![\"\"](\"https:\/\/www.europesays.com\/dk\/wp-content\/uploads\/2026\/03\/9ab61726bcd16d8fa3502ffbab72f9a164e59bbb-2000x1333.jpg\"\/)
<\/p>\nAs the war against Iran instigated last week by Israel and the United States continues to spread through the Middle East, we explore how it affects tourism in the Persian Gulf, of which art and culture more generally have been a cornerstone. One of The Art Newspaper\u2019s Middle East correspondents, Melissa Gronlund, joins Ben Luke to discuss the latest news. <\/p>\n
The 82nd biennial at the Whitney Museum of American Art in New York opens this weekend and our editor-in-chief in the Americas, Ben Sutton, and Elena Goukassian, our senior editor of museums and heritage, tell us what they thought of it. <\/p>\n
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Photograph by Darian DiCanno\/BFA.com. \u00a9
BFA 2026<\/p>\n
And this episode\u2019s Work of the Week is The Vision of Zacharias in the Temple (1633) by Rembrandt. Researchers at the Rijksmuseum in Amsterdam have demonstrated that the painting, which had previously been documented as a copy of a lost original, is in fact an authentic work by the Dutch master. We speak to Jonathan Bikker, the Rijksmuseum’s curator of 17th-century Dutch paintings, who was part of the team that secured the attribution to Rembrandt. The picture is now on view to the public at the Rijksmuseum.<\/p>\n
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<\/p>\n
Rembrandt van Rijn, Vision of Zacharias in the Temple (1633) <\/p>\n
Photo: Rene Gerritsen<\/p>\n
Whitney Biennial 2026, Whitney Museum of American Art, New York, 8 March-23 AugustRembrandt\u2019s The Vision of Zacharias in the Temple is now on view at the Rijksmuseum, Amsterdam.<\/p>\n","protected":false},"excerpt":{"rendered":"As the war against Iran instigated last week by Israel and the United States continues to spread through…\n","protected":false},"author":2,"featured_media":34418,"comment_status":"","ping_status":"","sticky":false,"template":"","format":"standard","meta":{"footnotes":""},"categories":[101],"tags":[199,2916,20028,2271,200,18394,20027],"class_list":{"0":"post-34417","1":"post","2":"type-post","3":"status-publish","4":"format-standard","5":"has-post-thumbnail","7":"category-amsterdam","8":"tag-amsterdam","9":"tag-conflict","10":"tag-discoveries","11":"tag-iran","12":"tag-netherlands","13":"tag-rembrandt","14":"tag-whitney-biennial"},"share_on_mastodon":{"url":"https:\/\/pubeurope.com\/@dk\/116183303865242133","error":""},"_links":{"self":[{"href":"https:\/\/www.europesays.com\/dk\/wp-json\/wp\/v2\/posts\/34417","targetHints":{"allow":["GET"]}}],"collection":[{"href":"https:\/\/www.europesays.com\/dk\/wp-json\/wp\/v2\/posts"}],"about":[{"href":"https:\/\/www.europesays.com\/dk\/wp-json\/wp\/v2\/types\/post"}],"author":[{"embeddable":true,"href":"https:\/\/www.europesays.com\/dk\/wp-json\/wp\/v2\/users\/2"}],"replies":[{"embeddable":true,"href":"https:\/\/www.europesays.com\/dk\/wp-json\/wp\/v2\/comments?post=34417"}],"version-history":[{"count":0,"href":"https:\/\/www.europesays.com\/dk\/wp-json\/wp\/v2\/posts\/34417\/revisions"}],"wp:featuredmedia":[{"embeddable":true,"href":"https:\/\/www.europesays.com\/dk\/wp-json\/wp\/v2\/media\/34418"}],"wp:attachment":[{"href":"https:\/\/www.europesays.com\/dk\/wp-json\/wp\/v2\/media?parent=34417"}],"wp:term":[{"taxonomy":"category","embeddable":true,"href":"https:\/\/www.europesays.com\/dk\/wp-json\/wp\/v2\/categories?post=34417"},{"taxonomy":"post_tag","embeddable":true,"href":"https:\/\/www.europesays.com\/dk\/wp-json\/wp\/v2\/tags?post=34417"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}}