Kohemaid kangastub Triigi \u00abKonrad M\u00e4gi portree\u00bb (1908), kui Vanemuise v\u00e4ikese maja saali sisenedes n\u00e4eme laval kummuli l\u00fckatud tooli. Otsekui m\u00e4rki liigestest lahti ajast v\u00f5i laokile j\u00e4etud m\u00e4lestust, mida taas aeg korrastada, ellu \u00e4ratada. Pille J\u00e4nese stsenograafia on koosm\u00f5jus Margus Vaiguri valgusega k\u00fctkestav: me ei n\u00e4e oma ihusilmaga ainsatki maali, l\u00f5uendid on valged, \u00fchest tekstikohast l\u00e4htudes otsekui krunditud. See k\u00e4ivitab kujutlusv\u00f5ime p\u00f6\u00f6rase vungiga, ka (h\u00f5be)hall tagasein s\u00fcvendab igatsust maalide v\u00e4rvik\u00fclluse j\u00e4rele. Eks t\u00e4hista valge maal ka kunstniku igakordset puhtalt lehelt alustamist, mis haakub paralleeli n\u00e4itleja loominguga. Ainult et maal j\u00e4\u00e4b alles, roll mitte.<\/p>\n
\u00abPalaviku\u00bb autor ja lavastusdramaturg on Priit P\u00f5ldma, lavastaja Tiit Palu. Kokku said kaks isikup\u00e4rast teatrimeest, lavastusest kumab l\u00e4bi m\u00f5lema omateema. Nii meenutab stseen, kus vana Friedebert Tuglas l\u00f5kke \u00e4\u00e4res m\u00f5tiskleb, Palu loometee algust, lavakunstikateedri 17. lennu tudengi lavastust \u00abEesti pastoraal\u00bb(1994), aga teisigi Tuglase ja eesti kirjanduse lavat\u00f5lgendusi. Muide, Aivar Tommingas on kujuteldava l\u00f5kketule valguses-varjudes Tuglasega h\u00e4mmastavalt sarnane!<\/p>\n
\u00abPalavik\u00bb on t\u00e4pne pealkiri, lavastus d\u00fcnaamiline, tulvil sonivaid hallutsinatsioone, ent ka erilise selgusega kangastuvaid m\u00e4lupilte. Nii kummastatust kui ka j\u00f5ulisust lisab liikumisjoonis, ajastukohaselt stiliseeritud.<\/p>\n","protected":false},"excerpt":{"rendered":"Kohemaid kangastub Triigi \u00abKonrad M\u00e4gi portree\u00bb (1908), kui Vanemuise v\u00e4ikese maja saali sisenedes n\u00e4eme laval kummuli l\u00fckatud tooli.…\n","protected":false},"author":2,"featured_media":4050,"comment_status":"","ping_status":"","sticky":false,"template":"","format":"standard","meta":{"footnotes":""},"categories":[16],"tags":[37,33,35,173,34,36,2282,140,2284,3552,197],"class_list":{"0":"post-4049","1":"post","2":"type-post","3":"status-publish","4":"format-standard","5":"has-post-thumbnail","7":"category-meelelahutus","8":"tag-ee","9":"tag-eesti","10":"tag-eesti-keel","11":"tag-entertainment","12":"tag-estonia","13":"tag-estonian","14":"tag-konrad-magi","15":"tag-meelelahutus","16":"tag-nikolai-triik","17":"tag-palavik","18":"tag-vanemuine"},"share_on_mastodon":{"url":"","error":""},"_links":{"self":[{"href":"https:\/\/www.europesays.com\/ee\/wp-json\/wp\/v2\/posts\/4049","targetHints":{"allow":["GET"]}}],"collection":[{"href":"https:\/\/www.europesays.com\/ee\/wp-json\/wp\/v2\/posts"}],"about":[{"href":"https:\/\/www.europesays.com\/ee\/wp-json\/wp\/v2\/types\/post"}],"author":[{"embeddable":true,"href":"https:\/\/www.europesays.com\/ee\/wp-json\/wp\/v2\/users\/2"}],"replies":[{"embeddable":true,"href":"https:\/\/www.europesays.com\/ee\/wp-json\/wp\/v2\/comments?post=4049"}],"version-history":[{"count":0,"href":"https:\/\/www.europesays.com\/ee\/wp-json\/wp\/v2\/posts\/4049\/revisions"}],"wp:featuredmedia":[{"embeddable":true,"href":"https:\/\/www.europesays.com\/ee\/wp-json\/wp\/v2\/media\/4050"}],"wp:attachment":[{"href":"https:\/\/www.europesays.com\/ee\/wp-json\/wp\/v2\/media?parent=4049"}],"wp:term":[{"taxonomy":"category","embeddable":true,"href":"https:\/\/www.europesays.com\/ee\/wp-json\/wp\/v2\/categories?post=4049"},{"taxonomy":"post_tag","embeddable":true,"href":"https:\/\/www.europesays.com\/ee\/wp-json\/wp\/v2\/tags?post=4049"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}}