{"id":104471,"date":"2026-06-10T10:41:10","date_gmt":"2026-06-10T10:41:10","guid":{"rendered":"https:\/\/www.europesays.com\/dk\/104471\/"},"modified":"2026-06-10T10:41:10","modified_gmt":"2026-06-10T10:41:10","slug":"grimm-expands-with-new-headquarters-and-residency","status":"publish","type":"post","link":"https:\/\/www.europesays.com\/dk\/104471\/","title":{"rendered":"Grimm Expands With New Headquarters and Residency"},"content":{"rendered":"<p>Despite a spate of gallery closures and cuts in recent weeks, Grimm is forging ahead with an expanded Amsterdam space and the launch of a new artist residency in the south of France.<\/p>\n<p>The gallery opened in Amsterdam two decades ago and has grown slowly and deliberately since,\u00a0 opening spaces only where its artists live, and resisting the urge to chase collectors or scale too fast. That approach looks shrewder than ever as the market tightens around it, with Tiwani Contemporary and Templon among the galleries to have shuttered in recent weeks and Pace cutting artists and staff.<\/p>\n<p>Now, as its Amsterdam lease came up for renewal, the gallery is moving to a larger ground-floor canal house in the city center\u2014a \u201crare\u201d find, said founder Jorg Grimm, and a chance to shake off a decade in the same space. It will open in September with a show by Dutch painter Robert Zandvliet.<\/p>\n<p>Grimm also recently expanded his London gallery to a Victorian storefront in the city\u2019s tony St. James neighborhood, following a three year experiment with a smaller Mayfair venue tucked on a small road behind Phillips auction house.<\/p>\n<p>The gallerist\u2014who now represents 37 artists, including Michael Raedecker, Saskia Noor van Imhoff, and Claudia Martinez Garay\u2014also opened a white cube space in New York, first on the Bowery in 2017 before moving to Tribeca in 2020.<\/p>\n<p><img loading=\"lazy\" decoding=\"async\" aria-describedby=\"caption-attachment-2459266\" class=\"size-large wp-image-2459266\" src=\"https:\/\/www.europesays.com\/dk\/wp-content\/uploads\/2026\/06\/Installation-view_Mineral-Lick_GRIMM-London-UK-2024_12-1024x683.jpg\" alt=\"The image depicts a white room with a few abstract works on on the wall and a wood beam running floor to ceiling. The room appears to be an indoor art exhibition space with a white plaster floor and ceiling.\" width=\"1024\" height=\"683\"  \/><\/p>\n<p id=\"caption-attachment-2459266\" class=\"wp-caption-text\">Installation view of Saskia Noor van Imhoff\u2019s \u201cMineral Lick\u201d at Grimm\u2019s former, temporary London space. Courtesy of Rob Harris and GRIMM.<\/p>\n<p>Grimm said his strategy has always been to grow intentionally, opening galleries central to where his artists live, rather than chasing collectors around the globe. \u201cI prefer collaborating with other galleries in that sense,\u201d Grimm said. \u201cCollectors will come to you regardless of your location, although sometimes it might take a bit longer.\u201d<\/p>\n<p>He added that \u201cstaying close to your program\u201d while slowly expanding the gallery\u2019s roster in an organic way \u201cis key to relevance and staying sustainable.\u201d<\/p>\n<p>The expansion in Amsterdam comes as many galleries redouble efforts in more regional markets. Grimm said it \u201cmight seem like a local city to some,\u201d but points to its strong postgraduate academies such as De Ateliers and Rijksakademie, and a strong museum and private collector base that can support a gallery system.<\/p>\n<p>Meanwhile, the residency takes his commitment to artists a step further. Grimm said his idea for the initiative predated the gallery\u2019s opportunity to buy the 18th-century Ch\u00e2teau Val Croissant, in Provence, where it will be housed. Inspired by Beatrice Monti della Corte\u2019s <a href=\"https:\/\/www.nytimes.com\/2023\/12\/16\/books\/booksupdate\/santa-maddalena-beatrice-monti.html\" rel=\"nofollow noopener\" target=\"_blank\">renowned<\/a> Santa Maddalena Foundation residency, where writers come and go casually, Grimm\u2019s project will offer artists, writers, curators\u201d a home away from home,\u201d which they can return to over the years. Families are welcome to accompany residents\u2014a rarity among such programs that increases the accessibility for creatives with young children.<\/p>\n<p>At first, Grimm\u2019s residency will only accept referrals from artists and curators the gallery works with. \u201cHowever, if we\u2019re keen to work with a new artist, the residency is a great way to introduce the gallery\u2019s overall approach,\u201d Grimm said.<\/p>\n","protected":false},"excerpt":{"rendered":"Despite a spate of gallery closures and cuts in recent weeks, Grimm is forging ahead with an expanded&hellip;\n","protected":false},"author":2,"featured_media":104472,"comment_status":"","ping_status":"","sticky":false,"template":"","format":"standard","meta":{"footnotes":"","_share_on_mastodon":"0"},"categories":[101],"tags":[199,53286,42822,4273,34404,53287,53291,32278,53294,53289,18509,234,53281,53282,53292,114,4135,53284,53285,53283,200,1453,195,53290,53288,53293],"class_list":["post-104471","post","type-post","status-publish","format-standard","has-post-thumbnail","category-amsterdam","tag-amsterdam","tag-art-dealer","tag-art-gallery","tag-art-market","tag-art-news","tag-artist-residency","tag-artist-led","tag-artnet-news","tag-beatrice-monti-della-corte","tag-chateau-val-croissant","tag-expansion","tag-france","tag-grimm","tag-grimm-gallery","tag-jorg-grimm","tag-london","tag-market","tag-midsize","tag-midsize-gallery","tag-midsized","tag-netherlands","tag-new-york","tag-paris","tag-provence","tag-south-of-france","tag-white-cube"],"share_on_mastodon":{"url":"https:\/\/pubeurope.com\/@dk\/116725395744276543","error":""},"_links":{"self":[{"href":"https:\/\/www.europesays.com\/dk\/wp-json\/wp\/v2\/posts\/104471","targetHints":{"allow":["GET"]}}],"collection":[{"href":"https:\/\/www.europesays.com\/dk\/wp-json\/wp\/v2\/posts"}],"about":[{"href":"https:\/\/www.europesays.com\/dk\/wp-json\/wp\/v2\/types\/post"}],"author":[{"embeddable":true,"href":"https:\/\/www.europesays.com\/dk\/wp-json\/wp\/v2\/users\/2"}],"replies":[{"embeddable":true,"href":"https:\/\/www.europesays.com\/dk\/wp-json\/wp\/v2\/comments?post=104471"}],"version-history":[{"count":0,"href":"https:\/\/www.europesays.com\/dk\/wp-json\/wp\/v2\/posts\/104471\/revisions"}],"wp:featuredmedia":[{"embeddable":true,"href":"https:\/\/www.europesays.com\/dk\/wp-json\/wp\/v2\/media\/104472"}],"wp:attachment":[{"href":"https:\/\/www.europesays.com\/dk\/wp-json\/wp\/v2\/media?parent=104471"}],"wp:term":[{"taxonomy":"category","embeddable":true,"href":"https:\/\/www.europesays.com\/dk\/wp-json\/wp\/v2\/categories?post=104471"},{"taxonomy":"post_tag","embeddable":true,"href":"https:\/\/www.europesays.com\/dk\/wp-json\/wp\/v2\/tags?post=104471"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}}