No designated paths, no playground rules. When developers wanted luxury high-rises, Berliners forced a referendum to protect a blank canvas. Here’s why intentional emptiness has become the ultimate urban luxury
If you head down the cobblestones of Herrfurthstrasse in Berlin, past the graffiti-tagged cafes and independent bars, you run into a sudden, mind-bending horizon. You’ve reached Tempelhofer Feld, a decommissioned 953-acre airport-turned-public park that is twice the size of Monaco. But instead of commercial jets, the runways are flooded with kite-surfers, unicyclists, and an army of skaters gliding across the asphalt.
To a skater, this pavement feels like butter on the skin. Because it was engineered to handle massive military and commercial aircraft, it happens to be the smoothest, most indestructible canvas of flat ground in Europe.
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But the coolest thing about this skating Mecca? It was created completely by accident, and preserved by a political rebellion.
The power of “unprogramming”
Most modern city parks are micromanager nightmares. They are packed with what urban planners call “programming”—designated jogging paths, fenced-off playgrounds, permanent chess tables, and signs telling you exactly
where to walk, sit, and behave.
Tempelhof completely rejects that template. Apart from a few community gardens and a beer garden near the fringes, it is gloriously empty. Since it isn’t programmed, it is entirely open to personal interpretation. It follows the same magic formula as Sheep Meadow in New York (which is just a vast lawn) or Primrose Hill in London (which is literally just a hill).
When you don’t over-design every square centimetre of a public space, something magical happens: people figure out how to use it themselves.
At Tempelhof, different subcultures have claimed their own “neighbourhoods” on the tarmac with not a single fence dividing them. On one stretch of the runway, inline skaters drill through slalom cones; a few hundred yards away, longboarders practice dancing steps; further down, professional skaters like Berlin’s own Oumi Janta groove to music on roller skates.
The sheer, infinite scale gives marginalised subcultures the physical and
psychological room to flourish. You don’t have to dodge traffic, navigate narrow sidewalks, or crowd into a cramped, fenced-in skatepark. You just skate toward the horizon.
The citizen rebellion for “nothing”
This freedom wasn’t handed to Berliners on a silver platter. When the airport closed in 2008, developers and politicians salivated at the prospect of turning this prime real estate into luxury housing and master-planned commercial zones.
But Berlin is a city that famously bristles at top-down, capitalistic over-development. In 2014, the city’s residents forced a massive public referendum on the future of the airfield.
The politicians wanted to build; the people wanted nothing. And the people won.
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In a radical act of civic defiance, Berliners voted to protect the open green space exactly as it was. They chose to keep it a blank slate, ensuring it stayed open for the interpretation of everyday citizens, not the ones in power. It was a massive victory of community agency over corporate master plans.
By fighting to keep it empty, Berliners successfully preserved a true “
third space”, a massive public sanctuary completely detached from commercial interests, where you don’t have to buy a coffee or pay a fee just to exist and connect.
STORY CONTINUES BELOW THIS ADReclaiming the runway
There is a beautiful, poetic irony to how the space is used today. The mega-terminal stretching along the field was extensively redesigned by the Nazi regime to showcase authoritarian power and military discipline. Later, during the Cold War, it became the heroic stage for the Berlin Airlift, where Allied planes landed every 45 seconds to keep West Berliners from starving.
Today, that heavy historical gravity is met with absolute, free-wheeling levity. The very infrastructure engineered for top-down state control has been thoroughly democratised.
It’s a living archive where the past isn’t trapped in a stuffy museum, but lived out loud. At any given moment, you can see Syrian and Ukrainian refugees from the nearby container village sharing the space with techno-blasting roller dancers and locals clinking pilsners at sunset.
Tempelhof is a masterclass in modern landscape architecture precisely because of everything it isn’t. It proves that sometimes, the most radical and brilliant thing a city can design for its people is absolutely nothing at all.
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