{"id":1061591,"date":"2026-06-01T10:24:15","date_gmt":"2026-06-01T10:24:15","guid":{"rendered":"https:\/\/www.europesays.com\/de\/1061591\/"},"modified":"2026-06-01T10:24:15","modified_gmt":"2026-06-01T10:24:15","slug":"koenigin-von-saba-gounod-oper-in-duisburg","status":"publish","type":"post","link":"https:\/\/www.europesays.com\/de\/1061591\/","title":{"rendered":"K\u00f6nigin von Saba: Gounod-Oper in Duisburg"},"content":{"rendered":"<p class=\"text_ohne_einzug richtext text-em-55 !leading-serif mx-6 desktop:mx-0\"> Uraufgef\u00fchrt 1862 in <a href=\"https:\/\/rp-online.de\/thema\/paris\/\" rel=\"nofollow noopener\" target=\"_blank\">Paris<\/a>, ist \u201eLa reine de Saba&#8220; (franz\u00f6sisch f\u00fcr \u201eDie K\u00f6nigin von Saba&#8220;) eine kaum bekannte Oper von Kostenpflichtiger Inhalt <a href=\"https:\/\/rp-online.de\/nrw\/staedte\/duesseldorf\/kultur\/kritik-die-koenigin-von-saba-in-der-rheinoper_aid-148364723\" rel=\"nofollow noopener\" target=\"_blank\">Charles Gounod<\/a>. Im Hintergrund steht dabei der Dichter G\u00e9rard de Nerval, der den biblischen Stoff mit arabischen und freimaurerischen Elementen angereichert hatte. Im Mittelpunkt steht eine K\u00fcnstlerfigur zwischen Inspiration und innerem Kampf: Als Balkis, die sagenhaft sch\u00f6ne K\u00f6nigin von Saba, ihren Verlobten, den klugen K\u00f6nig Soliman (= Salomo) in <a href=\"https:\/\/rp-online.de\/thema\/jerusalem\/\" rel=\"nofollow noopener\" target=\"_blank\">Jerusalem<\/a> besucht, trifft sie auf dessen selbstbewussten Baumeister Adoniram.<\/p>\n","protected":false},"excerpt":{"rendered":"Uraufgef\u00fchrt 1862 in Paris, ist \u201eLa reine de Saba&#8220; (franz\u00f6sisch f\u00fcr \u201eDie K\u00f6nigin von Saba&#8220;) eine kaum bekannte&hellip;\n","protected":false},"author":2,"featured_media":1061592,"comment_status":"","ping_status":"","sticky":false,"template":"","format":"standard","meta":{"footnotes":"","_share_on_mastodon":"0"},"categories":[1838],"tags":[226418,226417,3364,29,3715,30,226420,18127,35129,2075,1209,97,5217,5206,5207,226416,226419,226421],"class_list":["post-1061591","post","type-post","status-publish","format-standard","has-post-thumbnail","category-duisburg","tag-adoniram","tag-balkis","tag-de","tag-deutschland","tag-duisburg","tag-germany","tag-hendrik-vestmann","tag-koenig","tag-koenigin","tag-kunst","tag-nordrhein-westfalen","tag-oper","tag-opernstudio","tag-rhein","tag-rheinoper","tag-saba","tag-soliman","tag-stimmungen"],"share_on_mastodon":{"url":"https:\/\/pubeurope.com\/@de\/116674367748442416","error":""},"_links":{"self":[{"href":"https:\/\/www.europesays.com\/de\/wp-json\/wp\/v2\/posts\/1061591","targetHints":{"allow":["GET"]}}],"collection":[{"href":"https:\/\/www.europesays.com\/de\/wp-json\/wp\/v2\/posts"}],"about":[{"href":"https:\/\/www.europesays.com\/de\/wp-json\/wp\/v2\/types\/post"}],"author":[{"embeddable":true,"href":"https:\/\/www.europesays.com\/de\/wp-json\/wp\/v2\/users\/2"}],"replies":[{"embeddable":true,"href":"https:\/\/www.europesays.com\/de\/wp-json\/wp\/v2\/comments?post=1061591"}],"version-history":[{"count":0,"href":"https:\/\/www.europesays.com\/de\/wp-json\/wp\/v2\/posts\/1061591\/revisions"}],"wp:featuredmedia":[{"embeddable":true,"href":"https:\/\/www.europesays.com\/de\/wp-json\/wp\/v2\/media\/1061592"}],"wp:attachment":[{"href":"https:\/\/www.europesays.com\/de\/wp-json\/wp\/v2\/media?parent=1061591"}],"wp:term":[{"taxonomy":"category","embeddable":true,"href":"https:\/\/www.europesays.com\/de\/wp-json\/wp\/v2\/categories?post=1061591"},{"taxonomy":"post_tag","embeddable":true,"href":"https:\/\/www.europesays.com\/de\/wp-json\/wp\/v2\/tags?post=1061591"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}}