{"id":35037,"date":"2026-03-07T22:35:11","date_gmt":"2026-03-07T22:35:11","guid":{"rendered":"https:\/\/www.europesays.com\/dk\/35037\/"},"modified":"2026-03-07T22:35:11","modified_gmt":"2026-03-07T22:35:11","slug":"amsterdams-rijksmuseum-discovers-new-rembrandt-4","status":"publish","type":"post","link":"https:\/\/www.europesays.com\/dk\/35037\/","title":{"rendered":"Amsterdam&#8217;s Rijksmuseum discovers new Rembrandt"},"content":{"rendered":"<p>The painting &#8220;Vision of Zacharias in the Temple&#8221;, disappeared from public view for 65 years, but was recently handed over to the museum for testing.<\/p>\n<p>Scans revealed &#8220;compositional changes that support the authenticity of the work&#8221;, the museum said.<\/p>\n<p>Finally, the signature has been deemed original and analysis of the wooden panel confirms the date of 1633 on the painting is also correct.<\/p>\n<p>&#8220;The way the painting was constructed, the different layers, was typical for Rembrandt&#8221;, Rijksmuseum curator Jonathan Bikker said.<\/p>\n<p>The Rijksmuseum in Amsterdam said it had uncovered a new painting by Rembrandt, using advanced scanning technology and stylistic analysis to confirm it was crafted by the Dutch master.<\/p>\n<p>The 1633 work, entitled &#8220;Vision of Zacharias in the Temple&#8221;, disappeared from public view for 65 years, but was recently handed over to the museum for testing.<\/p>\n<p>&#8220;Materials analysis, stylistic and thematic similarities, alterations made by Rembrandt and the overall quality of the painting all support the conclusion that this painting is a genuine work by Rembrandt van Rijn&#8221;, the museum said in a statement.<\/p>\n<p>The work depicts the biblical scene of Archangel Gabriel visiting high priest Zacharias to inform him he will have a son: John the Baptist.<\/p>\n<p>Gabriel is not depicted in the painting but light shining in the upper right corner heralds his arrival.<\/p>\n<p>                                                                                <img decoding=\"async\" class=\"lazy\" bad-src=\"https:\/\/www.omanobserver.om\/omanobserver\/uploads\/images\/2026\/03\/07\/3315653.JPG\" src=\"https:\/\/www.omanobserver.om\/omanobserver\/uploads\/images\/2026\/03\/07\/3315653.JPG\" alt=\"The painting &quot;Vision of Zacharias in the Temple&quot;, identified by researchers in Amsterdam as an original work by Rembrandt, is pictured at Rijksmuseum Atelier\" onerror=\"this.src=\" https:=\"\"\/><\/p>\n<p>The painting &#8220;Vision of Zacharias in the Temple&#8221;, identified by researchers in Amsterdam as an original work by Rembrandt, is pictured at Rijksmuseum Atelier<\/p>\n<p>&#8220;We always hope to find a new Rembrandt, but this happens rarely&#8221;, Rijksmuseum director Taco Dibbits said.<\/p>\n<p>The painting disappeared from public view after a private individual purchased it in 1961. Its current owner contacted the Rijksmuseum, enabling experts to study the work with modern analytical tools.<\/p>\n<p>&#8220;It was amazing that this painting \u2014 that we didn&#8217;t know of \u2014 came to us via somebody who sent an email to say &#8216;could this be a Dutch painting?&#8217;, who really didn&#8217;t know what he had&#8221;, Dibbits said.<\/p>\n<p>&#8216;A wonderful experience&#8217;<\/p>\n<p>The two-year research showed that the paints used are also found in other Rembrandt works of the period. The painting technique and build-up of paint layers are also comparable.<\/p>\n<p>Scans revealed &#8220;compositional changes that support the authenticity of the work&#8221;, the museum said.<\/p>\n<p>Finally, the signature has been deemed original and analysis of the wooden panel confirms the date of 1633 on the painting is also correct.<\/p>\n<p>&#8220;The way the painting was constructed, the different layers, was typical for Rembrandt&#8221;, Rijksmuseum curator Jonathan Bikker said.<\/p>\n<p>                                                                                <img decoding=\"async\" class=\"lazy\" bad-src=\"https:\/\/www.omanobserver.om\/omanobserver\/uploads\/images\/2026\/03\/07\/3315658.jpeg\" src=\"https:\/\/www.omanobserver.om\/omanobserver\/uploads\/images\/2026\/03\/07\/3315658.jpeg\" alt=\"No Image\" onerror=\"this.src=\" https:=\"\"\/><\/p>\n<p>&#8220;And it&#8217;s a dark painting and the light is very important. Rembrandt, of course, is all about light and dark contrast&#8221;, added Bikker.<\/p>\n<p>The biblical topic is also typical of the work of the then 27-year-old artist, said Petria Noble, a specialist reseacher on Rembrandt.<\/p>\n<p>&#8220;1633 is really Rembrandt&#8217;s early Amsterdam career and he&#8217;s really interested in Bible stories and in history books&#8221;, she said.<\/p>\n<p>&#8220;So everything fitted in terms of the material aspects, the stylistic aspects&#8230; It was a wonderful experience&#8221;, added Noble.<\/p>\n<p>The work is now on long-term loan to the museum and will be on display to the public from Wednesday. \u2014 AFP<\/p>\n<p><\/p>\n","protected":false},"excerpt":{"rendered":"The painting &#8220;Vision of Zacharias in the Temple&#8221;, disappeared from public view for 65 years, but was recently&hellip;\n","protected":false},"author":2,"featured_media":35038,"comment_status":"","ping_status":"","sticky":false,"template":"","format":"standard","meta":{"footnotes":""},"categories":[101],"tags":[199,19829,20455,200,2988,18394,18396],"class_list":{"0":"post-35037","1":"post","2":"type-post","3":"status-publish","4":"format-standard","5":"has-post-thumbnail","7":"category-amsterdam","8":"tag-amsterdam","9":"tag-amsterdams","10":"tag-discovers","11":"tag-netherlands","12":"tag-new","13":"tag-rembrandt","14":"tag-rijksmuseum"},"share_on_mastodon":{"url":"https:\/\/pubeurope.com\/@dk\/116190283369666303","error":""},"_links":{"self":[{"href":"https:\/\/www.europesays.com\/dk\/wp-json\/wp\/v2\/posts\/35037","targetHints":{"allow":["GET"]}}],"collection":[{"href":"https:\/\/www.europesays.com\/dk\/wp-json\/wp\/v2\/posts"}],"about":[{"href":"https:\/\/www.europesays.com\/dk\/wp-json\/wp\/v2\/types\/post"}],"author":[{"embeddable":true,"href":"https:\/\/www.europesays.com\/dk\/wp-json\/wp\/v2\/users\/2"}],"replies":[{"embeddable":true,"href":"https:\/\/www.europesays.com\/dk\/wp-json\/wp\/v2\/comments?post=35037"}],"version-history":[{"count":0,"href":"https:\/\/www.europesays.com\/dk\/wp-json\/wp\/v2\/posts\/35037\/revisions"}],"wp:featuredmedia":[{"embeddable":true,"href":"https:\/\/www.europesays.com\/dk\/wp-json\/wp\/v2\/media\/35038"}],"wp:attachment":[{"href":"https:\/\/www.europesays.com\/dk\/wp-json\/wp\/v2\/media?parent=35037"}],"wp:term":[{"taxonomy":"category","embeddable":true,"href":"https:\/\/www.europesays.com\/dk\/wp-json\/wp\/v2\/categories?post=35037"},{"taxonomy":"post_tag","embeddable":true,"href":"https:\/\/www.europesays.com\/dk\/wp-json\/wp\/v2\/tags?post=35037"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}}