{"id":446705,"date":"2025-09-24T06:47:12","date_gmt":"2025-09-24T06:47:12","guid":{"rendered":"https:\/\/www.europesays.com\/de\/446705\/"},"modified":"2025-09-24T06:47:12","modified_gmt":"2025-09-24T06:47:12","slug":"albertina-wien-gothic-modern-oder-die-heimkehr-ins-mittelalter","status":"publish","type":"post","link":"https:\/\/www.europesays.com\/de\/446705\/","title":{"rendered":"Albertina Wien &#8211; \u201eGothic Modern\u201c oder die Heimkehr ins Mittelalter"},"content":{"rendered":"<p><strong>Mysterium von Leben,\u00a0Tod und Auferstehung<\/strong><br \/>Gleis inszeniert ein Stationentheater, das die Mysterien von Leben und Tod, Liebe, Schmerz und Leid, Devotion und Hingabe, Auferstehung und Licht zur Schau stellt. Wie in den \u201eTableaux vivants\u201c, den \u201elebenden Bildern\u201c des 19. Jahrhunderts. Da blicken einander Totenk\u00f6pfe von Arnold B\u00f6cklin, Gustav Klimt, Otto Dix, Max Klinger, Vincent van Gogh an; da erlebt man Christus bei seinem Todesschrei \u201eMein Gott! Warum hast du mich verlassen\u201c bei Edvard Munch, Lovis Corinth oder Georg Minne; oder l\u00f6sen d\u00fcster-mystische Landschaften wie Max Klingers \u201eToteninsel\u201c, Rudolf Otto Schatz\u2019 \u201eWettertannen\u201c oder Schongauers \u201eHeiliger Antonius\u201c Bedr\u00fccktheit aus.<\/p>\n","protected":false},"excerpt":{"rendered":"Mysterium von Leben,\u00a0Tod und AuferstehungGleis inszeniert ein Stationentheater, das die Mysterien von Leben und Tod, Liebe, Schmerz und&hellip;\n","protected":false},"author":2,"featured_media":446706,"comment_status":"","ping_status":"","sticky":false,"template":"","format":"standard","meta":{"footnotes":""},"categories":[1775],"tags":[115650,115651,1793,59994,34871,296,22738,29,57465,115652,115653,214,89193,115654,30,6161,26838,115655,115656,1794,78872,115657,115658,13341,71641,115659,115660,215,41991,59995,6296],"class_list":{"0":"post-446705","1":"post","2":"type-post","3":"status-publish","4":"format-standard","5":"has-post-thumbnail","7":"category-kunst-und-design","8":"tag-anbetung-der-koenige","9":"tag-arnold-boecklin","10":"tag-art-and-design","11":"tag-art-museums-galleries","12":"tag-arts-entertainment","13":"tag-berlin","14":"tag-christus","15":"tag-deutschland","16":"tag-edvard-munch","17":"tag-edward-burne-jones","18":"tag-emanuel-vigeland","19":"tag-entertainment","20":"tag-ernst-barlach","21":"tag-georg-minne","22":"tag-germany","23":"tag-gustav-klimt","24":"tag-helsinki","25":"tag-julia-zaunbauer","26":"tag-kaethe-kollwitz","27":"tag-kunst-und-design","28":"tag-lovis-corinth","29":"tag-max-klinger","30":"tag-max-klingers","31":"tag-oslo","32":"tag-otto-dix","33":"tag-ralph-gleis","34":"tag-rudolf-otto-schatz","35":"tag-unterhaltung","36":"tag-vincent-van-gogh","37":"tag-visual-art-design","38":"tag-wien"},"share_on_mastodon":{"url":"","error":"Validation failed: Text character limit of 500 exceeded"},"_links":{"self":[{"href":"https:\/\/www.europesays.com\/de\/wp-json\/wp\/v2\/posts\/446705","targetHints":{"allow":["GET"]}}],"collection":[{"href":"https:\/\/www.europesays.com\/de\/wp-json\/wp\/v2\/posts"}],"about":[{"href":"https:\/\/www.europesays.com\/de\/wp-json\/wp\/v2\/types\/post"}],"author":[{"embeddable":true,"href":"https:\/\/www.europesays.com\/de\/wp-json\/wp\/v2\/users\/2"}],"replies":[{"embeddable":true,"href":"https:\/\/www.europesays.com\/de\/wp-json\/wp\/v2\/comments?post=446705"}],"version-history":[{"count":0,"href":"https:\/\/www.europesays.com\/de\/wp-json\/wp\/v2\/posts\/446705\/revisions"}],"wp:featuredmedia":[{"embeddable":true,"href":"https:\/\/www.europesays.com\/de\/wp-json\/wp\/v2\/media\/446706"}],"wp:attachment":[{"href":"https:\/\/www.europesays.com\/de\/wp-json\/wp\/v2\/media?parent=446705"}],"wp:term":[{"taxonomy":"category","embeddable":true,"href":"https:\/\/www.europesays.com\/de\/wp-json\/wp\/v2\/categories?post=446705"},{"taxonomy":"post_tag","embeddable":true,"href":"https:\/\/www.europesays.com\/de\/wp-json\/wp\/v2\/tags?post=446705"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}}