{"id":12716,"date":"2025-10-06T10:59:06","date_gmt":"2025-10-06T10:59:06","guid":{"rendered":"https:\/\/www.europesays.com\/ee\/12716\/"},"modified":"2025-10-06T10:59:06","modified_gmt":"2025-10-06T10:59:06","slug":"berk-vaher-akki-on-hoolivus-punk-arvamus","status":"publish","type":"post","link":"https:\/\/www.europesays.com\/ee\/12716\/","title":{"rendered":"Berk Vaher: \u00e4kki on hoolivus punk? | Arvamus"},"content":{"rendered":"<p>\u00c4kki sel \u00fcha kuhjuvate pingete ning reaalselt ja virtuaalselt \u00fcksteise peale r\u00f6\u00f6kimise ja tatistamise ajastul ongi just hoolivus uus punk, k\u00fcsis Berk Vaher kultuurikommentaaris.<\/p>\n<p>Aga kui p\u00f6\u00f6rata kogu see dialektika pahupidi \u2013 kas see ei raba viimaks hoopis rohkem? Nii leidsin end m\u00f5tlemast uuema pungiskeene \u00fche eredama trubaduuri Riste Sofie K\u00e4\u00e4ri, Elo Valneri ning nende \u00f5dede teatrietendusel &#8220;N\u00e4lg&#8221;, mille sisu v\u00f5iks l\u00fchidalt kokku v\u00f5tta kui &#8220;t\u00fcdrukud m\u00e4ngivad kodu&#8221;. Kas sellest saab huvitava lavat\u00fcki, ka viiek\u00fcmnesele vehmile?<\/p>\n<p>Selgus, et saab k\u00fcll. Jagus m\u00e4ngu ja s\u00fcrri ja publiku sujuvat kaasamist; ka leebet irooniat n\u00f5ukaid\u00fclli j\u00e4\u00e4nuste ja uueaja olmemeedia suhtes, aga samas oli see ka nending, et selline ongi see ilmanukk, kus tuleb eneseks saada ja ise olla ja kuhugi edasi minna. Ja kogu t\u00fcki jooksul keedeti suppi, mida viimaks k\u00f5ik \u00fchiselt s\u00f5id. <\/p>\n<p>Toimus liitev rituaal \u2013 mis kandis ehk ka seda \u00fchistunnet, millest \u00e4sjases M\u00fc\u00fcrilehes on juttu seoses Tallinna \u00dclase 12 punkkogukonnaga. Lugesin ja m\u00f5tlesin, et mis punk, need on ju hipid. Ja siis j\u00e4llegi: ahhaa, aga miks nad peaksidki vastama minu eelarvamustele, kes ma pole kunagi punkar olnud?<\/p>\n<p>S\u00f6\u00f6mine publiku ees on \u00fcks rituaalidest ka Draamateatri uusversioonis s\u00fcrrealismiklassikast &#8220;Kuningas Ubu&#8221;. Ent seal on see s\u00fc\u00fcdistav, mitte lepitav akt: \u00f5gimine, ilastamine ja sittumine etteheitena, et s\u00e4hke n\u00fc\u00fcd, milline inimkond on. Semper, Ojasoo ja noored n\u00e4itlejad rabelevad vaatajat r\u00e4uskamise ja r\u00f5vetsemisega \u0161okeerida, aga tulemuseks on tuimestav kit\u0161.<\/p>\n<p>Kit\u0161 n\u00f5nda, et kinnistab (institutsiooni privilegeeritud k\u00f5rgusest) k\u00f5iki &#8220;n\u00fc\u00fcdiskultuuri&#8221; stereot\u00fc\u00fcpe ning just nii ka omakorda v\u00e4ikekodanlikku, enesega rahul \u00fcleolekutunnet neis, kes lavar\u00fcnnaku \u00fcle elavad ja seda isegi naudivad \u2013 juba ette kahjur\u00f5\u00f5muga see\u00fcle, kui raevus on tagurlased. Nagu identiteedikabaree puhul, nagu \u00e4sja Valge T\u00fcdruku ERMi esinemise puhul.<\/p>\n<p>Aga kui pikka p\u00fcsi ja inimlikku v\u00e4\u00e4rtust saab olla kunstil, mis toitub ennek\u00f5ike kahjur\u00f5\u00f5must, et vaenlasel hakkab sest halvem? Kas minust endast saab seel\u00e4bi s\u00fcgavam ja avaram inimene, kas me elame p\u00e4rast seda paremas maailmas? &#8220;Ubust&#8221; j\u00e4i k\u00fcll t\u00fchi tunne. Kogu sarnasest transgressioonikit\u0161ist j\u00e4\u00e4b \u00fcha t\u00fchjem tunne. See ei t\u00e4ida ega toida, see t\u00fc\u00fctab.<\/p>\n<p>\u00c4kki sel \u00fcha kuhjuvate pingete ning reaalselt ja virtuaalselt \u00fcksteise peale r\u00f6\u00f6kimise ja tatistamise ajastul ongi just hoolivus uus punk? Mis mitte ainult loob turvatsooni kaitseks &#8220;teistsugustele&#8221; tasal\u00fclitava ahnitsemis\u00fchiskonna eest, vaid sirutab k\u00e4e (ja supikausi) omakorda endast erinevatele \u00f6eldes, et sina ju ka pole ses ajas kodus \u2013 aga m\u00e4ngime \u00fchiselt kodu, nii, et see ongi p\u00e4ris?<\/p>\n","protected":false},"excerpt":{"rendered":"\u00c4kki sel \u00fcha kuhjuvate pingete ning reaalselt ja virtuaalselt \u00fcksteise peale r\u00f6\u00f6kimise ja tatistamise ajastul ongi just hoolivus&hellip;\n","protected":false},"author":2,"featured_media":12717,"comment_status":"","ping_status":"","sticky":false,"template":"","format":"standard","meta":{"footnotes":""},"categories":[16],"tags":[4608,37,33,35,173,34,36,5844,140,8481],"class_list":{"0":"post-12716","1":"post","2":"type-post","3":"status-publish","4":"format-standard","5":"has-post-thumbnail","7":"category-meelelahutus","8":"tag-berk-vaher","9":"tag-ee","10":"tag-eesti","11":"tag-eesti-keel","12":"tag-entertainment","13":"tag-estonia","14":"tag-estonian","15":"tag-kultuurikommentaar","16":"tag-meelelahutus","17":"tag-punk"},"share_on_mastodon":{"url":"","error":""},"_links":{"self":[{"href":"https:\/\/www.europesays.com\/ee\/wp-json\/wp\/v2\/posts\/12716","targetHints":{"allow":["GET"]}}],"collection":[{"href":"https:\/\/www.europesays.com\/ee\/wp-json\/wp\/v2\/posts"}],"about":[{"href":"https:\/\/www.europesays.com\/ee\/wp-json\/wp\/v2\/types\/post"}],"author":[{"embeddable":true,"href":"https:\/\/www.europesays.com\/ee\/wp-json\/wp\/v2\/users\/2"}],"replies":[{"embeddable":true,"href":"https:\/\/www.europesays.com\/ee\/wp-json\/wp\/v2\/comments?post=12716"}],"version-history":[{"count":0,"href":"https:\/\/www.europesays.com\/ee\/wp-json\/wp\/v2\/posts\/12716\/revisions"}],"wp:featuredmedia":[{"embeddable":true,"href":"https:\/\/www.europesays.com\/ee\/wp-json\/wp\/v2\/media\/12717"}],"wp:attachment":[{"href":"https:\/\/www.europesays.com\/ee\/wp-json\/wp\/v2\/media?parent=12716"}],"wp:term":[{"taxonomy":"category","embeddable":true,"href":"https:\/\/www.europesays.com\/ee\/wp-json\/wp\/v2\/categories?post=12716"},{"taxonomy":"post_tag","embeddable":true,"href":"https:\/\/www.europesays.com\/ee\/wp-json\/wp\/v2\/tags?post=12716"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}}