u017e do makabr\u00f3zn\u00edch rozm\u011br\u016f. Krut\u011b komick\u00e9 nads\u00e1zky dosahuje p\u0159edev\u0161\u00edm v\u00a0postav\u011b d\u011bdy, j\u00ed\u017e se ujala Simona Pekov\u00e1. Dlouholet\u00e1 \u010dlenka m\u00edstn\u00edho hereck\u00e9ho ans\u00e1mblu se sv\u00fdm typicky sv\u00e9r\u00e1zn\u00fdm stylem, oble\u010den\u00e1 do nepadnouc\u00edho obleku a\u00a0s prople\u0161at\u011blou parukou, p\u0159ipom\u00edn\u00e1 o\u017eivlou mrtvolu. Nen\u00ed v\u0161ak jedin\u00fdm stra\u0161idlem v\u00a0tomto dom\u011b hr\u016fzy.<\/p>\n

Podobn\u011b vyklouben\u011b p\u016fsob\u00ed postavy, kter\u00e9 ztv\u00e1r\u0148uje \u010derstv\u00e1 posila souboru Josef Filip Kostka. Jejich krajn\u00ed stylizace jako by souvisela s\u00a0t\u00edm, \u017ee poch\u00e1zej\u00ed ze soci\u00e1ln\u011b vylou\u010den\u00e9ho prost\u0159ed\u00ed. Jako nejist\u00fd chlapec Filip, kter\u00fd si vyb\u00edj\u00ed zlost na spolu\u017e\u00e1c\u00edch. V\u00a0tomto p\u0159\u00edpad\u011b u\u017e se snaha o\u00a0dosa\u017een\u00ed surov\u00e9, \u0161okuj\u00edc\u00ed polohy vymyk\u00e1 re\u017eis\u00e9rovi z\u00a0rukou. Sc\u00e9na, je\u017e se v\u00a0liter\u00e1rn\u00ed p\u0159edloze objevuje v\u00a0jin\u00e9m kontextu a\u00a0v n\u00ed\u017e hoch metaforicky mo\u010d\u00ed na hlavy hrdiny Marka a\u00a0jeho kamar\u00e1da Mari\u00e1na, p\u016fsob\u00ed i\u00a0p\u0159i zjevn\u00e9 hyperbole sp\u00ed\u0161e nevkusn\u011b ne\u017e v\u00fdznamov\u011b nosn\u011b. Tady u\u017e ve jm\u00e9nu d\u016fsledn\u00e9ho zobrazen\u00ed n\u00e1sil\u00ed doch\u00e1z\u00ed k\u00a0\u00fajm\u011b nejen na inscenaci, ale i\u00a0na samotn\u00e9 p\u0159edloze.<\/p>\n

Foto: Al\u017eb\u011bta Drcm\u00e1nkov\u00e1<\/p>\n

J\u00e1chym S\u016fra hraje hrdinu Marka.\u00a0Josef Filip Kostka ztv\u00e1rnil mimo jin\u00e9 nejist\u00e9ho Filipa, kter\u00fd si na n\u011bm vyb\u00edj\u00ed zlost.<\/p>\n

V\u00edt\u011bzov\u00e9 a\u00a0pora\u017een\u00ed<\/p>\n

Adaptaci vytvo\u0159il Ond\u0159ej Novotn\u00fd, kter\u00fd se s\u00a0re\u017eis\u00e9rem pod\u00edlel ji\u017e na \u010dty\u0159ech projektech v\u00a0pra\u017esk\u00e9m Divadle X10.\u00a0Novotn\u00fd pracuje s\u00a0kol\u00e1\u017eovitou, neline\u00e1rn\u00ed v\u00fdstavbou liter\u00e1rn\u00ed p\u0159edlohy a\u00a0p\u0159eskupuje jednotliv\u00e9 vzpom\u00ednky. N\u011bkter\u00e9 pas\u00e1\u017ee p\u0159ev\u00e1d\u00ed do melancholick\u00fdch p\u00edsn\u00ed, do textu vkl\u00e1d\u00e1 i\u00a0citace z\u00a0jin\u00fdch d\u011bl\u00a0\u2013 nap\u0159\u00edklad dlouh\u00fd v\u00fd\u010det ur\u00e1\u017eliv\u00fdch ozna\u010den\u00ed pro gaye ze \u0160m\u00edrbuchu jazyka \u010desk\u00e9ho od Patrika Ou\u0159edn\u00edka. I\u00a0to v\u0161ak p\u016fsob\u00ed jako neporozum\u011bn\u00ed autorovu stylu. Marek Tor\u010d\u00edk se dlouhodob\u011b vymezuje v\u016f\u010di ironick\u00fdm \u010di zleh\u010duj\u00edc\u00edm postup\u016fm, kter\u00e9 osobn\u00ed zku\u0161enost nahrazuj\u00ed jazykovou hrou.<\/p>\n

Z\u00e1sadn\u00ed posun adaptace p\u0159in\u00e1\u0161\u00ed v\u00a0tom, \u017ee v\u0161e r\u00e1muje explicitn\u00ed kritikou porevolu\u010dn\u00edho spole\u010densk\u00e9ho uspo\u0159\u00e1d\u00e1n\u00ed v\u00a0\u010cesku. Motiv rozv\u00edj\u00ed na postav\u011b nep\u0159\u00edtomn\u00e9ho otce, kter\u00fd se zadlu\u017eil a\u00a0odjel do Spojen\u00fdch st\u00e1t\u016f. Zat\u00edmco v\u00a0knize se p\u0159\u00edm\u00e1 ob\u017ealoba objevuje sp\u00ed\u0161e okrajov\u011b, v\u00a0HaDivadle ji povy\u0161uj\u00ed na jeden z\u00a0hlavn\u00edch v\u00fdznamov\u00fdch pil\u00ed\u0159\u016f. Vedle t\u00e9matu rozkladu pam\u011bti tak tv\u016frci posiluj\u00ed soci\u00e1ln\u011bkritick\u00fd rozm\u011br textu sm\u011brem k\u00a0p\u0159\u00edm\u00e9 anga\u017eovanosti.<\/p>\n

Auto\u0159i, k\u00a0nim\u017e pat\u0159\u00ed i\u00a0dramaturgyn\u011b divadla Justina Grecov\u00e1, vymysleli t\u0159eba tak\u00e9 poloimprovizovanou sc\u00e9nu. J\u00e1chym S\u016fra ztv\u00e1r\u0148uj\u00edc\u00ed hrdinu v\u00a0n\u00ed vstupuje mezi div\u00e1ky a\u00a0obrac\u00ed se k\u00a0Sa\u0159e Venclovsk\u00e9, stoj\u00edc\u00ed mezi n\u00e1hrobky s\u00a0n\u00e1pisy jako \u201esoci\u00e1ln\u00ed spravedlnost\u201c \u010di \u201erovn\u00e9 p\u0159\u00edle\u017eitosti\u201c. Sc\u00e9na se zjevnou ironi\u00ed nar\u00e1\u017e\u00ed na t\u00e9ma nenapln\u011bn\u00fdch porevolu\u010dn\u00edch o\u010dek\u00e1v\u00e1n\u00ed a\u00a0rozd\u011blen\u00e9 spole\u010dnosti. Kritika zde m\u00ed\u0159\u00ed na lidi, kte\u0159\u00ed by paternalisticky nahl\u00ed\u017eeli nap\u0159\u00edklad na postavu Markovy matky, t\u00edhnouc\u00ed pod vlivem politick\u00e9 a\u00a0ekonomick\u00e9 frustrace k\u00a0populist\u016fm \u010di extremist\u016fm.<\/p>\n

<\/a><\/p>\n

Ne cel\u00fd ve\u010der samoz\u0159ejm\u011b vypl\u0148uje excesivn\u00ed zveli\u010dov\u00e1n\u00ed \u010di n\u00e1siln\u00e9 obrazy. Citliv\u011bj\u0161\u00ed, a\u017e chlapecky radostnou polohu na jevi\u0161t\u011b vn\u00e1\u0161\u00ed Mark\u016fv vztah s\u00a0Mari\u00e1nem. Zat\u00edmco celkov\u00e1 inscenace m\u00e1 m\u00edsty n\u00e1dech b\u00e9\u010dkov\u00e9ho hororu, bl\u00edzkost obou chlapc\u016f auto\u0159i rozv\u00edjej\u00ed prost\u0159ednictv\u00edm japonsk\u00e9ho \u017e\u00e1nru manga. Nap\u0159\u00edklad za zvuku energick\u00e9ho japonsk\u00e9ho popu S\u016fra spolu s\u00a0Radimem Chybou, p\u0159edstavitelem Mari\u00e1na, rozeb\u00edraj\u00ed praktik\u00e1bly z\u00a0jevi\u0161t\u011b na jednotliv\u00e9 \u010d\u00e1sti\u00a0\u2013 podobn\u011b jako kdy\u017e si d\u011bti ve \u0161kole stav\u011bj\u00ed obranu ze \u0161koln\u00edch lavic.<\/p>\n

Sm\u011bs hororu, anga\u017eovan\u00e9ho koment\u00e1\u0159e a\u00a0popkulturn\u00edch odkaz\u016f sice vypad\u00e1 atraktivn\u011b, v\u00a0kone\u010dn\u00e9m d\u016fsledku v\u0161ak p\u016fsob\u00ed ru\u0161iv\u011b, nesoust\u0159ed\u011bn\u011b. Jako opak liter\u00e1rn\u00ed p\u0159edlohy, zalo\u017een\u00e9 na zdr\u017eenlivosti, tich\u00e9m nap\u011bt\u00ed a\u00a0postupn\u00e9m ohled\u00e1v\u00e1n\u00ed vlastn\u00edch vzpom\u00ednek.<\/p>\n

Tv\u016frci samoz\u0159ejm\u011b maj\u00ed pln\u00e9 pr\u00e1vo adaptovat d\u00edlo po sv\u00e9m, nab\u00edz\u00ed se ale ot\u00e1zka pro\u010d. HaDivadlo se chce pod nov\u00fdm veden\u00edm obracet k\u00a0mlad\u00e9mu publiku, proto s\u00e1hlo po rom\u00e1nu se zvu\u010dn\u00fdm jm\u00e9nem a\u00a0tematick\u00fdm potenci\u00e1lem: rodinn\u00e9 trauma, kritika porevolu\u010dn\u00edho sm\u011b\u0159ov\u00e1n\u00ed spole\u010dnosti, hled\u00e1n\u00ed men\u0161inov\u00e9 sexu\u00e1ln\u00ed identity. Mo\u017en\u00e1 \u017ee div\u00e1ci, kte\u0159\u00ed Rozlo\u017e\u00ed\u0161 pam\u011b\u0165 ne\u010detli, radikalitu inscenace ocen\u00ed. Ostatn\u00ed budou m\u00edt sp\u00ed\u0161 pocit, \u017ee se ocitli na p\u0159edstaven\u00ed podle jin\u00e9 knihy.<\/p>\n

Inscenace: Marek Tor\u010d\u00edk\u00a0\u2013 Rozlo\u017e\u00ed\u0161 pam\u011b\u0165<\/p>\n

Re\u017eie: Ond\u0159ej \u0160tefa\u0148\u00e1k<\/p>\n

Hraj\u00ed: J\u00e1chym S\u016fra, Sara Venclovsk\u00e1, Simona Pekov\u00e1, Radim Chyba a\u00a0Josef Filip Kostka <\/p>\n

HaDivadlo, Brno, premi\u00e9ra 21.\u00a0\u00fanora, nejbli\u017e\u0161\u00ed repr\u00edzy 9.\u00a0a\u00a010.\u00a0b\u0159ezna.<\/p>\n","protected":false},"excerpt":{"rendered":"\u201eMare\u010dku, d\u011bda um\u0159el,\u201c probud\u00ed o\u00a0p\u016fl \u010dtvrt\u00e9 r\u00e1no telefon\u00e1t od matky hrdinu rom\u00e1nu Rozlo\u017e\u00ed\u0161 pam\u011b\u0165. Zpr\u00e1va o\u00a0smrti spust\u00ed lavinu…\n","protected":false},"author":2,"featured_media":8175,"comment_status":"","ping_status":"","sticky":false,"template":"","format":"standard","meta":{"footnotes":"","_share_on_mastodon":"0"},"categories":[14],"tags":[2097,1172,2095,79,5357,5358,5359,80],"class_list":["post-8174","post","type-post","status-publish","format-standard","has-post-thumbnail","category-zabava","tag-adaptace","tag-divadelni-predstaveni","tag-divadelni-recenze","tag-entertainment","tag-hadivadlo","tag-marek-torcik","tag-ondrej-stefanak","tag-zabava"],"share_on_mastodon":{"url":"","error":""},"_links":{"self":[{"href":"https:\/\/www.europesays.com\/cz\/wp-json\/wp\/v2\/posts\/8174","targetHints":{"allow":["GET"]}}],"collection":[{"href":"https:\/\/www.europesays.com\/cz\/wp-json\/wp\/v2\/posts"}],"about":[{"href":"https:\/\/www.europesays.com\/cz\/wp-json\/wp\/v2\/types\/post"}],"author":[{"embeddable":true,"href":"https:\/\/www.europesays.com\/cz\/wp-json\/wp\/v2\/users\/2"}],"replies":[{"embeddable":true,"href":"https:\/\/www.europesays.com\/cz\/wp-json\/wp\/v2\/comments?post=8174"}],"version-history":[{"count":0,"href":"https:\/\/www.europesays.com\/cz\/wp-json\/wp\/v2\/posts\/8174\/revisions"}],"wp:featuredmedia":[{"embeddable":true,"href":"https:\/\/www.europesays.com\/cz\/wp-json\/wp\/v2\/media\/8175"}],"wp:attachment":[{"href":"https:\/\/www.europesays.com\/cz\/wp-json\/wp\/v2\/media?parent=8174"}],"wp:term":[{"taxonomy":"category","embeddable":true,"href":"https:\/\/www.europesays.com\/cz\/wp-json\/wp\/v2\/categories?post=8174"},{"taxonomy":"post_tag","embeddable":true,"href":"https:\/\/www.europesays.com\/cz\/wp-json\/wp\/v2\/tags?post=8174"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}}