{"id":27097,"date":"2025-04-12T22:43:11","date_gmt":"2025-04-12T22:43:11","guid":{"rendered":"https:\/\/www.europesays.com\/de\/27097\/"},"modified":"2025-04-12T22:43:11","modified_gmt":"2025-04-12T22:43:11","slug":"was-hoert-das-signum-saxophone-quartet","status":"publish","type":"post","link":"https:\/\/www.europesays.com\/de\/27097\/","title":{"rendered":"Was h\u00f6rt das SIGNUM saxophone quartet?"},"content":{"rendered":"

\"Vier<\/p>\n

Die Mitglieder von links nach rechts: Jacopo Taddei (Altsaxofon) Bla\u017e Kemperle (Sopransaxofon), Aram Poghosyan (Baritonsaxofon) und Alan Lu\u017ear (Tenorsaxofon). (Anna Tena)<\/p>\n

Musik-Laufplan<\/p>\n

1. Satz: 1957 – Award Montage<\/strong>
aus: Quartett f\u00fcr 2 Violinen, Viola und Violoncello Nr. 3 („Mishima“)
<\/strong>Bearbeitung f\u00fcr 4 Saxofone
L\u00e4nge: 03:26
Interpretation: Signum Saxophone Quartet
Komposition: Philip Glass
Label: Deutsche Grammophon<\/p>\n

Nr. 1: Prayer<\/strong>
aus: From Jewish Life. 3 Skizzen f\u00fcr Violoncello und Klavier
<\/strong>Bearbeitung f\u00fcr Violoncello und 4 Saxofone
L\u00e4nge: 04:14
Interpretation: Eckart Runge (Violoncello), Signum Saxophone Quartet
Komposition: Ernest Bloch
Label: BERLIN Classics<\/p>\n

4. Satz: Finale. Presto<\/strong>
aus: Quartett f\u00fcr 2 Violinen, Viola und Violoncello D-Dur, Hob. III:79 (op. 76, Nr. 5)<\/strong>
L\u00e4nge: 03:29
Interpretation: Tak\u00e1cs String Quartet
Komposition: Joseph Haydn
Label: Decca
Best.-Nr: 425467-2<\/p>\n

Lied des Lotterieagenten<\/strong>
L\u00e4nge: 04:44
Interpretation: Sarah Maria Sun & The Gurks
Komposition: Kurt Weill
Label: Mode Records T\/A Mode Rec
Best.-Nr: Mode 321
Plattentitel: Killer instincts<\/p>\n

1. Satz: [o.B.] – attacca:<\/strong>
aus: BerlinSymphonie. F\u00fcr gro\u00dfes Orchester<\/strong>
L\u00e4nge: 05:56
Interpretation: Konzerthausorchester Berlin
Dirigent: Iv\u00e1n Fischer
Komposition: Christian Jost
Label: BERLIN Classics
Best.-Nr: 0300707NM<\/p>\n

Nr. 1: Liebesfreud<\/strong>
aus: 3 Alt-Wiener Tanzweisen f\u00fcr Violine und Klavier
<\/strong>Bearbeitung f\u00fcr Saxofon und Klavier
L\u00e4nge: 02:33
Interpretation: Marcel Mule (Saxofon), Joseph Benvenuti (Klavier)
Komposition: Fritz Kreisler
Label: Music Square
Plattentitel: La l\u00e9gende<\/p>\n

Black earth f\u00fcr Klavier solo<\/strong>
L\u00e4nge: 05:20
Interpretation: Fazil Say (Klavier)
Komposition: Faz\u0131l Say
Label: Auvidis
Best.-Nr: V 4954<\/p>\n

Wind of change<\/strong>
L\u00e4nge: 05:11
Interpretation: Scorpions
Komposition: Klaus Meine
Label: Ariola
Best.-Nr: 658467-2
Plattentitel: 20 Jahre RTL – 20 Jahre Hits<\/p>\n

Misirlou Twist <\/strong>
aus: „Pulp Fiction“. Film<\/strong>
Bearbeitung f\u00fcr 2 Violinen, Viola und Violoncello
L\u00e4nge: 03:07
Interpretation: Quatuor Eb\u00e8ne
Komposition: Nicholas Roubanis
Label: VIRGIN CLASSICS
Best.-Nr: 5099962866828<\/p>\n

Verf\u00fcgbare Titel k\u00f6nnen Sie hier<\/a> auf Spotify nachh\u00f6ren. Wir erweitern w\u00f6chentlich unsere Liste.<\/p>\n","protected":false},"excerpt":{"rendered":"Die Mitglieder von links nach rechts: Jacopo Taddei (Altsaxofon) Bla\u017e Kemperle (Sopransaxofon), Aram Poghosyan (Baritonsaxofon) und Alan Lu\u017ear…\n","protected":false},"author":2,"featured_media":27098,"comment_status":"","ping_status":"","sticky":false,"template":"","format":"standard","meta":{"footnotes":""},"categories":[1772],"tags":[29,214,30,1779,810,215],"class_list":{"0":"post-27097","1":"post","2":"type-post","3":"status-publish","4":"format-standard","5":"has-post-thumbnail","7":"category-musik","8":"tag-deutschland","9":"tag-entertainment","10":"tag-germany","11":"tag-music","12":"tag-musik","13":"tag-unterhaltung"},"share_on_mastodon":{"url":"https:\/\/pubeurope.com\/@de\/114327414684931513","error":""},"_links":{"self":[{"href":"https:\/\/www.europesays.com\/de\/wp-json\/wp\/v2\/posts\/27097","targetHints":{"allow":["GET"]}}],"collection":[{"href":"https:\/\/www.europesays.com\/de\/wp-json\/wp\/v2\/posts"}],"about":[{"href":"https:\/\/www.europesays.com\/de\/wp-json\/wp\/v2\/types\/post"}],"author":[{"embeddable":true,"href":"https:\/\/www.europesays.com\/de\/wp-json\/wp\/v2\/users\/2"}],"replies":[{"embeddable":true,"href":"https:\/\/www.europesays.com\/de\/wp-json\/wp\/v2\/comments?post=27097"}],"version-history":[{"count":0,"href":"https:\/\/www.europesays.com\/de\/wp-json\/wp\/v2\/posts\/27097\/revisions"}],"wp:featuredmedia":[{"embeddable":true,"href":"https:\/\/www.europesays.com\/de\/wp-json\/wp\/v2\/media\/27098"}],"wp:attachment":[{"href":"https:\/\/www.europesays.com\/de\/wp-json\/wp\/v2\/media?parent=27097"}],"wp:term":[{"taxonomy":"category","embeddable":true,"href":"https:\/\/www.europesays.com\/de\/wp-json\/wp\/v2\/categories?post=27097"},{"taxonomy":"post_tag","embeddable":true,"href":"https:\/\/www.europesays.com\/de\/wp-json\/wp\/v2\/tags?post=27097"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}}