Kellerteater toob Tallinnas, Salme kultuurikeskuse suurel laval publiku ette Briti n\u00e4itekirjaniku Sam Holcrofti totalitaarse trilleri “Peegel”. N\u00e4idendi t\u00f5lkis Mario Pulver ja lavastas Andres Roosileht. Esimest korda l\u00f6\u00f6b Kellerteatri lavastuses kaasa n\u00e4itleja Jan Uusp\u00f5ld.<\/p>\n
“Peegli” tegevus toimub totalitaarses riigis, kus automehhaanik Adem Nariman kirjutab n\u00e4idendi sellest, mida n\u00e4eb, mitte sellest, mida kultuuriministeeriumi arvates peaks n\u00e4gema.<\/p>\n
“Minu jaoks on selle loo juures huvitav see, et me oleme alati t\u00e4pselt \u00fche valimists\u00fckli kaugusel autokraatiast. Algab see sellest, et me ei luba endal r\u00e4\u00e4kida teatavaid asju, siis hakkame taunima seda teiste juures ja sinna on ainult \u00fcks samm, kui \u00fches tsiviliseeritud riigis hakatakse juba raamatuid keelama,” \u00fctles lavastaja Andres Roosileht.<\/p>\n
Esimest korda l\u00f6\u00f6b Kellerteatri lavastuses kaasa n\u00e4itleja Jan Uusp\u00f5ld.<\/p>\n
“Tegemist on ohudraamaga, aga me ise p\u00fc\u00fcame seda k\u00e4sitleda kui satiiri. Siin seatakse peegel liiga sumbunud ja stagneerunud \u00fchiskonna juhtide suunas, kes kruvisid liiga kinni kipuvad keerama, ja siin on ilus metafoor sees, et mis juhtub kruvi v\u00f5i poldiga, mis liiga pinge all kinni keeratakse,” \u00fctles osat\u00e4itja Jan Uusp\u00f5ld.<\/p>\n
Lavastust saadab elav muusika Marta-Jaana Sta\u0161kevit\u0161i esituses.<\/p>\n
“Siin on selliseid l\u00f6\u00f6vaid rivilaule, natuke ilusamat ja ka ekspressiivsemat t\u0161ellomuusikat,” \u00fctles helikujundaja Ove Kuth Soosaar.<\/p>\n
Lavastuse kunstnik ja videokujundaja on Marge Martin, etendused toimuvad alates 31. oktoobrist Salme kultuurikeskuse suures saalis.<\/p>\n","protected":false},"excerpt":{"rendered":"Kellerteater toob Tallinnas, Salme kultuurikeskuse suurel laval publiku ette Briti n\u00e4itekirjaniku Sam Holcrofti totalitaarse trilleri “Peegel”. N\u00e4idendi t\u00f5lkis…\n","protected":false},"author":2,"featured_media":30467,"comment_status":"","ping_status":"","sticky":false,"template":"","format":"standard","meta":{"footnotes":""},"categories":[16],"tags":[16131,37,33,35,173,34,36,7691,9366,16134,16130,16133,140,4868,16129,16132],"class_list":{"0":"post-30466","1":"post","2":"type-post","3":"status-publish","4":"format-standard","5":"has-post-thumbnail","7":"category-meelelahutus","8":"tag-andres-roosileht","9":"tag-ee","10":"tag-eesti","11":"tag-eesti-keel","12":"tag-entertainment","13":"tag-estonia","14":"tag-estonian","15":"tag-jan-uuspold","16":"tag-kellerteater","17":"tag-marge-martin","18":"tag-mario-pulver","19":"tag-marta-jaana-staskevits","20":"tag-meelelahutus","21":"tag-peegel","22":"tag-salme-kultuurikeskus","23":"tag-sam-holcroft"},"share_on_mastodon":{"url":"https:\/\/pubeurope.com\/@ee\/115458587051781753","error":""},"_links":{"self":[{"href":"https:\/\/www.europesays.com\/ee\/wp-json\/wp\/v2\/posts\/30466","targetHints":{"allow":["GET"]}}],"collection":[{"href":"https:\/\/www.europesays.com\/ee\/wp-json\/wp\/v2\/posts"}],"about":[{"href":"https:\/\/www.europesays.com\/ee\/wp-json\/wp\/v2\/types\/post"}],"author":[{"embeddable":true,"href":"https:\/\/www.europesays.com\/ee\/wp-json\/wp\/v2\/users\/2"}],"replies":[{"embeddable":true,"href":"https:\/\/www.europesays.com\/ee\/wp-json\/wp\/v2\/comments?post=30466"}],"version-history":[{"count":0,"href":"https:\/\/www.europesays.com\/ee\/wp-json\/wp\/v2\/posts\/30466\/revisions"}],"wp:featuredmedia":[{"embeddable":true,"href":"https:\/\/www.europesays.com\/ee\/wp-json\/wp\/v2\/media\/30467"}],"wp:attachment":[{"href":"https:\/\/www.europesays.com\/ee\/wp-json\/wp\/v2\/media?parent=30466"}],"wp:term":[{"taxonomy":"category","embeddable":true,"href":"https:\/\/www.europesays.com\/ee\/wp-json\/wp\/v2\/categories?post=30466"},{"taxonomy":"post_tag","embeddable":true,"href":"https:\/\/www.europesays.com\/ee\/wp-json\/wp\/v2\/tags?post=30466"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}}