M\u00f6\u00f6dunud n\u00e4dalavahetusel toimunud Vernissage’i kunstigalerii s\u00fcgisoksjon t\u00f5i publiku ette 159 teost 90 Eesti autorilt, kahep\u00e4evase oksjoni jooksul leidsid uue omaniku 110 teost.<\/p>\n
Oksjoni keskseks s\u00fcndmuseks kujunes Peeter Mudisti akvarelli “Taevane teeviit” m\u00fc\u00fck, mis t\u00f5usus 15 000 euro suuruselt alghinnalt 53 000 euroni, p\u00fcstitades Eesti kunstiturul uue rekordi, olles k\u00f5ige kallimalt oksjonil m\u00fc\u00fcdud akvarell Eestis.<\/p>\n
“M\u00e4rkimisv\u00e4\u00e4rne on, et akvarell edestas oksjonihinnalt esimest korda \u00f5limaale. Tegemist on Eesti kunstiturul haruldase ja t\u00e4helepanuv\u00e4\u00e4rse pretsedendiga, mis n\u00e4itab selgelt, et kollektsion\u00e4\u00e4ride fookus on laienenud ning hinnanguid ei anta enam pelgalt tehnika, vaid teose kunstilise kvaliteedi, emotsionaalse j\u00f5u ja autori tuntuse p\u00f5hjal,” s\u00f5nas Vernissage’i kunstigalerii juhataja Kristiina Radevall. “Selline tulemus avab kunstiturul t\u00e4iesti uue perspektiivi ja julgustab avastama akvarelli kui eraldiseisva ja v\u00e4ga n\u00f5udliku tehnika potentsiaali.”<\/p>\n
K\u00f5rgete oksjonihindadeni j\u00f5udsid seekord ka mitmed teised teosed. Miljard Kilgi “Dionysose triumf” t\u00f5usis 39 000 eurolt 43 000 euroni ning Vladimir Taigeri 2025. aastal valminud teos “Susanna suplemas” leidis uue omaniku 41 000 euroga. Toomas Vindi 1990. aasta maal “Varane hommik” m\u00fc\u00fcdi 36 000 euroga ning Lepo Mikko maal “Rannal” 27 000 euroga.<\/p>\n
Oksjoni esik\u00fcmnesse mahtusid veel J\u00fcri Ristna “Naine sinise salliga”, Johannes V\u00f5erahansu “Kallaste motiiv punase kaldaga”, J\u00fcri Palmi “Gemm”,\u00a0 Liisi \u00d6rdi “Vaatlus” ja Endel K\u00f5ksi “Metaformoos”, mille l\u00f5pphinnad ulatusid 18 000 kuni 27 500 euroni.<\/p>\n","protected":false},"excerpt":{"rendered":"M\u00f6\u00f6dunud n\u00e4dalavahetusel toimunud Vernissage’i kunstigalerii s\u00fcgisoksjon t\u00f5i publiku ette 159 teost 90 Eesti autorilt, kahep\u00e4evase oksjoni jooksul leidsid…\n","protected":false},"author":2,"featured_media":50329,"comment_status":"","ping_status":"","sticky":false,"template":"","format":"standard","meta":{"footnotes":""},"categories":[16],"tags":[37,33,35,173,34,36,25547,140,5261,25548],"class_list":{"0":"post-50328","1":"post","2":"type-post","3":"status-publish","4":"format-standard","5":"has-post-thumbnail","7":"category-meelelahutus","8":"tag-ee","9":"tag-eesti","10":"tag-eesti-keel","11":"tag-entertainment","12":"tag-estonia","13":"tag-estonian","14":"tag-kunstioksjon","15":"tag-meelelahutus","16":"tag-vernissage","17":"tag-vernissage-galerii-sugisoksjon"},"share_on_mastodon":{"url":"https:\/\/pubeurope.com\/@ee\/115610450853897741","error":""},"_links":{"self":[{"href":"https:\/\/www.europesays.com\/ee\/wp-json\/wp\/v2\/posts\/50328","targetHints":{"allow":["GET"]}}],"collection":[{"href":"https:\/\/www.europesays.com\/ee\/wp-json\/wp\/v2\/posts"}],"about":[{"href":"https:\/\/www.europesays.com\/ee\/wp-json\/wp\/v2\/types\/post"}],"author":[{"embeddable":true,"href":"https:\/\/www.europesays.com\/ee\/wp-json\/wp\/v2\/users\/2"}],"replies":[{"embeddable":true,"href":"https:\/\/www.europesays.com\/ee\/wp-json\/wp\/v2\/comments?post=50328"}],"version-history":[{"count":0,"href":"https:\/\/www.europesays.com\/ee\/wp-json\/wp\/v2\/posts\/50328\/revisions"}],"wp:featuredmedia":[{"embeddable":true,"href":"https:\/\/www.europesays.com\/ee\/wp-json\/wp\/v2\/media\/50329"}],"wp:attachment":[{"href":"https:\/\/www.europesays.com\/ee\/wp-json\/wp\/v2\/media?parent=50328"}],"wp:term":[{"taxonomy":"category","embeddable":true,"href":"https:\/\/www.europesays.com\/ee\/wp-json\/wp\/v2\/categories?post=50328"},{"taxonomy":"post_tag","embeddable":true,"href":"https:\/\/www.europesays.com\/ee\/wp-json\/wp\/v2\/tags?post=50328"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}}