{"id":96598,"date":"2026-05-25T12:00:12","date_gmt":"2026-05-25T12:00:12","guid":{"rendered":"https:\/\/www.europesays.com\/cz\/96598\/"},"modified":"2026-05-25T12:00:12","modified_gmt":"2026-05-25T12:00:12","slug":"recenze-karmelitky-si-kopou-hrob-v-prazske-opere-je-zatykaji-milicionari","status":"publish","type":"post","link":"https:\/\/www.europesays.com\/cz\/96598\/","title":{"rendered":"Recenze: Karmelitky si kopou hrob. V\u00a0pra\u017esk\u00e9 ope\u0159e je zat\u00fdkaj\u00ed milicion\u00e1\u0159i"},"content":{"rendered":"

17.\u00a0\u010dervence 1794\u00a0bylo ve ve\u010dern\u00edch hodin\u00e1ch na pa\u0159\u00ed\u017esk\u00e9m n\u00e1m\u011bst\u00ed Svr\u017een\u00e9ho tr\u016fnu, dnes zn\u00e1m\u00e9m jako Place de la Nation, popraveno \u0161estn\u00e1ct karmelitek z\u00a0ned\u00e1vno zru\u0161en\u00e9ho kl\u00e1\u0161tera v\u00a0Compi\u00e8gne. Cestou k\u00a0nenasytn\u00e9 revolu\u010dn\u00ed gilotin\u011b podle dobov\u00fdch sv\u011bdectv\u00ed zp\u00edvaly \u017ealmy a\u00a0hymny. Sbor se ten\u010dil s\u00a0ka\u017ed\u00fdm zasvi\u0161t\u011bn\u00edm \u010depele. Odvaha budouc\u00edch sv\u011btic uml\u010dela p\u0159\u00edtomn\u00fd dav a\u00a0vybudila v\u00a0n\u00e1sleduj\u00edc\u00edch dek\u00e1d\u00e1ch i\u00a0stolet\u00edch imaginaci um\u011blc\u016f.<\/p>\n

Pat\u0159il mezi n\u011b i\u00a0skladatel Francis Poulenc, kter\u00fd jako zku\u0161en\u00fd hudebn\u00ed dramatik dob\u0159e odhadl, \u017ee z\u00a0postupn\u011b sl\u00e1bnouc\u00edho sboru popravovan\u00fdch se m\u016f\u017ee st\u00e1t neb\u00fdvale p\u016fsobiv\u00e9 vyvrcholen\u00ed opern\u00edho p\u0159\u00edb\u011bhu o\u00a0v\u00ed\u0159e, strachu a\u00a0p\u0159ekon\u00e1n\u00ed sebe sama. Nov\u00e1 inscenace jeho opery Dialogy karmelitek m\u011bla minul\u00fd t\u00fdden premi\u00e9ru v\u00a0pra\u017esk\u00e9 St\u00e1tn\u00ed ope\u0159e. Novinku, kterou v\u00a0re\u017eii Barbory Hor\u00e1kov\u00e9 Joly a\u00a0hudebn\u00edm nastudov\u00e1n\u00ed Hermanna B\u00e4umera p\u0159ipravilo N\u00e1rodn\u00ed divadlo, z\u00e1rove\u0148 za\u0159adil na program festival Pra\u017esk\u00e9 jaro.<\/p>\n

Z\u00e1honky a\u00a0slow motion<\/p>\n

O karmelitk\u00e1ch ve 30.\u00a0letech minul\u00e9ho stolet\u00ed napsala novelu Posledn\u00ed na popravi\u0161ti n\u011bmeck\u00e1 autorka Gertrud von Le Fort, podle jej\u00ed\u017e knihy vytvo\u0159il katolick\u00fd liter\u00e1t Georges Bernanos filmov\u00fd sc\u00e9n\u00e1\u0159. Ten v\u0161ak nikdy nebyl nato\u010den. A\u00a0roku 1953\u00a0obdr\u017eel Poulenc nab\u00eddku, aby ho zhudebnil. V\u00a0t\u00e9 dob\u011b dozn\u00edvaly v\u00a0\u010ceskoslovensku d\u016fsledky v\u00a0mnoha atributech podobn\u011b ne\u0161\u0165astn\u00fdch historick\u00fdch ud\u00e1lost\u00ed\u00a0\u2013 v\u00a0r\u00e1mci takzvan\u00fdch Akc\u00ed K\u00a0a Akc\u00ed \u0158 komunist\u00e9 vyvlastnili kl\u00e1\u0161tery, ozna\u010dili \u0159\u00e1dov\u00e9 sestry i\u00a0bratry za politick\u00e9 nep\u0159\u00e1tele a\u00a0poslali je na nucen\u00e9 pr\u00e1ce.<\/p>\n

T\u00ed\u017eiv\u00fd osud \u010deskoslovensk\u00fdch \u0159eholnic p\u0159ed n\u011bkolika lety inspiroval spisovatelku Kate\u0159inu Tu\u010dkovou k\u00a0seps\u00e1n\u00ed rom\u00e1nu B\u00edl\u00e1 Voda. Objemnou knihu \u010detla i\u00a0re\u017eis\u00e9rka Barbora Hor\u00e1kov\u00e1 Joly, kter\u00e1 sv\u00e9 dojmy spole\u010dn\u011b s\u00a0vlastn\u00ed rodinnou histori\u00ed a\u00a0nahl\u00e9dnut\u00edm do archivn\u00edch materi\u00e1l\u016f nyn\u00ed zohlednila v\u00a0re\u017eijn\u00edm pojet\u00ed Dialog\u016f karmelitek.<\/p>\n

Foto: Petr Neubert<\/p>\n

M\u00edsto francouzsk\u00fdch revolu\u010dn\u00edch komisa\u0159\u016f tak \u017eeny na sc\u00e9n\u011b St\u00e1tn\u00ed opery velmi naturalisticky poni\u017euj\u00ed, sexu\u00e1ln\u011b obt\u011b\u017euj\u00ed a\u00a0zat\u00fdkaj\u00ed p\u0159\u00edslu\u0161n\u00edci lidov\u00fdch milic. Kdy\u017e se ve\u00a0druh\u00e9m d\u011bjstv\u00ed objev\u00ed v\u00a0kl\u00e1\u0161te\u0159e zpov\u011bdn\u00edk, aby sestr\u00e1m sd\u011blil, \u017ee byl zbaven sv\u00e9ho \u00fa\u0159adu, na pl\u00e1tn\u011b za n\u00edm jsou prom\u00edt\u00e1ny fotky z\u00a0monstrprocesu proti \u010desk\u00fdm v\u00fdznamn\u00fdm p\u0159edstavitel\u016fm \u0159\u00e1d\u016f.<\/p>\n

Tam, kde by paralely mohly p\u016fsobit a\u017e p\u0159\u00edli\u0161 \u0161roubovan\u011b, p\u0159ich\u00e1z\u00ed na \u0159adu prozkoum\u00e1v\u00e1n\u00ed vztah\u016f a\u00a0osobnost\u00ed jednotliv\u00fdch \u0159eholnic, co\u017e dovoluje p\u0159edev\u0161\u00edm hlavn\u00ed dramaturgick\u00fd i\u00a0sc\u00e9nick\u00fd prvek: \u0160estn\u00e1ct na lanech zav\u011b\u0161en\u00fdch platforem, ze\u00a0spodn\u00ed strany zrcadla, z\u00a0vrchn\u00ed zahrady, ka\u017ed\u00e1 pro jednu sestru. Karmelitky vedou sv\u00e9 dialogy v\u011bt\u0161inou p\u0159i pr\u00e1ci, okop\u00e1vaj\u00ed z\u00e1honky, \u201eale z\u00e1rove\u0148 si kopou vlastn\u00ed hrob\u201c, jak uvedla re\u017eis\u00e9rka.<\/p>\n

Spole\u010denstv\u00ed \u0159eholnic \u201eje slo\u017een\u00e9 z\u00a0individu\u00ed a\u00a0jepti\u0161ky maj\u00ed ka\u017ed\u00e1 svoji osobnost\u201c, pov\u011bd\u011bla re\u017eis\u00e9rka \u010cesk\u00e9mu rozhlasu Vltava<\/a>. Proto se rozhodla \u010das od \u010dasu n\u011bkter\u00e9 sc\u00e9ny ozvl\u00e1\u0161tnit prom\u00edt\u00e1n\u00edm \u010dernob\u00edl\u00fdch detailn\u00edch z\u00e1b\u011br\u016f obli\u010dej\u016f jednotliv\u00fdch \u017een.<\/p>\n

Videoart, kter\u00fd vytvo\u0159il Sergio Verde, vyu\u017e\u00edv\u00e1 inscenace nadm\u00edru\u00a0\u2013 krom obli\u010dej\u016f se je\u0161t\u011b opakovan\u011b setk\u00e1v\u00e1me se zanedban\u00fdm k\u0159\u00ed\u017eem obrostl\u00fdm tr\u00e1vou nebo poni\u010denou sochou modl\u00edc\u00ed se sv\u011btice. Nach\u00e1z\u00edme se zkr\u00e1tka v\u00a0krajin\u011b, ve kter\u00e9 se lid\u00e9 odvr\u00e1tili od boha a\u00a0dali p\u0159ednost svin\u00edm, jak v\u00a0jednu chv\u00edli nazna\u010duje prom\u00edt\u00e1n\u00ed prase\u010d\u00edch hlav a\u00a0ryp\u00e1k\u016f. Ve\u0161ker\u00e9 z\u00e1b\u011bry se odv\u00edjej\u00ed ve slow motion, tedy zpomalen\u011b, i\u00a0kdy\u017e d\u011bn\u00ed na jevi\u0161ti \u010di samotn\u00e1 hudba je \u010dasto hybn\u00e1 a\u00a0dramatick\u00e1.<\/p>\n

<\/a><\/p>\n

Pro tv\u016frce bylo patrn\u011b d\u016fle\u017eit\u00e9 udr\u017eovat ur\u010ditou souvislou kontemplativn\u00ed n\u00e1ladu, kter\u00e1 by pomohla sjednotit dvan\u00e1ct \u010d\u00e1st\u00ed Poulencovy stylov\u011b eklektick\u00e9 partitury. Ta je hudebn\u011b rozpt\u00fdlen\u00e1 do v\u00edce mluven\u00fdch pas\u00e1\u017e\u00ed, respektive dialog\u016f\u00a0\u2013 od nitern\u00e9 duchovn\u00ed n\u00e1lady p\u0159es dojemn\u00e9 romantick\u00e9 \u00e1rie a\u017e po \u010d\u00e1sti, je\u017e prozrazuj\u00ed Poulencovu v\u00edce \u201esv\u011btskou\u201c kompozi\u010dn\u00ed str\u00e1nku nas\u00e1klou francouzsk\u00fdmi \u0161ansony i\u00a0mozartovskou lehkost\u00ed. <\/p>\n

Sek\u00e1n\u00ed hlav a\u00a0d\u0159\u00edv\u00ed<\/p>\n

Na prvn\u00ed premi\u00e9\u0159e uplynul\u00fd \u010dtvrtek v\u0161ak k\u00a0dokonal\u00e9mu propojen\u00ed v\u0161ech slo\u017eek nedo\u0161lo. Zp\u011bv\u00e1ky \u010dasto p\u0159ehlu\u0161il orchestr St\u00e1tn\u00ed opery, kter\u00fd ze sebe um\u00ed dostat i\u00a0lep\u0161\u00ed a\u00a0vyrovnan\u011bj\u0161\u00ed v\u00fdkony. Dirigent Hermann B\u00e4umer z\u00a0n\u011bj vyt\u011b\u017eil spoustu kr\u00e1sn\u00fdch barev, n\u011bkter\u00e9 fr\u00e1ze a\u00a0dynamick\u00e9 oblouky ale bohu\u017eel nevy\u0161ly.<\/p>\n

Historick\u00e9 paralely s\u00a0Akc\u00ed \u0158 p\u016fsobily m\u00edsty trochu neohraban\u011b. Domobranci spl\u0148ovali snad v\u0161echny stereotypy o\u00a0zl\u00fdch, oplzl\u00fdch a\u00a0opil\u00fdch n\u00e1siln\u00edc\u00edch. Sc\u00e9nu, ve kter\u00e9 nejprve svl\u00e9kaj\u00ed a\u00a0pak srocuj\u00ed p\u011bvkyn\u011b, bylo velmi nep\u0159\u00edjemn\u00e9 sledovat. Je jasn\u00e9, \u017ee \u0161lo o\u00a0z\u00e1m\u011br, ov\u0161em ur\u010dit\u00fd diskomfort p\u0159in\u00e1\u0161ely a\u017e p\u0159\u00edli\u0161 ambici\u00f3zn\u00ed po\u017eadavky na hereck\u00e9 v\u00fdkony sborist\u016f.<\/p>\n

Foto: Petr Neubert<\/p>\n

Opera vych\u00e1z\u00ed ze skute\u010dn\u00e9ho p\u0159\u00edb\u011bhu 16\u00a0karmelit\u00e1nek z\u00a0francouzsk\u00e9ho Compi\u00e9gne, kter\u00e9 byly popraveny za Velk\u00e9 francouzsk\u00e9 revoluce. Na sn\u00edmku je Jana Sibera jako Blanka de la Force.<\/p>\n

P\u0159esouv\u00e1n\u00ed mezi filmov\u00fdm realismem a\u00a0v\u00edce symbolick\u00fdmi obrazy u\u00a0\u0161estn\u00e1cti zahr\u00e1dek p\u016fsobily ob\u010das jako nutnost sp\u00ed\u0161e ne\u017e do detailu promy\u0161len\u00e1 koncepce. Je ot\u00e1zka, kam a\u017e paralely mezi \u010desk\u00fdmi \u0159eholnicemi a\u00a0s\u0165at\u00fdmi karmelitkami sahaj\u00ed bez etick\u00fdch obt\u00ed\u017e\u00ed. Nejpal\u010div\u011bji se to ukazuje v\u00a0okam\u017eiku, kdy si hrdinky vyslechnou rozsudek, zat\u00edmco pozad\u00ed vypln\u00ed fotka \u010desk\u00fdch jepti\u0161ek \u0161t\u00edpaj\u00edc\u00edch d\u0159\u00edv\u00ed.<\/p>\n

Aby se re\u017eis\u00e9rka vyhnula o\u0161emetn\u00e9mu porovn\u00e1v\u00e1n\u00ed utrpen\u00ed plynouc\u00edho z\u00a0odsouzen\u00ed k\u00a0smrti oproti tomu k\u00a0nucen\u00fdm prac\u00edm, nab\u00edz\u00ed v\u00a0programu vysv\u011btlen\u00ed sahaj\u00edc\u00ed k\u00a0mor\u00e1ln\u00edm hodnot\u00e1m. \u201eOt\u00e1zka z\u016fst\u00e1v\u00e1 st\u00e1le stejn\u00e1: Co z\u016fstane z\u00a0\u010dlov\u011bka ve chv\u00edli, kdy mu nezb\u00fdv\u00e1 nic ne\u017e jeho sv\u011bdom\u00ed?\u201c<\/p>\n

Boj\u00e1cn\u00e1 Blanka<\/p>\n

Libreto vych\u00e1zej\u00edc\u00ed z\u00a0filozoficky lad\u011bn\u00e9 p\u0159edlohy prozkoum\u00e1v\u00e1 paradoxn\u00ed vztah mezi strachem a\u00a0odvahou. Zat\u00edmco d\u016fstojn\u00e1 nemocn\u00e1 p\u0159evorka, ve St\u00e1tn\u00ed ope\u0159e v\u00fdborn\u011b ztv\u00e1rn\u011bn\u00e1 Mark\u00e9tou Cukrovou, v\u00a0okam\u017eiku smrti podl\u00e9h\u00e1 slabosti a\u00a0\u00fazkosti, hlavn\u00ed hrdinka, \u010derstv\u00e1 \u010dlenka \u0159\u00e1du Blanka de la Force, s\u00a0t\u011bmito stavy lidsk\u00e9 du\u0161e z\u00e1pas\u00ed a\u017e do samotn\u00e9ho z\u00e1v\u011bru. <\/p>\n

Jana Sibera komplikovanou roli pochybuj\u00edc\u00ed d\u00edvky zazp\u00edvala se ct\u00ed, jednozna\u010dnou hv\u011bzdou ve\u010dera se ale nestala, jej\u00ed p\u0159\u00edjemn\u00fd sopr\u00e1n ob\u010das zakol\u00edsal nebo se utopil v\u00a0p\u0159\u00edvalu orchestr\u00e1ln\u00edho zvuku. <\/p>\n

Z\u00a0boj\u00e1cn\u00e9 mlad\u00e9 \u017eeny nicm\u00e9n\u011b sv\u00fdm energick\u00fdm hereck\u00fdm z\u00e1palem vytvarovala zaj\u00edmavou a\u00a0\u017eivouc\u00ed postavu. Dopomohl k\u00a0tomu zp\u016fsob, j\u00edm\u017e inscenace rozv\u00edj\u00ed motiv Blan\u010din\u00fdch toxick\u00fdch vztah\u016f s\u00a0rodinou, p\u0159edev\u0161\u00edm s\u00a0bratrem, kter\u00fd k\u00a0n\u00ed v\u00a0t\u00e9to verzi chov\u00e1 i\u00a0jin\u00e9 ne\u017e sourozeneck\u00e9 city. N\u00e1hl\u00e1 pot\u0159eba vstoupit do kl\u00e1\u0161tera tak nab\u00fdv\u00e1 nov\u00fdch a\u00a0pochopiteln\u00fdch rozm\u011br\u016f.<\/p>\n

<\/a><\/p>\n

Blan\u010dinu cestu k\u00a0nalezen\u00ed vnit\u0159n\u00ed svobody a\u00a0state\u010dnosti doprov\u00e1z\u00ed po\u010detn\u00fd p\u011bveck\u00fd cast. I\u00a0kdy\u017e Poulencova opera nepat\u0159\u00ed mezi hudebn\u011b revolu\u010dn\u00ed, tolik \u017een se na jevi\u0161ti potk\u00e1 jen m\u00e1lokdy. Krom\u011b Cukrov\u00e9 zaz\u00e1\u0159ila zejm\u00e9na Jekat\u011brina Krovat\u011bva v\u00a0roli v\u017edy sm\u011brem k\u00a0nad\u011bji a\u00a0dobr\u00e9 n\u00e1lad\u011b obr\u00e1cen\u00e9 sestry Konstancie. Stabiln\u00ed v\u00fdkony podaly tak\u00e9 Tamara Morozov\u00e1 jako pan\u00ed Lidoine a\u00a0Tone Kummervold jako p\u0159\u00edsn\u00e1, ale f\u00e9rov\u00e1 Matka Marie od Vt\u011blen\u00ed. <\/p>\n

Mu\u017esk\u00e9 role v\u00a0Dialoz\u00edch karmelitek jsou v\u011bt\u0161inou epizodn\u00ed, za zm\u00ednku stoj\u00ed ne\u0161\u0165astn\u00fd Zpov\u011bdn\u00edk Michala Skalick\u00e9ho a\u00a0zejm\u00e9na Ryt\u00ed\u0159 de la Force, Blan\u010din bratr, jeho\u017e vnit\u0159n\u00ed muka i\u00a0pat\u0159i\u010dnou d\u00e1vku rezignovan\u00e9 zh\u00fdralosti skv\u011ble uchopil Daniel Matou\u0161ek.<\/p>\n

P\u0159i z\u00e1v\u011bre\u010dn\u00e9 sborov\u00e9 modlitb\u011b Salve Regina dojde k\u00a0o\u010dek\u00e1van\u00e9mu, ale nem\u00e9n\u011b p\u016fsobiv\u00e9mu vyvrcholen\u00ed. Ka\u017ed\u00e1 z\u00a0\u017een se postav\u00ed na svoji rozkvetlou \u010dtvercovou platformu. Postupn\u011b pod nimi za zvuk\u016f dopadaj\u00edc\u00ed gilotiny plo\u0161iny zhas\u00ednaj\u00ed. Posledn\u00ed p\u0159ich\u00e1z\u00ed Blanka, z\u00a0vlastn\u00ed v\u016fle, kone\u010dn\u011b klidn\u00e1, vyrovnan\u00e1. Nemohlo to dopadnout jinak, smrti se nevyhne nikdo. \u0160estn\u00e1ct karmelitek z\u00a0Compi\u00e8gne v\u00a0t\u00e9to inscenaci p\u0159ipom\u00edn\u00e1 div\u00e1k\u016fm, nakolik je d\u016fle\u017eit\u00e9, aby se \u010dlov\u011bk staral o\u00a0svou vnit\u0159n\u00ed zahradu.<\/p>\n

Opera: Dialogy Karmelitek<\/p>\n

Po\u0159adatel: N\u00e1rodn\u00ed divadlo <\/p>\n

Dirigent: Hermann B\u00e4umer<\/p>\n

Re\u017eie: Barbora Hor\u00e1kov\u00e1 Joly<\/p>\n

St\u00e1tn\u00ed Opera, Praha, premi\u00e9ry 21.\u00a0a\u00a024.\u00a0kv\u011btna, nejbli\u017e\u0161\u00ed repr\u00edzy 31.\u00a0kv\u011btna, 4., 7.\u00a0a\u00a013.\u00a0\u010dervna.<\/p>\n","protected":false},"excerpt":{"rendered":"17.\u00a0\u010dervence 1794\u00a0bylo ve ve\u010dern\u00edch hodin\u00e1ch na pa\u0159\u00ed\u017esk\u00e9m n\u00e1m\u011bst\u00ed Svr\u017een\u00e9ho tr\u016fnu, dnes zn\u00e1m\u00e9m jako Place de la Nation, popraveno…\n","protected":false},"author":2,"featured_media":96599,"comment_status":"","ping_status":"","sticky":false,"template":"","format":"standard","meta":{"footnotes":"","_share_on_mastodon":"0"},"categories":[14],"tags":[29034,79,17057,29032,29033,1429,1253,1435,1430,1252,80],"class_list":["post-96598","post","type-post","status-publish","format-standard","has-post-thumbnail","category-zabava","tag-barbora-horakova-joly","tag-entertainment","tag-festival-prazske-jaro","tag-francis-poulenc","tag-hermann-baumer","tag-klasicka-hudba","tag-narodni-divadlo","tag-opera","tag-operni-recenze","tag-statni-opera","tag-zabava"],"share_on_mastodon":{"url":"https:\/\/pubeurope.com\/@cz\/116635108937982705","error":""},"_links":{"self":[{"href":"https:\/\/www.europesays.com\/cz\/wp-json\/wp\/v2\/posts\/96598","targetHints":{"allow":["GET"]}}],"collection":[{"href":"https:\/\/www.europesays.com\/cz\/wp-json\/wp\/v2\/posts"}],"about":[{"href":"https:\/\/www.europesays.com\/cz\/wp-json\/wp\/v2\/types\/post"}],"author":[{"embeddable":true,"href":"https:\/\/www.europesays.com\/cz\/wp-json\/wp\/v2\/users\/2"}],"replies":[{"embeddable":true,"href":"https:\/\/www.europesays.com\/cz\/wp-json\/wp\/v2\/comments?post=96598"}],"version-history":[{"count":0,"href":"https:\/\/www.europesays.com\/cz\/wp-json\/wp\/v2\/posts\/96598\/revisions"}],"wp:featuredmedia":[{"embeddable":true,"href":"https:\/\/www.europesays.com\/cz\/wp-json\/wp\/v2\/media\/96599"}],"wp:attachment":[{"href":"https:\/\/www.europesays.com\/cz\/wp-json\/wp\/v2\/media?parent=96598"}],"wp:term":[{"taxonomy":"category","embeddable":true,"href":"https:\/\/www.europesays.com\/cz\/wp-json\/wp\/v2\/categories?post=96598"},{"taxonomy":"post_tag","embeddable":true,"href":"https:\/\/www.europesays.com\/cz\/wp-json\/wp\/v2\/tags?post=96598"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}}