Kunstnik Edith Karlson, kes avas esimese eestlasena Kiasmas n\u00e4ituse, tunnistas, et tal ei olenud karj\u00e4\u00e4rialaseid unistusi, vaid ta proovib lihtsalt teha asju nii h\u00e4sti, kui oskab.<\/p>\n
Neljap\u00e4eval avati Helsingi n\u00fc\u00fcdiskunsti muuseumis Kiasma Edith Karlsoni isikun\u00e4itus “Koidikust koidikuni”. See on esimene kord, kui 30-aastases Kiasmas eesti kunstnikul oma v\u00e4ljapanek on.<\/p>\n
Karlsoni m\u00e4lestused Kiasmast ulatuvad aastak\u00fcmnete taha. “Kooli ajal sai siin k\u00e4idud n\u00e4itusi vaatamas, ka siis kui meil ei olnud veel Kumu. Nii et see tundus mulle siis p\u00e4ris eriline koht. Nii l\u00e4hedal Eestile ja nii v\u00e4lismaa,” meenutas Karlson saates “OP”.<\/p>\n
Sellest, et tal kunagi Kiasmas isikun\u00e4itus avaneb, Karlson ei ole osanud unistanud. Ta on enda s\u00f5nul \u00fcldse kehv unistaja.<\/p>\n
“Ma pean ausalt \u00fctlema, et karj\u00e4\u00e4riga seotud unistusi pole mul kunagi olnud. Ma arvan, et see on minu puhul \u00fcks naljakas asi, et mul ei ole unistusi. Ma t\u00f5esti ei unista mingisugustest n\u00e4itustest siin ja seal. See on v\u00f5ib-olla mingi enda kaitserefleks. Mulle pigem sobib see, et ma ei unista, ma lihtsalt teen omi asju, nagu ma teen. Eks kui joppab, siis joppab \u2013 see on v\u00e4ga tore,” r\u00e4\u00e4kis ta.<\/p>\n
Kiasma rahvusvaheliste n\u00e4ituste programmis on neli vahetuvat n\u00e4itust aastas. Muuseumi kuraatorile Piia Oksanenile j\u00e4i Karlson silma 2024. aastal Veneetsia biennaalil, kus Karlson Eestit esindas. “See oli muljetavaldav tervik. Sealt saime innustust koost\u00f6\u00f6ks,” avas ta.<\/p>\n
Karlson t\u00f5des, et ta ei l\u00e4inud Veneetsia biennaalile m\u00f5tetega, et ta hakkab seal uksi jalaga lahti l\u00f6\u00f6ma.<\/p>\n
“Ma t\u00f5esti m\u00f5lgutasin selliseid m\u00f5tteid null sekundit. Pigem, et teen \u00e4ra nii h\u00e4sti, kui suudan. Tagantj\u00e4rele see matemaatika \u00fctleb, et [v\u00f5imalused], mis mul siin praegu olnud on, on k\u00f5ik puhtalt t\u00e4nu Veneetsia biennaalile. Ma pean ausalt endale ka seda tunnistama.”<\/p>\n
Oksaneni s\u00f5nul on Karlson hea loojutustaja ja meeleolulooja. Samuti on ta oma n\u00e4ituseruumi osas v\u00e4ga tundlik.<\/p>\n
“Tundub, et see ruum siin pakub uudse areeni, aluspinna, kus eri teosed kokku panna. Ja Edithi oskus \u00fchendada eri t\u00fc\u00fcpi lugusid ja teemasid elu eri k\u00fclgedelt. \u00dcks teosegrupp on \u00fcsna agressiivne, selles on viha ja hirmu. Teine on endasset\u00f5mbunud, kurb ja murelik. Edithi maailman\u00e4gemus kajastub tema t\u00f6\u00f6des. Toob v\u00e4lja selle eri pooled. Pidev liikumine teoste ja teemade vahel on p\u00f5nev,” tunnustas kuraator.<\/p>\n","protected":false},"excerpt":{"rendered":"Kunstnik Edith Karlson, kes avas esimese eestlasena Kiasmas n\u00e4ituse, tunnistas, et tal ei olenud karj\u00e4\u00e4rialaseid unistusi, vaid ta…\n","protected":false},"author":2,"featured_media":157142,"comment_status":"","ping_status":"","sticky":false,"template":"","format":"standard","meta":{"footnotes":"","_share_on_mastodon":"0"},"categories":[12],"tags":[26,27,13759,37,33,35,34,36,31,32,21,25171,73973,28,29,19,25,23,24,22,20,30],"class_list":["post-157141","post","type-post","status-publish","format-standard","has-post-thumbnail","category-eesti","tag-breaking-news","tag-breakingnews","tag-edith-karlson","tag-ee","tag-eesti","tag-eesti-keel","tag-estonia","tag-estonian","tag-featured-news","tag-featurednews","tag-headlines","tag-kiasma","tag-koidikust-kidikuni","tag-latest-news","tag-latestnews","tag-news","tag-populaarseimad-lood","tag-top-stories","tag-topstories","tag-uldised-uudised","tag-uudised","tag-viimased-uudised"],"share_on_mastodon":{"url":"https:\/\/pubeurope.com\/@ee\/116430412497273129","error":""},"_links":{"self":[{"href":"https:\/\/www.europesays.com\/ee\/wp-json\/wp\/v2\/posts\/157141","targetHints":{"allow":["GET"]}}],"collection":[{"href":"https:\/\/www.europesays.com\/ee\/wp-json\/wp\/v2\/posts"}],"about":[{"href":"https:\/\/www.europesays.com\/ee\/wp-json\/wp\/v2\/types\/post"}],"author":[{"embeddable":true,"href":"https:\/\/www.europesays.com\/ee\/wp-json\/wp\/v2\/users\/2"}],"replies":[{"embeddable":true,"href":"https:\/\/www.europesays.com\/ee\/wp-json\/wp\/v2\/comments?post=157141"}],"version-history":[{"count":0,"href":"https:\/\/www.europesays.com\/ee\/wp-json\/wp\/v2\/posts\/157141\/revisions"}],"wp:featuredmedia":[{"embeddable":true,"href":"https:\/\/www.europesays.com\/ee\/wp-json\/wp\/v2\/media\/157142"}],"wp:attachment":[{"href":"https:\/\/www.europesays.com\/ee\/wp-json\/wp\/v2\/media?parent=157141"}],"wp:term":[{"taxonomy":"category","embeddable":true,"href":"https:\/\/www.europesays.com\/ee\/wp-json\/wp\/v2\/categories?post=157141"},{"taxonomy":"post_tag","embeddable":true,"href":"https:\/\/www.europesays.com\/ee\/wp-json\/wp\/v2\/tags?post=157141"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}}