![\"\"](\"https:\/\/www.europesays.com\/dk\/wp-content\/uploads\/2026\/02\/imago1154834161-scaled.jpg\")
IMAGO\/Event Press<\/p>\nDiscover Berlin\u2019s vibrant art scene with our guide to the city\u2019s must-see exhibitions. From the world-class Museum Island to private galleries on the cutting edge and unique underground art spaces, Berlin has it all. Make sure you read on for exhibition opening dates, gallery locations and admission prices for a diverse range of shows.<\/p>\n
We order our listings with what\u2019s closing soonest at the top. That way, you\u2019ll never miss out.<\/p>\n
Meret Oppenheim 1913-1985<\/p>\n
IMAGO\/Event Press<\/p>\n
Works by one of the most significant surrealist artists Meret Oppenheim are on view at Levy Galerie in Moabit and exhibited in conversation with a selection of works by other artists. The exhibition focuses on Oppenheim\u2019s editions such as the comical albeit disturbing \u2018Eichh\u00f6rnchen\u2019 \u2013 a beer-filled stein with a handle seemingly made of a squirrel\u2019s tail.<\/p>\n
Levy Gallery, Alt-Moabit 110, 10559 Berlin, details<\/a>.<\/p>\n 16 January 2026 \u2013 14 February 2026<\/p>\n Price: Free<\/p>\n Rico Puhlmann: Fashion Photography 50s-90s<\/p>\n The Museum f\u00fcr Fotografie celebrates Rico Puhlmann, a giant of 20th-century fashion photography. From his early days shaping \u201cBerliner Chic\u201d to his pivotal role in New York\u2019s \u201cAmerican Look\u201d, Puhlmann captured iconic supermodels for Vogue and Harper\u2019s Bazaar. His lens redefined style, embracing spontaneity and a new freedom, leaving an indelible mark on how we view fashion and identity across four decades.<\/p>\n Museum f\u00fcr Fotografie, Jebensstr. 2, Charlottenburg, details<\/a>.<\/p>\n 27 June 2025 \u2013 15 February 2026<\/p>\n Price: \u20ac12 (\u20ac6 reduced)<\/p>\n The Scharf Collection, Goya \u2013 Monet \u2013 C\u00e9zanne \u2013 Bonnard \u2013 Grosse<\/p>\n The wide ranging Scharf Collection, one of the most significant private art collections in Germany, is on view at the Alte Nationalgalerie. A chance to see art history\u2019s greats with key works by the impressionists, surrealists, a selection of prints by Henri de Toulouse-Lautrec, as well as works by canonical contemporary artists such as Katharina Grosse and Sean Scully.\u00a0<\/p>\n Alte Nationalgalerie, Bodestra\u00dfe 1-3, 10178 Berlin, details<\/a>.<\/p>\n 24 October 2025 \u2013 15 February 2026<\/p>\n Price: \u20ac16 (\u20ac8 reduced)<\/p>\n Charmaine Poh, Make a travel deep of your inside, and don\u2019t forget me to take<\/p>\n Charmaine Poh\u2019s<\/a> exhibition \u2018Make a travel deep of your inside, and don\u2019t forget me to take\u2019 at PalaisPopulaire is a poignant reflection on life\u2019s fluidity. Through works centred on water, she spotlights forgotten stories, from Singaporean migrant workers to queer families navigating legal hurdles. The exhibition also uses AI and deepfakes to confront personal trauma and advocate for self-empowerment, revealing a timely discourse on solidarity and tech.<\/p>\n PalaisPopulaire, Unter den Linden 5, Mitte, details<\/a>.<\/p>\n 11 September 2025 \u2013 23 February 2026<\/p>\n Price: \u20ac5 (\u20ac3 reduced)<\/p>\n Unsettled Earth<\/p>\n At Spore Initiative, the timely exhibition \u2018Unsettled Earth\u2019 delves into the crucial relationship between land and life amidst ongoing settler-colonial violence, particularly focusing on Palestine. Through transnational partnerships and artistic propositions, the project highlights grassroots agrarian initiatives as acts of resistance and ecological recovery. Exploring the concept of \u201cwar biospheres,\u201d the exhibition also examines how land becomes both a target and a site for cultivating alternative futures rooted in cooperation and self-determination.<\/p>\n Spore Initiative, Hermannstr. 86, Neuk\u00f6lln, details<\/a>.<\/p>\n 25 April 2025 \u2013 28 Feb 2026<\/p>\n Price: Free admission<\/p>\n Max Ernst to Dorothea Tanning: Networks of Surrealism Provenances from the Ulla and Heiner Pietzsch Collection<\/p>\n A century after the first Surrealist Manifesto, the Neue Nationalgalerie unveils a new exhibition providing new insights into Surrealism\u2019s vast networks of artists, dealers, and collectors. Based on two years of research into the Pietzsch Collection, this exhibition traces the eventful journeys of paintings and sculptures from Paris through WWII, exile, and new beginnings, illuminating the movement\u2019s multifaceted connections and the era\u2019s political challenges.<\/p>\n Neue Nationalgalerie, Potsdamer Str. 50, Tiergarten, details<\/a>.<\/p>\n 17 October 2025 \u2013 01 March 2026<\/p>\n Price: TBA<\/p>\n A Thousand Brushes With a Single Style! The House of Kano and Painting as Family Business<\/p>\n For nearly four centuries, the Kano name functioned as a powerful visual brand in Japan. This tightly organised family network produced monumental paintings for castles and elites, defined by a unified style and collective labour. This temporary display showcases examples of Kano paintings from the collection of the Museum f\u00fcr Asiatische Kunst.<\/p>\n Humboldt Forum, Schlossplatz 10178 Berlin details<\/a>.<\/p>\n 10 December 2025 \u2013 02 March 2026<\/p>\n Price: Day ticket \u20ac14 \/ \u20ac7 <\/p>\n Pierre Huyghe : Liminals<\/p>\n Commissioned by LAS Art Foundation and Hartwig Art Foundation, the interdisciplinary artist Pierre Huyghe presents a new iteration of his series \u2018Liminals\u2019. Working with researchers from the fields of quantum physics and philosophy, Huyghe strives to translate the in-between states of the quantum sphere into an experiential environment. The immersive installation of film, sound, vibration and light transports the viewer to a liminal realm that exists between reality and fiction.\u00a0<\/p>\n Halle am Berghain, Am Wriezener Bahnhof 10243 Berlin, details<\/a>.<\/p>\n 23 January \u2013 8 March 2026<\/p>\n Price: \u20ac10 (\u20ac8 reduced)<\/p>\n Liaisons.\u00a0<\/p>\n The exhibition Liaisons at Georg Kolbe Museum places works by Georg Kolbe and Herbert List in conversation with works by contemporary artists Harry Hachmeister and Jens Pecho. Central themes of the exhibition are male friendship as well as the depiction of the male body. The friends Hachmeister\u2019s and Pecho\u2019s artistic response to Kolbe\u2019s heroic male sculptures take on a playful and humorously critical tone.\u00a0\u00a0\u00a0<\/p>\n Georg Kolbe Museum, Sensburger Allee 25, 14055 Berlin, details<\/a>.<\/p>\n 11 October 2025 \u2013 08 March 2026<\/p>\n Price: \u20ac10 (\u20ac6 reduced)<\/p>\n Raoul Hausmann<\/p>\n Raoul Hausmann never separated art from life. A key figure of Dada, he helped invent collage while constantly pushing into new terrain \u2014 sound, performance, experimental writing, photography and synaesthetic devices. This major retrospective at Berlinische Galerie brings together around 200 works, tracing his radical, genre-defying practice and its lasting influence, with special focus on his late work made in exile.<\/p>\n Berlinische Galerie, Alte Jakobstra\u00dfe 124 \u2013 128, 10969 Berlin, details<\/a>.<\/p>\n 8 November 2025 \u2013 16 March 2026<\/p>\n Price: \u20ac12 (\u20ac7 reduced) <\/p>\n Ho Tzu Nyen \u2014 2 Stories: Voids & Times<\/p>\n Ho Tzu Nyen\u2019s debut at neugerriemschneider delves into East and Southeast Asian histories. Fusing scripted narratives with machine learning, his work explores the region\u2019s complex legacies and political impulses. The exhibition extends philosophical inquiries from his current solo shows in Arles and Luxembourg and anticipates his mid-career survey at Hamburger Kunsthalle.\u00a0<\/p>\n Neugerriemschneider, Christinenstr. 18-19, Mitte, details<\/a>.<\/p>\n 12 September 2025 \u2013 21 March 2026<\/p>\n Price: Free entrance<\/p>\n David Lynch\u00a0<\/p>\n Located at Die Tankstelle, Pace\u2019s Berlin Gallery presents an exhibition of works by the late artist and filmmaker David Lynch. Lynch who had studied painting at the Pennsylvania Academy of the Fine Arts, Philadelphia had a wide ranging practice that spanned painting, sculpture, watercolor, film, and photography.\u00a0<\/p>\n PACE Gallery, B\u00fclowstra\u00dfe 18, 10783 Berlin, details<\/a>.<\/p>\n 29 January \u2013 29 March 2026<\/p>\n Price: Free admission<\/p>\n Welto and the Sacred Bush: Learning from Caribbean Gardens<\/p>\n Amidst ecological crisis, this show explores plant intelligence, ancestral memory and regenerative practices through diverse art forms. Featuring works by Caribbean artists, \u2018Welto and the Sacred Bush\u2019 offers a vital framework for rethinking our relationship with the land and fostering communal care, inviting visitors to slow down and listen to what grows beneath the surface.<\/p>\n SPORE Initiative, Hermannstr. 86, Neuk\u00f6lln, details<\/a>.<\/p>\n 6 June 2025 \u2013 29 March 2026<\/p>\n Price: Free admission<\/p>\n Kara Elizabeth Walker presents Dispatches from A\u2014and the Museum of Half-remembered Histories\u00a0<\/p>\n The solo-exhibition at Spr\u00fcth Magers by Kara Walker shows collages and pastels on paper in an imposing scale that reference history, art history, fiction, as well as current events. The artist known for works that engage critically with societal norms and developments, race, gender and violence presents a thematically dark but aesthetically delightful exhibition.\u00a0<\/p>\n Spr\u00fcth Magers, Oranienburger Str. 18, 10178 Berlin, details<\/a>.<\/p>\n 14 November 2025 \u2013\u00a04 April 2026<\/p>\n Price: Free<\/p>\n Mark Leckey, Enter Thru Medieval Wounds<\/p>\n Mark Leckey\u2019s<\/a> extensive solo exhibition, \u2018Enter Thru Medieval Wounds\u2019 features works like the iconic Fiorucci Made Me Hardcore and his Turner Prize-winning Cinema-in-the-Round. Leckey examines how media shapes perception, memory and desire by tracing the intersections of pop culture and evolving technology.\u00a0<\/p>\n Julia Stoschek Foundation, Leipziger Str. 60, Mitte, details<\/a>.<\/p>\n 11 September 2025 \u2013 3 May 2026<\/p>\n Price: \u20ac5<\/p>\n Possibilities of an Island \u2013 Thinking in Images from Gerstenberg to Scharf<\/p>\n In uncertain times, art can feel like an island. Possibilities of an Island explores the intensely personal world of the Scharf family collection, spanning Surrealism and fantastical art. From Goya to Hannah H\u00f6ch, the exhibition traces art as refuge, escape and quiet resistance \u2014 an archipelago of imagined worlds shaped by private passion rather than public rules.<\/p>\n Scharf-Gerstenberg Collection, Schlo\u00dfstra\u00dfe 70, 14059 Berlin details<\/a>.<\/p>\n 19 December 2025 \u2013 03 May 2026<\/p>\n Price: \u20ac12 (\u20ac6 reduced) <\/p>\n Cornelia Parker \u2013 Stolen Thunder (A Storm Gathering)<\/p>\n A lightbulb at the centre of the otherwise bare exhibition space is initially the sole visual element in Cornelia Parker\u2019s \u2018Stolen Thunder (A Storm Gathering)\u2019 at Kindl\u2019s Kesselhaus. As the title suggests, the space is soon filled with a growing storm that reaches a crescendo of thunder and lightning. Parker pieced together the sound for this work using archival recordings of thunder, wind and rain covering a range of both time and geography.<\/p>\n KINDL \u2013 Centre for Contemporary Art, Am Sudhaus 3, Neuk\u00f6lln, details<\/a>.<\/p>\n 14 September 2025 \u2013 24 May 2026<\/p>\n Price: \u20ac10\/7 (\u20ac4 reduced)<\/p>\n Gallery Looks: Fashion Staging at the Gem\u00e4ldegalerie<\/p>\n Beginning during Berlin fashion week at the end of January, the Gem\u00e4ldegalerie hosts the exhibition \u2018Gallery Looks\u2019 dedicated to the symbiotic relationship between art and fashion. Comprising film, photographs and garments by selected designers, the exhibition is staged amidst the collection of the national painting gallery to allow for new connections to be made between fashion and art, fabric and canvas, history and the present.\u00a0<\/p>\n Gem\u00e4ldegalerie, Johanna und Eduard Arnhold Platz,10785 Berlin details<\/a>.<\/p>\n 30 January 2026 \u2013 31 May 2026<\/p>\n Price: \u20ac14 (\u20ac7 reduced)<\/p>\n An Opera Out of Time<\/p>\n Petrit Halilaj presents his first major Berlin solo exhibition at Hamburger Bahnhof. Spanning sculpture, video, and large-scale installations, it centres on the artist\u2019s first opera, created with the Kosovo Philharmonic. Rooted in collective dreaming and the ancient site of Syrigana, the exhibition unfolds as a site-specific installation in the reopened Rieckhallen.<\/p>\n Hamburger Bahnhof, Invalidenstr. 50, Mitte, details<\/a>.<\/p>\n 11 September 2025 \u2013 31 May 2026<\/p>\n Price: \u20ac16 (\u20ac8 reduced)<\/p>\n Museum in Motion<\/p>\n Hamburger Bahnhof re-opens its Rieckhallen with \u2018Museum in Motion\u2019, a dynamic showcase of contemporary art reflecting the evolving role of museums. Featuring large-scale installations by renowned artists like Cevdet Erek and Elmgreen & Dragset, the exhibition explores how museums must adapt to a rapidly changing world. Alongside \u2018Nationalgalerie: A Collection for the 21st Century\u2019, the exhibition offers a fresh perspective on Hamburger Bahnhof\u2019s extensive holdings.<\/p>\n![\"\"](\"https:\/\/www.europesays.com\/dk\/wp-content\/uploads\/2026\/02\/RP030-scaled.jpg\")
Rico Puhlmann, published in \u201cT-Shirts Illustrated\u201d, Glamour (USA), No. 6, February 1971).<\/p>\n![\"\"](\"https:\/\/www.europesays.com\/dk\/wp-content\/uploads\/2026\/02\/07_ANG_Scharf_Collection_Grosse_oT_2000.jpg\")
The Scharf Collection, Foto: Olaf Bergmann \/ VG Bild-Kunst<\/p>\n![\"\"](\"https:\/\/www.europesays.com\/dk\/wp-content\/uploads\/2026\/02\/charmainepoh07-scaled.jpg\")
Charmaine Poh, GOOD MORNING YOUNG BODY, 2021-2023<\/p>\n![\"\"](\"https:\/\/www.europesays.com\/dk\/wp-content\/uploads\/2026\/02\/Spore_Initiative_Bassel_Abbas_Ruanne_Abou-Rahme_Until_We_Became_Fire_and_fire_us_11zon-edited-scaled.jpeg\")
Spore Initiative, Bassel Abbas Ruanne Abou Rahme, Until We Became Fire and fire us.<\/p>\n![\"\"](\"https:\/\/www.europesays.com\/dk\/wp-content\/uploads\/2026\/02\/NNG_Tanning_Dorothea_Voltage_1942.jpg\")
Dorothea Tanning, Tension, 1942, oil on canvas, Staatliche Museen zu Berlin, Neue Nationalgalerie. Donation Ulla and Heiner Pietzsch Collection to the State of Berlin 2010. Photo: Jochen Littkemann, \u00a9 VG Bild-Kunst, Bonn 2025<\/p>\n![\"\"](\"https:\/\/www.europesays.com\/dk\/wp-content\/uploads\/2026\/02\/csm_Kano-Motonobu-In-der-Stille-Angeln-web_xl_449a7986c9.jpg\")
Staatliche Museen zu Berlin, Museum f\u00fcr Asiatische Kunst \/ J\u00fcrgen Liepe<\/p>\n![\"\"](\"https:\/\/www.europesays.com\/dk\/wp-content\/uploads\/2026\/02\/LAS-Art-Foundation-or-Halle-am-Berghain-scaled.jpg\")
\u00a9 Stefan Lucks. Courtesy the photographer and Berghain Ostgut GmbH.<\/p>\n![\"\"](\"https:\/\/www.europesays.com\/dk\/wp-content\/uploads\/2026\/02\/imago812894881-scaled.jpg\")
IMAGO \/ J\u00fcrgen Ritter<\/p>\n![\"\"](\"https:\/\/www.europesays.com\/dk\/wp-content\/uploads\/2026\/02\/csm_Raoul-Hausmann_Der-Kunstkritiker_1919-1920_Berlinische-Galerie_967f88d8e41767803460.jpg\")
\u00a9 VG Bild-Kunst, Bonn 2025, Repro: \u00a9 Tate<\/p>\n![\"\"](\"https:\/\/www.europesays.com\/dk\/wp-content\/uploads\/2026\/02\/ART-at-Berlin-neugerriemschneider-Ho-tzu-nyen-Olympia-Shannon-min.jpg\")
Ho Tzu Nyen: Time & the Tiger, CCS Hessel Museum of Art, Bard College, Annandale-on-Hudson, NY \u00a9 Courtesy the artist and neugerriemschneider, Berlin. Photo: Olympia Shannon, 2024<\/p>\n![\"\"](\"https:\/\/www.europesays.com\/dk\/wp-content\/uploads\/2026\/02\/82609_Lynch.jpeg\")
David Lynch Estate \/ Pace Gallery<\/p>\n![\"\"](\"https:\/\/www.europesays.com\/dk\/wp-content\/uploads\/2026\/02\/250605_Welto-Exhibition-Preview-1589.jpg\")
\u2018A Recuperative Gesture\u2019. Photo: Annalee Davis<\/p>\n![\"\"](\"https:\/\/www.europesays.com\/dk\/wp-content\/uploads\/2026\/02\/Screenshot-2025-09-11-at-11.03.23.png\")
Julia Stoschek, Mark Leckey, courtesy of the artist, Gladstone Gallery, BrusselsNew York and Galerie Buchholz, Berlin-Cologne-New York<\/p>\n![\"\"](\"https:\/\/www.europesays.com\/dk\/wp-content\/uploads\/2026\/02\/MBITI_Moeglichkeiten_einer_Insel_2007-scaled.jpg\")
Kavata Mbiti \/ Foto: Sammlung Scharf-Gerstenberg\/Simon Vogel<\/p>\n![\"\"](\"https:\/\/www.europesays.com\/dk\/wp-content\/uploads\/2026\/02\/KINDL_Cornelia-Parker_Installation_02_cJens-Ziehe.jpg\")
Jens Ziehe<\/p>\n![\"\"](\"https:\/\/www.europesays.com\/dk\/wp-content\/uploads\/2026\/02\/ACHTUNG_Berliner_Salon_Look_32_Franziska_Bauer-scaled.jpg\")
Ralph Mecke<\/p>\n![\"\"](\"https:\/\/www.europesays.com\/dk\/wp-content\/uploads\/2026\/02\/HBF_PETRITHALILAJ_LaForgia_JPG_HIGHRES_0026-scaled.jpg\")
Petrit Halilaj, Berlin<\/p>\n![\"Jeremy](\"https:\/\/www.europesays.com\/dk\/wp-content\/uploads\/2026\/02\/Jeremy-Shaw-Phase-Shifting-Index_2020_xl.jpg\")
Jeremy Shaw, Phase Shifting Index, 2020, Installation view: Centre Pompidou, Paris. Photo credit: Timo Ohler<\/p>\n
![\"Joseph](\"https:\/\/www.europesays.com\/dk\/wp-content\/uploads\/2026\/02\/Screenshot-2024-06-05-11.29.43.png\")