7. m\u00e4rtsil esietendub Eesti Draamateatri v\u00e4ikeses saalis Oliver Reimanni diplomilavastus “\u00dche naise v\u00f5itlused ja metamorfoosid”, mis p\u00f5hineb \u00c9douard Louis’ samanimelisel autobiograafilisel teosel. See on esimene kord, kui kaasaegse prantsuse kirjaniku \u00c9douard Louis’ looming Eestis teatrilavale j\u00f5uab.<\/p>\n
Lavastaja ja dramatiseerija Oliver Reimanni s\u00f5nul on lavastuse keskmes ema ja poja lugu, mis j\u00f5uab vaatajani m\u00e4lupiltide kaudu. “See on kaugenemise ja l\u00e4henemise, unistamise ja muutumise lugu,”\u00a0avas Reimann.\u00a0<\/p>\n
“\u00dche naise v\u00f5itlused ja metamorfoosid”\u00a0on katse m\u00f5ista ema, kes p\u00fc\u00fcab v\u00e4lja murda alandusi t\u00e4is argip\u00e4evast. Ema ja poja loo kaudu r\u00e4\u00e4gitakse aga laiematel \u00fchiskondlikel teemadel: kuidas vaesus, pidev h\u00e4bitunne oma elu p\u00e4rast ning sooline ebav\u00f5rdsus viivad raskesti murtava v\u00e4givallaahelani.\u00a0<\/p>\n
Lavastaja s\u00f5nutsi r\u00e4\u00e4gib autor enda ja l\u00e4hedaste elu n\u00e4itel \u00fchiskonna sotsiaalmajanduslikel varjualadel toimuvast.<\/p>\n
“V\u00f5iks eeldada, et \u00fche noorema p\u00f5lvkonna prantsuse kirjaniku p\u00e4ritolu lugu j\u00e4\u00e4b meile eestlastena kaugeks, aga tegelikult on Louis’ loomingus ehmatavalt palju \u00e4ratundmishetki. P\u00fc\u00fcan lavastuses vaadata maailma, kus v\u00e4givald on muutunud nii igap\u00e4evaseks, et seda ei m\u00e4rgata enam v\u00e4givallana, vaid v\u00f5etakse kui paratamatust,”\u00a0lisas Reimann.\u00a0<\/p>\n
Lavastaja ja dramatiseerija Oliver Reimann (EMTA), dramatiseeringu konsultant Priit P\u00f5ldma, kunstnik Kristjan Suits, valguskujundaja Rene Liivam\u00e4gi, helilooja ja helikujundaja Jakob Juhkam, t\u00f5lkija Heli Allik. Osades Hilje Murel, Erling Eding (EMTA lavakunstikooli 32. lennu \u00fcli\u00f5pilane) ja Britta Soll.<\/p>\n","protected":false},"excerpt":{"rendered":"7. m\u00e4rtsil esietendub Eesti Draamateatri v\u00e4ikeses saalis Oliver Reimanni diplomilavastus “\u00dche naise v\u00f5itlused ja metamorfoosid”, mis p\u00f5hineb \u00c9douard…\n","protected":false},"author":2,"featured_media":57607,"comment_status":"","ping_status":"","sticky":false,"template":"","format":"standard","meta":{"footnotes":""},"categories":[16],"tags":[29180,29179,37,33,1367,35,173,34,36,140,29178],"class_list":{"0":"post-57606","1":"post","2":"type-post","3":"status-publish","4":"format-standard","5":"has-post-thumbnail","7":"category-meelelahutus","8":"tag-uhe-naise-voitlused-ja-metamorfoosid","9":"tag-edouard-louis","10":"tag-ee","11":"tag-eesti","12":"tag-eesti-draamateater","13":"tag-eesti-keel","14":"tag-entertainment","15":"tag-estonia","16":"tag-estonian","17":"tag-meelelahutus","18":"tag-oliver-reimann"},"share_on_mastodon":{"url":"https:\/\/pubeurope.com\/@ee\/115666610102464891","error":""},"_links":{"self":[{"href":"https:\/\/www.europesays.com\/ee\/wp-json\/wp\/v2\/posts\/57606","targetHints":{"allow":["GET"]}}],"collection":[{"href":"https:\/\/www.europesays.com\/ee\/wp-json\/wp\/v2\/posts"}],"about":[{"href":"https:\/\/www.europesays.com\/ee\/wp-json\/wp\/v2\/types\/post"}],"author":[{"embeddable":true,"href":"https:\/\/www.europesays.com\/ee\/wp-json\/wp\/v2\/users\/2"}],"replies":[{"embeddable":true,"href":"https:\/\/www.europesays.com\/ee\/wp-json\/wp\/v2\/comments?post=57606"}],"version-history":[{"count":0,"href":"https:\/\/www.europesays.com\/ee\/wp-json\/wp\/v2\/posts\/57606\/revisions"}],"wp:featuredmedia":[{"embeddable":true,"href":"https:\/\/www.europesays.com\/ee\/wp-json\/wp\/v2\/media\/57607"}],"wp:attachment":[{"href":"https:\/\/www.europesays.com\/ee\/wp-json\/wp\/v2\/media?parent=57606"}],"wp:term":[{"taxonomy":"category","embeddable":true,"href":"https:\/\/www.europesays.com\/ee\/wp-json\/wp\/v2\/categories?post=57606"},{"taxonomy":"post_tag","embeddable":true,"href":"https:\/\/www.europesays.com\/ee\/wp-json\/wp\/v2\/tags?post=57606"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}}