{"id":97792,"date":"2026-05-26T13:18:15","date_gmt":"2026-05-26T13:18:15","guid":{"rendered":"https:\/\/www.europesays.com\/cz\/97792\/"},"modified":"2026-05-26T13:18:15","modified_gmt":"2026-05-26T13:18:15","slug":"recenze-navzdy-lennon-loutnista-v-klastere-zpestril-renesancni-program-popem","status":"publish","type":"post","link":"https:\/\/www.europesays.com\/cz\/97792\/","title":{"rendered":"Recenze: Nav\u017edy Lennon. Loutnista v\u00a0kl\u00e1\u0161te\u0159e zpest\u0159il renesan\u010dn\u00ed program popem"},"content":{"rendered":"

Uplynulou ned\u011bli se v\u00a0p\u0159\u00edjemn\u011b proslun\u011bn\u00e9m Ane\u017esk\u00e9m kl\u00e1\u0161te\u0159e publiku p\u0159edstavil francouzsk\u00fd loutnista Thomas Dunford. Program slo\u017een\u00fd z\u00a0d\u011bl renesan\u010dn\u00edch a\u00a0barokn\u00edch autor\u016f pojmenoval podle prvn\u00ed \u010d\u00e1sti n\u00e1zvu skladby Semper Dowland semper dolens, v\u00a0p\u0159ekladu Nav\u017edy Dowland, nav\u017edy smutn\u00fd.<\/p>\n

Jej\u00edm autorem je John Dowland, kter\u00fd \u010dty\u0159i stolet\u00ed p\u0159ed n\u00e1stupem subkultury zvan\u00e9 emo zp\u00edval o\u00a0tom, jak je neust\u00e1le smutn\u00fd a\u00a0v\u0161echno stoj\u00ed za nic. Trudnomysln\u00fd autor stovek melancholick\u00fdch p\u00edsn\u00ed a\u00a0pla\u010dtiv\u00fdch pavan m\u011bl vyplnit prvn\u00ed p\u016flku asi hodinu a\u00a0p\u016fl dlouh\u00e9ho koncertu bez p\u0159est\u00e1vky. Vyvrcholit m\u011bl hudebn\u00edkovou vlastn\u00ed \u00fapravou majest\u00e1tn\u00ed Chaconny d moll od Johanna Sebastiana Bacha.<\/p>\n

Dopadlo to ale jinak. Dunford pat\u0159\u00ed do mlad\u0161\u00ed generace uvoln\u011bn\u00fdch a\u00a0hrav\u00fdch interpret\u016f star\u00e9 hudby, kte\u0159\u00ed k\u00a0d\u00e1vno zem\u0159el\u00fdm mistr\u016fm p\u0159istupuj\u00ed jako k\u00a0tv\u016fr\u010d\u00edm partner\u016fm. Se stejnou volnost\u00ed loutnista pojal ned\u011bln\u00ed koncert. A\u00a0tak mu ned\u011blalo probl\u00e9my zahr\u00e1t v\u00a0jednu chv\u00edli renesan\u010dn\u00ed galliardu a\u00a0n\u00e1sledn\u011b coververzi p\u00edsn\u011b od Beatles. \u201eTo byl George Harrison,\u201c prohl\u00e1sil, kdy\u017e p\u0159ekvapen\u00e9mu publiku dohr\u00e1l skladbu Something. \u201eKdyby se narodili ve stejn\u00e9 dob\u011b jako Dowland, ur\u010dit\u011b by byli p\u0159\u00e1tel\u00e9.\u201c<\/p>\n

Hudbu je t\u0159eba sd\u00edlet<\/p>\n

Thomas Dunford navzdory sv\u00e9mu jm\u00e9nu poch\u00e1z\u00ed z\u00a0Francie. Otec Jonathan tam jako mlad\u00fd p\u0159icestoval z\u00a0New Yorku, aby si zdokonalil hru na barokn\u00ed smy\u010dcov\u00fd n\u00e1stroj violu da gamba, podobn\u00fd violoncellu. Krom\u011b n\u011bj si tam brzy zamiloval i\u00a0hudebnici, kter\u00e1 jej skv\u011ble ovl\u00e1dala, Sylvii Abramowicz, a\u00a0zalo\u017eili rodinu.<\/p>\n

Hudebn\u00edk, kter\u00e9ho tuto ned\u011bli vid\u011bli Pra\u017ean\u00e9, se jim narodil v\u00a0roce 1988. \u201eNa loutnu jsem za\u010dal hr\u00e1t v\u00a0dev\u00edti. Loutna a\u00a0videohry, to byl m\u016fj \u017eivot. A\u00a0vlastn\u011b to st\u00e1le trochu plat\u00ed,\u201c vzpom\u00ednal ned\u00e1vno v\u00a0rozhovoru pro americkou Kongresovou knihovnu. P\u0159i debat\u00e1ch o\u00a0hudb\u011b nebo o\u00a0arciloutn\u011b, n\u00e1stroji se\u00a0\u0161irok\u00fdm rozsahem, na kter\u00fd hraje, nem\u00e1 nikdy daleko k\u00a0\u00fasm\u011bvu.<\/p>\n

Foto: Jan Kantor, Pra\u017esk\u00e9 jaro<\/p>\n

P\u0159ese v\u0161echnu spont\u00e1nnost a\u00a0prom\u00edch\u00e1v\u00e1n\u00ed Gymnop\u00e9die od Erica Satieho se slavnou p\u00edsn\u00ed Imagine od Johna Lennona je Thomas Dunford tak\u00e9 instrument\u00e1ln\u00ed virtuos.<\/p>\n

Tak\u00e9 v\u00a0Ane\u017esk\u00e9m kl\u00e1\u0161te\u0159e se mezi skladbami vyjad\u0159uje p\u0159\u00edmo\u010da\u0159e a\u00a0vl\u00eddn\u011b, hled\u00e1 paralely s\u00a0hudbou dne\u0161ka i\u00a0\u017eivotem v\u00a021.\u00a0stolet\u00ed. \u201eSta\u0159\u00ed mist\u0159i byli tak trochu jazzmani svoj\u00ed doby,\u201c \u0159\u00edk\u00e1 t\u0159eba, ne\u017e festivalov\u00e9mu publiku zahraje energickou a\u00a0rytmicky prom\u011bnlivou Toccatu od Girolama Kapsbergera.<\/p>\n

Je vid\u011bt a\u00a0sly\u0161et, \u017ee s\u00e1m Dunford m\u00e1 hodn\u011b z\u00a0naturelu jazzov\u00fdch improviz\u00e1tor\u016f. Jeho proveden\u00ed skladeb od John\u016f Dowlanda i\u00a0Lennona zachov\u00e1v\u00e1 \u00factu k\u00a0origin\u00e1lu, ani\u017e by k\u00a0n\u011bmu ale p\u0159istupovalo jako k\u00a0nedotknuteln\u00e9mu monumentu.<\/p>\n

B\u011bhem koncertu v\u00a0Ane\u017esk\u00e9m kl\u00e1\u0161te\u0159e obecenstvo bav\u00ed hudbou, slovem i\u00a0ponouk\u00e1n\u00edm ke spole\u010dn\u00e9mu zp\u011bvu. \u201eV\u011bt\u0161inou jsem na p\u00f3diu s\u00a0n\u011bk\u00fdm dal\u0161\u00edm. Hudba je nejz\u00e1bavn\u011bj\u0161\u00ed, kdy\u017e ji m\u016f\u017eete sd\u00edlet. Zkus\u00edme si zazp\u00edvat?\u201c zept\u00e1 se, na\u010de\u017e ka\u017ed\u00e9 sekci publika p\u0159edzp\u00edv\u00e1 jeden t\u00f3n nebo kr\u00e1tkou melodickou linku a\u00a0zahraje Blackbird od Beatles. Posl\u00e9ze demonstruje, jak Paul McCartney odvodil jej\u00ed za\u010d\u00e1tek z\u00a0Bachovy suity pro loutnu, konkr\u00e9tn\u011b \u010d\u00e1sti Bourr\u00e9e.<\/p>\n

\u010c\u00edm d\u00e1l je jasn\u011bj\u0161\u00ed, \u017ee tento ve\u010der m\u00e1 Dunford n\u00e1ladu b\u00fdt sp\u00ed\u0161e popovou star ne\u017e poetick\u00fdm bardem. Zvl\u00e1d\u00e1 to ale oboj\u00ed nar\u00e1z. Publikum si omot\u00e1v\u00e1 kolem prstu, v\u0161ichni se usm\u00edvaj\u00ed, zp\u00edvaj\u00ed. Navazuje o\u010dn\u00ed kontakt, reaguje na n\u00e1ladu v\u00a0s\u00e1le.<\/p>\n

\u201eNa \u017eiv\u00fdch vystoupen\u00edch miluji to, \u017ee hudbu pak nehrajete jenom vy,\u201c uvedl v\u00a0jednom rozhovoru. \u201eV z\u00e1v\u011bru koncertu vznikne komunita lid\u00ed, kte\u0159\u00ed k\u00a0sob\u011b maj\u00ed najednou o\u00a0n\u011bco bl\u00ed\u017e a\u00a0snad se c\u00edt\u00ed celkov\u011b l\u00e9pe.\u201c<\/p>\n

<\/a><\/p>\n

P\u0159ese v\u0161echnu spont\u00e1nnost a\u00a0prom\u00edch\u00e1v\u00e1n\u00ed Gymnop\u00e9die od Erica Satieho se slavnou p\u00edsn\u00ed Imagine je Thomas Dunford tak\u00e9 instrument\u00e1ln\u00ed virtuos. Na arciloutnu vyluzuje \u00fa\u017easn\u011b nuancovan\u00e9 odst\u00edny zvuk\u016f. Ka\u017ed\u00e9 zav\u00ed\u0159en\u00ed strun m\u00e1 trochu jinou kvalitu. Prsty a\u00a0n\u011bkdy i\u00a0vlastn\u00ed bradou utlumuje basov\u00e9 struny tak, aby vytv\u00e1\u0159el r\u016fzn\u00e9 typy rezonanc\u00ed a\u00a0dozvuku.<\/p>\n

Pr\u00e1v\u011b d\u00e9lka dozvuku a\u00a0celkov\u011b m\u011bk\u010d\u00ed zvuk loutny oproti kyta\u0159e umo\u017e\u0148uj\u00ed Dunfordovi tvarovat dlouh\u00e9 melodick\u00e9 fr\u00e1ze, ani\u017e by ztr\u00e1cely poutavost. V\u00a0harmonick\u00e9 krasomluv\u011b p\u0159ede\u0161l\u00fdch epoch dok\u00e1\u017ee vystihnout \u00fa\u017easn\u00e9 nap\u011bt\u00ed t\u00edm, jak si d\u00e1v\u00e1 na\u010das s\u00a0uspokojiv\u00fdm rozveden\u00edm jednotliv\u00fdch hlas\u016f, je\u017e byly je\u0161t\u011b p\u0159ed okam\u017eikem spletencem disonanc\u00ed.<\/p>\n

P\u0159eklenut\u00ed vzd\u00e1lenosti<\/p>\n

Coby zp\u011bv\u00e1k je Dunford vybaven\u00fd zn\u011bl\u00fdm tenorem. Zp\u00edv\u00e1 sice technicky ne\u0161kolen\u00fdm hlasem, zato \u010dist\u011b. Ke zp\u011bvu m\u00e1 bl\u00edzko tak\u00e9 v\u00a0doprovodn\u00fdch hudebn\u00edch rol\u00edch, kter\u00e9 jako loutnista \u010dasto a\u00a0r\u00e1d zast\u00e1v\u00e1. V\u00a0oblasti star\u00e9 hudby spolupracoval s\u00a0t\u011bmi nejlep\u0161\u00edmi, jako jsou ans\u00e1mbly Les Arts Florissants, Academy of Ancient Music a\u00a0Ensemble Pygmalion \u010di dirigenti Philippe Herreweghe, Paul Agnew nebo William Christie.<\/p>\n

Bylo jen ot\u00e1zkou \u010dasu, ne\u017e si hudebn\u00edk chovaj\u00edc\u00ed v\u00a0sob\u011b up\u0159\u00edmnou radost ze spole\u010dn\u00e9ho muzic\u00edrov\u00e1n\u00ed zalo\u017e\u00ed vlastn\u00ed ans\u00e1mbl. Stalo se tak v\u00a0roce 2018, kdy vznikl Jupiter, jeho\u017e v\u00fdraznou tv\u00e1\u0159\u00ed je tak\u00e9 mezzosopranistka Lea Desandre, Dunfordova hudebn\u00ed i\u00a0\u017eivotn\u00ed partnerka. U\u00a0labelu Erato spole\u010dn\u011b vydali \u010dty\u0159i alba, ve kter\u00fdch prozkoum\u00e1vaj\u00ed poka\u017ed\u00e9 jin\u00e9 t\u00e9ma pomoc\u00ed renesan\u010dn\u00ed a\u00a0barokn\u00ed hudby.<\/p>\n

Foto: Jan Kantor, Pra\u017esk\u00e9 jaro<\/p>\n

Thomas Dunford m\u011bl v\u00a0Praze n\u00e1ladu st\u00e1t se sp\u00ed\u0161e popovou star ne\u017e poetick\u00fdm bardem.<\/p>\n

N\u00e1zvy jako Idylle \u010di Songs of Passion, tedy p\u00edsn\u011b o\u00a0v\u00e1\u0161ni, mluv\u00ed za sebe. Na albu Eternal Heaven, v\u00a0p\u0159ekladu V\u011b\u010dn\u00e9 nebe, poskl\u00e1dali \u00e1rie z\u00a0r\u016fzn\u00fdch oper Georga Friedricha H\u00e4ndela tak, aby vytvo\u0159ily nov\u00fd p\u0159\u00edb\u011bh o\u00a0l\u00e1sce, kter\u00e9 nep\u0159eje okol\u00ed. \u201eCht\u011bl jsem vytvo\u0159it takovou barokn\u00ed variantu West Side Story,\u201c poznamenal Dunford s\u00a0odkazem na slavn\u00fd muzik\u00e1l Leonarda Bernsteina.<\/p>\n

Inovativn\u00ed p\u0159\u00edstup k\u00a0dramaturgii projevuje tak\u00e9 v\u00a0Ane\u017esk\u00e9m kl\u00e1\u0161te\u0159e, i\u00a0kdy\u017e jde o\u00a0jin\u00fd koncept ne\u017e ten p\u0159edest\u0159en\u00fd v\u00a0programu. M\u00edsto cesty \u201enap\u0159\u00ed\u010d Evropou prost\u0159ednictv\u00edm mo\u017en\u00e1 nejkr\u00e1sn\u011bj\u0161\u00ed a\u00a0nejexpresivn\u011bj\u0161\u00ed hudby, kter\u00e1 kdy byla naps\u00e1na pro loutnu\u201c, jak Dunford p\u016fvodn\u011b sliboval, p\u0159ichystal Pra\u017ean\u016fm uvoln\u011bn\u00fd a\u00a0\u0161armantn\u00ed ve\u010der, ve kter\u00e9m renesan\u010dn\u00ed a\u00a0barokn\u00ed hudbu st\u0159\u00edd\u00e1 s\u00a0p\u00edsn\u011bmi od Beatles.<\/p>\n

Vzd\u00e1lenost n\u011bkolika stolet\u00ed p\u0159eklenuje pomoc\u00ed zaj\u00edmav\u00fdch anekdot i\u00a0praktick\u00fdch uk\u00e1zek, d\u00edky nim\u017e obecenstvo zji\u0161\u0165uje, \u017ee harmonick\u00e9 postupy Johanna Sebastiana Bacha a\u00a0Paula McCartneyho od sebe nemaj\u00ed daleko a\u00a0\u017ee ani s\u00a0renesan\u010dn\u00ed arciloutnou \u010dlov\u011bk nemus\u00ed z\u016fstat v\u00a0\u00fazce ohrani\u010den\u00e9m \u017e\u00e1nrov\u00e9m \u00fazem\u00ed. Kdy\u017e se Dunfordovi nakonec tolik nepovede avizovan\u00e1 majest\u00e1tn\u00ed Bachova Chaconna, nikomu to zjevn\u011b p\u0159\u00edli\u0161 nevad\u00ed. Poda\u0159ilo se mu toti\u017e vybudovat to, o\u00a0co tak usiluje: Spole\u010denstv\u00ed lid\u00ed, kte\u0159\u00ed k\u00a0sob\u011b najednou maj\u00ed o\u00a0n\u011bco bl\u00ed\u017e.<\/p>\n

Koncert: Thomas Dunford<\/p>\n

Po\u0159adatel: Pra\u017esk\u00e9 jaro <\/p>\n

Ane\u017esk\u00fd kl\u00e1\u0161ter, Praha, 24.\u00a0kv\u011btna<\/p>\n","protected":false},"excerpt":{"rendered":"Uplynulou ned\u011bli se v\u00a0p\u0159\u00edjemn\u011b proslun\u011bn\u00e9m Ane\u017esk\u00e9m kl\u00e1\u0161te\u0159e publiku p\u0159edstavil francouzsk\u00fd loutnista Thomas Dunford. Program slo\u017een\u00fd z\u00a0d\u011bl renesan\u010dn\u00edch a\u00a0barokn\u00edch…\n","protected":false},"author":2,"featured_media":97793,"comment_status":"","ping_status":"","sticky":false,"template":"","format":"standard","meta":{"footnotes":"","_share_on_mastodon":"0"},"categories":[14],"tags":[79,17057,4341,1429,29361,1334,29362,80],"class_list":["post-97792","post","type-post","status-publish","format-standard","has-post-thumbnail","category-zabava","tag-entertainment","tag-festival-prazske-jaro","tag-hudebni-festivaly","tag-klasicka-hudba","tag-klaster-sv-anezky-ceske","tag-recenze-koncertu","tag-thomas-dunford","tag-zabava"],"share_on_mastodon":{"url":"https:\/\/pubeurope.com\/@cz\/116641078023447204","error":""},"_links":{"self":[{"href":"https:\/\/www.europesays.com\/cz\/wp-json\/wp\/v2\/posts\/97792","targetHints":{"allow":["GET"]}}],"collection":[{"href":"https:\/\/www.europesays.com\/cz\/wp-json\/wp\/v2\/posts"}],"about":[{"href":"https:\/\/www.europesays.com\/cz\/wp-json\/wp\/v2\/types\/post"}],"author":[{"embeddable":true,"href":"https:\/\/www.europesays.com\/cz\/wp-json\/wp\/v2\/users\/2"}],"replies":[{"embeddable":true,"href":"https:\/\/www.europesays.com\/cz\/wp-json\/wp\/v2\/comments?post=97792"}],"version-history":[{"count":0,"href":"https:\/\/www.europesays.com\/cz\/wp-json\/wp\/v2\/posts\/97792\/revisions"}],"wp:featuredmedia":[{"embeddable":true,"href":"https:\/\/www.europesays.com\/cz\/wp-json\/wp\/v2\/media\/97793"}],"wp:attachment":[{"href":"https:\/\/www.europesays.com\/cz\/wp-json\/wp\/v2\/media?parent=97792"}],"wp:term":[{"taxonomy":"category","embeddable":true,"href":"https:\/\/www.europesays.com\/cz\/wp-json\/wp\/v2\/categories?post=97792"},{"taxonomy":"post_tag","embeddable":true,"href":"https:\/\/www.europesays.com\/cz\/wp-json\/wp\/v2\/tags?post=97792"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}}