{"id":899,"date":"2026-02-18T20:40:05","date_gmt":"2026-02-18T20:40:05","guid":{"rendered":"https:\/\/www.europesays.com\/cz\/899\/"},"modified":"2026-02-18T20:40:05","modified_gmt":"2026-02-18T20:40:05","slug":"cekej-tise-eva-olmerova-nemela-svuj-nejvetsi-hit-prevzaty-od-country-zpevaka-z-nashvillu-rada","status":"publish","type":"post","link":"https:\/\/www.europesays.com\/cz\/899\/","title":{"rendered":"\u010cekej ti\u0161e. Eva Olmerov\u00e1 nem\u011bla sv\u016fj nejv\u011bt\u0161\u00ed hit p\u0159evzat\u00fd od country zp\u011bv\u00e1ka z\u00a0Nashvillu r\u00e1da"},"content":{"rendered":"

P\u00edse\u0148 vznikla v\u00a0roce 1959\u00a0jako countryov\u00fd hit He’ll Have to Go. Jej\u00ed auto\u0159i, man\u017eel\u00e9 Joe a\u00a0Audrey Allisonovi, tehdy za\u017eili \u00fapln\u011b b\u011b\u017enou a\u00a0ka\u017ed\u00e9mu zn\u00e1mou situaci. Joe, tehdej\u0161\u00ed rozhlasov\u00fd disk\u017eokej, volal sv\u00e9 \u017een\u011b dom\u016f, ale kv\u016fli \u0161patn\u00e9mu spojen\u00ed a\u00a0p\u0159irozen\u011b tich\u00e9mu hlasu Audrey j\u00ed t\u00e9m\u011b\u0159 nerozum\u011bl.<\/p>\n

Po\u0159\u00e1d ji \u017e\u00e1dal, aby mluvila bl\u00ed\u017ee k\u00a0telefonu, a\u017e si Audrey po skon\u010den\u00ed hovoru zapsala na kousek pap\u00edru v\u011btu: \u201eDej sv\u00e9 sladk\u00e9 rty o\u00a0kousek bl\u00ed\u017e k\u00a0telefonu.\u201c Tato v\u011bta se stala z\u00e1kladn\u00edm stavebn\u00edm kamenem textu, kter\u00fd spolu n\u00e1sledn\u011b rozvinuli do dramatick\u00e9ho p\u0159\u00edb\u011bhu mu\u017ee, jen\u017e telefonuje v\u00a0hluku jukeboxu sv\u00e9 mil\u00e9 a\u00a0kv\u016fli jej\u00edmu tich\u00e9mu hlasu pochop\u00ed, \u017ee vedle n\u00ed sed\u00ed jin\u00fd mu\u017e.<\/p>\n

P\u00edse\u0148 p\u016fvodn\u011b nazp\u00edval zp\u011bv\u00e1k Billy Brown, ale v\u00a0jeho pod\u00e1n\u00ed zcela zapadla. Skute\u010dn\u00fd zlom nastal, a\u017e kdy\u017e se nahr\u00e1vka dostala k\u00a0legend\u00e1rn\u00edmu Jimu Reevesovi. Ten okam\u017eit\u011b rozpoznal jej\u00ed potenci\u00e1l, ale v\u011bd\u011bl, \u017ee na to mus\u00ed j\u00edt jinak\u00a0\u2013 ne silou, ale intimitou. Reeves p\u0159i nahr\u00e1v\u00e1n\u00ed v\u00a0legend\u00e1rn\u00ed mekce country hudby Nashvillu zp\u00edval t\u011bsn\u011b u\u00a0mikrofonu a\u00a0sn\u00ed\u017eil hlas na \u00farove\u0148 t\u00e9m\u011b\u0159 \u0161eptan\u00e9 zpov\u011bdi, \u010d\u00edm\u017e si vyslou\u017eil p\u0159ezd\u00edvku \u201ezp\u011bv\u00e1k se sametov\u00fdm dotekem\u201c.<\/p>\n

Gramofonov\u00e1 firma p\u00edse\u0148 p\u016fvodn\u011b vydala jen jako \u201eb\u00e9\u010dkovou\u201c stranu singlu, proto\u017ee v\u00edc v\u011b\u0159ila jin\u00e9 skladb\u011b. Rozhlasov\u00ed moder\u00e1to\u0159i v\u0161ak za\u010dali intuitivn\u011b hr\u00e1t pr\u00e1v\u011b He’ll Have to Go a\u00a0ud\u011blali z\u00a0n\u00ed glob\u00e1ln\u00ed senzaci, kter\u00e1 se v\u00a0americk\u00e9 hitpar\u00e1d\u011b dr\u017eela na \u0161pici rekordn\u00edch 14\u00a0t\u00fddn\u016f.<\/p>\n

Do \u010deskoslovensk\u00e9ho kontextu p\u00edse\u0148 v\u00a0roce 1968\u00a0p\u0159enesl milovn\u00edk a\u00a0znalec americk\u00e9 country Ji\u0159\u00ed Grossmann. Ten jako texta\u0159 pochopil, \u017ee pro \u017eenu s\u00a0tak t\u011b\u017ek\u00fdm \u017eivotn\u00edm osudem, jakou byla Eva Olmerov\u00e1, by doslovn\u00fd p\u0159eklad o\u00a0telefonech a\u00a0jukeboxech nefungoval. Grossmann m\u00edsto toho vytvo\u0159il snovou, t\u00e9m\u011b\u0159 mystickou b\u00e1snickou vizi o\u00a0hled\u00e1n\u00ed \u0161t\u011bst\u00ed.<\/p>\n

Eva Olmerov\u00e1 do nahr\u00e1vky vlo\u017eila celou svou rozervanou du\u0161i. Jej\u00ed \u017eivot byl v\u00a0t\u00e9 dob\u011b poznamen\u00e1n neust\u00e1l\u00fdm pron\u00e1sledov\u00e1n\u00edm ze strany tehdej\u0161\u00edho re\u017eimu, z\u00e1kazy vystupov\u00e1n\u00ed v\u00a0Praze i\u00a0osobn\u00edmi trag\u00e9diemi a\u00a0bojem s\u00a0alkoholem. Zat\u00edmco Reeves\u016fv origin\u00e1l byl milostn\u00fdm dialogem, Olmerov\u00e9 verze \u010cekej ti\u0161e se stala existenci\u00e1ln\u00edm \u0161ansonem o\u00a0samot\u011b.<\/p>\n

\"\"<\/a><\/p>\n

Kritika i\u00a0poslucha\u010di byli nad\u0161eni. Hudebn\u00ed publicista Ji\u0159\u00ed \u010cern\u00fd vyzdvihoval, \u017ee Olmerov\u00e1 v\u00a0p\u00edsni neinterpretuje text, ale skute\u010dn\u011b \u017eije ka\u017ed\u00e9 slovo. P\u00edse\u0148 se stala hitem v\u00a0\u010cern\u00e9ho rozhlasov\u00e9 hitpar\u00e1d\u011b Dvan\u00e1ct na houpa\u010dce, kde ji poslucha\u010di sv\u00fdmi hlasy dr\u017eeli na p\u0159edn\u00edch p\u0159\u00ed\u010dk\u00e1ch, i\u00a0kdy\u017e Olmerov\u00e1 nebyla ofici\u00e1ln\u011b prote\u017eovanou hv\u011bzdou.<\/p>\n

P\u00edsni\u010dka He’ll Have to Go je ov\u0161em popul\u00e1rn\u00edm hitem v\u00a0mnoha podob\u00e1ch. Svoji verzi nahr\u00e1l i\u00a0Elvis Presley v\u00a0roce 1976\u00a0b\u011bhem sv\u00e9ho \u00fapln\u011b posledn\u00edho studiov\u00e9ho nahr\u00e1v\u00e1n\u00ed v\u00a0\u017eivot\u011b, co\u017e p\u00edsni dodalo a\u017e m\u00fdtick\u00fd status labut\u00ed p\u00edsn\u011b kr\u00e1le rokenrolu. P\u00edse\u0148 tak\u00e9 vyvolala vlnu takzvan\u00fdch \u201eodpov\u011bd\u00ed\u201c. Zp\u011bva\u010dka Jeanne Black nazp\u00edvala skladbu He’ll Have to Stay (On u\u00a0m\u011b z\u016fstane), kter\u00e1 vypr\u00e1v\u011bla p\u0159\u00edb\u011bh z\u00a0pohledu t\u00e9 \u017eeny u\u00a0telefonu.<\/p>\n

\"\"<\/a><\/p>\n

Hit se roz\u0161\u00ed\u0159il i\u00a0do mnoha exotick\u00fdch jazyk\u016f a\u00a0kultur. V\u00a0Asii se stala pil\u00ed\u0159em popov\u00e9 historie d\u00edky interpretaci slavn\u00e9 \u010d\u00ednsk\u00e9 zp\u011bva\u010dky Teresy Teng, jej\u00ed\u017e verze s\u00a0mandar\u00ednsk\u00fdm textem vdechla skladb\u011b v\u00fdchodn\u00ed melancholii a\u00a0dodnes pat\u0159\u00ed k\u00a0nejhran\u011bj\u0161\u00edm p\u00edsn\u00edm v\u00a0\u010d\u00ednsk\u00fdch karaoke barech. V\u00a0Japonsku se z\u00a0p\u00edsn\u011b stal hit pod n\u00e1zvem Sasurai v\u00a0pod\u00e1n\u00ed Akiry Kobayayshiho, kter\u00fd americk\u00fd styl propojil s\u00a0japonsk\u00fdm c\u00edt\u011bn\u00edm.<\/p>\n

Skladba pronikla dokonce i\u00a0do Ji\u017en\u00ed Afriky, kde ji v\u00a0afrik\u00e1n\u0161tin\u011b nahr\u00e1li Rudi a\u00a0Corlea Botha jako klasick\u00fd milostn\u00fd duet. Existuj\u00ed dolo\u017een\u00e9 verze v\u00a0thaj\u0161tin\u011b, vietnam\u0161tin\u011b nebo hebrej\u0161tin\u011b, co\u017e dokazuje, \u017ee jednoduch\u00e1, ale siln\u00e1 melodie postaven\u00e1 na houpav\u00e9m rytmu val\u010d\u00edku je srozumiteln\u00e1 nap\u0159\u00ed\u010d cel\u00fdm sv\u011btem.<\/p>\n

Nejv\u011bt\u0161\u00edm paradoxem p\u00edsn\u011b je, \u017ee sama Eva Olmerov\u00e1 p\u00edsni\u010dku moc r\u00e1da nem\u011bla, jako pro pravov\u011brnou jazzmanku (by\u0165 se siln\u00fdm vztahem nap\u0159\u00edklad k\u00a0\u010desk\u00fdm trampsk\u00fdm p\u00edsni\u010dk\u00e1m) pro ni \u010cekej ti\u0161e byl a\u017e p\u0159\u00edli\u0161 nale\u0161t\u011bn\u00fd hit. I\u00a0p\u0159esto p\u0159ese v\u0161ecko je to asi p\u00edse\u0148, se kterou m\u00e1 Olmerovou spojenu v\u011bt\u0161ina n\u00e1roda. A\u00a0nen\u00ed n\u00e1hoda, \u017ee zn\u011bla, v\u00a0pod\u00e1n\u00ed Jitky Zelenkov\u00e9, tak\u00e9 p\u0159i Olmerov\u00e9 poh\u0159bu v\u00a0roce 1993.<\/p>\n

Dal\u0161\u00ed \u010dl\u00e1nky o\u00a0\u010desk\u00fdch verz\u00edch zahrani\u010dn\u00edch hit\u016f (v\u00fdb\u011br):<\/p>\n

https:\/\/en.wikipedia.org\/wiki\/He%27ll_Have_to_Go<\/p>\n

https:\/\/en.wikipedia.org\/wiki\/Jim_Reeves<\/p>\n

https:\/\/ultimatepopculture.fandom.com\/wiki\/He%27ll_Have_to_Go<\/p>\n

https:\/\/cs.wikipedia.org\/wiki\/Eva_Olmerov%C3%A1<\/p>\n

https:\/\/slovnik.ceskyhudebnislovnik.cz\/index.php?option=com_mdictionary&task=record.record_detail&id=1002165<\/p>\n

https:\/\/budejovice.rozhlas.cz\/original-pisne-cekej-tise-kterou-zpiva-eva-olmerova-patri-k-zakladnim-songum-8578339<\/p>\n

https:\/\/www.denik.cz\/hudba\/zpivala-jsem-eve-olmerove-na-posledni-ceste-20140224-6ldi.html<\/p>\n

Ji\u0159\u00ed \u010cern\u00fd \u2026na b\u00edl\u00e9m: hudebn\u00ed publicistika 1956-1969 (Gal\u00e9n 2014)<\/p>\n","protected":false},"excerpt":{"rendered":"P\u00edse\u0148 vznikla v\u00a0roce 1959\u00a0jako countryov\u00fd hit He’ll Have to Go. Jej\u00ed auto\u0159i, man\u017eel\u00e9 Joe a\u00a0Audrey Allisonovi, tehdy za\u017eili…\n","protected":false},"author":2,"featured_media":900,"comment_status":"","ping_status":"","sticky":false,"template":"","format":"standard","meta":{"footnotes":""},"categories":[14],"tags":[1074,1076,79,1077,1078,84,650,86,1073,1075,649,80],"class_list":{"0":"post-899","1":"post","2":"type-post","3":"status-publish","4":"format-standard","5":"has-post-thumbnail","7":"category-zabava","8":"tag-ceska-hudba","9":"tag-country","10":"tag-entertainment","11":"tag-eva-olmerova","12":"tag-hity","13":"tag-hudba","14":"tag-lide","15":"tag-popova-hudba-pop-music","16":"tag-pribeh","17":"tag-sanson","18":"tag-spolecnost","19":"tag-zabava"},"_links":{"self":[{"href":"https:\/\/www.europesays.com\/cz\/wp-json\/wp\/v2\/posts\/899","targetHints":{"allow":["GET"]}}],"collection":[{"href":"https:\/\/www.europesays.com\/cz\/wp-json\/wp\/v2\/posts"}],"about":[{"href":"https:\/\/www.europesays.com\/cz\/wp-json\/wp\/v2\/types\/post"}],"author":[{"embeddable":true,"href":"https:\/\/www.europesays.com\/cz\/wp-json\/wp\/v2\/users\/2"}],"replies":[{"embeddable":true,"href":"https:\/\/www.europesays.com\/cz\/wp-json\/wp\/v2\/comments?post=899"}],"version-history":[{"count":0,"href":"https:\/\/www.europesays.com\/cz\/wp-json\/wp\/v2\/posts\/899\/revisions"}],"wp:featuredmedia":[{"embeddable":true,"href":"https:\/\/www.europesays.com\/cz\/wp-json\/wp\/v2\/media\/900"}],"wp:attachment":[{"href":"https:\/\/www.europesays.com\/cz\/wp-json\/wp\/v2\/media?parent=899"}],"wp:term":[{"taxonomy":"category","embeddable":true,"href":"https:\/\/www.europesays.com\/cz\/wp-json\/wp\/v2\/categories?post=899"},{"taxonomy":"post_tag","embeddable":true,"href":"https:\/\/www.europesays.com\/cz\/wp-json\/wp\/v2\/tags?post=899"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}}