<\/p>\n
Danish alt-pop riser Debbie Sings has officially released her new EP Oh My, now available to stream on all major platforms. The eight-track project follows her acclaimed debut album Debbie\u2019s Songs, which was recently named the number one best Danish album of 2025 by Soundvenue.<\/p>\n
With early singles including Sunny Skies, Sucker Punch, and Hotpants, the EP rollout has already earned praise from major tastemakers such as NME, CLASH, DIY, Dork, The Line of Best Fit, Wonderland, and Electronic Sound.<\/p>\n
A Nostalgic Snapshot of Chaos and Freedom<\/p>\n
Reflecting on the release, Debbie describes Oh My as a time capsule of a particularly formative period in her life:<\/p>\n
\u201cToday Oh My already seems like a very specific time in my life. I already feel a bit nostalgic about that period I made it in. It was a lot of chaos, a lot of freedom and a lot of fun\u2026 I had to figure out what made me happy and what I wanted and these songs also kind of reflect that.\u201d<\/p>\n
The EP captures that tension between solitude and liberation, offering listeners a raw, immediate body of work that feels both intimate and explosive.<\/p>\n
A DIY Electro-Pop Punk Evolution<\/p>\n
Largely self-written, self-produced, and self-recorded, Oh My was created while Debbie moved between Copenhagen and Berlin. Apart from \u201cSucker Punch,\u201d which was co-produced with her friend The Bird, the project was built almost entirely independently \u2014 from bedrooms and borrowed studios to buses and coffee shops.<\/p>\n
Using Logic, Nexus by reFX, distorted drums and heavily processed vocals, Debbie intentionally limited her toolkit to create a cohesive but unpolished sonic identity. The result is a project that leans into imperfection rather than sanding it down \u2014 embracing urgency, distortion and movement.<\/p>\n
Where Debbie\u2019s Songs introduced her as a genre-fluid storyteller, Oh My sharpens the edges: it\u2019s more electronic, more punk, and unapologetically club-focused.<\/p>\n
Inspired by Electroclash Icons<\/p>\n
Drawing inspiration from early-2010s electroclash and boundary-pushing artists like Peaches and Uffie, the EP pulses with restless energy, humour and escapism. It\u2019s dancefloor-ready but equally suited to solitary bedroom catharsis.<\/p>\n
Debbie explains:<\/p>\n
\u201cOh My is a reflection of a lot of internal and external chaos channelled into eight tracks. It\u2019s electro-pop-punk music for the dance floor or the floor of your bedroom \u2014 made for getting lost, letting go, and carrying on.\u201d<\/p>\n
A New Voice from Copenhagen\u2019s Creative Scene<\/p>\n
An alumna of Copenhagen\u2019s Rhythmic Music Conservatory, Debbie joins a lineage of forward-thinking Nordic artists including Clarissa Connelly, ML Buch, Smerz, and Astrid Sonne \u2014 artists known for reshaping the boundaries of experimental pop and electronic music.<\/p>\n
With Oh My, Debbie Sings firmly positions herself as a DIY force in contemporary pop: boundary-less, instinctive and fearless. It\u2019s music made for fast bikes through city streets, sweat-soaked late-night clubs, and those fleeting moments of invincibility that feel slightly delusional but deeply human.<\/p>\n","protected":false},"excerpt":{"rendered":" Danish alt-pop riser Debbie Sings has officially released her new EP Oh My, now available to stream…\n","protected":false},"author":2,"featured_media":31178,"comment_status":"","ping_status":"","sticky":false,"template":"","format":"standard","meta":{"footnotes":""},"categories":[99],"tags":[11398,11399,112,18645,190,1971,1207],"class_list":{"0":"post-31177","1":"post","2":"type-post","3":"status-publish","4":"format-standard","5":"has-post-thumbnail","7":"category-berlin","8":"tag-entertaimment","9":"tag-popculture","10":"tag-berlin","11":"tag-debbie-sings","12":"tag-germany","13":"tag-music","14":"tag-people"},"share_on_mastodon":{"url":"","error":""},"_links":{"self":[{"href":"https:\/\/www.europesays.com\/dk\/wp-json\/wp\/v2\/posts\/31177","targetHints":{"allow":["GET"]}}],"collection":[{"href":"https:\/\/www.europesays.com\/dk\/wp-json\/wp\/v2\/posts"}],"about":[{"href":"https:\/\/www.europesays.com\/dk\/wp-json\/wp\/v2\/types\/post"}],"author":[{"embeddable":true,"href":"https:\/\/www.europesays.com\/dk\/wp-json\/wp\/v2\/users\/2"}],"replies":[{"embeddable":true,"href":"https:\/\/www.europesays.com\/dk\/wp-json\/wp\/v2\/comments?post=31177"}],"version-history":[{"count":0,"href":"https:\/\/www.europesays.com\/dk\/wp-json\/wp\/v2\/posts\/31177\/revisions"}],"wp:featuredmedia":[{"embeddable":true,"href":"https:\/\/www.europesays.com\/dk\/wp-json\/wp\/v2\/media\/31178"}],"wp:attachment":[{"href":"https:\/\/www.europesays.com\/dk\/wp-json\/wp\/v2\/media?parent=31177"}],"wp:term":[{"taxonomy":"category","embeddable":true,"href":"https:\/\/www.europesays.com\/dk\/wp-json\/wp\/v2\/categories?post=31177"},{"taxonomy":"post_tag","embeddable":true,"href":"https:\/\/www.europesays.com\/dk\/wp-json\/wp\/v2\/tags?post=31177"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}}