{"id":42347,"date":"2025-11-14T13:13:09","date_gmt":"2025-11-14T13:13:09","guid":{"rendered":"https:\/\/www.europesays.com\/ee\/42347\/"},"modified":"2025-11-14T13:13:09","modified_gmt":"2025-11-14T13:13:09","slug":"sander-saarmets-bleu-precieux-glitch-please-2025","status":"publish","type":"post","link":"https:\/\/www.europesays.com\/ee\/42347\/","title":{"rendered":"Sander Saarmets \u2013 Bleu Pr\u00e9cieux (Glitch Please, 2025)"},"content":{"rendered":"<p class=\"content-introduction post-introduction\">Sander Saarmetsa \u201eBleu Pr\u00e9cieux\u201d ei karda v\u00f5tta omaks abstraktseid ja avangardseid kontseptsioone. Tulemuseks on teos, millesarnast annab elektroonilise muusika maastikul tikutulega taga otsida.<\/p>\n<p><a href=\"https:\/\/www.muurileht.ee\/wp-content\/uploads\/sites\/5\/2025\/11\/Sander_Saarmets_Bleu_Percieux-1-scaled.jpg\" data-rel=\"lightbox-gallery-Jt8mEGlT\" data-rl_title=\"\" data-rl_caption=\"\" title=\"\" rel=\"nofollow noopener\" target=\"_blank\"><img loading=\"lazy\" decoding=\"async\" width=\"1024\" height=\"1024\" src=\"https:\/\/www.europesays.com\/ee\/wp-content\/uploads\/2025\/11\/Sander_Saarmets_Bleu_Percieux-1-1024x1024.jpg\" alt=\"\" class=\"wp-image-94139\" style=\"width:640px;height:auto\"\/><\/a><\/p>\n<p>\u2605\u2605\u2605\u2606\u2606<\/p>\n<p>\u201eBleu Pr\u00e9cieux\u201d on nagu organism \u2013 muusika on k\u00f5laliselt hingav ja laialivalguv nagu tammejuured v\u00f5i seeneniidistik. See peegeldub ka kompositsioonilistes v\u00f5tetes, n\u00e4iteks lugu \u201eSignaux\u201d p\u00f5hineb taimede elektriimpulsside t\u00f5lgendamisel modulaars\u00fcntesaatoriga ja albumi struktuur tugineb suuresti loodusest inspireeritud generatiivsetele mudelitele. Saarmets pole esimene, kes sellise l\u00e4henemisega eksperimenteerib, eeliseks osutub aga tema oskus neid musikaalselt t\u00e4hendusrikkal moel rakendada. Iga lugu m\u00f5jub katseklaasiorganismina, mis kasvab, vohab ja l\u00f5puks k\u00e4rbub. Muusika on s\u00e4rtsakas, kergelt ettearvamatu ja sellest kiirgab nii meloodilises kui ka r\u00fctmilises fraseerimises suur vabadus, mida kohtab harva \u017eanris, kus tihtipeale kardetakse robotliku t\u00e4psuse h\u00fclgamist. Albumi helikujundus on atmosf\u00e4\u00e4riline ja ruumiliselt s\u00fcgav, mis annab muusikale selgelt tajutava kolmem\u00f5\u00f5tmelisuse.\u00a0<\/p>\n<p>Kuid nagu teistegi kontseptuaalsete albumite puhul, kipub kompositsiooniline pool aeg-ajalt tagaplaanile j\u00e4\u00e4ma. Lood on vormiliselt terviklikud, kuid sisuliselt pealiskaudsed \u2013 tugeva r\u00fctmilise ja\/v\u00f5i meloodilise elemendi puudumine muudab korduva kuulamise m\u00f5nev\u00f5rra \u00fcksluiseks.\u00a0<\/p>\n<p>Kuid vaatamata sellele on tegu igati v\u00e4\u00e4rt teosega. Iga v\u00e4hegi endast lugupidav elektroonilise muusika huviline v\u00f5iks kindlasti albumiga tutvuda. \u201eBleu Pr\u00e9cieux\u201d kujutab endast v\u00e4rsket ja uudset l\u00e4henemist elektroonilise muusika loomisele ja on m\u00e4rk suurest vabadusest ning tohututest esteetilistest ja kontseptuaalsetest v\u00f5imalustest, mida elektrooniline muusika pakub.<\/p>\n","protected":false},"excerpt":{"rendered":"Sander Saarmetsa \u201eBleu Pr\u00e9cieux\u201d ei karda v\u00f5tta omaks abstraktseid ja avangardseid kontseptsioone. Tulemuseks on teos, millesarnast annab elektroonilise&hellip;\n","protected":false},"author":2,"featured_media":42348,"comment_status":"","ping_status":"","sticky":false,"template":"","format":"standard","meta":{"footnotes":""},"categories":[16],"tags":[37,33,35,173,34,36,7289,140],"class_list":{"0":"post-42347","1":"post","2":"type-post","3":"status-publish","4":"format-standard","5":"has-post-thumbnail","7":"category-meelelahutus","8":"tag-ee","9":"tag-eesti","10":"tag-eesti-keel","11":"tag-entertainment","12":"tag-estonia","13":"tag-estonian","14":"tag-featured","15":"tag-meelelahutus"},"share_on_mastodon":{"url":"https:\/\/pubeurope.com\/@ee\/115548232502907436","error":""},"_links":{"self":[{"href":"https:\/\/www.europesays.com\/ee\/wp-json\/wp\/v2\/posts\/42347","targetHints":{"allow":["GET"]}}],"collection":[{"href":"https:\/\/www.europesays.com\/ee\/wp-json\/wp\/v2\/posts"}],"about":[{"href":"https:\/\/www.europesays.com\/ee\/wp-json\/wp\/v2\/types\/post"}],"author":[{"embeddable":true,"href":"https:\/\/www.europesays.com\/ee\/wp-json\/wp\/v2\/users\/2"}],"replies":[{"embeddable":true,"href":"https:\/\/www.europesays.com\/ee\/wp-json\/wp\/v2\/comments?post=42347"}],"version-history":[{"count":0,"href":"https:\/\/www.europesays.com\/ee\/wp-json\/wp\/v2\/posts\/42347\/revisions"}],"wp:featuredmedia":[{"embeddable":true,"href":"https:\/\/www.europesays.com\/ee\/wp-json\/wp\/v2\/media\/42348"}],"wp:attachment":[{"href":"https:\/\/www.europesays.com\/ee\/wp-json\/wp\/v2\/media?parent=42347"}],"wp:term":[{"taxonomy":"category","embeddable":true,"href":"https:\/\/www.europesays.com\/ee\/wp-json\/wp\/v2\/categories?post=42347"},{"taxonomy":"post_tag","embeddable":true,"href":"https:\/\/www.europesays.com\/ee\/wp-json\/wp\/v2\/tags?post=42347"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}}