{"id":84764,"date":"2026-05-13T21:48:19","date_gmt":"2026-05-13T21:48:19","guid":{"rendered":"https:\/\/www.europesays.com\/cz\/84764\/"},"modified":"2026-05-13T21:48:19","modified_gmt":"2026-05-13T21:48:19","slug":"nove-desky-18-2026-od-lykke-li-pres-lindu-perry-po-black-veil-brides","status":"publish","type":"post","link":"https:\/\/www.europesays.com\/cz\/84764\/","title":{"rendered":"Nov\u00e9 desky 18\/2026 – od Lykke Li p\u0159es Lindu Perry po Black Veil Brides"},"content":{"rendered":"

Druh\u00fd kv\u011btnov\u00fd t\u00fdden p\u0159inesl posledn\u00ed album Lykke Li, n\u00e1vrat Lindy Perry, metalov\u00e9 Black Veil Brides \u010di country-rockovou Ashley McBryde. D\u00e1le n\u00e1s novinkami pot\u011b\u0161ili t\u0159eba Broken Social Scene, Laurie Anderson, Josh Groban \u010di Chris Brown, dom\u00e1c\u00ed sc\u00e9nu zastoupili Good Times Only, n\u011bco n\u011bco, Voil\u00e0! \u010di Kristina Barta.<\/p>\n

V p\u00e1tek 8. kv\u011btna vy\u0161ly tyto nov\u00e9 tituly:<\/p>\n

Lykke Li<\/a> – The Afterparty
\n\u017e\u00e1nr: art pop \/ indie pop \/ electro pop<\/p>\n

\"Lykke
\nLykke Li<\/a> vstoupila na hudebn\u00ed sc\u00e9nu v roce 2007, a proto\u017ee sv\u00e9 \u0161est\u00e9 album „The Afterparty“ prohl\u00e1sila za posledn\u00ed, uvid\u00edme, jak p\u0159\u00ed\u0161t\u00ed rok oslav\u00ed dv\u011b dek\u00e1dy na sc\u00e9n\u011b. O aktu\u00e1ln\u00ed novince v\u0161ak v\u00edme, \u017ee pro ni nahr\u00e1la dev\u011bt p\u00edsni\u010dek, kter\u00e9 slo\u017eila v Los Angeles a popisuje v nich svou existenci\u00e1ln\u00ed f\u00e1zi, v n\u00ed\u017e se zam\u011b\u0159ila na sv\u00e9 ni\u017e\u0161\u00ed j\u00e1, pomstu a zoufalstv\u00ed. <\/p>\n

Nahr\u00e1v\u00e1n\u00ed prob\u00edhalo ve Stockholmu a pod skladbami jsou podeps\u00e1ni Rick Nowels, Jacob Olofsson, Psymun, Ilsey Juber, David Andrew Sitek a p\u0159edev\u0161\u00edm Bj\u00f6rn Yttling. Za z\u00e1dy j\u00ed nav\u00edc sed\u011bl sedmn\u00e1cti\u010dlenn\u00fd orchestr. Jak se to propsalo do atmosf\u00e9ry alba, zjist\u00edte prost\u0159ednictv\u00edm jej\u00edho YouTube<\/a>. \u017div\u011b si ji budeme moci u\u017e\u00edt 19. \u010dervna v r\u00e1mci festivalu Metronome Prague.<\/p>\n

\"\"\"\"<\/a><\/p>\n

Linda Perry<\/a> – Let It Die Here
\n\u017e\u00e1nr: pop<\/p>\n

\"Linda
\nLinda Perry<\/a> se proslavila v prvn\u00ed \u0159ad\u011b jako \u010dlenka 4 Non Blondes<\/a> a interpretka hitu „What’s Up?“, ve druh\u00e9 pak coby autorka a producentka spolupracuj\u00edc\u00ed s hv\u011bzdami jako Dolly Parton<\/a>, Christina Aguilera, Celine Dion<\/a>, Pink<\/a>, Adele<\/a>, Miley Cyrus<\/a>, Ariana Grande<\/a>, Weezer<\/a>, Gwen Stefani<\/a>, Alicia Keys<\/a> nebo The Chicks<\/a>. Pokud nebudeme po\u010d\u00edtat s\u00f3lov\u00fd debut, jej\u00ed vlastn\u00ed kari\u00e9ra se omezila hlavn\u011b na n\u011bkolik soundtrack\u016f. <\/p>\n

Napravuje to a\u017e nyn\u00ed albem „Let It Die Here“, kter\u00e9 doprov\u00e1z\u00ed stejnojmenn\u00fd dokument o jej\u00edm \u017eivot\u011b. P\u0159in\u00e1\u0161\u00ed na n\u011bm sedmn\u00e1ct p\u00edsni\u010dek, kter\u00e9 si pochopiteln\u011b sama napsala i produkovala. Najdete mezi nimi i jej\u00ed verzi hitu „Beautiful“ Christiny Aguilery<\/a>, kter\u00fd pro ni slo\u017eila. Jak zn\u00ed nejen tato p\u00edse\u0148, zjist\u00edte na jej\u00edm Bandcampu<\/a> nebo v podob\u011b klipu hned n\u00ed\u017ee.<\/p>\n

\"\"\"\"<\/a><\/p>\n

Black Veil Brides<\/a> – Vindicate
\n\u017e\u00e1nr: metalcore \/ hard rock<\/p>\n

\"Black
\nBlack Veil Brides<\/a> poch\u00e1zej\u00ed z Hollywoodu a \u00fasp\u011b\u0161n\u011b buduj\u00ed vlastn\u00ed teatr\u00e1ln\u00ed sv\u011bt na pomez\u00ed glam metalu, hard rocku, modern\u00edho metalcoru a temn\u011b romantick\u00e9 image. Novinka „Vindicate“ je jejich sedm\u00fdm studiov\u00fdm albem a p\u0159ich\u00e1z\u00ed zhruba p\u011bt let po desce „The Phantom Tomorrow“ z roku 2021. M\u00e1 znamenat velk\u00fd n\u00e1vrat americk\u00e9 kapely a z\u00e1rove\u0148 uk\u00e1zat tvrd\u0161\u00ed, koncentrovan\u011bj\u0161\u00ed podobu formace. N\u00e1zev odkazuje na pomstu, odolnost a pot\u0159ebu nenechat se se\u017erat t\u00edm, co \u010dlov\u011bka v minulosti zranilo.<\/p>\n

Ohlasy jsou zat\u00edm p\u0159ekvapiv\u011b vst\u0159\u00edcn\u00e9. P\u0159esv\u011bd\u010dte se ale sami a poslechn\u011bte si n\u011bkter\u00e9 ze \u010dtrn\u00e1cti nov\u00fdch skladeb na YouTube<\/a>.<\/p>\n

\"\"\"\"<\/a><\/p>\n

n\u011bco n\u011bco<\/a> – majon\u00e9za
\n\u017e\u00e1nr: indie rock \/ post-punk \/ synthpop<\/p>\n

\"n\u011bcon\u011bco n\u011bco<\/a> si na \u010dtvrt\u00e9 \u0159adovce „majon\u00e9za“ zjevn\u011b \u0159ekli, \u017ee tane\u010dn\u00ed melancholie je fajn, ale ob\u010das je pot\u0159eba do n\u00ed p\u0159im\u00edchat kytary a trochu si zapa\u0159it na rychlej\u0161\u00ed rytmy. Trio Al\u017eb\u011bta Tk\u00e1\u010d Trusinov\u00e1, Tom\u00e1\u0161 Tk\u00e1\u010d a Va\u0161ek \u0160vestka tak p\u0159ich\u00e1z\u00ed s osmi skladbami, kter\u00e9 m\u00ed\u0159\u00ed k hlasit\u011bj\u0161\u00edmu a p\u0159\u00edmo\u010da\u0159ej\u0161\u00edmu tvaru. Po\u0159\u00e1d se zp\u00edv\u00e1 \u010desky, po\u0159\u00e1d se na to d\u00e1 tan\u010dit, jen je hudba tentokr\u00e1t tro\u0161ku \u0161pinav\u011bj\u0161\u00ed.<\/p>\n

Kapela s nads\u00e1zkou p\u0159izn\u00e1v\u00e1 inspirace od Limp Bizkit<\/a> po M\u0148\u00e1gu a \u017d\u010forp<\/a>, co\u017e na pap\u00ed\u0159e zn\u00ed jako v\u011bta, po kter\u00e9 by m\u011bl n\u00e1sledovat z\u00e1sah hudebn\u00ed policie. Jen\u017ee u n\u011bco n\u011bco d\u00e1v\u00e1 tenhle rozptyl smysl. Novinka „majon\u00e9za“ pracuje s tvrd\u0161\u00edm kytarov\u00fdm zvukem, \u00fase\u010dn\u011bj\u0161\u00ed energi\u00ed a texty, kter\u00e9 se neboj\u00ed humoru, podr\u00e1\u017ed\u011bnosti ani syrov\u011bj\u0161\u00ed up\u0159\u00edmnosti. Uk\u00e1zky z desky najdete na YouTube profilu kapely<\/a>, ke m\u016f\u017eete posoudit jak j\u00ed kytarov\u011bj\u0161\u00ed zvuk slu\u0161\u00ed.<\/p>\n

Josh Groban<\/a> – Cinematic
\n\u017e\u00e1nr: opern\u00ed pop<\/p>\n

\"Josh
\nZat\u00edmco v minulosti vyd\u00e1val Josh Groban<\/a> nov\u00e1 alba co dva t\u0159i roky, u leto\u0161n\u00ed nahr\u00e1vky mu p\u0159\u00edprava zabrala rovnou let \u0161est. M\u016f\u017ee za to z\u0159ejm\u011b jeho n\u00e1vrat na Broadway, kde ztv\u00e1rnil jednu z hlavn\u00edch rol\u00ed v muzik\u00e1lu „Sweeney Todd: \u010e\u00e1belsk\u00fd holi\u010d z Fleet Street“, kter\u00fd si odnesl osm nominac\u00ed na Tony Awards, a tak\u00e9 lo\u0148sk\u00e1 reziden\u010dn\u00ed show v Las Vegas. <\/p>\n

Svou des\u00e1tou desku nazval „Cinematic“ a nikoho asi nep\u0159ekvap\u00ed, \u017ee jeho n\u00e1pln\u00ed jsou filmov\u00e9 p\u00edsn\u011b. Do v\u00fdb\u011bru se dostaly nap\u0159\u00edklad „Skyfall“, „Unchained Melody“, „Remember Me“, „Moon River“, „Can You Feel The Love Tonight“ nebo „Against All Odds (Take a Look at Me Now)“. K hlasu kanadsk\u00e9ho zp\u011bv\u00e1ka p\u0159ipojili ten sv\u016fj i Jennifer Hudson<\/a>, The Gay Men’s Chorus a jeho otec Jack Groban. Podstatnou \u010d\u00e1st alba u\u017e sd\u00edl\u00ed na sv\u00e9m YouTube profilu<\/a>.<\/p>\n

Social Distortion<\/a> – Born To Kill
\n\u017e\u00e1nr: punk-rock \/ hardcore punk<\/p>\n

\"SocialKaliforn\u0161t\u00ed Social Distortion<\/a> na novince „Born To Kill“ odkl\u00e1daj\u00ed \u010d\u00e1st sv\u00e9 zemit\u011bj\u0161\u00ed polohy a vracej\u00ed se k p\u0159\u00edmo\u010da\u0159ej\u0161\u00edmu punk-rockov\u00e9mu tahu. Mike Ness a jeho spoluhr\u00e1\u010di se tentokr\u00e1t nespol\u00e9haj\u00ed na rozvl\u00e1\u010dn\u00e9 n\u00e1lady ani na nostalgick\u00e9 ohl\u00ed\u017een\u00ed p\u0159es rameno. Kytary \u0159e\u017eou, rytmika dr\u017e\u00ed pevn\u00fd krok a cel\u00e9 album m\u00ed\u0159\u00ed sp\u00ed\u0161 na prvn\u00ed dobrou ne\u017e do zaduman\u00e9ho kouta zakou\u0159en\u00e9 putyky.<\/p>\n

P\u0159esto\u017ee skupina v minulosti r\u00e1da \u010derpala z country, rockabilly i americk\u00e9 lidov\u00e9 tradice, tentokr\u00e1t d\u00e1v\u00e1 p\u0159ednost ostr\u00e9mu, \u00fadern\u00e9mu n\u00e1poru. P\u00edsn\u011b se \u017eenou kup\u0159edu bez v\u011bt\u0161\u00edch odbo\u010dek a p\u0159ipom\u00ednaj\u00ed, \u017ee Social Distortion po\u0159\u00e1d um\u011bj\u00ed spojit pouli\u010dn\u00ed vzdor s melodickou jistotou. Uk\u00e1zky naleznete na YouTube profilu formace<\/a>.<\/p>\n

Good Times Only<\/a> – Tohle mi je\u0161t\u011b nikdy nikdo ned\u011blal
\n\u017e\u00e1nr: indie pop \/ synth pop<\/p>\n

\"GoodPra\u017e\u0161t\u00ed Good Times Only<\/a> na t\u0159et\u00ed studiovce „Tohle mi je\u0161t\u011b nikdy nikdo ned\u011blal“ d\u00e1l p\u00ed\u0161ou o vztaz\u00edch, jen u\u017e z nich ned\u011blaj\u00ed pohodovou pohlednici. Dev\u00edtiskladbov\u00e1 nahr\u00e1vka sleduje vinu, \u00fanavu, nejistotu, toxick\u00e9 vzorce i terapii. Zkr\u00e1tka v\u0161echno to, co se stane, kdy\u017e vztah p\u0159estane fungovat jako bezpe\u010dn\u00e9 m\u00edsto a za\u010dne p\u0159ipom\u00ednat \u0161patn\u011b v\u011btran\u00fd pokoj.<\/p>\n

Po desk\u00e1ch „P\u011bkn\u00fd chv\u00edle“ a „Te\u010f na to myslim“ se skupina pustila do voln\u011bj\u0161\u00ed pr\u00e1ce. Velkou \u010d\u00e1st alba si produkovala sama, nahr\u00e1vala hlavn\u011b ve vlastn\u00ed zku\u0161ebn\u011b a jen ob\u010das se p\u0159esouvala do studia Space Tape. Na v\u00fdsledku je to zn\u00e1t – p\u00edsn\u011b maj\u00ed tah, ale p\u0159ibyly zkreslen\u00e9 kytary, syntez\u00e1torov\u00e9 plochy, \u0161pinav\u011bj\u0161\u00ed beaty i hutn\u011bj\u0161\u00ed elektronika. Uk\u00e1zky z desky najdete na YouTube profilu kapely<\/a>.<\/p>\n

Chris Brown<\/a> – Brown
\n\u017e\u00e1nr: r’n’b<\/p>\n

\"Chris
\nAmerick\u00fd r’n’b zp\u011bv\u00e1k Chris Brown<\/a> se vrac\u00ed po t\u0159ech letech se sv\u00fdm dvan\u00e1ct\u00fdm albem a skoro to vypad\u00e1, jako by byla pauza je\u0161t\u011b o hodn\u011b del\u0161\u00ed. Na n\u00e1stupce desky „11:11“ toti\u017e p\u0159ichystal hned sedmadvacet p\u00edsni\u010dek, kter\u00e9 s n\u00edm nahr\u00e1la v\u00edce ne\u017e \u0161edes\u00e1ti\u010dlenn\u00e1 arm\u00e1da producent\u016f, v n\u00ed\u017e nechyb\u011bj\u00ed jm\u00e9na jako Jonathan Bellion, CashMoneyAP, Hitmaka, Sean Momberger, The Monsters & Strangerz, RiotUSA, RoccStar, The Underdogs nebo SprngBrk. <\/p>\n

V\u00fdrazn\u011b \u0161t\u00edhlej\u0161\u00ed je seznam host\u016f, na n\u011bm\u017e najdeme Bryson Tiller<\/a>, Fridayy<\/a>, GloRilla<\/a>, Leona Thomase, Lucky Daye<\/a>, Sexyy Red<\/a>, Tanka, Vybz Kartel<\/a> a YoungBoy Never Broke Again<\/a>. Co z t\u00e9hle kolektivn\u00ed spolupr\u00e1ce nakonec vzniklo, usly\u0161\u00edte na Brownov\u011b YouTube profilu<\/a>.<\/p>\n

Amy Grant<\/a> – The Me That Remains
\n\u017e\u00e1nr: folk-pop \/ sou\u010dasn\u00fd k\u0159es\u0165ansk\u00fd folk<\/p>\n

\"Amy
\nDlouh\u00fdch deset let \u010dekali fanou\u0161ci Amy Grant<\/a> na jej\u00ed dvan\u00e1ctou desku, a co se p\u016fvodn\u00edho materi\u00e1lu t\u00fd\u010de, je\u0161t\u011b o t\u0159i roky d\u00e9le. P\u0159edchoz\u00ed „Tennessee Christmas“ toti\u017e bylo, jak n\u00e1zev napov\u00edd\u00e1, v\u00e1no\u010dn\u00ed album. Vznik novinky v\u00fdrazn\u011b ovlivnily dv\u011b z\u00e1sadn\u00ed ud\u00e1losti v \u017eivot\u011b americk\u00e9 p\u00edsni\u010dk\u00e1\u0159ky – zji\u0161t\u011bn\u00e1 vrozen\u00e1 srde\u010dn\u00ed vada a n\u00e1sledn\u00e1 operace a tak\u00e9 nehoda p\u0159i j\u00edzd\u011b na kole. <\/p>\n

Tematicky se k nim vrac\u00ed v deseti p\u00edsni\u010dk\u00e1ch, kter\u00e9 s n\u00ed napsali nap\u0159\u00edklad Jon Foreman<\/a> ze Switchfoot<\/a>, Michael W. Smith, Mike Reid, \u010dlenka Zac Brown Band<\/a> Caroline Jones, Chris Eaton, Tom Douglas a tak\u00e9 producent alba Mac McAnally<\/a>. Na desce si zazp\u00edvali i jej\u00ed man\u017eel Vince Gill<\/a>, jejich dcera Corrina, Ruby Amanfu a Sarah Cannon. V\u00fdsledek je ke sly\u0161en\u00ed na jej\u00edm YouTube profilu<\/a>.<\/p>\n

Tip t\u00fddne<\/p>\n


\nAshley McBryde<\/a> – Wild

\n\u017e\u00e1nr: country \/ country-rock<\/p>\n

\"Ashley
\n„A\u017e si lid\u00e9 poslechnou tuhle desku, douf\u00e1m, \u017ee to v nich probud\u00ed tu \u010d\u00e1st, o kter\u00e9 zp\u00edv\u00e1m – tu \u010d\u00e1st, kter\u00e1 st\u00e1le v\u011b\u0159\u00ed v nespln\u011bn\u00e9 sny a nepodlo\u017een\u00e1 rizika. V\u011b\u0159\u00edm, \u017ee to divok\u00e9 mal\u00e9 d\u00edt\u011b st\u00e1le \u017eije v ka\u017ed\u00e9m z n\u00e1s, a to je verze ka\u017ed\u00e9ho, komu chci zp\u00edvat.“ T\u011bmito slovy uvedla sv\u00e9 p\u00e1t\u00e9 album americk\u00e1 country-rockov\u00e1 hudebnice Ashley McBryde<\/a>. Pro nahr\u00e1n\u00ed jeden\u00e1cti p\u00edsni\u010dek se op\u011bt vr\u00e1tila k producentovi sv\u00e9 t\u0159et\u00ed desky „Lindeville“ Johnu Osborne. Mezi spoluautory se objevuj\u00ed jm\u00e9na jako Jessi Alexander, Jessie Jo Dillon, Chris Tompkins, Shelly Fairchild nebo Lori McKenna<\/a>. Zda op\u011bt bude sb\u00edrat hudebn\u00ed ceny a nominace na n\u011b, tipujte na YouTube zp\u011bva\u010dky<\/a>.<\/p>\n

\"\"\"\"<\/a><\/p>\n

Broken Social Scene<\/a> – Remember The Humans
\n\u017e\u00e1nr: indie rock \/ barokn\u00ed pop \/ post-rock<\/p>\n

\"BrokenKanadsk\u00fd hudebn\u00ed spolek Broken Social Scene<\/a> na nov\u00e9 desce „Remember The Humans“ obrac\u00ed pozornost k oby\u010dejn\u00e9 lidsk\u00e9 bl\u00edzkosti a porozum\u011bn\u00ed v odosobn\u011bn\u00e9m sv\u011bt\u011b. Po\u010detn\u00e1 sestava kolem Kevina Drewa a Brendana Canninga tentokr\u00e1t lehce zjem\u0148uje sv\u016fj obvykl\u00fd ruch a spletit\u00e9 vrstvy zvuku, aby dala v\u00edc prostoru p\u00edsni\u010dk\u00e1m a sbor\u016fm. V\u00fdsledek zn\u00ed jako velk\u00e9 setk\u00e1n\u00ed po dlouh\u00e9m odlou\u010den\u00ed, kde m\u00e1 ka\u017ed\u00fd sv\u016fj hlas a nikdo nemus\u00ed k\u0159i\u010det p\u0159es ostatn\u00ed.<\/p>\n

Hudebn\u011b se nahr\u00e1vka op\u00edr\u00e1 o k\u0159eh\u010d\u00ed rock, bohat\u00e9 vok\u00e1ln\u00ed party, dechov\u00e9 n\u00e1stroje i radostn\u011bj\u0161\u00ed kytarov\u00e9 linky. Zvuk p\u016fsob\u00ed h\u0159ejiv\u011bji a m\u00e9n\u011b sev\u0159en\u011b ne\u017e u n\u011bkter\u00fdch star\u0161\u00edch nahr\u00e1vek, ale po\u0159\u00e1d v sob\u011b nese typickou mnohovrstevnatost t\u00e9to kanadsk\u00e9 party. Nov\u00e9 album nepot\u0159ebuje ohlu\u0161ovat, aby zanechalo dojem. Jeho hlavn\u00ed kouzlo spo\u010d\u00edv\u00e1 v jemnosti a ve zp\u016fsobu, jak\u00fdm p\u0159ipom\u00edn\u00e1 v\u011bci, kter\u00e9 n\u00e1s spojuj\u00ed. P\u0159esv\u011bd\u010dte se z uk\u00e1zek um\u00edst\u011bn\u00fdch na jejich YouTube profilu<\/a>.<\/p>\n

Voil\u00e0!<\/a> – Stories From My Paris
\n\u017e\u00e1nr: \u0161anson \/ jazz<\/p>\n

\"Voil\u00e0!Voil\u00e0!<\/a> se na t\u0159et\u00edm autorsk\u00e9m albu „Stories From My Paris“ vracej\u00ed k Pa\u0159\u00ed\u017ei, ale na\u0161t\u011bst\u00ed ne jako turist\u00e9 s kl\u00ed\u010denkou Eiffelovky v kapse. Zp\u011bva\u010dka Zdenka Trvalcov\u00e1 a kytarista Tibor \u017dida stav\u011bj\u00ed nahr\u00e1vku na osobn\u00edch momentech, n\u00e1vratech a nov\u00fdch za\u010d\u00e1tc\u00edch, kter\u00e9 se b\u011bhem n\u011bkolika let skl\u00e1daly mezi Prahou a francouzskou metropol\u00ed.<\/p>\n

V\u00fdraznou stopu tu zanechal francouzsk\u00fd texta\u0159 Fabien Vautrin, kter\u00fd do skladeb p\u0159inesl pa\u0159\u00ed\u017eskou poetiku bez levn\u00e9 pohlednicovosti. Hudebn\u011b se Voil\u00e0! op\u00edraj\u00ed o \u0161anson, jazz a jazz manouche, ale nez\u016fst\u00e1vaj\u00ed v jednom \u0161upl\u00edku. Do p\u00edsn\u00ed se dost\u00e1vaj\u00ed i muzik\u00e1lov\u00e9 odst\u00edny, country nebo africk\u00fd pop, ani\u017e by celek ztratil lehkost a typickou akustickou eleganci. Uk\u00e1zky z desky najdete na YouTube profilu kapely<\/a>.<\/p>\n

Kristina Barta<\/a> – Red Landscape
\n\u017e\u00e1nr: jazz \/ modern\u00ed jazz<\/p>\n

\"KristinaPianistka a skladatelka Kristina Barta<\/a> vyd\u00e1v\u00e1 s albem „Red Landscape“ jednu z t\u011bch jazzov\u00fdch nahr\u00e1vek, kter\u00e9 se netv\u00e1\u0159\u00ed, \u017ee sv\u011bt za oknem neexistuje. Novinka, nato\u010den\u00e1 s jej\u00edm kvintetem a hostuj\u00edc\u00ed zp\u011bva\u010dkou Petrou Brabencovou, propojuje osobn\u00ed zku\u0161enost s \u0161ir\u0161\u00edm pohledem na dobu plnou nap\u011bt\u00ed, konflikt\u016f a nejistoty.<\/p>\n

\u00dast\u0159edn\u00edm motivem se st\u00e1v\u00e1 p\u0159ekra\u010dov\u00e1n\u00ed hranic – osobn\u00edch, spole\u010densk\u00fdch i geopolitick\u00fdch. Barta ale nep\u00ed\u0161e jen hudebn\u00ed koment\u00e1\u0159 k rozviklan\u00e9mu sv\u011btu. Do skladeb se propisuje tak\u00e9 mate\u0159stv\u00ed, \u017eensk\u00e1 s\u00edla a zrozen\u00ed nov\u00e9ho \u017eivota. Pr\u00e1v\u011b kontrast mezi vn\u011bj\u0161\u00edm chaosem a vnit\u0159n\u00ed oporou d\u00e1v\u00e1 nahr\u00e1vce jej\u00ed nejsiln\u011bj\u0161\u00ed str\u00e1nku. Uk\u00e1zky z desky najdete na YouTube profilu interpretky<\/a>.<\/p>\n

Jonny Greenwood<\/a> With Shye Ben Tzur<\/a> And The Rajasthan Express<\/a> – Ranjha
\n\u017e\u00e1nr: world music \/ experiment\u00e1ln\u00ed art rock<\/p>\n

\"JonnyJonny Greenwood<\/a>, izraelsk\u00fd b\u00e1sn\u00edk a skladatel Shye Ben Tzur<\/a> a indick\u00fd ans\u00e1mbl The Rajasthan Express<\/a> znovu propojuj\u00ed dva hudebn\u00ed sv\u011bty, kter\u00e9 se na pap\u00ed\u0159e mohou tv\u00e1\u0159it vzd\u00e1len\u011b, ale ve v\u00fdsledku si rozum\u011bj\u00ed p\u0159ekvapiv\u011b p\u0159irozen\u011b. Album „Ranjha“ navazuje na jejich p\u0159edchoz\u00ed spolupr\u00e1ci a d\u00e1l stav\u00ed na setk\u00e1n\u00ed v\u00fdchodn\u00edch tradic, v\u00fdrazn\u00fdch rytm\u016f a Greenwoodova citu pro nap\u011bt\u00ed a zvukov\u00e9 detaily.<\/p>\n

Divok\u00e9 perkuse, pr\u016frazn\u00e9 \u017ees\u0165ov\u00e9 n\u00e1stroje a podmaniv\u00e9 vok\u00e1ly se tu potk\u00e1vaj\u00ed s nen\u00e1padn\u00fdmi elektronikou a kytarov\u00fdmi doteky. N\u00e1zev odkazuje k asijsk\u00e9mu p\u0159\u00edb\u011bhu o velk\u00e9 l\u00e1sce, tak\u017ee se d\u00e1 \u010dekat hudba pln\u00e1 v\u00e1\u0161n\u011b, pokory i sd\u00edlen\u00e9 radosti. P\u0159i poslechu opravdu m\u016f\u017ee vzniknout dojem, \u017ee se nenach\u00e1z\u00edme v uzav\u0159en\u00e9m studiu, ale sp\u00ed\u0161 na proslun\u011bn\u00e9m n\u00e1dvo\u0159\u00ed, kde se hraje pro samotnou radost z okam\u017eiku. Uk\u00e1zky z t\u00e9to f\u00faze, ve kter\u00e9 se st\u0159et\u00e1v\u00e1 orient\u00e1ln\u00ed hudba s evropskou progres\u00ed, naleznete na ofici\u00e1ln\u00edm YouTube profilu jednoho z interpret\u016f<\/a>.<\/p>\n

Muna<\/a> – Dancing On The Wall
\n\u017e\u00e1nr: indie pop<\/p>\n

\"Muna
\nAmerick\u00e1 formace Muna<\/a>, jej\u00ed\u017e \u010dlenky se ozna\u010duj\u00ed jako nebin\u00e1rn\u00ed, od vyd\u00e1n\u00ed eponymn\u00edho alba z roku 2022 pom\u011brn\u011b slu\u0161n\u011b vstoupila do pov\u011bdom\u00ed hudebn\u00edch fanou\u0161k\u016f, kdy\u017e p\u0159edskakovala hv\u011bzd\u00e1m jako Taylor Swift<\/a>, Lorde<\/a> \u010di Kacey Musgraves<\/a>. Jejich \u010dtvrt\u00e1 deska „Dancing On The Wall“ tedy pat\u0159ila k napjat\u011b o\u010dek\u00e1van\u00fdm titul\u016fm a drtivou v\u011bt\u0161inu jej\u00edch t\u0159in\u00e1cti p\u00edsni\u010dek si trio slo\u017eilo samo. Pouze s \u010d\u00e1st\u00ed jim vypomohli Daniel Tashian<\/a>, Leland a Justin Tranter. Produkci zvl\u00e1dly d\u00e1my samy. Kam se vydaly tentokr\u00e1t, poslouchejte na jejich Bandcampu<\/a>.<\/p>\n

The Lemon Twigs<\/a> – Look For Your Mind!
\n\u017e\u00e1nr: indie rock<\/p>\n

\"TheBratrsk\u00e9 duo The Lemon Twigs<\/a> na albu „Look For Your Mind!“ znovu potvrzuje, \u017ee retro v jeho pod\u00e1n\u00ed neznamen\u00e1 muze\u00e1ln\u00ed vitr\u00ednu, ale \u017eivou hru s popovou minulost\u00ed. Brian a Michael D’Addario<\/a> se s l\u00e1skou obracej\u00ed k dob\u011b, kdy se p\u00edsn\u011b skl\u00e1daly s velkou fantazi\u00ed, melodie m\u011bly vlastn\u00ed oblouk a ka\u017ed\u00e1 aran\u017e ukr\u00fdvala n\u011bjak\u00fd drobn\u00fd trik pro pozorn\u00e9 ucho.<\/p>\n

Muzikanti si v\u011bt\u0161inu n\u00e1stroj\u016f obstarali sami, a deska proto p\u016fsob\u00ed celistv\u011b, dom\u00e1cky a bez zbyte\u010dn\u00e9ho le\u0161t\u011bn\u00ed. Nahr\u00e1vka neskr\u00fdv\u00e1 obdiv ke star\u00fdm mistr\u016fm p\u00eds\u0148ov\u00e9 formy, ale nezn\u00ed jako oby\u010dejn\u00e1 ozv\u011bna minulosti. Sp\u00ed\u0161 jako dvojice nad\u0161enc\u016f, kter\u00e1 si ze star\u00fdch desek bere discipl\u00ednu, hravost a chu\u0165 napsat refr\u00e9n, jen\u017e dr\u017e\u00ed pohromad\u011b. Posoudit to m\u016f\u017eete z uk\u00e1zek na YouTube profilu dua<\/a>.<\/p>\n

Laurie Anderson<\/a> – Let X=X
\n\u017e\u00e1nr: avantgardn\u00ed rock \/ art pop<\/p>\n

\"LaurieLaurie Anderson<\/a> se na albu „Let X=X“ vrac\u00ed k tomu, co j\u00ed slu\u0161\u00ed nejv\u00edc: k mluven\u00e9mu slovu, jemn\u00fdm zvukov\u00fdm obraz\u016fm a ot\u00e1zk\u00e1m, na kter\u00e9 neexistuje snadn\u00e1 odpov\u011b\u010f. P\u0159edstava, \u017ee nezn\u00e1m\u00e1 veli\u010dina mus\u00ed v\u017edy odpov\u00eddat sama sob\u011b a sv\u011bt lze vt\u011bsnat do p\u0159esn\u00fdch rovnic, se tu rozpad\u00e1 v proudu p\u0159\u00edb\u011bh\u016f, vzpom\u00ednek a drobn\u00fdch pozorov\u00e1n\u00ed. \u017d\u00e1dn\u00fd sp\u011bch, \u017e\u00e1dn\u00e9 velk\u00e9 gesto. Sp\u00ed\u0161 klidn\u00fd, soust\u0159ed\u011bn\u00fd pohyb mezi pochybnost\u00ed a tich\u00fdm \u00fa\u017easem.<\/p>\n

V centru nahr\u00e1vky stoj\u00ed jej\u00ed nezam\u011bniteln\u00fd vyprav\u011b\u010dsk\u00fd hlas. Ten poslucha\u010de prov\u00e1z\u00ed spletit\u00fdmi stezkami, kde se v\u0161edn\u00ed mali\u010dkosti m\u011bn\u00ed v ud\u00e1losti s ne\u010dekanou v\u00e1hou. Doprovod netvo\u0159\u00ed h\u0159motn\u00e9 n\u00e1stroje, ale jemn\u00e9 z\u00e1chv\u011bvy housl\u00ed, tlumen\u00e9 zvukov\u00e9 ozv\u011bny a hypnotick\u00e9 rytmy. V\u0161e p\u016fsob\u00ed pe\u010dliv\u011b uspo\u0159\u00e1dan\u011b, a p\u0159esto p\u0159irozen\u011b, jako by hudba vznikala sama od sebe v \u010dist\u00e9m, chladn\u00e9m vzduchu. Uk\u00e1zky najdete na YouTube profilu interpretky<\/a>.<\/p>\n

Neil Diamond<\/a> – Wild At Heart
\n\u017e\u00e1nr: country rock<\/p>\n

\"Neil
\nNeil Diamond<\/a> mezi roky 2007 a 2008 nahr\u00e1val spole\u010dn\u011b s legend\u00e1rn\u00edm producentem Rickem Rubinem<\/a>, co\u017e vy\u00fastilo v album „Home Before Dark“, kter\u00e9 se vy\u0161plhalo na vrchol albov\u00fdch hitpar\u00e1d v Anglii i ve Spojen\u00fdch st\u00e1tech. Z t\u00e9to tv\u016fr\u010d\u00ed spolupr\u00e1ce nyn\u00ed vze\u0161la nov\u00e1, dosud nevydan\u00e1 kolekce s deseti skladbami, kter\u00e9 Diamond napsal exkluzivn\u011b pro tento projekt. „Wild At Heart“ vzniklo b\u011bhem tehdej\u0161\u00edch sessions a pod\u00edleli se na n\u011bm tak\u00e9 hudebn\u00edci jako Mike Campbell<\/a> a Benmont Tench<\/a> z kapely Toma Pettyho<\/a> The Heartbreakers<\/a>. Na YouTube americk\u00e9ho zp\u011bv\u00e1ka<\/a> si ov\u011b\u0159te, \u017ee i dvacet let star\u00e9 a p\u016fvodn\u011b vy\u0159azen\u00e9 nahr\u00e1vky stoj\u00ed za pozornost.<\/p>\n

Midge Ure<\/a> – A Man Of Two Worlds
\n\u017e\u00e1nr: pop-rock \/ indie pop<\/p>\n

\"MidgeSkotsk\u00fd hudebn\u00edk Midge Ure<\/a> na albu „A Man Of Two Worlds“ znovu balancuje mezi elektronikou, kytarovou melancholi\u00ed a popovou melodikou, d\u00edky n\u00ed\u017e zanechal v\u00fdraznou stopu i jako frontman Ultravox<\/a>. Novinka stoj\u00ed na vnit\u0159n\u00ed rozpolcenosti, ohl\u00ed\u017een\u00ed za minulost\u00ed i snaze naj\u00edt v n\u00ed n\u011bco v\u00edc ne\u017e jen stesk po star\u00fdch \u010dasech.<\/p>\n

Nahr\u00e1vka nes\u00e1z\u00ed na ok\u00e1zalost, sp\u00ed\u0161 na poctiv\u00e9 \u0159emeslo, klenut\u00e9 melodie a hlas, kter\u00fd neztratil svou nal\u00e9havost. Ureho projev p\u016fsob\u00ed jako vypr\u00e1v\u011bn\u00ed \u010dlov\u011bka, kter\u00fd dob\u0159e v\u00ed, \u017ee \u010das b\u011b\u017e\u00ed, ale nem\u00e1 pot\u0159ebu se s n\u00edm teatr\u00e1ln\u011b pr\u00e1t. Elektronick\u00e9 plochy se tu potk\u00e1vaj\u00ed s jemn\u011bj\u0161\u00edmi kytarami a cel\u00e9 album dr\u017e\u00ed pohromad\u011b klidn\u00e1 vyzr\u00e1lost. Uk\u00e1zky najdete na jeho YouTube profilu<\/a>.<\/p>\n

Darkthrone<\/a> – Pre-Historic Metal
\n\u017e\u00e1nr: black metal<\/p>\n

\"Darkthrone
\nNor\u0161t\u00ed Darkthrone<\/a> z Kolbotnu jsou jedn\u00edm ze z\u00e1kladn\u00edch kamen\u016f black metalu, ale u\u017e d\u00e1vno ne kapelou, kter\u00e1 by se nechala zamknout do vlastn\u00ed legendy. Novinka „Pre-Historic Metal“ navazuje na dva roky star\u00e9 d\u00edlo „It Beckons Us All“ a vych\u00e1z\u00ed symbolicky v roce \u010dty\u0159ic\u00e1t\u00e9ho v\u00fdro\u010d\u00ed prvn\u00ed inkarnace kapely. Jak fanou\u0161ci dob\u0159e v\u011bd\u00ed, u Darkthrone je n\u00e1zev v\u017edy p\u016fl diagn\u00f3za a p\u016fl manifest. „Pre-Historic Metal“ zn\u00ed jako n\u011bco, co se vyhrabalo z jeskyn\u011b, ot\u0159epalo bahno z apar\u00e1tu a odm\u00edtlo modern\u00ed hygienu produkce. Fenriz k n\u00e1zvu vysv\u011btlil, \u017ee prehistoric ch\u00e1pe voln\u011b – jako atmosf\u00e9ru, pohled na v\u011bci a prohl\u00e1\u0161en\u00ed, \u017ee kapela pou\u017e\u00edv\u00e1 star\u00fd styl k vytvo\u0159en\u00ed n\u011b\u010deho nov\u00e9ho.<\/p>\n

Deska stoj\u00ed na osmi skladb\u00e1ch a \u010desk\u00e1 distribuce ji \u0159ad\u00ed do prostoru thrash metalu, black metalu a crust punku. Tedy p\u0159esn\u011b tam, kde se sou\u010dasn\u00ed Darkthrone<\/a> c\u00edt\u00ed nejl\u00e9pe: mimo \u010dist\u00e9 \u0161katulky. Ohlasy zat\u00edm sp\u00ed\u0161 potvrzuj\u00ed o\u010dek\u00e1v\u00e1n\u00ed, ne\u017e \u017ee by spou\u0161t\u011bly revoluci. Uk\u00e1zky najdete na YouTube<\/a>.<\/p>\n

Lovebites<\/a> – Outstanding Power
\n\u017e\u00e1nr: heavy metal \/ power metal<\/p>\n

\"Lovebites
\nJapon\u0161t\u00ed Lovebites<\/a> pat\u0159\u00ed k nejv\u00fdrazn\u011bj\u0161\u00edm sou\u010dasn\u00fdm jm\u00e9n\u016fm melodick\u00e9ho heavy\/power metalu a „Outstanding Power“ je jejich p\u00e1t\u00e9 studiov\u00e9 album. Kapela vznikla v Tokiu a s novinkou potvrzuje, \u017ee jej\u00ed s\u00edla stoj\u00ed na kombinaci evropsk\u00e9 powermetalov\u00e9 \u0161koly, rychl\u00fdch kytarov\u00fdch duet\u016f, technick\u00e9 preciznosti a vok\u00e1lu Asami, kter\u00fd um\u00ed zn\u00edt pateticky p\u0159esn\u011b v t\u00e9 m\u00ed\u0159e, v jak\u00e9 to tenhle \u017e\u00e1nr pot\u0159ebuje. Titul desky zn\u00ed skoro jako slogan z ar\u00e9ny. <\/p>\n

Tracklist s dvan\u00e1cti polo\u017ekami s n\u00e1zvy jako „The Castaway“, „Blazing Halo“ nebo „Phoenix Rises Again“ jasn\u011b nazna\u010duje, \u017ee kapela d\u00e1l stav\u00ed na velk\u00e9m melodramatu, rychlosti a heroick\u00e9 epice. Hudebn\u011b jde o hodinu power metalu v nejvy\u0161\u0161\u00edch ot\u00e1\u010dk\u00e1ch: dvojit\u00e9 kytary, svi\u017en\u00e1 rytmika, v\u00fdrazn\u00e1 s\u00f3la, symfonick\u00fd lesk a mohutn\u00e9 refr\u00e9ny. Pro uk\u00e1zky nav\u0161tivte YouTube<\/a>.<\/p>\n


\nJason Mraz<\/a> – Grandma’s Gospel Favorites

\nJak napov\u00edd\u00e1 n\u00e1zev alba, americk\u00fd zp\u011bv\u00e1k se rozhodl nahr\u00e1t nejobl\u00edben\u011bj\u0161\u00ed gospely sv\u00e9 babi\u010dky. Na desku jich za\u0159adil deset a p\u0159idal k nim i jednu vlastn\u00ed skladbu. (YouTube<\/a>)
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\nJ Balvin<\/a>, Ryan Castro – Omerta

\nDvojice kolumbijsk\u00fdch rapper\u016f a zp\u011bv\u00e1k\u016f se spojila pro spole\u010dn\u00fd projekt. V\u00fdsledkem je deset p\u00edsni\u010dek, jejich\u017e produkce se ujali Gangsta, Primo, Jonah Christian, Keityn, Kingswift, Ciey nebo Filly Lima. Trojici host\u016f tvo\u0159\u00ed DJ Snake<\/a>, Eladio Carri\u00f3n a SOG. (YouTube<\/a>)
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\nMax Cooper<\/a> – Feeling Is Structure

\nSeveroirsk\u00fd DJ a producent pot\u0159eboval na p\u0159\u00edpravu n\u011bco m\u00e1lo p\u0159es rok a v deseti novink\u00e1ch zkoum\u00e1 vztah fyzick\u00e9 formy a lidsk\u00fdch emoc\u00ed. Pou\u017e\u00edv\u00e1 k tomu elektroniku, IDM, ambient, tane\u010dn\u00ed hudbu i prvky avantgardy a alternativy. (Bandcamp<\/a>)
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\nAldous Harding<\/a> – Train On The Island

\nNovoz\u00e9landsk\u00e1 p\u00edsni\u010dk\u00e1\u0159ka sv\u00e9 p\u00e1t\u00e9 studiov\u00e9 album nahr\u00e1vala ve Walesu pod dohledem sv\u00e9ho dvorn\u00edho spolupracovn\u00edka, anglick\u00e9ho hudebn\u00edka Johna Parishe, kter\u00fd jinak spolupracuje s PJ Harvey<\/a>, Tracy Chapman<\/a>, KT Tunstall<\/a> nebo Jenny Hval<\/a>. Des\u00edtka p\u00edsni\u010dek dr\u017e\u00ed 85 % na Metacritic. (Bandcamp<\/a>)
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\nGirli<\/a> – It’s Just My Opinion

\nAnglick\u00e1 electropopov\u00e1 hudebnice, kterou jsme mohli p\u0159ed \u010dasem vid\u011bt i na Rock for People, po dvou letech navazuje na druhou desku „Matriarchy“ a v deseti p\u00edsni\u010dk\u00e1ch op\u011bt \u0159e\u0161\u00ed t\u00e9mata queer komunity. (YouTube<\/a>)
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\nRoyal & The Serpent<\/a> – Emptiness Is Godly

\nSv\u016fj debut kone\u010dn\u011b vyd\u00e1v\u00e1 americk\u00e1 indiepopov\u00e1 hudebnice, kter\u00e1 vstoupila na hudebn\u00ed sc\u00e9nu p\u0159ed dev\u00edti lety a jej\u00edch\u017e slu\u017eeb do t\u00e9to doby vyu\u017eili nap\u0159\u00edklad Tommee Profitt<\/a>, Gayle<\/a> v hitu „ABCDEFU“, Stand Atlantic<\/a>, Demi Lovato<\/a>, Mod Sun<\/a> nebo Lindsey Stirling<\/a>. V sedmn\u00e1cti p\u00edsni\u010dk\u00e1ch usly\u0161\u00edte i pop-punk \u010di electro pop. (YouTube<\/a>)
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\nStephen Sanchez<\/a> – Love, Love, Love

\nAmerick\u00fd zp\u011bv\u00e1k p\u016fvodem z Kalifornie nyn\u00ed ukazuje, \u017ee z Nashvillu nemus\u00ed vzej\u00edt pouze country a bluegrass, ale i velmi slu\u0161n\u00fd pop. S leto\u0161n\u00ed novinkou navazuje na t\u0159i roky star\u00fd debut „Angel Face“ a za pomoci producentsk\u00e9 trojice Oscar G\u00f6rres a Mattman & Robin<\/a> nahr\u00e1l jeden\u00e1ct song\u016f, kter\u00e9 p\u0159ipom\u00ednaj\u00ed mix The Beach Boys<\/a> a Miky<\/a>. (YouTube<\/a>)
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\nNamasenda<\/a> – Limbo

\nI kdyby n\u00e1hodou Lykke Li<\/a> opravdu kon\u010dila, \u0160v\u00e9dsko se vytas\u00ed s jinou zp\u011bva\u010dkou. Tentokr\u00e1t sv\u016fj debut vyd\u00e1v\u00e1 zp\u011bva\u010dka a skladatelka s ugandsk\u00fdmi ko\u0159eny, kter\u00e1 aktu\u00e1ln\u011b \u017eije ve Stockholmu. Kombinuje electro pop, tane\u010dn\u00ed pop a hyperpop. (YouTube<\/a>)
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\nLoraine James<\/a> – Detached From The Rest Of You

\nBritsk\u00e1 elektronick\u00e1 hudebnice zn\u00e1m\u00e1 tak\u00e9 coby Whatever the Weather si na nov\u00e9 album, prvn\u00ed po t\u0159ech letech, p\u0159izvala hned n\u011bkolik host\u016f. Jej\u00ed pozv\u00e1n\u00ed p\u0159ijali Sydney Spann, Anysia Kym, Miho Hatori<\/a>, Alan Sparhawk<\/a>, Tirzah, Le3 bLack a Fyn Dobson. (Bandcamp<\/a>)
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\nJosiah And The Bonnevilles – As Is

\nAmerick\u00fd zp\u011bv\u00e1k, kter\u00fd je jedin\u00fdm \u00fa\u010dastn\u00edkem American Idol, jen\u017e podepsal smlouvu s major labelem, a\u010dkoliv se nepropracoval ani do Top 24, u\u017e nyn\u00ed vyd\u00e1v\u00e1 alba na vlastn\u00edm labelu. To leto\u0161n\u00ed s n\u00edm produkoval Condrad Snyder (Kacey Musgraves<\/a>, Stephen Sanchez<\/a>, Noah Kahan<\/a>, James Bay<\/a>). (Bandcamp<\/a>)
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\nChiara Oliver – No Fue Real

\nZhruba po roce a p\u016fl se \u0161pan\u011blsk\u00e1 zp\u011bva\u010dka, jej\u00edm\u017e vzorem je Olivia Rodrigo<\/a>, hl\u00e1s\u00ed se sv\u00fdm t\u0159et\u00edm albem. T\u0159in\u00e1ct p\u00edsni\u010dek ale mo\u017en\u00e1 v\u00edce p\u0159ipom\u00edn\u00e1 Holly Humberstone<\/a>. (YouTube<\/a>)
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\nCroz Boyce – Croz Boyce

\nProjekt, za n\u00edm\u017e stoj\u00ed dva \u010dlenov\u00e9 Animal Collective<\/a> – Dave Porter aka Avey Tare<\/a> a Brian Weitz aka Geologist – se prezentuje sv\u00fdm debutov\u00fdm eponymn\u00edm albem. Pohybuje se s n\u00edm na pomez\u00ed experiment\u00e1ln\u00edho folku, ambientu a psychedelick\u00e9ho popu. (Bandcamp<\/a>)
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\nOlof Dreijer – Loud Bloom

\nPolovina \u0161v\u00e9dsk\u00e9ho dua The Knife<\/a> po n\u011bkolika \u00edp\u00ed\u010dk\u00e1ch vyd\u00e1v\u00e1 kone\u010dn\u011b plnohodnotn\u00fd debut postaven\u00fd na mixu house, techna a minimalismu. (Bandcamp<\/a>)
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\nDeb Never<\/a> – Arcade

\nPo t\u0159ech \u00edp\u00ed\u010dk\u00e1ch a jednom pandemick\u00e9m projektu americk\u00e1 altpopov\u00e1 muzikantka debutuje albem, na n\u011bm\u017e mimo jin\u00e9 op\u011bvuje l\u00e1sku ke sv\u00e9 p\u0159\u00edtelkyni a reflektuje \u017eivot v Los Angeles. (YouTube<\/a>)
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\nBasement<\/a> – Wired

\nBritsk\u00e1 formace vyd\u00e1v\u00e1 po del\u0161\u00ed odmlce novou nahr\u00e1vku, kter\u00e1 se dr\u017e\u00ed jej\u00edho charakteristick\u00e9ho rukopisu. Spojuje dravost alternativn\u00edho rocku s v\u00fdrazn\u00fdmi melodick\u00fdmi linkami, p\u0159\u00edmo\u010darou energi\u00ed a \u00fadern\u00fdmi kytarov\u00fdmi party. (YouTube<\/a>)
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\nKurt Deimer<\/a> – A Grog Is Born

\nPrvn\u00ed \u0159adov\u00e1 deska americk\u00e9ho hudebn\u00edka p\u0159edstavuje p\u0159\u00edmo\u010dar\u00fd n\u00e1vrat k hard rocku s metalov\u00fdmi prvky. Nahr\u00e1vka stav\u00ed na vyprav\u011b\u010dsk\u00e9m vok\u00e1lu a \u00fadern\u00fdch kytarov\u00fdch rifech, kter\u00e9 definuj\u00ed jej\u00ed syrovou atmosf\u00e9ru. (YouTube<\/a>)
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\nFire-Toolz<\/a> – Lavender Networks

\nTransgenderov\u00e1 experiment\u00e1torka z americk\u00e9ho Marylandu m\u00e1 na kont\u011b solidn\u00ed hrom\u00e1dku alb. To leto\u0161n\u00ed je jej\u00ed prvn\u00ed vydan\u00e9 u Warp Records a p\u0159in\u00e1\u0161\u00ed des\u00edtku track\u016f v divok\u00e9 sm\u011bsici \u017e\u00e1nr\u016f od vaporwaveu po extr\u00e9mn\u00ed metal. (YouTube<\/a>)
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\nCola<\/a> – Cost Of Living Adjustment

\nT\u0159et\u00ed studiovka kanadsk\u00e9ho tria, kter\u00e9 vyrostlo z trosek postpunkov\u00e9 kapely Ought. (YouTube<\/a>)
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\nDraconian<\/a> – In Somnolent Ruin

\nNov\u00e1 nahr\u00e1vka \u0161v\u00e9dsk\u00e9 gothic\/doommetalov\u00e9 formace vych\u00e1z\u00ed po \u0161estilet\u00e9 pauze od posledn\u00ed desky „Under a Godless Veil“. (YouTube<\/a>)
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\nThe Flatliners<\/a> – Cold World

\nSedm\u00e1 studiovka punkov\u00fdch veter\u00e1n\u016f z Toronta. (YouTube<\/a>)
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\nGlaive & Kurtains – God Save The Three

\nAmerick\u00fd p\u00edsni\u010dk\u00e1\u0159 Ash Blue Gutierrez se spojil s vel\u0161sk\u00fdm kolegou Kurtainsem a v\u00fdsledkem je dvan\u00e1ct p\u00edsni\u010dek. (YouTube<\/a>)
\n <\/p>\n

Bejalvin – Planetary Devastation
\nBrother Wallace – Electric Love
\nForest Of Stars – Stack Overflow In Corpse Pile Interface
\nFrozen Soul – No Place Of Warmth

\nChinese American Bear – Dim Sum & Then Some
\nJulius Black – Oh, Desire
\nJwords – Sound Therapy
\nKenny Wayne Shepherd<\/a> – Ledbetter Heights (The 30th Anniversary Sessions)
\nKoyo<\/a> – Barely Here
\nLambert – I Am Not Lambert
\nLil Joar – Blasphemy
\nLo Simple – I Become You
\nNarrator – Phosphor
\nNeoni – How To Kill A Fairytale
\nNicholas Krgovich – Boss Tape
\nPeter Gabriel<\/a> – Live At Womad 1982
\nRay Bull – Please Stop Laughing
\nSadie – Better Angels
\nTestament<\/a> – Practice What You Preach (2026 Remaster)
\nThe Haunted Youth<\/a> – Boys Cry Too
\nThe Knack<\/a> – Knackology – The Zen Recordings
\nWar On Women – Time Under Tension
\nWeen<\/a> – Brown Box
\nWestlife<\/a> 25 – Ultimate Collection<\/p>\n

Vych\u00e1z\u00ed na vinylu:
\nAldous Harding<\/a> – Train On The Island
\nBasement<\/a> – Wired
\nBlack Veil Brides<\/a> – Vindicate
\nBroken Social Scene<\/a> – Remember The Humans
\nCola<\/a> – Cost Of Living Adjustment
\nCortis – Greengreen
\nCroz Boyce – Croz Boyce
\nDarkthrone<\/a> – Pre-Historic Metal
\nDraconian<\/a> – In Somnolent Ruin
\nForest Of Stars – Stack Overflow In Corpse Pile Interface
\nFrozen Soul – No Place Of Warmth
\nGirli<\/a> – It\u2019s Just My Opinion

\nChinese American Bear – Dim Sum & Then Some
\nJ Balvin<\/a>, Ryan Castro – Omerta
\nJonny Greenwood<\/a> With Shye Ben Tzur<\/a> And The Rajasthan Express<\/a> – Ranjha
\nJosh Groban<\/a> – Cinematic
\nLambert – I Am Not Lambert
\nLaurie Anderson<\/a> – Let X=X
\nLinda Perry<\/a> – Let It Die Here<\/a>
\nLoraine James<\/a> – Detached From The Rest Of You
\nLovebites<\/a> – Outstanding Power
\nLykke Li<\/a> – The Afterparty
\nMonika Na\u010deva<\/a> – Nebe je rud\u00fd (Remastered 2026)
\nMuna<\/a> – Dancing On The Wall
\nNamasenda<\/a> – Limbo
\nNarrator – Phosphor
\nNeil Diamond<\/a> – Wild At Heart
\nPeter Gabriel<\/a> – Live At Womad 1982
\nPussycat Dolls<\/a> – Doll Domination
\nPussycat Dolls<\/a> – PCD
\nShye Ben-Tzur, Jonny Greenwood<\/a> – The Rajasthan Express<\/a>
\nStephen Sanchez<\/a> – Love, Love, Love
\nThe Haunted Youth<\/a> – Boys Cry Too
\nWeen<\/a> – Brown Box
\nWestlife<\/a> 25 – Ultimate Collection<\/p>\n

EP:
\nAlabaster Deplume – Dear Children Of Our Children, I Knew: Epilogue
\nCortis – Greengreen – Bridge Version
\nCortis – Greengreen – Street Version
\nCortis – Greengreen – Studio Version
\nKiesza<\/a> – Dancing And Crying: Volume 3
\nRumo Plum – Bloom Again<\/p>\n

Reedice:
\nJohn Lennon<\/a> – Imagine (Shm-Cd)
\nJohn Lennon<\/a> – Live Peace In Toronto 1969
\nJohn Lennon<\/a> – Milk And Honey (Shm-Cd)
\nJohn Lennon<\/a> – Mind Games (Shm-Cd)
\nJohn Lennon<\/a> – Plastic Ono Band (Shm-Cd)
\nJohn Lennon<\/a> – Rock ‚N‘ Roll (Shm-Cd)
\nJohn Lennon<\/a> – Shaved Fish
\nJohn Lennon<\/a> – Walls And Bridges (Shm-Cd)
\nJohn Lennon<\/a> And Yoko Ono<\/a> – Double Fantasy (Shm-Cd)
\nPussycat Dolls<\/a> – Doll Domination
\nPussycat Dolls<\/a> – PCD \"\"<\/p>\n","protected":false},"excerpt":{"rendered":"Druh\u00fd kv\u011btnov\u00fd t\u00fdden p\u0159inesl posledn\u00ed album Lykke Li, n\u00e1vrat Lindy Perry, metalov\u00e9 Black Veil Brides \u010di country-rockovou Ashley…\n","protected":false},"author":2,"featured_media":84765,"comment_status":"","ping_status":"","sticky":false,"template":"","format":"standard","meta":{"footnotes":""},"categories":[14],"tags":[8086,8087,79,8085,195,80],"class_list":{"0":"post-84764","1":"post","2":"type-post","3":"status-publish","4":"format-standard","5":"has-post-thumbnail","7":"category-zabava","8":"tag-cs","9":"tag-dvd","10":"tag-entertainment","11":"tag-musicserver","12":"tag-recenze","13":"tag-zabava"},"share_on_mastodon":{"url":"https:\/\/pubeurope.com\/@cz\/116569473600781879","error":""},"_links":{"self":[{"href":"https:\/\/www.europesays.com\/cz\/wp-json\/wp\/v2\/posts\/84764","targetHints":{"allow":["GET"]}}],"collection":[{"href":"https:\/\/www.europesays.com\/cz\/wp-json\/wp\/v2\/posts"}],"about":[{"href":"https:\/\/www.europesays.com\/cz\/wp-json\/wp\/v2\/types\/post"}],"author":[{"embeddable":true,"href":"https:\/\/www.europesays.com\/cz\/wp-json\/wp\/v2\/users\/2"}],"replies":[{"embeddable":true,"href":"https:\/\/www.europesays.com\/cz\/wp-json\/wp\/v2\/comments?post=84764"}],"version-history":[{"count":0,"href":"https:\/\/www.europesays.com\/cz\/wp-json\/wp\/v2\/posts\/84764\/revisions"}],"wp:featuredmedia":[{"embeddable":true,"href":"https:\/\/www.europesays.com\/cz\/wp-json\/wp\/v2\/media\/84765"}],"wp:attachment":[{"href":"https:\/\/www.europesays.com\/cz\/wp-json\/wp\/v2\/media?parent=84764"}],"wp:term":[{"taxonomy":"category","embeddable":true,"href":"https:\/\/www.europesays.com\/cz\/wp-json\/wp\/v2\/categories?post=84764"},{"taxonomy":"post_tag","embeddable":true,"href":"https:\/\/www.europesays.com\/cz\/wp-json\/wp\/v2\/tags?post=84764"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}}