{"id":212690,"date":"2026-06-25T05:50:38","date_gmt":"2026-06-25T05:50:38","guid":{"rendered":"https:\/\/www.europesays.com\/ee\/212690\/"},"modified":"2026-06-25T05:50:38","modified_gmt":"2026-06-25T05:50:38","slug":"arvustus-tagatoad-eksib-omaenda-laburinti-film","status":"publish","type":"post","link":"https:\/\/www.europesays.com\/ee\/212690\/","title":{"rendered":"Arvustus. &#8220;Tagatoad&#8221; eksib omaenda lab\u00fcrinti | Film"},"content":{"rendered":"<p>Uus film kinolevis<br \/>&#8220;Tagatoad&#8221; (&#8220;Backrooms&#8221;)<br \/>Re\u017eiss\u00f6\u00f6r Kane Parsons<br \/>Stsenarist Will Soodik<br \/>Operaator Jeremy Cox<br \/>Kunstnik Danny Vermette<br \/>Heliloojad. Edo van Breemen, Kane Parsons<br \/>Osades Chiwetel Ejiofor, Renate Reinsve, Mark Duplass, Finn Bennett, Lukita Maxwell, Avan Jogia Avan Jogia jt<\/p>\n<p>Kellel meist poleks tekitanud \u00f5\u00f5vastust t\u00fchjad ruumid ja pikad koridorid? Kui t\u00fchjad korterid m\u00f5juvad sealjuures ka kurvalt, siis kontoriruumid eriti v\u00f5ikalt, kuna need polegi m\u00f5eldud elutegevuseks. Kontori- ja laoruumide isikup\u00e4ratus ei \u00e4rata mingit empaatiat, ei tekita mingeid tundeid peale tahtmise sealt lahkuda. See on \u00fcks motiiv, millele Kane Parsons ehitas oma esimese t\u00e4ispika m\u00e4ngufilmi &#8220;Tagatoad&#8221;, t\u00f5ustes sellega Youtube&#8217;ist kinoekraanidele ja ka filmikriitika t\u00e4helepanu alla.<\/p>\n<p>Peaaegu piiramatute v\u00f5imalustega Youtube&#8217;is eelnes A24 toodetud &#8220;Tagatubadele&#8221; Kane&#8217;i enda videosari, mille inspiratsiooniks on jututubades levinud linnalegendid, t\u00e4nap\u00e4eva \u00f5udusfolkloor koondnimetusega creepypasta. See termin koondab enda alla mitmesuguseid \u00f5\u00f5valegende, mis on jututubades levinud juba 1990. aastate ahelkirjadest, kus \u00e4hvardati needusega neid, kes kirja edasi ei saada. Kirjast kirja liikuvad m\u00fc\u00fcdid on praeguseks saanud veelgi tugevama v\u00f5imenduse tehisaru t\u00f6\u00f6riistade kaudu, mis v\u00f5imaldavad visualiseerida \u00fcksk\u00f5ik milliseid ideid.<\/p>\n<p>Selle saaduse j\u00f5udmist kinolinale takistab seni veel filmit\u00f6\u00f6stuse vastuseis. \u00d5udusmeemide populaarsuse t\u00f5usuks loovad soodsa pinnase nii poliitiline ebastabiilsus kitsamas ja laiemas m\u00f5ttes kui ka seesama mainitud hirm \u00fcha targemaks muutuva tehnoloogia ees. &#8220;Tagatubade&#8221; kultuuriline olulisus ei seisne aga mitte selles, et A24 v\u00f5imaldas juutuberil t\u00e4ispikka filmi teha, vaid selles, et see on esimene laiemalt levinud ja tunnustust saanud katse ekraniseerida kinos creepypasta temaatilist sisu. Filmist endast olulisemaks kipubki seega t\u00f5usma kontekst.<\/p>\n<p><img decoding=\"async\" data-photo-id=\"3605830\" src=\"https:\/\/www.europesays.com\/ee\/wp-content\/uploads\/2026\/06\/1782366638_930_3605830hbf5at24.jpg\"\/>&#8220;Tagatoad&#8221; Autor\/allikas: Scanpix \/ Imago \/ Landmark Media<\/p>\n<p>&#8220;Tagatubade&#8221; juures arvestas Kane ka oma f\u00e4nnide ideelise panusega, millega v\u00f5ib seletada ka &#8220;Tagatubade&#8221; sisulist pidetust \u2013 k\u00f5ikumist \u00fcleloomuliku ja ps\u00fchhoanal\u00fc\u00fctilise vahel, tuues kord esile \u00fcht, kord teist poolust. \u00dchisosa nende vahel j\u00e4\u00e4b h\u00e4maraks, nagu ka kogu filmi s\u00f5num. Kujundeid ja visuaalseid v\u00f5rdlusi on filmis palju, kuid \u00fckski neist ei p\u00e4\u00e4se sedav\u00f5rd esile, et suudaks m\u00e4\u00e4rata teose ideelist suunda. Nii j\u00e4\u00e4bki vaataja s\u00fc\u00fctu Ariadnena ekslema neis &#8220;tagatubades&#8221; nagu Minotauruse lab\u00fcrindis ja painajalikust p\u00f5nevusest &#8220;mis-k\u00fcll-on-seal-nurga-taga&#8221; s\u00fcgavamale &#8220;Tagatoad&#8221; ei vii.\u00a0<\/p>\n<p>Kane Parsons ehk Youtube&#8217;i kasutajanimega Kane Pixels on aga kahtlemata huvipakkuv vision\u00e4\u00e4r. Huvi p\u00e4rast v\u00f5ib vaadata kasv\u00f5i ta enda loodud minisarja <a href=\"https:\/\/www.youtube.com\/playlist?list=PLVAh-MgDVqvAyiA5O4yYbaIeHar-Eg6ga\" target=\"_blank\" rel=\"noopener nofollow\">&#8220;Attack on Titan&#8221;<\/a>, mis l\u00e4htub hoopis teistsugusest, niinimetatud kadunud arhiivide esteetikast. Seda on oma filmides kasutanud n\u00e4iteks Guy Maddin ja E. Elias Mehrige.\u00a0<\/p>\n<p>&#8220;Tagatoad&#8221; toovad k\u00fcll kokku Vincenzo Natali eksistentsiaalse &#8220;Kuubi&#8221; (&#8220;The Cube&#8221;, 1997) ja videohorrori klassikaks saanud &#8220;Blairi n\u00f5ia projekti&#8221; (&#8220;Blair Witch Project&#8221;, Eduardo Sanchez, Daniel Myrick, 1999), kuid viivad t\u00e4helepanu liiga laiali, et vaataja meeltesse kinnistuda.\u00a0<\/p>\n","protected":false},"excerpt":{"rendered":"Uus film kinolevis&#8220;Tagatoad&#8221; (&#8220;Backrooms&#8221;)Re\u017eiss\u00f6\u00f6r Kane ParsonsStsenarist Will SoodikOperaator Jeremy CoxKunstnik Danny VermetteHeliloojad. Edo van Breemen, Kane ParsonsOsades Chiwetel&hellip;\n","protected":false},"author":2,"featured_media":212691,"comment_status":"","ping_status":"","sticky":false,"template":"","format":"standard","meta":{"footnotes":"","_share_on_mastodon":"0"},"categories":[12],"tags":[26,27,37,33,35,34,36,31,32,21,28,29,19,25,82263,23,24,22,20,30],"class_list":["post-212690","post","type-post","status-publish","format-standard","has-post-thumbnail","category-eesti","tag-breaking-news","tag-breakingnews","tag-ee","tag-eesti","tag-eesti-keel","tag-estonia","tag-estonian","tag-featured-news","tag-featurednews","tag-headlines","tag-latest-news","tag-latestnews","tag-news","tag-populaarseimad-lood","tag-tagatoad","tag-top-stories","tag-topstories","tag-uldised-uudised","tag-uudised","tag-viimased-uudised"],"share_on_mastodon":{"url":"https:\/\/pubeurope.com\/@ee\/116809186017653731","error":""},"_links":{"self":[{"href":"https:\/\/www.europesays.com\/ee\/wp-json\/wp\/v2\/posts\/212690","targetHints":{"allow":["GET"]}}],"collection":[{"href":"https:\/\/www.europesays.com\/ee\/wp-json\/wp\/v2\/posts"}],"about":[{"href":"https:\/\/www.europesays.com\/ee\/wp-json\/wp\/v2\/types\/post"}],"author":[{"embeddable":true,"href":"https:\/\/www.europesays.com\/ee\/wp-json\/wp\/v2\/users\/2"}],"replies":[{"embeddable":true,"href":"https:\/\/www.europesays.com\/ee\/wp-json\/wp\/v2\/comments?post=212690"}],"version-history":[{"count":0,"href":"https:\/\/www.europesays.com\/ee\/wp-json\/wp\/v2\/posts\/212690\/revisions"}],"wp:featuredmedia":[{"embeddable":true,"href":"https:\/\/www.europesays.com\/ee\/wp-json\/wp\/v2\/media\/212691"}],"wp:attachment":[{"href":"https:\/\/www.europesays.com\/ee\/wp-json\/wp\/v2\/media?parent=212690"}],"wp:term":[{"taxonomy":"category","embeddable":true,"href":"https:\/\/www.europesays.com\/ee\/wp-json\/wp\/v2\/categories?post=212690"},{"taxonomy":"post_tag","embeddable":true,"href":"https:\/\/www.europesays.com\/ee\/wp-json\/wp\/v2\/tags?post=212690"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}}