{"id":432911,"date":"2025-09-18T18:38:20","date_gmt":"2025-09-18T18:38:20","guid":{"rendered":"https:\/\/www.europesays.com\/de\/432911\/"},"modified":"2025-09-18T18:38:20","modified_gmt":"2025-09-18T18:38:20","slug":"kunsthaus-graz-der-herbst-steht-fuer-das-zeitalter-des-ungewissen","status":"publish","type":"post","link":"https:\/\/www.europesays.com\/de\/432911\/","title":{"rendered":"Kunsthaus Graz &#8211; Der Herbst steht f\u00fcr das Zeitalter des Ungewissen"},"content":{"rendered":"<p>Ruhig, beinahe meditativ wirken dagegen Christoph Grills analoge schwarz-wei\u00dfe Fotoarbeiten, die das arktische Meer und kleine Inseln darauf zeigen. Eine unterschwellige Bedrohung aus dem Nebel ist hier aber ebenso pr\u00e4sent wie die Undefinierbarkeit der Zeit. Dass grauenhafte Dinge mit atemberaubender Sch\u00f6nheit thematisiert werden k\u00f6nnen, zeigt Yhonnie Scarce mit \u201eOperation Buffalo\u201c. Mehr als 1000 zarte Glastropfen, die von der Decke h\u00e4ngen, stehen sinnbildlich f\u00fcr den atomaren Regen, der nach nuklearen Tests der Briten die Ureinwohner Australiens nachhaltig gesch\u00e4digt hat.<\/p>\n","protected":false},"excerpt":{"rendered":"Ruhig, beinahe meditativ wirken dagegen Christoph Grills analoge schwarz-wei\u00dfe Fotoarbeiten, die das arktische Meer und kleine Inseln darauf&hellip;\n","protected":false},"author":2,"featured_media":432912,"comment_status":"","ping_status":"","sticky":false,"template":"","format":"standard","meta":{"footnotes":""},"categories":[1775],"tags":[113019,113020,113021,1793,59994,34871,113022,113023,113024,113025,113026,29,214,113027,113028,30,113029,113030,1794,113031,113032,84769,113033,113034,113035,215,59995,113036,113037],"class_list":{"0":"post-432911","1":"post","2":"type-post","3":"status-publish","4":"format-standard","5":"has-post-thumbnail","7":"category-kunst-und-design","8":"tag-adelita-husni-bey","9":"tag-andrej-skufcas","10":"tag-andreja-hribernik","11":"tag-art-and-design","12":"tag-art-museums-galleries","13":"tag-arts-entertainment","14":"tag-bill-viola","15":"tag-black-market-6gb-ending","16":"tag-christoph-grills","17":"tag-dana-awartani","18":"tag-das-floss-der-medusa","19":"tag-deutschland","20":"tag-entertainment","21":"tag-federico-campagna","22":"tag-federico-campagnia","23":"tag-germany","24":"tag-i-want-you-to-panic","25":"tag-joze-tisnikar","26":"tag-kunst-und-design","27":"tag-marija-markovic","28":"tag-operation-buffalo","29":"tag-sizilien","30":"tag-sophie-utikals","31":"tag-the-raft","32":"tag-unseen-futures-to-come-fall","33":"tag-unterhaltung","34":"tag-visual-art-design","35":"tag-vladimir-nikolic","36":"tag-yhonnie-scarce"},"share_on_mastodon":{"url":"","error":""},"_links":{"self":[{"href":"https:\/\/www.europesays.com\/de\/wp-json\/wp\/v2\/posts\/432911","targetHints":{"allow":["GET"]}}],"collection":[{"href":"https:\/\/www.europesays.com\/de\/wp-json\/wp\/v2\/posts"}],"about":[{"href":"https:\/\/www.europesays.com\/de\/wp-json\/wp\/v2\/types\/post"}],"author":[{"embeddable":true,"href":"https:\/\/www.europesays.com\/de\/wp-json\/wp\/v2\/users\/2"}],"replies":[{"embeddable":true,"href":"https:\/\/www.europesays.com\/de\/wp-json\/wp\/v2\/comments?post=432911"}],"version-history":[{"count":0,"href":"https:\/\/www.europesays.com\/de\/wp-json\/wp\/v2\/posts\/432911\/revisions"}],"wp:featuredmedia":[{"embeddable":true,"href":"https:\/\/www.europesays.com\/de\/wp-json\/wp\/v2\/media\/432912"}],"wp:attachment":[{"href":"https:\/\/www.europesays.com\/de\/wp-json\/wp\/v2\/media?parent=432911"}],"wp:term":[{"taxonomy":"category","embeddable":true,"href":"https:\/\/www.europesays.com\/de\/wp-json\/wp\/v2\/categories?post=432911"},{"taxonomy":"post_tag","embeddable":true,"href":"https:\/\/www.europesays.com\/de\/wp-json\/wp\/v2\/tags?post=432911"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}}