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Behind the Berlin Wall, fashion photography in the German Democratic Republic (GDR) during the Seventies and Eighties developed a visual language shaped by everyday life rather than consumption or spectacle.

At Photo London, a selection of 22 rare vintage prints by Ute Mahler from 1978 to 1989 is on view until tomorrow, presented by Galerie Peter Sillem – showing a defining body of work by one of the most influential figures in German photography.

Originally published in the East German magazine Sibylle, the images place fashion within ordinary streets, courtyards and urban settings.

Many of these photographs have since been widely regarded as iconic, reflecting a distinctive visual language that moves between editorial presentation and observation, capturing a society in which style, identity and social reality were closely intertwined.

Fashion photography in the GDRBlack and white photo of a woman in a lace blouse and man in a suit near a car on a city street with large buildings in the background

Ute Mahler, Mode (Fashion), 1981. Vintage gelatin silver print | Credit: Ute Mahler / courtesy Galerie—Peter—Sillem

In the GDR, fashion operated within a planned economy rather than a consumer-driven market.

Clothing was produced in a limited variety, with access to international brands, trends and advertising culture restricted. As a result, fashion did not function the same way as in Western Europe, where mass consumption shaped visual culture.

Instead, personal style emerged through constraint. Fashion became less about consumption and more about personal interpretation within existing limits.

Within this framework, Ute Mahler developed an observational approach to fashion photography rooted in everyday life.

Ute Mahler: between fashion and observationBlack and white photo of a woman in a black dress leaning on a car with one leg extended, set on a city street with vintage cars

Ute Mahler, Jutta in Deutschland (Jutta in Germany), 1979. Modern gelatin silver print | Credit: Ute Mahler / courtesy Galerie—Peter—Sillem

The prints presented at Photo London are part of a rare surviving group of works that have become significant. They reflect a fashion culture shaped by the conditions of a restricted environment, where everyday life unfolded behind the Berlin Wall.

Seen today, the photographs offer a layered view of life in East Berlin at the time, positioned between editorial fashion and documentary photography.

Black-and-white photo of a woman in a long coat with a child pushing a bike in an urban residential area

Ute Mahler, Mode (Fashion), 1980.Modern gelatin silver printUte Mahler / courtesy Galerie—Peter—Sillem

Black and white photo of a woman sitting at a table applying makeup in a vintage-patterned room with a portrait on the wall

Ute Mahler, aus der Werkgruppe Zusammenleben (from the series Zusammenleben), 1981. Vintage gelatin silver printUte Mahler / courtesy Galerie—Peter—Sillem

Alongside this series is Monalisen der Vorstädte (Mona Lisas of the Suburbs, 2008–2010) by Ute Mahler and Werner Mahler. This series presents young women in a pared-back, classic style referencing Leonardo da Vinci’s portrait to explore themes of identity, transition and belonging.

Ute Mahler and Werner Mahler have worked together for decades and co-founded the Ostkreuz photography agency in Berlin in 1990. Their shared practice continues to focus on portraiture and everyday life, positioned between documentary observation and careful visual construction.

For more information, visit the Photo London website.

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