{"id":39186,"date":"2026-03-13T07:19:07","date_gmt":"2026-03-13T07:19:07","guid":{"rendered":"https:\/\/www.europesays.com\/dk\/39186\/"},"modified":"2026-03-13T07:19:07","modified_gmt":"2026-03-13T07:19:07","slug":"the-freedom-people-here-have-to-be-themselves-gave-me-courage-the-irish-times","status":"publish","type":"post","link":"https:\/\/www.europesays.com\/dk\/39186\/","title":{"rendered":"\u2018The freedom people here have to be themselves gave me courage\u2019 \u2013 The Irish Times"},"content":{"rendered":"<p class=\"c-paragraph paywall \">This article is part of a series about Irish people who are working in creative fields and living abroad.<\/p>\n<p>Jennifer O\u2019DonnellArchitect, Berlin<\/p>\n<p class=\"c-paragraph paywall \">Emigrating allowed <a href=\"https:\/\/www.irishtimes.com\/tags\/berlin\" target=\"_self\" rel=\"nofollow noopener\" title=\"https:\/\/www.irishtimes.com\/tags\/berlin\">Berlin<\/a>-based Jennifer O\u2019Donnell to become a different type of architect. She now gets some of her most interesting work back in <a href=\"https:\/\/www.irishtimes.com\/ireland\/\" target=\"_blank\" rel=\"noreferrer nofollow noopener\" title=\"https:\/\/www.irishtimes.com\/ireland\/\">Ireland<\/a>. <\/p>\n<p class=\"c-paragraph paywall \">\u201cI needed to get out to see different ways of thinking and of being as an architect before I could imagine different things for myself,\u201d she says. <\/p>\n<p class=\"c-paragraph paywall \">O\u2019Donnell\u2019s practice operates \u201con the fringes of architecture\u201d; many of her projects are about research and drawing rather than building. <\/p>\n<p class=\"c-paragraph paywall \">\u201cBeing in Berlin and seeing the freedom people have to be themselves, to try out new things, gave me the courage to try it myself,\u201d she says. <\/p>\n<p class=\"c-paragraph paywall \">O\u2019Donnell set up Berlin-based <a href=\"https:\/\/www.plattenbaustudio.com\/\" target=\"_self\" rel=\"nofollow noopener\" title=\"https:\/\/www.plattenbaustudio.com\/\">Plattenbaustudio<\/a>, an architecture and drawing firm, with her Irish husband Jonathan Janssens in 2018.<\/p>\n<p class=\"c-paragraph paywall \">The Tipperary native met Janssens on their first day studying architecture at UCD. Despite \u201camazing years\u201d at the university, the surrounding south Dublin suburbs did not exactly provide an inspirational built environment.<\/p>\n<p class=\"c-paragraph paywall \">\u201cMy thesis site was in Berlin &#8230; just seeing the vibrancy of a big, proper cosmopolitan city felt really exciting,\u201d she says. <\/p>\n<p class=\"c-paragraph b-it-article-body__interstitial-link\">[\u00a0<a aria-label=\"Open related story\" class=\"c-link\" href=\"https:\/\/www.irishtimes.com\/abroad\/2026\/01\/11\/why-are-so-many-irish-moving-to-marseille-the-new-berlin-on-the-med\/\" rel=\"noreferrer nofollow noopener\" target=\"_blank\">Why are so many Irish moving to the \u2018new Berlin on the Med\u2019?Opens in new window<\/a>\u00a0]<\/p>\n<p class=\"c-paragraph paywall \">She vowed to return. After graduating and working for a small Dublin firm, O\u2019Donnell moved to Berlin 11 years ago. \u201cWe dropped everything and went for it. We had no jobs. It was scary and exciting.\u201d<\/p>\n<p class=\"c-paragraph paywall \">The city felt so different to O\u2019Donnell. For example, she could go out at night and find herself \u201cpartying to techno in the basement of an old swimming pool\u201d. (The arrival of the couple\u2019s daughter in recent years has put such late night adventures on hold.)<\/p>\n<p class=\"c-paragraph paywall \">Being so disconnected after the second World War and with the Berlin Wall meant people in the city \u201chad to band together\u201d and do things for themselves, she says. As a result, \u201cnow it\u2019s cool and interesting\u201d, and she loves how citizens value their parks and spaces they want to hold on to.<\/p>\n<p class=\"c-paragraph paywall \">When she first arrived, O\u2019Donnell began working at an international firm on high-level projects with big budgets. But after three \u201ctough and exhausting\u201d years, she felt she was missing something in her work. She and Jannsen quit their jobs and started their own firm from their kitchen table.<\/p>\n<p class=\"c-paragraph paywall \">Plattenbaustudio focuses on research and drawing, and they work on projects both in Germany and Ireland. They also take part in exhibitions (including the RHA annual exhibition in Dublin), installations and lectures (including at the Irish Museum of Modern Art). <\/p>\n<p class=\"c-paragraph b-it-article-body__interstitial-link\">[\u00a0<a aria-label=\"Open related story\" class=\"c-link\" href=\"https:\/\/www.irishtimes.com\/abroad\/2023\/05\/20\/leaving-dublin-was-really-hard-but-i-knew-my-quality-of-life-would-be-miles-better-in-amsterdam\/\" rel=\"noreferrer nofollow noopener\" target=\"_blank\">\u2018Leaving Dublin was really hard but I knew my quality of life would be miles better in Amsterdam\u2019Opens in new window<\/a>\u00a0]<\/p>\n<p class=\"c-paragraph paywall \">\u201cThe most interesting work we have gotten is from clients in Ireland,\u201d she says. Such projects include Urban Mirror, a sculpture designed for Coal Quay in Cork. The large, free-standing table with a coloured globe on a pin is part of Cork City Council\u2019s Island City sculpture trail, and was later replicated as a \u201ctwin\u201d table in Cork\u2019s twin city, K\u00f6ln (Cologne). <\/p>\n<p><img decoding=\"async\" data-chromatic=\"ignore\" alt=\"Urban Mirror, a sculpture on Cornmarket Street in Cork by Plattenbaustudio. Photograph: Clare Keogh &#10;&#10;\" class=\"c-image\" loading=\"lazy\" src=\"https:\/\/www.europesays.com\/dk\/wp-content\/uploads\/2026\/03\/IRWUMWMFBRBXZJR5SBLNEMDRB4.jpg\"   width=\"800\" height=\"533\"\/>Urban Mirror, a sculpture on Cornmarket Street in Cork by Plattenbaustudio. Photograph: Clare Keogh <\/p>\n<p class=\"c-paragraph paywall \">They also contributed to a project about the former Magdalene laundry site at Sean McDermott Street in Dublin, working with other architects (as CoLab) as part of the Open Heart City Collective. O\u2019Donnell emphasises that their part was \u201csmall\u201d but she learned a lot. \u201cReports have laid down in paper what happened [in the Magdalene laundries],\u201d but drawing the reality of such a place is \u201cpowerful\u201d, she says. It was about more than showing the buildings, but also including everyday things such as wallpaper and signage, to recall the \u201ccollective memory\u201d. <\/p>\n<p class=\"c-paragraph b-it-article-body__interstitial-link\">[\u00a0<a aria-label=\"Open related story\" class=\"c-link\" href=\"https:\/\/www.irishtimes.com\/abroad\/2026\/01\/26\/i-just-booked-a-flight-there-one-day-wicklow-artist-on-life-in-ho-chi-minh-city\/\" rel=\"noreferrer nofollow noopener\" target=\"_blank\">\u2018I just booked a flight there one day\u2019: From Wicklow to life in Ho Chi Minh cityOpens in new window<\/a>\u00a0]<\/p>\n<p class=\"c-paragraph paywall \">O\u2019Donnell says her own roots have helped her in her work. \u201cBeing an emigrant and being Irish, we approach the world with openness, curiosity and a willingness to listen and be kind.\u201d She has adapted to German ways too, learning to be very clear and honest, even though confrontation is something Irish people fear, she says. <\/p>\n<p class=\"c-paragraph paywall \">Despite 20,000 Irish people living in Germany, O\u2019Donnell still hears many stereotypes, including the \u201cfrustrating\u201d one of the Irish being big drinkers. She does her part to \u201crepresent modern Irish creativity\u201d in Germany. <\/p>\n<p class=\"c-paragraph paywall \">\u201cYoung Irish people have a lot to show and give,\u201d she says.<\/p>\n<p>Irish creatives abroad<\/p>\n<p>Ireland is a perennial overachiever in the arts, such that when Oscar, Booker and Grammy nominations are released, we expectantly wonder how many Irish people have made the list.<\/p>\n<p>We often posit on reasons for this creative Irish gene: traditions of storytelling, music and our language intertwined across generations of oppression, trauma and suffering.<\/p>\n<p>At this time of year we bottle up and repackage this formula as politicians travel across the globe, connecting with our departed citizens and wider diaspora. <\/p>\n<p>Why is it that so many Irish creatives move abroad and flourish? From acting to architecture, comedy to music and all that lies in between, there are Irish people in their tens of thousands forging paths away from home. Is it because Ireland as a small island simply cannot match the scale of London\u2019s comedy and theatre scene, or LA\u2019s major studios?<\/p>\n<p>Or is there something more fundamental in the Irish psyche in which leaving the constraints and expectations of the island behind allows untethered emigrants to thrive?<\/p>\n<p>Ahead of St Patrick\u2019s Day, we spoke to six Irish people working in creative fields around the world, to ask what brought them to their chosen home and how their Irishness impacts their work.<\/p>\n","protected":false},"excerpt":{"rendered":"This article is part of a series about Irish people who are working in creative fields and living&hellip;\n","protected":false},"author":2,"featured_media":39187,"comment_status":"","ping_status":"","sticky":false,"template":"","format":"standard","meta":{"footnotes":"","_share_on_mastodon":"0"},"categories":[99],"tags":[112,190,14331,4399],"class_list":["post-39186","post","type-post","status-publish","format-standard","has-post-thumbnail","category-berlin","tag-berlin","tag-germany","tag-irish-abroad","tag-magazine"],"share_on_mastodon":{"url":"https:\/\/pubeurope.com\/@dk\/116220655582657634","error":""},"_links":{"self":[{"href":"https:\/\/www.europesays.com\/dk\/wp-json\/wp\/v2\/posts\/39186","targetHints":{"allow":["GET"]}}],"collection":[{"href":"https:\/\/www.europesays.com\/dk\/wp-json\/wp\/v2\/posts"}],"about":[{"href":"https:\/\/www.europesays.com\/dk\/wp-json\/wp\/v2\/types\/post"}],"author":[{"embeddable":true,"href":"https:\/\/www.europesays.com\/dk\/wp-json\/wp\/v2\/users\/2"}],"replies":[{"embeddable":true,"href":"https:\/\/www.europesays.com\/dk\/wp-json\/wp\/v2\/comments?post=39186"}],"version-history":[{"count":0,"href":"https:\/\/www.europesays.com\/dk\/wp-json\/wp\/v2\/posts\/39186\/revisions"}],"wp:featuredmedia":[{"embeddable":true,"href":"https:\/\/www.europesays.com\/dk\/wp-json\/wp\/v2\/media\/39187"}],"wp:attachment":[{"href":"https:\/\/www.europesays.com\/dk\/wp-json\/wp\/v2\/media?parent=39186"}],"wp:term":[{"taxonomy":"category","embeddable":true,"href":"https:\/\/www.europesays.com\/dk\/wp-json\/wp\/v2\/categories?post=39186"},{"taxonomy":"post_tag","embeddable":true,"href":"https:\/\/www.europesays.com\/dk\/wp-json\/wp\/v2\/tags?post=39186"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}}