Joost kaotas oma m\u00f5lemad vanemad v\u00e4ga noores eas ning suunas leina loomingusse. \u00abInternet oli mu ainus p\u00e4\u00e4setee,\u00bb on ta meenutanud. \u00abKui mu isa suri, siis esimese asjana tegin ma YouTube\u2019i 20 000 totakat tantsuvideot.\u00bb See digitaalne algus sillutas tee diskograafiani, mis ei allu mingitele normidele \u2013 ja \u00fclemaailmse f\u00e4nniarmeeni.<\/p>\n
2026 on Joosti jaoks t\u00e4htis verstapost \u2013 ta on esimene taanikeelne artist, kes esineb Coachellal ning viib oma turnee L\u00f5una- ja P\u00f5hja-Ameerikasse, Austraaliasse, Uus-Meremaale ja Euroopasse. Tema s\u00f5ud on j\u00e4releandmatud ja tema esinemine \u00fcletab igasuguseid piire, v\u00f5ttes publikul hinge kinni.<\/p>\n
Artisti kaootilised visuaalid ja kohati h\u00e4irivad biidid panevad kulme kergitama, kuid tema s\u00fcgavam s\u00f5num resoneerub digimaailmas \u00fcles kasvanud p\u00f5lvkonnaga. \u00abMa usun, et kunstis on kangekaelsus vajalik,\u00bb \u00fctles ta intervjuus The Guardianile. \u00abSa pead oma k\u00fctust tunnetama \u2013 v\u00f5i sel pole \u00fcldse mingit m\u00f5tet.\u00bb<\/p>\n
Kleini l\u00e4bimurdehitiks kujunes \u00abFriesenjung\u00bb, mis j\u00f5udis 2023. aastal Saksamaa edetabelite tippu. Tema 2024. aasta Eurovisionile esitatud loost \u00abEuropapa\u00bb \u2013 mis on kummardus oma kadunud isale ning samas avatud piiride t\u00e4histamisele \u2013 sai t\u00f5eline h\u00fcmn, hoolimata (v\u00f5i just seet\u00f5ttu), et ta v\u00f5istluselt k\u00f5rvaldati. \u00abInimesed \u00fctlevad mulle: \u00abOn, see oli sinu jaoks t\u00f5eliselt hea l\u00fcke, sest su karj\u00e4\u00e4r sai hoo sisse.\u00bb Aga kui ma hooliks oma karj\u00e4\u00e4rist, teeksin ma p\u00e4riselt kuulatavat muusikat. Mina aga teen seda, mida ma ise tahan kuulata.\u00bb<\/p>\n","protected":false},"excerpt":{"rendered":"Joost kaotas oma m\u00f5lemad vanemad v\u00e4ga noores eas ning suunas leina loomingusse. \u00abInternet oli mu ainus p\u00e4\u00e4setee,\u00bb on…\n","protected":false},"author":2,"featured_media":66592,"comment_status":"","ping_status":"","sticky":false,"template":"","format":"standard","meta":{"footnotes":""},"categories":[16],"tags":[769,37,33,35,173,34,36,112,33938,33940,16825,33939,33941,140,5388,3025],"class_list":{"0":"post-66591","1":"post","2":"type-post","3":"status-publish","4":"format-standard","5":"has-post-thumbnail","7":"category-meelelahutus","8":"tag-coachella","9":"tag-ee","10":"tag-eesti","11":"tag-eesti-keel","12":"tag-entertainment","13":"tag-estonia","14":"tag-estonian","15":"tag-euroopa","16":"tag-europapa","17":"tag-friesenjung","18":"tag-helitehas","19":"tag-internett","20":"tag-joost","21":"tag-meelelahutus","22":"tag-vanemad","23":"tag-youtube"},"share_on_mastodon":{"url":"https:\/\/pubeurope.com\/@ee\/115734475185023047","error":""},"_links":{"self":[{"href":"https:\/\/www.europesays.com\/ee\/wp-json\/wp\/v2\/posts\/66591","targetHints":{"allow":["GET"]}}],"collection":[{"href":"https:\/\/www.europesays.com\/ee\/wp-json\/wp\/v2\/posts"}],"about":[{"href":"https:\/\/www.europesays.com\/ee\/wp-json\/wp\/v2\/types\/post"}],"author":[{"embeddable":true,"href":"https:\/\/www.europesays.com\/ee\/wp-json\/wp\/v2\/users\/2"}],"replies":[{"embeddable":true,"href":"https:\/\/www.europesays.com\/ee\/wp-json\/wp\/v2\/comments?post=66591"}],"version-history":[{"count":0,"href":"https:\/\/www.europesays.com\/ee\/wp-json\/wp\/v2\/posts\/66591\/revisions"}],"wp:featuredmedia":[{"embeddable":true,"href":"https:\/\/www.europesays.com\/ee\/wp-json\/wp\/v2\/media\/66592"}],"wp:attachment":[{"href":"https:\/\/www.europesays.com\/ee\/wp-json\/wp\/v2\/media?parent=66591"}],"wp:term":[{"taxonomy":"category","embeddable":true,"href":"https:\/\/www.europesays.com\/ee\/wp-json\/wp\/v2\/categories?post=66591"},{"taxonomy":"post_tag","embeddable":true,"href":"https:\/\/www.europesays.com\/ee\/wp-json\/wp\/v2\/tags?post=66591"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}}