{"id":83530,"date":"2026-05-12T18:11:08","date_gmt":"2026-05-12T18:11:08","guid":{"rendered":"https:\/\/www.europesays.com\/cz\/83530\/"},"modified":"2026-05-12T18:11:08","modified_gmt":"2026-05-12T18:11:08","slug":"scott-pilgrim-vs-praha-managuchi-hudebni-server-fmzine-cz","status":"publish","type":"post","link":"https:\/\/www.europesays.com\/cz\/83530\/","title":{"rendered":"Scott Pilgrim vs Praha-managuchi | Hudebn\u00ed server FMZine.cz"},"content":{"rendered":"<p>Polopr\u00e1zdna venue je no\u010dnou morou ka\u017ed\u00e9ho performera, napriek tomu si \u0148ou prejde sn\u00e1\u010f ka\u017ed\u00fd. Vplyv plnosti s\u00e1ly na probl\u00e9my s technikou je falo\u0161nou premennou, aj tak m\u00e1m pocit, \u017ee ka\u017ed\u00fd koncert s nenaplnenou kapacitou, na ktorom som kedy bol, nejak\u00e9 tak\u00e9 mal. Kombin\u00e1cia dan\u00fdch nepr\u00edjemnost\u00ed na performera pren\u00e1\u0161a tlak, ktor\u00fd nie ka\u017ed\u00fd zvl\u00e1dne. Obzvl\u00e1\u0161\u0165 n\u00e1ro\u010dn\u00e9 to mus\u00ed by\u0165, ke\u010f ste na \u0161ou merali nieko\u013eko tis\u00edc kilometrov a otv\u00e1rate \u0148ou svoju zaoce\u00e1nsku tour. Pr\u00e1ve v takej situ\u00e1cii sa objavili Anamanaguchi, ktor\u00ed v pra\u017eskom Subzero otv\u00e1rali eur\u00f3pske turn\u00e9.<\/p>\n<p>V piatok som tu bol na \u0161v\u00e9dskych Weatherday, ktor\u00ed mi po\u010das niekdaj\u0161ej n\u00e1v\u0161tevy na slovenskom festivale ArtWife nad\u0161ene p\u00fa\u0161\u0165ali Anamanaguchi v sekunde, ke\u010f do ruky dostali aux. \u201eS\u00fa to absol\u00fatne legendy v r\u00e1mci chiptune, neviem si predstavi\u0165, \u017ee by moja hudba znela rovnako, neby\u0165 nich,\u201d vyh\u0155knu nad\u0161ene, ke\u010f im ozn\u00e1mim, \u017ee Anamanaguchi tu hraj\u00fa o tri dni nesk\u00f4r. No nikto, koho v piatok stretnem, nepo\u010dul o kapele, ktor\u00e1 svojho \u010dasu redefinovala vz\u0165ah hern\u00fdch soundtrackov k popul\u00e1rnej hudbe. Ich 8-bit soundtracky k Scott Pilgrim hr\u00e1m v kombin\u00e1cii so \u0161t\u00fadiov\u00fdmi albumami, ktor\u00fdm u\u0161tedrili pozit\u00edvne recenzie m\u00e9di\u00e1 ako Pitchfork \u010di Anthony Fantano, toti\u017e tvoria ve\u013emi nezvy\u010dajn\u00fa kombin\u00e1ciu dvoch hudobn\u00fdch svetov, ktor\u00e9 presahy nach\u00e1dzaj\u00fa m\u00e1lokedy.<\/p>\n<p>V Subzero som \u2013 vzh\u013eadom na to, \u017ee som nikdy nevidel \u017eiadne anime a discord som od \u010dias pand\u00e9mie nezapol \u2013 asi jedin\u00fdm z\u00e1stupcom kateg\u00f3rie Anamanaguchi posluch\u00e1\u010dov, ktor\u00e1 ich po\u010d\u00fava pr\u00e1ve v\u010faka presahom s alternat\u00edvnou hudbou, nie videohern\u00fdmi soundtrackmi. A to je pritom ich posledn\u00fd album zatia\u013e najrockovej\u0161\u00ed. Najsk\u00f4r si spln\u00ed sen ich mo\u017eno najv\u00e4\u010d\u0161\u00ed fan\u00fa\u0161ik \u0161iroko \u010faleko, Litterbin, ktor\u00fd sa po odohran\u00ed DJ setu, kedy ve\u013emi pr\u00edjemne spojil z\u00e1padnou \u00c1ziou in\u0161pirovan\u00fd hyperpop s techno hardstylom a a\u017e metalov\u00fdmi breakdownami, presunul do prv\u00e9ho radu a spieval ka\u017ed\u00fd text.<\/p>\n<p>\u201eHr\u00e1vame v tejto zostave u\u017e vy\u0161e dvadsa\u0165 rokov,\u201d v\u00fdjde po prvej piesni z \u00fast frontmana Petera Berkmana, ktor\u00e9ho cel\u00fd \u010das vn\u00edmam ako skuto\u010dn\u00fa verziu Michaela Ceru aka Scotta Pilgrima. Cez dlh\u00e9 na\u010dechran\u00e9 vlasy sa skl\u00e1\u0148a k pren\u00e1lepkovanej gitare, s\u0165a\u017euje sa na reflektory, ktor\u00e9 osvet\u013eova\u010d mus\u00ed vypn\u00fa\u0165 s v\u00fdnimkou kul\u00eds svetelne reaguj\u00facich na zvuk. Medzi skladbami je \u00fapln\u00e1 tma a ja spom\u00ednam na boss fight na konci spom\u00ednan\u00e9ho filmu, kde hr\u00e1 Pilgrimova kapela Sex Bob-omb, zatia\u013e\u010do on bojuje o Ramonu Flowers. T\u00e1 tu dnes nie je a tak pomyseln\u00e9mu hrdinovi sta\u010d\u00ed odohra\u0165 koncert, aj ten je v\u0161ak vzh\u013eadom na nepriazniv\u00fa situ\u00e1ciu ment\u00e1lnym bojom. Anamanaguchi situ\u00e1ciu zvl\u00e1daj\u00fa brav\u00farne, azda im istotu dod\u00e1va pr\u00e1ve spolo\u010dn\u00e1 hist\u00f3ria.<\/p>\n<p>H\u00e1d\u017eu jeden neuverite\u013en\u00fd riff za druh\u00fdm, kombinuj\u00fa star\u0161ie energick\u00e9 8-bitov\u00e9 hity z albumov ako Endless Fantasy (2013) s materi\u00e1lom z najnov\u0161ieho Anyway (2025), na ktor\u00e9ho obale sedia na terase ikonick\u00e9ho domu z coveru debutovej platne American Football, \u010d\u00edm d\u00e1vaj\u00fa najavo svoj prim\u00e1rny vplyv. Cez tracky ako Rage (Kitchen Sink) sa c\u00edtim by\u0165 na \u0161ou v pivnici spom\u00ednan\u00e9ho domu, cez star\u0161\u00ed materi\u00e1l zas ako na comic-cone. Master je hlasn\u00fd, \u010do si najviac uvedom\u00edm, ke\u010f na p\u00e1r sek\u00fand vypadne zvuk. \u201eNejde mi s\u00edce odposluch, ale to sa st\u00e1va. Ideme \u010falej Praha-managuchi, let\u2019s party!\u201d kri\u010d\u00ed Berkman. Set, ner\u00e1taj\u00fac encore, ukon\u010dia najprv anime hymnou v kolabor\u00e1cii s Hatsune Miku a n\u00e1sledne coverom d\u00e1vno zabudnut\u00e9ho meme rapera Maria Judaha. R\u00fddza emo bla\u017eenos\u0165.<\/p>\n","protected":false},"excerpt":{"rendered":"Polopr\u00e1zdna venue je no\u010dnou morou ka\u017ed\u00e9ho performera, napriek tomu si \u0148ou prejde sn\u00e1\u010f ka\u017ed\u00fd. Vplyv plnosti s\u00e1ly na&hellip;\n","protected":false},"author":2,"featured_media":83531,"comment_status":"","ping_status":"","sticky":false,"template":"","format":"standard","meta":{"footnotes":"","_share_on_mastodon":"0"},"categories":[30],"tags":[26269,26270,98,99,26271],"class_list":["post-83530","post","type-post","status-publish","format-standard","has-post-thumbnail","category-praha","tag-anamanaguchi","tag-litterbin","tag-prague","tag-praha","tag-scott-pilgrim-vs-praha-managuchi"],"share_on_mastodon":{"url":"https:\/\/pubeurope.com\/@cz\/116562957938429313","error":""},"_links":{"self":[{"href":"https:\/\/www.europesays.com\/cz\/wp-json\/wp\/v2\/posts\/83530","targetHints":{"allow":["GET"]}}],"collection":[{"href":"https:\/\/www.europesays.com\/cz\/wp-json\/wp\/v2\/posts"}],"about":[{"href":"https:\/\/www.europesays.com\/cz\/wp-json\/wp\/v2\/types\/post"}],"author":[{"embeddable":true,"href":"https:\/\/www.europesays.com\/cz\/wp-json\/wp\/v2\/users\/2"}],"replies":[{"embeddable":true,"href":"https:\/\/www.europesays.com\/cz\/wp-json\/wp\/v2\/comments?post=83530"}],"version-history":[{"count":0,"href":"https:\/\/www.europesays.com\/cz\/wp-json\/wp\/v2\/posts\/83530\/revisions"}],"wp:featuredmedia":[{"embeddable":true,"href":"https:\/\/www.europesays.com\/cz\/wp-json\/wp\/v2\/media\/83531"}],"wp:attachment":[{"href":"https:\/\/www.europesays.com\/cz\/wp-json\/wp\/v2\/media?parent=83530"}],"wp:term":[{"taxonomy":"category","embeddable":true,"href":"https:\/\/www.europesays.com\/cz\/wp-json\/wp\/v2\/categories?post=83530"},{"taxonomy":"post_tag","embeddable":true,"href":"https:\/\/www.europesays.com\/cz\/wp-json\/wp\/v2\/tags?post=83530"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}}