Von Krahli teatris esietendub neljap\u00e4eval Juhan Ulfsaki lavastus “Tagasiside”, mis r\u00e4\u00e4gib protesti v\u00f5imalikkusest ja v\u00f5imatusest.<\/p>\n
Lavastus koosneb argistest ja olmelistest olukordadest, p\u00f5imitud Hamleti igavikulise k\u00fcsimusega, kas olla v\u00f5i mitte olla. Lavastaja Juhan Ulfsaki s\u00f5nul peetakse “Hamletit” p\u00f5hjusega maailma \u00fcheks t\u00e4htsamaks n\u00e4idendiks.<\/p>\n
“On \u00fcks tekst, millele olen ammu m\u00f5elnud: Heiner M\u00fclleri “Hamletmaschine”. [See on] 70-ndatel kirjutatud \u00fcks v\u00e4ga eriline \u00fcheksalehek\u00fcljeline n\u00e4idend. Ma ei julgenud seda kohe alguses noortele tuua, see on \u00fcsna tume tekst, aga tegelikult nii labaselt kui see ei k\u00f5la, siis k\u00fcsimus, kas olla v\u00f5i mitte olla, haakus meie taotlusega,” r\u00e4\u00e4kis Ulfsak “Aktuaalses kaameras”.<\/p>\n
Lavastus “Tagasiside” m\u00e4ngib teatri ja argielu, v\u00f5imatu ja v\u00f5imaliku piirimaal. T\u00fckk s\u00fcndis Von Krahli teatri trupi koosloomel.<\/p>\n
“Me istusime suve l\u00f5pus laua taha maha ja m\u00f5tlesime, mis hingel on, millest tahaks r\u00e4\u00e4kida. Hakkasime protesti kui \u00fchiskondliku tagasisidestuse vormist minema ja mingi hetk j\u00e4ime selle t\u00e4navapildi juurde. Tegelikult ongi v\u00e4ga paljud asjad sellest t\u00e4nava motiivist s\u00fcndinud. Niimoodi punusime asja kokku,” kirjeldas n\u00e4itleja Liisa Saarem\u00e4el.<\/p>\n
T\u00e4navapildis p\u00f5imuvad igap\u00e4evased olmelised arutelud ja stseenid m\u00e4ssu protestileekidega.<\/p>\n
“Meid on inspireerinud m\u00e4ssud, mis on toimunud, aga ka m\u00e4ssud, mis ei ole toimunud. Ehk siis m\u00e4ssu v\u00f5imalikkus, aga ka v\u00f5imatus,” lausus Saarem\u00e4el.<\/p>\n","protected":false},"excerpt":{"rendered":"Von Krahli teatris esietendub neljap\u00e4eval Juhan Ulfsaki lavastus “Tagasiside”, mis r\u00e4\u00e4gib protesti v\u00f5imalikkusest ja v\u00f5imatusest. Lavastus koosneb argistest…\n","protected":false},"author":2,"featured_media":51312,"comment_status":"","ping_status":"","sticky":false,"template":"","format":"standard","meta":{"footnotes":""},"categories":[16],"tags":[37,33,35,173,34,36,212,26077,140,22501,959],"class_list":{"0":"post-51311","1":"post","2":"type-post","3":"status-publish","4":"format-standard","5":"has-post-thumbnail","7":"category-meelelahutus","8":"tag-ee","9":"tag-eesti","10":"tag-eesti-keel","11":"tag-entertainment","12":"tag-estonia","13":"tag-estonian","14":"tag-juhan-ulfsak","15":"tag-liisa-saaremael","16":"tag-meelelahutus","17":"tag-tagasiside","18":"tag-von-krahl"},"share_on_mastodon":{"url":"https:\/\/pubeurope.com\/@ee\/115617202372693056","error":""},"_links":{"self":[{"href":"https:\/\/www.europesays.com\/ee\/wp-json\/wp\/v2\/posts\/51311","targetHints":{"allow":["GET"]}}],"collection":[{"href":"https:\/\/www.europesays.com\/ee\/wp-json\/wp\/v2\/posts"}],"about":[{"href":"https:\/\/www.europesays.com\/ee\/wp-json\/wp\/v2\/types\/post"}],"author":[{"embeddable":true,"href":"https:\/\/www.europesays.com\/ee\/wp-json\/wp\/v2\/users\/2"}],"replies":[{"embeddable":true,"href":"https:\/\/www.europesays.com\/ee\/wp-json\/wp\/v2\/comments?post=51311"}],"version-history":[{"count":0,"href":"https:\/\/www.europesays.com\/ee\/wp-json\/wp\/v2\/posts\/51311\/revisions"}],"wp:featuredmedia":[{"embeddable":true,"href":"https:\/\/www.europesays.com\/ee\/wp-json\/wp\/v2\/media\/51312"}],"wp:attachment":[{"href":"https:\/\/www.europesays.com\/ee\/wp-json\/wp\/v2\/media?parent=51311"}],"wp:term":[{"taxonomy":"category","embeddable":true,"href":"https:\/\/www.europesays.com\/ee\/wp-json\/wp\/v2\/categories?post=51311"},{"taxonomy":"post_tag","embeddable":true,"href":"https:\/\/www.europesays.com\/ee\/wp-json\/wp\/v2\/tags?post=51311"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}}