![](\"https:\/\/www.europesays.com\/cz\/wp-content\/uploads\/2026\/05\/vaclav-vorlicek-jirina-bohdalova.jpeg\")
Foto: NextFoto (koupen\u00e1 licence)<\/p>\nV \u010desk\u00e9m filmu existuje jen p\u00e1r re\u017eis\u00e9r\u016f, jejich\u017e tvorba p\u0159e\u017eila n\u011bkolik generac\u00ed bez toho, aby zest\u00e1rla. V\u00e1clav Vorl\u00ed\u010dek mezi n\u011b pat\u0159\u00ed naprosto samoz\u0159ejm\u011b. Jeho filmy se pravideln\u011b vracej\u00ed do televizn\u00edho programu, hl\u00e1\u0161ky z\u00a0komedi\u00ed zlidov\u011bly a\u00a0T\u0159i o\u0159\u00ed\u0161ky pro Popelku se staly t\u00e9m\u011b\u0159 v\u00e1no\u010dn\u00ed tradic\u00ed nejen v\u00a0\u010cesku, ale i\u00a0v N\u011bmecku, Norsku nebo na Slovensku. P\u0159itom s\u00e1m Vorl\u00ed\u010dek nikdy nep\u016fsobil jako \u010dlov\u011bk, kter\u00fd by kolem sebe budoval kult velk\u00e9ho um\u011blce. Mo\u017en\u00e1 pr\u00e1v\u011b proto dok\u00e1zal nat\u00e1\u010det poh\u00e1dky, kter\u00e9 nep\u016fsobily p\u0159eslazen\u011b ani po des\u00edtk\u00e1ch let.<\/p>\n
Od skautsk\u00e9ho t\u00e1bora a\u017e na Barrandov<\/p>\n
K filmu m\u011bl bl\u00edzko u\u017e od d\u011btstv\u00ed. Poprv\u00e9 si pr\u00e1ci s\u00a0kamerou vyzkou\u0161el b\u011bhem skautsk\u00e9ho t\u00e1bora, kde se pod\u00edlel na nat\u00e1\u010den\u00ed dobrodru\u017en\u00e9ho sn\u00edmku Na dobr\u00e9 stop\u011b. Pozd\u011bji vystudoval FAMU a\u00a0po \u0161kole zam\u00ed\u0159il na Barrandov, kde za\u010dal jako asistent re\u017eie.<\/p>\n
Velk\u00fd pr\u016flom p\u0159i\u0161el v\u00a060.\u00a0letech s\u00a0komedi\u00ed Kdo chce zab\u00edt Jessii?, kter\u00e1 origin\u00e1ln\u011b spojila hran\u00fd film s\u00a0komiksovou stylizac\u00ed. Pr\u00e1v\u011b tehdy za\u010dala i\u00a0jeho z\u00e1sadn\u00ed spolupr\u00e1ce se scen\u00e1ristou Milo\u0161em Macourkem. Dvojice n\u00e1sledn\u011b vytvo\u0159ila s\u00e9rii film\u016f a\u00a0seri\u00e1l\u016f, kter\u00e9 dnes pat\u0159\u00ed ke zlat\u00e9mu fondu \u010desk\u00e9 televizn\u00ed z\u00e1bavy.<\/p>\n
Foto: NextFoto (koupen\u00e1 licence)<\/p>\n
V\u00e1clav Vorl\u00ed\u010dek s\u00a0Ji\u0159inou Bohdalovou<\/p>\n
Sta\u010d\u00ed p\u0159ipomenout tituly jako Pane, vy jste vdova!, Co\u017e takhle d\u00e1t si \u0161pen\u00e1t, D\u00edvka na ko\u0161t\u011bti nebo Jak utopit doktora Mr\u00e1\u010dka aneb Konec vodn\u00edk\u016f v\u00a0\u010cech\u00e1ch. Vorl\u00ed\u010dek m\u011bl dar spojit absurdn\u00ed humor, lehkou sci-fi nads\u00e1zku i\u00a0rodinnou atmosf\u00e9ru tak, aby v\u00fdsledkem nebyla estr\u00e1da, ale chytr\u00e1 z\u00e1bava. V\u00fdraznou stopu zanechal i\u00a0v seri\u00e1lov\u00e9 tvorb\u011b. Arabela nebo L\u00e9taj\u00edc\u00ed \u010cestm\u00edr se v\u00a0dob\u011b sv\u00e9ho vzniku staly mimo\u0159\u00e1dn\u00fdm fenom\u00e9nem a\u00a0dodnes funguj\u00ed i\u00a0na mlad\u0161\u00ed publikum, kter\u00e9 u\u017e dobu normalizace v\u016fbec neza\u017eilo.<\/p>\n
Popelka, kter\u00e1 dobyla Evropu<\/p>\n
Nejv\u011bt\u0161\u00ed mezin\u00e1rodn\u00ed \u00fasp\u011bch ale p\u0159i\u0161el s\u00a0poh\u00e1dkou T\u0159i o\u0159\u00ed\u0161ky pro Popelku. Film vznikl v\u00a0koprodukci s\u00a0v\u00fdchodn\u00edm N\u011bmeckem a\u00a0nikdo tehdy netu\u0161il, \u017ee se z\u00a0n\u011bj stane evropsk\u00fd v\u00e1no\u010dn\u00ed evergreen.<\/p>\n
V N\u011bmecku se poh\u00e1dka vys\u00edl\u00e1 ka\u017edoro\u010dn\u011b u\u017e des\u00edtky let a\u00a0m\u00e1 tam t\u00e9m\u011b\u0159 kultovn\u00ed status. Fanou\u0161ci po\u0159\u00e1daj\u00ed tematick\u00e9 projekce, nav\u0161t\u011bvuj\u00ed nat\u00e1\u010dec\u00ed lokace a\u00a0n\u011bkter\u00e9 televize ji pravideln\u011b nasazuj\u00ed do hlavn\u00edho sv\u00e1te\u010dn\u00edho vys\u00edlac\u00edho \u010dasu. Popularita filmu p\u0159itom nestoj\u00ed jen na nostalgii. Vorl\u00ed\u010dek dok\u00e1zal nato\u010dit Popelku jinak ne\u017e v\u011bt\u0161ina tehdej\u0161\u00edch poh\u00e1dek, tak n\u011bjak m\u00e9n\u011b k\u0159ehce, v\u00edce dobrodru\u017en\u011b a\u00a0s hlavn\u00ed hrdinkou, kter\u00e1 nen\u00ed jen pasivn\u00ed princeznou \u010dekaj\u00edc\u00ed na z\u00e1chranu.<\/p>\n
Pl\u00e1noval, \u017ee emigruje<\/p>\n
Velk\u00fd pod\u00edl na tom m\u011bla pr\u00e1v\u011b Libu\u0161e \u0160afr\u00e1nkov\u00e1. Vorl\u00ed\u010dek ji obsazoval opakovan\u011b a\u00a0dlouho tvrdil, \u017ee pat\u0159\u00ed k\u00a0nejv\u00fdrazn\u011bj\u0161\u00edm here\u010dk\u00e1m, kter\u00e9 \u010desk\u00fd film m\u011bl. Krom\u011b Popelky se objevila i\u00a0v poh\u00e1dce Princ a\u00a0Ve\u010dernice nebo ve zm\u00edn\u011bn\u00e9m Doktoru Mr\u00e1\u010dkovi. \u00dasp\u011bch Vorl\u00ed\u010dkov\u00fdch film\u016f nez\u016fstal bez odezvy ani za hranicemi v\u00fdchodn\u00edho bloku. U\u017e na konci 60.\u00a0let dostal nab\u00eddku pracovat pro americk\u00e9 producenty. Podle dobov\u00fdch vzpom\u00ednek se dokonce re\u00e1ln\u011b uva\u017eovalo o\u00a0jeho zahrani\u010dn\u00ed kari\u00e9\u0159e.<\/p>\n
Do v\u0161eho ale zas\u00e1hla okupace \u010ceskoslovenska v\u00a0srpnu 1968.\u00a0Mo\u017enost nat\u00e1\u010det v\u00a0zahrani\u010d\u00ed se rozpadla a\u00a0Vorl\u00ed\u010dek pozd\u011bji p\u0159iznal, \u017ee tehdy zva\u017eoval emigraci. \u201eV roce 1969, tedy rok pot\u00e9, jsme si dokonce s\u00a0man\u017eelkou opat\u0159ili v\u00edza do Z\u00e1padn\u00edho N\u011bmecka a\u00a0i s\u00a0dcerami a\u00a0n\u011bjak\u00fdm t\u00edm ko\u017eichem jsme tam za\u010d\u00e1tkem \u0159\u00edjna odjeli nav\u0161t\u00edvit p\u0159\u00e1tele,\u201c vzpom\u00ednal. Nakonec z\u016fstal. Mohl m\u00edt v\u011bt\u0161\u00ed mezin\u00e1rodn\u00ed kari\u00e9ru, nikdy by ale nevznikla v\u011bt\u0161ina film\u016f, kter\u00e9 dnes pat\u0159\u00ed ke klasice \u010desk\u00e9 televize.<\/p>\n
![](\"https:\/\/www.europesays.com\/cz\/wp-content\/uploads\/2026\/05\/libuse-safrankova-herecka.jpeg\")
Foto: NextFoto (koupen\u00e1 licence)<\/p>\n
Libu\u0161e \u0160afr\u00e1nkov\u00e1 re\u017eis\u00e9rovi \u201ehnula \u017elu\u010d\u00ed\u201c, nikdy u\u017e se nebavili<\/p>\n
Miliony i\u00a0luxusn\u00ed byty<\/p>\n
Na rozd\u00edl od \u0159ady jin\u00fdch \u010desk\u00fdch re\u017eis\u00e9r\u016f nebyl Vorl\u00ed\u010dek na konci \u017eivota finan\u010dn\u011b pod tlakem. Naopak. D\u00edky autorsk\u00fdm pr\u00e1v\u016fm a\u00a0pravideln\u00e9mu vys\u00edl\u00e1n\u00ed jeho film\u016f inkasoval vysok\u00e9 honor\u00e1\u0159e je\u0161t\u011b dlouho po premi\u00e9r\u00e1ch. V\u00a0Praze tak\u00e9 vlastnil dva luxusn\u00ed byty a\u00a0des\u00edtky milion\u016f korun m\u011bl na sv\u00e9m bankovn\u00edm \u00fa\u010dtu. \u201eFilm\u016f, kter\u00e9 se hraj\u00ed dvacet, t\u0159icet let, m\u00e1m hodn\u011b. Honor\u00e1\u0159e chod\u00ed v\u00a0jednom bal\u00edku. Dohromady to d\u00e1v\u00e1 slu\u0161nou \u010d\u00e1stku, za kterou by se dalo celkem slu\u0161n\u011b \u017e\u00edt, i\u00a0kdybych u\u017e nepracoval. Pro m\u011b je ale v\u017edy nejv\u011bt\u0161\u00ed odm\u011bnou ne honor\u00e1\u0159, ale to, \u017ee se lid\u00e9 sm\u011bj\u00ed.\u201c<\/p>\n
Na \u010desk\u00e9 pom\u011bry \u0161lo v\u00a0kulturn\u00edm prost\u0159ed\u00ed o\u00a0v\u00fdjime\u010dnou situaci. Vorl\u00ed\u010dek ale nikdy nep\u016fsobil jako \u010dlov\u011bk, kter\u00fd by bohatstv\u00ed ok\u00e1zale vystavoval. O\u00a0pen\u011bz\u00edch mluvil sp\u00ed\u0161 v\u011bcn\u011b a\u00a0\u010dasto dod\u00e1val, \u017ee nejv\u011bt\u0161\u00ed odm\u011bnou pro n\u011bj stejn\u011b z\u016fst\u00e1v\u00e1 fakt, \u017ee se jeho filmy st\u00e1le sleduj\u00ed.<\/p>\n
Se \u0160afr\u00e1nkovou se nikdy neusm\u00ed\u0159ili<\/p>\n
P\u0159esto\u017ee s\u00a0v\u011bt\u0161inou herc\u016f vych\u00e1zel dob\u0159e, jeden vztah se mu b\u011bhem let rozpadl \u00fapln\u011b. A\u00a0p\u0159ekvapiv\u011b \u0161lo pr\u00e1v\u011b o\u00a0Libu\u0161i \u0160afr\u00e1nkovou. Re\u017eis\u00e9r o\u00a0n\u00ed dlouho mluvil s\u00a0velk\u00fdm respektem a\u00a0m\u011bl pocit, \u017ee j\u00ed pomohl k\u00a0nejz\u00e1sadn\u011bj\u0161\u00edm rol\u00edm kari\u00e9ry. O\u00a0to v\u00edc ho zas\u00e1hla situace, kterou pozd\u011bji popsal ve sv\u00e9 knize Pane, vy jste re\u017eis\u00e9r.<\/p>\n
Vorl\u00ed\u010dek tehdy domluvil rozhovor pro n\u011bmeckou novin\u00e1\u0159ku a\u00a0se \u0160afr\u00e1nkovou si potvrdili term\u00edn setk\u00e1n\u00ed. \u201eZrovna jsem dorazil na domluven\u00e9 m\u00edsto a\u00a0platil taxik\u00e1\u0159i, kdy\u017e mi volala Libu\u0161ka, \u017ee j\u00ed do toho n\u011bco p\u0159i\u0161lo, a\u00a0hned zav\u011bsila. My v\u0161ichni u\u017e byli na m\u00edst\u011b a\u00a0ona mi provede tohle! Obratem jsem naopak zavolal j\u00e1 j\u00ed a\u00a0do telefonu j\u00ed \u0159ekl, \u017ee je to podraz a\u00a0\u017ee tohle se ned\u011bl\u00e1. M\u011bl jsem na ni neuv\u011b\u0159iteln\u00fd dopal. To jsem se u\u017e v\u00e1\u017en\u011b na\u0161tval. T\u00edm sp\u00ed\u0161, \u017ee nedlouho p\u0159edt\u00edm m\u011b jej\u00ed syn nat\u00e1\u010del pro dokument k\u00a0jej\u00edm \u0161edes\u00e1tin\u00e1m. A\u00a0j\u00e1 v\u00a0n\u011bm jako blbec dobr\u00fdch dvacet minut b\u00e1snil, jak je Libu\u0161ka \u00fa\u017easn\u00e1,\u201c popisoval v\u00a0knize Pane, vy jste re\u017eis\u00e9r.<\/p>\n
Ne\u0161lo p\u0159itom jen o\u00a0zru\u0161enou sch\u016fzku. Vorl\u00ed\u010dek m\u011bl pocit osobn\u00edho zklam\u00e1n\u00ed. Jejich vztah u\u017e se pak nikdy nepoda\u0159ilo napravit. A\u010dkoliv oba pat\u0159ili k\u00a0nejv\u00fdrazn\u011bj\u0161\u00edm osobnostem \u010desk\u00e9 filmov\u00e9 poh\u00e1dky, do smrti spolu u\u017e prakticky nekomunikovali.<\/p>\n
Jinak ale Vorl\u00ed\u010dek nebyl konfliktn\u00ed typ. Ani doma, v\u017edy\u0165 vedle profesn\u00edch \u00fasp\u011bch\u016f m\u011bl Vorl\u00ed\u010dek stabiln\u00ed z\u00e1zem\u00ed. S\u00a0man\u017eelkou So\u0148ou pro\u017eil t\u00e9m\u011b\u0159 \u0161est des\u00edtek let a\u00a0spole\u010dn\u011b vychovali dv\u011b dcery. Na rozd\u00edl od mnoha zn\u00e1m\u00fdch osobnost\u00ed sv\u00e9 generace si soukrom\u00ed pe\u010dliv\u011b chr\u00e1nil a\u00a0skand\u00e1l\u016fm se sp\u00ed\u0161 vyh\u00fdbal.<\/p>\n
Zdroje: autorsk\u00fd \u010dl\u00e1nek s\u00a0vyu\u017eit\u00edm<\/p>\n","protected":false},"excerpt":{"rendered":"V \u010desk\u00e9m filmu existuje jen p\u00e1r re\u017eis\u00e9r\u016f, jejich\u017e tvorba p\u0159e\u017eila n\u011bkolik generac\u00ed bez toho, aby zest\u00e1rla. V\u00e1clav Vorl\u00ed\u010dek…\n","protected":false},"author":2,"featured_media":95023,"comment_status":"","ping_status":"","sticky":false,"template":"","format":"standard","meta":{"footnotes":"","_share_on_mastodon":"0"},"categories":[14],"tags":[79,1093,1448,1345,650,1132,649,25287,17304,652,80,437,1087,1716],"class_list":["post-95022","post","type-post","status-publish","format-standard","has-post-thumbnail","category-zabava","tag-entertainment","tag-filmy","tag-kultura","tag-libuse-safrankova","tag-lide","tag-muzi","tag-spolecnost","tag-tri-orisky-pro-popelku","tag-vaclav-vorlicek","tag-vztahy","tag-zabava","tag-zajimavosti","tag-zeny","tag-zivot"],"share_on_mastodon":{"url":"https:\/\/pubeurope.com\/@cz\/116624743958579314","error":""},"_links":{"self":[{"href":"https:\/\/www.europesays.com\/cz\/wp-json\/wp\/v2\/posts\/95022","targetHints":{"allow":["GET"]}}],"collection":[{"href":"https:\/\/www.europesays.com\/cz\/wp-json\/wp\/v2\/posts"}],"about":[{"href":"https:\/\/www.europesays.com\/cz\/wp-json\/wp\/v2\/types\/post"}],"author":[{"embeddable":true,"href":"https:\/\/www.europesays.com\/cz\/wp-json\/wp\/v2\/users\/2"}],"replies":[{"embeddable":true,"href":"https:\/\/www.europesays.com\/cz\/wp-json\/wp\/v2\/comments?post=95022"}],"version-history":[{"count":0,"href":"https:\/\/www.europesays.com\/cz\/wp-json\/wp\/v2\/posts\/95022\/revisions"}],"wp:featuredmedia":[{"embeddable":true,"href":"https:\/\/www.europesays.com\/cz\/wp-json\/wp\/v2\/media\/95023"}],"wp:attachment":[{"href":"https:\/\/www.europesays.com\/cz\/wp-json\/wp\/v2\/media?parent=95022"}],"wp:term":[{"taxonomy":"category","embeddable":true,"href":"https:\/\/www.europesays.com\/cz\/wp-json\/wp\/v2\/categories?post=95022"},{"taxonomy":"post_tag","embeddable":true,"href":"https:\/\/www.europesays.com\/cz\/wp-json\/wp\/v2\/tags?post=95022"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}}