{"id":86608,"date":"2026-05-15T13:39:11","date_gmt":"2026-05-15T13:39:11","guid":{"rendered":"https:\/\/www.europesays.com\/cz\/86608\/"},"modified":"2026-05-15T13:39:11","modified_gmt":"2026-05-15T13:39:11","slug":"vlastimil-harapes-manzelstvi-se-zagorovou-laska-k-muzum-a-znicene-zdravi","status":"publish","type":"post","link":"https:\/\/www.europesays.com\/cz\/86608\/","title":{"rendered":"Vlastimil Harapes: Man\u017eelstv\u00ed se Zagorovou, l\u00e1ska k\u00a0mu\u017e\u016fm a\u00a0zni\u010den\u00e9 zdrav\u00ed"},"content":{"rendered":"

Vlastimil Harapes se narodil 24.\u00a0\u010dervence 1946\u00a0v\u00a0Drou\u017ekovic\u00edch na Chomutovsku do rodiny p\u0159\u00edsn\u00e9ho ochotn\u00edka a\u00a0\u00fa\u0159ednice. Na pra\u017esk\u00e9 tane\u010dn\u00ed konzervato\u0159i p\u0159itom zpo\u010d\u00e1tku v\u00fdkonnostn\u011b zaost\u00e1val, z\u00a0klasick\u00e9ho baletu mu hrozila p\u011btka a\u00a0od profesorky Chourov\u00e9 poslouchal, \u017ee se na n\u011bj ned\u00e1 d\u00edvat. \u201eJ\u00e1 jsem narozen ve znamen\u00ed Lva a\u00a0Lvi se maj\u00ed chv\u00e1lit, to ona nev\u011bd\u011bla,\u201c vzpom\u00ednal pozd\u011bji na tehdej\u0161\u00ed psychick\u00fd tlak a\u00a0mindr\u00e1ky, ze kter\u00fdch ho vyt\u00e1hl a\u017e p\u0159echod k\u00a0lidov\u00fdm tanc\u016fm.<\/p>\n

Prvn\u00ed praktickou zku\u0161enost p\u0159ed kamerou z\u00edskal je\u0161t\u011b b\u011bhem studi\u00ed, kdy se cel\u00e1 jeho t\u0159\u00edda objevila v\u00a0hromadn\u00fdch sc\u00e9n\u00e1ch hudebn\u00edho filmu Starci na chmelu v\u00a0roce 1964.\u00a0Tento debut mu okam\u017eit\u011b otev\u0159el dve\u0159e k\u00a0dal\u0161\u00ed filmov\u00e9 pr\u00e1ci. Re\u017eis\u00e9r Franti\u0161ek Vl\u00e1\u010dil si ho toti\u017e na z\u00e1klad\u011b kamerov\u00fdch zkou\u0161ek vybral pro roli Kristi\u00e1na v\u00a0historick\u00e9m eposu Mark\u00e9ta Lazarov\u00e1. Harapes sice v\u00a0roce 1965\u00a0konzervato\u0159 \u00fasp\u011b\u0161n\u011b dokon\u010dil, jeho prvn\u00edm zam\u011bstn\u00e1n\u00edm se v\u0161ak kv\u016fli rozpracovan\u00e9mu projektu stal st\u00e1l\u00fd pracovn\u00ed pom\u011br u\u00a0filmov\u00e9ho studia Barrandov s\u00a0tehdy solidn\u00edm platem dev\u011bt set korun. Sn\u00edmek se nat\u00e1\u010del v\u00a0letech 1965\u00a0a\u017e 1966\u00a0na \u0160umav\u011b, kde herci kv\u016fli \u010dek\u00e1n\u00ed na vhodn\u00e9 po\u010das\u00ed museli vydr\u017eet obrovsk\u00e9 \u010dasov\u00e9 prostoje.<\/p>\n

Zat\u00edmco filmov\u00e9 hv\u011bzdy si u\u017e\u00edvaly boh\u00e9msk\u00fd \u017eivot, Harapese dlouh\u00e9 pauzy na \u0160umav\u011b a\u00a0neust\u00e1l\u00e9 \u010dek\u00e1n\u00ed na sv\u011btlo unavovaly. Tou\u017eil po okam\u017eit\u00e9 akci a\u00a0dobrovoln\u011b vym\u011bnil pohodl\u00ed filmov\u00fdch ateli\u00e9r\u016f za pevn\u00fd divadeln\u00ed re\u017eim a\u00a0ka\u017edodenn\u00ed pr\u00e1ci na s\u00e1le. \u201eKdy\u017e jsem pochopil, kter\u00e1 ruka je prav\u00e1 a\u00a0kter\u00e1 je lev\u00e1, \u0159ekl jsem si: Budu nejlep\u0161\u00edm tane\u010dn\u00edkem a\u00a0hotovo,\u201c popisoval rozhoduj\u00edc\u00ed moment. V\u00a0\u010dervenci 1966\u00a0nastoupil do baletn\u00edho souboru N\u00e1rodn\u00edho divadla a\u00a0d\u00edky mimo\u0159\u00e1dn\u00e9 pracovitosti brzy z\u00edskal n\u00e1skok p\u0159ed sv\u00fdmi vrstevn\u00edky. Divadeln\u00ed pr\u00e1ce mu vyhovovala, proto\u017ee v\u00fdsledek z\u00e1visel pouze na jeho vlastn\u00edm v\u00fdkonu, nikoli na ciz\u00edch rozhodnut\u00edch. Filmov\u00e9 nab\u00eddky pak p\u0159ich\u00e1zely bez jeho aktivn\u00edho p\u0159i\u010din\u011bn\u00ed. \u201eZ\u0159ejm\u011b to tak v\u0161echno m\u011blo b\u00fdt. Jsem v\u00a0tomhle ohledu fatalista,\u201c dod\u00e1val.<\/p>\n

Foto: Archiv ND\/se souhlasem<\/p>\n

Vlastimil Harapes a\u00a0Marta Drottnerov\u00e1 na jevi\u0161ti N\u00e1rodn\u00edho divadla v\u00a0baletn\u00ed inscenaci N\u00e1vraty ke kr\u00e1s\u00e1m (1979).<\/p>\n

Triumf vykoupen\u00fd ochrnut\u00edm<\/p>\n

Div\u00e1ci v\u00a0s\u00e1lech vid\u011bli iluzi absolutn\u00ed lehkosti, za oponou se v\u0161ak odehr\u00e1vala \u010dist\u011b mechanick\u00e1 d\u0159ina. Harapes v\u00a0roce 1971\u00a0z\u00edskal statut s\u00f3listy N\u00e1rodn\u00edho divadla, z\u00e1sadn\u00ed v\u00fdznam pro n\u011bj v\u0161ak m\u011bla ji\u017e st\u00e1\u017e v\u00a0Choreografick\u00e9m u\u010dili\u0161ti A. J. Vaganovov\u00e9 v\u00a0tehdej\u0161\u00edm Leningradu v\u00a0roce 1968.\u00a0Pod veden\u00edm pedagoga, kter\u00fd formoval i\u00a0Michaila Bary\u0161nikova, tam jako jedin\u00fd cizinec odtan\u010dil t\u0159i p\u0159edstaven\u00ed Labut\u00edho jezera v\u00a0roli Prince v\u00a0Michailovsk\u00e9m divadle. \u201eTo se nikomu nestalo. Ani omylem,\u201c komentoval tento \u00fasp\u011bch. Na dom\u00e1c\u00ed sc\u00e9n\u011b ho \u0161\u00e9f Ji\u0159\u00ed N\u011bme\u010dek obsadil jako Modr\u00e9ho pt\u00e1ka v\u00a0\u0160\u00edpkov\u00e9 R\u016f\u017eence, kde hned v\u00a0po\u010d\u00e1tc\u00edch kari\u00e9ry z\u00edskal v\u00fdraznou jevi\u0161tn\u00ed p\u0159\u00edle\u017eitost.<\/p>\n

V\u017edy se \u0159\u00eddil vlastn\u00edm um\u011bleck\u00fdm kr\u00e9dem: \u201ePro mne je nejd\u016fle\u017eit\u011bj\u0161\u00ed respektovat muziku. Tan\u010d\u00edm hudbu, ne na hudbu.\u201c B\u011bhem dvaceti let aktivn\u00ed \u010dinnosti ztv\u00e1rnil v\u00a0N\u00e1rodn\u00edm divadle p\u0159es pades\u00e1t s\u00f3lov\u00fdch rol\u00ed v\u010detn\u011b Romea, Merkucia, Spartaka \u010di Albrechta v\u00a0Giselle. V\u00a0letech 1977\u00a0a\u017e 1983\u00a0nav\u00edc p\u016fsobil jako st\u00e1l\u00fd host por\u00fdnsk\u00e9 opery v\u00a0Duisburgu a\u00a0D\u00fcsseldorfu. Soub\u011b\u017en\u011b hr\u00e1l ve filmech Den pro mou l\u00e1sku (1976), Jak vytrhnout velryb\u011b stoli\u010dku (1977) \u010di Panna a\u00a0netvor (1978). Re\u017eis\u00e9r\u016fm sice vyhovoval typov\u011b, ale nikoli hlasov\u011b, a\u00a0proto ho ve filmech p\u0159edabovali Franti\u0161ek N\u011bmec, Ji\u0159\u00ed Klem nebo Ji\u0159\u00ed Zahajsk\u00fd. P\u0159i pr\u00e1ci na psychologick\u00e9m dramatu s\u00a0Martou Van\u010durovou pro\u017e\u00edval siln\u00e9 emoce: \u201eByl jsem asi tak trochu zamilovan\u00fdm, nebo dost,\u201c p\u0159iznal po letech.<\/p>\n

Foto: Archiv ND\/se souhlasem<\/p>\n

Vlastimil Harapes v\u00a0baletu Kors\u00e1r (Pas de deux) v\u00a0roce 1979.<\/p>\n

Tato masov\u00e1 popularita m\u011bla odvr\u00e1cenou stranu. Extr\u00e9mn\u00ed pracovn\u00ed tempo, kdy odehr\u00e1l a\u017e p\u011btadvacet p\u0159edstaven\u00ed m\u011bs\u00ed\u010dn\u011b, vedlo k\u00a0\u00fanavov\u00fdm zlomenin\u00e1m holenn\u00edch kost\u00ed, z\u00e1n\u011bt\u016fm \u0161lach a\u00a0nevratn\u00e9mu opot\u0159ebov\u00e1n\u00ed kloub\u016f. Nejv\u011bt\u0161\u00ed zdravotn\u00ed komplikaci v\u0161ak znamenal chirurgick\u00fd z\u00e1krok, p\u0159i kter\u00e9m mu l\u00e9ka\u0159i museli na\u0159\u00edznout nervy v\u00a0rameni. N\u00e1sledkem operace ochrnul na horn\u00ed kon\u010detinu a\u00a0trvalo rok a\u00a0p\u016fl intenzivn\u00ed rehabilitace, ne\u017e ruku znovu zvedl a\u00a0dok\u00e1zal zapojit biceps. T\u0159\u00edn\u00e1sobn\u00fd v\u00edt\u011bz div\u00e1ck\u00e9 anket\u011b o\u00a0tane\u010dn\u00edka roku z\u00a0let 1984\u00a0a\u017e 1986\u00a0k\u00a0dopad\u016fm profese s\u00a0odstupem dod\u00e1val: \u201eVelk\u00fdm sportov\u00e1n\u00edm si lidi v\u00a0podstat\u011b \u0161kod\u00ed.\u201c<\/p>\n

Vyhazov z\u00a0N\u00e1rodn\u00edho divadla<\/p>\n

V roce 1989, kdy cel\u00e1 zem\u011b pro\u017e\u00edvala euforii, se Harapes ocitl na konci sv\u00e9 aktivn\u00ed tane\u010dn\u00ed dr\u00e1hy. V\u00a0letech 1987\u00a0a\u017e 1989\u00a0sice je\u0161t\u011b p\u016fsobil jako s\u00f3lista a\u00a0\u0161\u00e9f baletu Laterny magiky, kde ztv\u00e1rnil tituln\u00ed roli v\u00a0inscenaci Odysseus, ale odchod z\u00a0aktivn\u00ed sc\u00e9ny znamenal radik\u00e1ln\u00ed zlom. Ze dne na den zmizel adrenalin z\u00a0tance a\u00a0v roce 1990\u00a0plynule p\u0159e\u0161el do pozice um\u011bleck\u00e9ho \u0161\u00e9fa baletu N\u00e1rodn\u00edho divadla. Zde musel uplatnit zcela opa\u010dn\u00e9 schopnosti ne\u017e na jevi\u0161ti\u00a0\u2013 mana\u017eersk\u00e9 \u0159\u00edzen\u00ed, diplomatick\u00e9 vyjedn\u00e1v\u00e1n\u00ed, omlazen\u00ed souboru a\u00a0potla\u010den\u00ed vlastn\u00edho ega ve prosp\u011bch t\u00fdmu.<\/p>\n

Zat\u00edmco d\u0159\u00edve mu lid\u00e9 tleskali, v\u00a0t\u00e9to roli musel transformovat divadeln\u00ed provoz do nov\u00fdch ekonomick\u00fdch podm\u00ednek a\u00a0propou\u0161t\u011bt zam\u011bstnance. Jako \u0161\u00e9f postupoval nekompromisn\u011b. Kdy\u017e propustil tane\u010dn\u00edka z\u00a0N\u011bmecka, reagoval na protesty odbor\u016f v\u011bcn\u011b: \u201eLidi, to m\u00e1m napsat do programu N\u00e1rodn\u00edho divadla, \u017ee se na toho \u010dlov\u011bka ned\u00e1 d\u00edvat, ale on se sna\u017e\u00ed?\u201c Vedle mana\u017eersk\u00e9 pr\u00e1ce se pod\u00edlel na choreografii a\u00a0re\u017eii baletu Popelka a\u00a0na Labut\u00edm jeze\u0159e. V\u00a0\u010dele souboru st\u00e1l dvan\u00e1ct let, do roku 2002, kdy po n\u00e1stupu nov\u00e9ho \u0159editele Daniela Dvo\u0159\u00e1ka musel v\u00a0polovin\u011b funk\u010dn\u00edho obdob\u00ed ne\u010dekan\u011b skon\u010dit.<\/p>\n

Foto: Archiv ND\/se souhlasem<\/p>\n

Vlastimil Harapes v\u00a0tituln\u00ed roli baletn\u00ed inscenace Macbeth v\u00a0N\u00e1rodn\u00edm divadle (1984).<\/p>\n

Tento n\u00e1hl\u00fd konec, doprov\u00e1zen\u00fd okam\u017eit\u00fdm ru\u0161en\u00edm rozpracovan\u00fdch projekt\u016f, nesl s\u00a0ho\u0159kost\u00ed, i\u00a0kdy\u017e navenek zachov\u00e1val dekorum. \u201eByla to slo\u017eit\u00e1 situace, proto\u017ee jsem m\u011bl nasmlouvan\u00e9 tituly a\u00a0n\u00e1hle jsem musel v\u0161e zru\u0161it,\u201c p\u0159iznal po letech, ale z\u00e1rove\u0148 dodal, \u017ee sv\u00e9mu n\u00e1stupci Petru Zuskovi nic nevy\u010d\u00edtal. P\u0159esto\u017ee ho divadeln\u00ed administrativa unavovala, v\u00a0N\u00e1rodn\u00edm divadle z\u016fstal jako baletn\u00ed mistr a\u017e do roku 2009.\u00a0Pozd\u011bji vyu\u010doval na Mezin\u00e1rodn\u00ed konzervato\u0159i Praha a\u00a0hostoval v\u00a0\u0158\u00edm\u011b. Sv\u00e1 vysok\u00e1 ocen\u011bn\u00ed v\u010detn\u011b Ceny Th\u00e1lie za celo\u017eivotn\u00ed mistrovstv\u00ed z\u00a0roku 2011\u00a0bral s\u00a0nadhledem a\u00a0vlastn\u00ed profesn\u00ed p\u0159\u00edstup shrnoval pragmaticky: \u201eUm\u011bn\u00ed je podle m\u011b nutn\u00e9 m\u00edt z\u00a025\u00a0procent talentu, 25\u00a0procent p\u00edle a\u00a050\u00a0procent inteligence. A\u00a0hlavn\u011b neb\u00fdt nikdy s\u00e1m se sebou spokojen\u00fd.\u201c<\/p>\n

S\u0148atek se Zagorovou a\u00a044\u00a0let s\u00a0disidentem<\/p>\n

Soukrom\u00fd \u017eivot si Harapes pe\u010dliv\u011b st\u0159e\u017eil p\u0159ed ve\u0159ejnost\u00ed i\u00a0st\u00e1tn\u00edm apar\u00e1tem. V\u00a0roce 1986\u00a0se o\u017eenil se zp\u011bva\u010dkou Hanou Zagorovou, hlavn\u011b kv\u016fli adopci d\u00edt\u011bte, kterou tehdej\u0161\u00ed z\u00e1kony svobodn\u00fdm lidem prakticky zakazovaly. Spole\u010dn\u011b si adoptovali \u010dty\u0159letou Annu, \u00fa\u0159ady v\u0161ak po z\u00e1sahu biologick\u00e9 matky celou proceduru bleskov\u011b zru\u0161ily. Harapese mrzelo, \u017ee nem\u00e1 vlastn\u00ed d\u011bti. \u201ePrvn\u00ed \u017eena necht\u011bla m\u00edt d\u011bti a\u00a0druh\u00e1, Zagorka, nesm\u011bla, proto\u017ee m\u011bla tu nemoc,\u201c vysv\u011btlil po letech. Man\u017eelstv\u00ed skon\u010dilo rozvodem v\u00a0roce 1992, ale oba um\u011blci z\u016fstali bl\u00edzk\u00fdmi p\u0159\u00e1teli po cel\u00fd zbytek \u017eivota.<\/p>\n

Nejbli\u017e\u0161\u00edm \u010dlov\u011bkem pro n\u011bj byl b\u00e1sn\u00edk a\u00a0dramatik Josef Topol. Dali se dohromady v\u00a0roce 1971, kdy Harapes z\u00edskal statut s\u00f3listy v\u00a0N\u00e1rodn\u00edm divadle a\u00a0Topol p\u016fsobil v\u00a0Divadle za branou. Pro\u017eili spolu \u010dty\u0159icet \u010dty\u0159i let v\u00a0byt\u011b na pra\u017esk\u00e9 Mal\u00e9 Stran\u011b, p\u0159esto\u017ee tehdej\u0161\u00ed re\u017eim homosexualitu potla\u010doval a\u00a0St\u00e1tn\u00ed bezpe\u010dnost Topola jako signat\u00e1\u0159e Charty 77\u00a0soustavn\u011b sledovala. Harapes se tak ocitl v\u00a0paradoxn\u00ed situaci. Zat\u00edmco jako ofici\u00e1ln\u00ed hv\u011bzda reprezentoval tehdej\u0161\u00ed kulturu a\u00a0p\u0159eb\u00edral st\u00e1tn\u00ed ceny, doma sd\u00edlel dom\u00e1cnost s\u00a0re\u017eimu nepohodln\u00fdm disidentem. V\u00a0um\u011bleck\u00e9 komunit\u011b se o\u00a0jejich vztahu v\u011bd\u011blo, ale oba odm\u00edtali jakoukoli ve\u0159ejnou prezentaci.<\/p>\n

Foto: Archiv ND\/se souhlasem<\/p>\n

Josef Topol a\u00a0Vlastimil Harapes v\u00a0roce 1991.<\/p>\n

Spole\u010dn\u00fd \u017eivot definitivn\u011b skon\u010dil v\u00a0roce 2015, kdy Josef Topol po dlouh\u00e9 nemoci zem\u0159el. Harapes p\u0159i\u0161el o\u00a0partnera, kter\u00fd s\u00a0n\u00edm pro\u0161el obdob\u00edm nejv\u011bt\u0161\u00ed sl\u00e1vy i\u00a0odchodem z\u00a0ve\u0159ejn\u00e9ho \u017eivota. Pro b\u00fdval\u00e9ho tane\u010dn\u00edka to znamenalo z\u00e1sadn\u00ed p\u0159ed\u011bl. Truchlil v\u00a0soukrom\u00ed, bez ve\u0159ejn\u00fdch gest, ale samota v\u00a0pozdn\u00edm v\u011bku p\u0159isp\u011bla k\u00a0rychl\u00e9mu zhor\u0161en\u00ed jeho vlastn\u00edho zdravotn\u00edho stavu.<\/p>\n

Zp\u00e1tky na jevi\u0161ti a\u00a0ne\u010dekan\u00e1 diagn\u00f3za<\/p>\n

Po ukon\u010den\u00ed tane\u010dn\u00ed kari\u00e9ry a\u00a0odchodu z\u00a0veden\u00ed divadla se Harapes vr\u00e1til k\u00a0hereck\u00e9 pr\u00e1ci. V\u00a0sedmdes\u00e1ti letech p\u0159ijal anga\u017em\u00e1 v\u00a0divadle Semafor, kde vystupoval v\u00a0inscenaci Prsten pana Nibelunga nebo v\u00a0\u00faprav\u011b klasick\u00e9ho muzik\u00e1lu \u010cochtan\u016fv Divotvorn\u00fd hrnec. Pracovn\u00ed tempo Ji\u0159\u00edho Such\u00e9ho \u010di Soni \u010cerven\u00e9 pro n\u011bj bylo inspirac\u00ed. Zat\u00edmco d\u0159\u00edve pod\u0159izoval denn\u00ed re\u017eim n\u00e1ro\u010dn\u00e9mu tr\u00e9ninku, v\u00a0t\u00e9to \u017eivotn\u00ed etap\u011b dob\u00edjel energii jednodu\u0161e: \u201eJ\u00e1 nejrad\u0161i sp\u00edm, sp\u00e1nek je nejd\u016fle\u017eit\u011bj\u0161\u00ed regenera\u010dn\u00ed proces. A\u00a0pak jdu do hospody na pivo na Plze\u0148 dvan\u00e1ctku.\u201c<\/p>\n

Letit\u00e1 fyzick\u00e1 z\u00e1t\u011b\u017e se v\u0161ak s\u00a0p\u0159ib\u00fdvaj\u00edc\u00edmi lety projevovala \u010d\u00edm d\u00e1l siln\u011bji. Opot\u0159ebovan\u00e9 klouby mu zp\u016fsobovaly bolesti p\u0159i ch\u016fzi, on s\u00e1m v\u0161ak odm\u00edtal roli st\u011b\u017euj\u00edc\u00edho si pam\u011btn\u00edka a\u00a0jakoukoli sebel\u00edtost. \u201eNep\u0159edstavujte si, \u017ee se n\u011bjak nostalgicky op\u00e1j\u00edm minulost\u00ed. Sp\u00ed\u0161e se soust\u0159ed\u00edm na to, co je dnes, a\u00a0na to, co bude,\u201c konstatoval. O\u00a0st\u00e1rnut\u00ed mluvil otev\u0159en\u011b. Tanec pova\u017eoval za um\u011bn\u00ed mlad\u00fdch lid\u00ed, ve kter\u00e9m star\u0161\u00ed generace m\u016f\u017ee nab\u00eddnout u\u017e jen zku\u0161enost.<\/p>\n

Vlastimil Harapes zem\u0159el po kr\u00e1tk\u00e9 nemoci 15.\u00a0kv\u011btna 2024\u00a0ve V\u0161eobecn\u00e9 fakultn\u00ed nemocnici v\u00a0Praze ve v\u011bku 77\u00a0let. P\u0159\u00ed\u010dinou \u00famrt\u00ed byl z\u00e1va\u017en\u00fd karcinom plic, kter\u00fd mu l\u00e9ka\u0159i diagnostikovali teprve n\u011bkolik t\u00fddn\u016f p\u0159ed smrt\u00ed.<\/p>\n

Anketa<\/p>\n

Rozum\u00edte jeho rozhodnut\u00ed o\u017eenit se s Hanou Zagorovou \u00fa\u010delov\u011b kv\u016fli adopci d\u00edt\u011bte?<\/p>\n

Ano. Ud\u011blal bych to sam\u00e9. Touha po d\u00edt\u011bti omlouv\u00e1 i form\u00e1ln\u00ed s\u0148atek.<\/p>\n

Ne. Man\u017eelstv\u00ed m\u00e1 b\u00fdt postaven\u00e9 na l\u00e1sce, ne na obch\u00e1zen\u00ed tehdej\u0161\u00edch z\u00e1kon\u016f.<\/p>\n

T\u011b\u017eko soudit. Byla to jin\u00e1 doba a tehdej\u0161\u00ed \u00fa\u0159ady jim nedaly na v\u00fdb\u011br.<\/p>\n

Celkem
\n\t\t\t\thlasovalo
\n\t\t\t\t185
\n\t\t\t\t\u010dten\u00e1\u0159\u016f.<\/p>\n

zdroje:<\/p>\n","protected":false},"excerpt":{"rendered":"Vlastimil Harapes se narodil 24.\u00a0\u010dervence 1946\u00a0v\u00a0Drou\u017ekovic\u00edch na Chomutovsku do rodiny p\u0159\u00edsn\u00e9ho ochotn\u00edka a\u00a0\u00fa\u0159ednice. Na pra\u017esk\u00e9 tane\u010dn\u00ed konzervato\u0159i p\u0159itom…\n","protected":false},"author":2,"featured_media":86609,"comment_status":"","ping_status":"","sticky":false,"template":"","format":"standard","meta":{"footnotes":""},"categories":[14],"tags":[10532,8185,1538,2432,79,27005,5669,8888,900,1539,10528,8609,650,1132,1253,10093,1073,2780,649,6503,80],"class_list":{"0":"post-86608","1":"post","2":"type-post","3":"status-publish","4":"format-standard","5":"has-post-thumbnail","7":"category-zabava","8":"tag-adopce","9":"tag-balet","10":"tag-celebrity","11":"tag-ceske-celebrity","12":"tag-entertainment","13":"tag-frantisek-vlacil","14":"tag-gay","15":"tag-hana-zagorova","16":"tag-herci","17":"tag-herectvi","18":"tag-homosexualita","19":"tag-lgbt","20":"tag-lide","21":"tag-muzi","22":"tag-narodni-divadlo","23":"tag-osud","24":"tag-pribeh","25":"tag-retro","26":"tag-spolecnost","27":"tag-vlastimil-harapes","28":"tag-zabava"},"share_on_mastodon":{"url":"https:\/\/pubeurope.com\/@cz\/116578875074603560","error":""},"_links":{"self":[{"href":"https:\/\/www.europesays.com\/cz\/wp-json\/wp\/v2\/posts\/86608","targetHints":{"allow":["GET"]}}],"collection":[{"href":"https:\/\/www.europesays.com\/cz\/wp-json\/wp\/v2\/posts"}],"about":[{"href":"https:\/\/www.europesays.com\/cz\/wp-json\/wp\/v2\/types\/post"}],"author":[{"embeddable":true,"href":"https:\/\/www.europesays.com\/cz\/wp-json\/wp\/v2\/users\/2"}],"replies":[{"embeddable":true,"href":"https:\/\/www.europesays.com\/cz\/wp-json\/wp\/v2\/comments?post=86608"}],"version-history":[{"count":0,"href":"https:\/\/www.europesays.com\/cz\/wp-json\/wp\/v2\/posts\/86608\/revisions"}],"wp:featuredmedia":[{"embeddable":true,"href":"https:\/\/www.europesays.com\/cz\/wp-json\/wp\/v2\/media\/86609"}],"wp:attachment":[{"href":"https:\/\/www.europesays.com\/cz\/wp-json\/wp\/v2\/media?parent=86608"}],"wp:term":[{"taxonomy":"category","embeddable":true,"href":"https:\/\/www.europesays.com\/cz\/wp-json\/wp\/v2\/categories?post=86608"},{"taxonomy":"post_tag","embeddable":true,"href":"https:\/\/www.europesays.com\/cz\/wp-json\/wp\/v2\/tags?post=86608"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}}