{"id":30822,"date":"2026-03-02T15:10:11","date_gmt":"2026-03-02T15:10:11","guid":{"rendered":"https:\/\/www.europesays.com\/dk\/30822\/"},"modified":"2026-03-02T15:10:11","modified_gmt":"2026-03-02T15:10:11","slug":"dutch-museum-confirms-lost-painting-is-genuine-rembrandt","status":"publish","type":"post","link":"https:\/\/www.europesays.com\/dk\/30822\/","title":{"rendered":"Dutch museum confirms lost painting is genuine Rembrandt"},"content":{"rendered":"<p class=\"mb-4 text-lg md:leading-8 break-words\">By Charlotte Van Campenhout<\/p>\n<p class=\"mb-4 text-lg md:leading-8 break-words\">AMSTERDAM, March 2 (Reuters) &#8211; Researchers at the Netherlands&#8217; Rijksmuseum have authenticated as genuine a Rembrandt painting that will be on public display \u200con Wednesday for the first time in decades.<\/p>\n<p class=\"mb-4 text-lg md:leading-8 break-words\">Over a two\u2011year investigation, the \u200cresearchers compared the &#8220;Vision of Zacharias in the Temple&#8221; with other Rembrandt works from the same period. It is \u200bon a long-term loan to the museum from an anonymous private collector.<\/p>\n<p class=\"mb-4 text-lg md:leading-8 break-words\">The researchers concluded Rembrandt van Rijn painted it in 1633 when he was in his late twenties.<\/p>\n<p class=\"mb-4 text-lg md:leading-8 break-words\">The painting depicts the biblical moment when the startled high priest Zacharias learns from archangel Gabriel that, \u200cdespite their advanced age, he \u2060and his wife will have a son, John the Baptist. Rembrandt did not paint Gabriel, instead using light entering from the upper right \u2060corner to signal his presence.<\/p>\n<p class=\"mb-4 text-lg md:leading-8 break-words\">CHARACTERISTIC OF REMBRANDT&#8217;S TECHNIQUE<\/p>\n<p class=\"mb-4 text-lg md:leading-8 break-words\">Painting conservator Petria Noble said the depiction of light, using thick layers of paint, a technique known as impasto, was characteristic of Rembrandt \u200bin his \u200blater work as well as in this one.<\/p>\n<p class=\"mb-4 text-lg md:leading-8 break-words\">Until \u200b1960, the painting was considered a \u200cRembrandt but it was then removed from his oeuvre, which art specialists have said was a decision based on less advanced techniques than are now available.<\/p>\n<p class=\"mb-4 text-lg md:leading-8 break-words\">The current owner inherited the painting from his father who bought it in 1961 when it disappeared from public view.<\/p>\n<p class=\"mb-4 text-lg md:leading-8 break-words\">Apart from carrying out analysis of materials and assessments of the work&#8217;s overall \u200cquality, the museum&#8217;s researchers confirmed the signature on \u200bthe painting was original, and dendrochronological tests, used to \u200bdate wood, verified that the 1633 \u200bdate is accurate.<\/p>\n<p class=\"mb-4 text-lg md:leading-8 break-words\">Jonathan Bikker, curator at the Rijksmuseum, said the insurance \u200cpolicy will definitely increase now the painting \u200bis confirmed to \u200bbe a Rembrandt, but did not specify how much it was worth.<\/p>\n<p class=\"mb-4 text-lg md:leading-8 break-words\">&#8220;It&#8217;s wonderful that people can now learn more about the young Rembrandt \u2013 he created this very \u200bpoignant work shortly after \u200cmoving from Leiden to Amsterdam. It is a beautiful example of the unique \u200bway Rembrandt depicts stories,&#8221; Taco Dibbits, director of the Rijksmuseum, said.<\/p>\n<p class=\"mb-4 text-lg md:leading-8 break-words\">(Reporting by \u200bCharlotte Van Campenhout; editing by Barbara Lewis)<\/p>\n","protected":false},"excerpt":{"rendered":"By Charlotte Van Campenhout AMSTERDAM, March 2 (Reuters) &#8211; Researchers at the Netherlands&#8217; Rijksmuseum have authenticated as genuine&hellip;\n","protected":false},"author":2,"featured_media":30823,"comment_status":"","ping_status":"","sticky":false,"template":"","format":"standard","meta":{"footnotes":""},"categories":[101],"tags":[199,18435,200,18436,17275,18396,18434],"class_list":{"0":"post-30822","1":"post","2":"type-post","3":"status-publish","4":"format-standard","5":"has-post-thumbnail","7":"category-amsterdam","8":"tag-amsterdam","9":"tag-archangel-gabriel","10":"tag-netherlands","11":"tag-public-display","12":"tag-rembrandt-van-rijn","13":"tag-rijksmuseum","14":"tag-zacharias-in-the-temple"},"share_on_mastodon":{"url":"","error":""},"_links":{"self":[{"href":"https:\/\/www.europesays.com\/dk\/wp-json\/wp\/v2\/posts\/30822","targetHints":{"allow":["GET"]}}],"collection":[{"href":"https:\/\/www.europesays.com\/dk\/wp-json\/wp\/v2\/posts"}],"about":[{"href":"https:\/\/www.europesays.com\/dk\/wp-json\/wp\/v2\/types\/post"}],"author":[{"embeddable":true,"href":"https:\/\/www.europesays.com\/dk\/wp-json\/wp\/v2\/users\/2"}],"replies":[{"embeddable":true,"href":"https:\/\/www.europesays.com\/dk\/wp-json\/wp\/v2\/comments?post=30822"}],"version-history":[{"count":0,"href":"https:\/\/www.europesays.com\/dk\/wp-json\/wp\/v2\/posts\/30822\/revisions"}],"wp:featuredmedia":[{"embeddable":true,"href":"https:\/\/www.europesays.com\/dk\/wp-json\/wp\/v2\/media\/30823"}],"wp:attachment":[{"href":"https:\/\/www.europesays.com\/dk\/wp-json\/wp\/v2\/media?parent=30822"}],"wp:term":[{"taxonomy":"category","embeddable":true,"href":"https:\/\/www.europesays.com\/dk\/wp-json\/wp\/v2\/categories?post=30822"},{"taxonomy":"post_tag","embeddable":true,"href":"https:\/\/www.europesays.com\/dk\/wp-json\/wp\/v2\/tags?post=30822"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}}