{"id":89006,"date":"2026-01-19T22:59:07","date_gmt":"2026-01-19T22:59:07","guid":{"rendered":"https:\/\/www.europesays.com\/ee\/89006\/"},"modified":"2026-01-19T22:59:07","modified_gmt":"2026-01-19T22:59:07","slug":"arvustus-%e2%9f%a9-viie-ehtemeistri-ohuloss-holjub-muuseumi-uleminekuruumides","status":"publish","type":"post","link":"https:\/\/www.europesays.com\/ee\/89006\/","title":{"rendered":"ARVUSTUS \u27e9 Viie ehtemeistri \u00f5huloss h\u00f5ljub muuseumi \u00fcleminekuruumides"},"content":{"rendered":"<p>N\u00e4itusel on esindatud viie \u00d5huLossi r\u00fchmitusse kuuluva ehtekunstniku \u2013 Piret Hirve, Kristiina Lauritsa, Eve Marguse, Villu Plinki ja Tanel Veenre \u2013 t\u00f6\u00f6d.<\/p>\n<p>N\u00e4itus ise on kui kohaspetsiifiline installatsioon, mis h\u00f5lmab ka muuseumi enda arhitektuuri, treppi. Astmetest \u00fcles minek kui f\u00fc\u00fcsiline pingutus on ka poeetiline metafoor loometeekonnale. Paigutatuna kronoloogilisse j\u00e4rjekorda, moodustavad eri kunstnike ehted r\u00fchmituse ajaloo l\u00e4bi individuaalsete t\u00f6\u00f6de: k\u00fclastaja alustab fuajeest ja j\u00f5uab l\u00f5puks viimasele korrusele, aastasse 2025. Samas ei n\u00f5ua teoste imetlemine tingimata liigset keskendumist ajalisele j\u00e4rgnevusele, pigem on see pilk viie oman\u00e4olise, ent l\u00e4hedalt seotud ehtekunstniku loomingu erinevatele hetkedele.<\/p>\n<p>Installatsioon-v\u00e4ljapaneku on kujundanud r\u00fchmituse liikmed ning selle p\u00f5himaterjal kile tekitab intrigeeriva kontrasti tavap\u00e4raste luksuslike ja minimalistlike ehtev\u00e4ljapanekutega. Aadam Kaarma visandlik graafiline kujundus matkib k\u00e4sitsi kirjutatud m\u00e4rkmeid, mis tekitab intiimse tunde \u2013 justkui vaataks kunstnike isiklikku, ent jagatud arhiivi.<\/p>\n","protected":false},"excerpt":{"rendered":"N\u00e4itusel on esindatud viie \u00d5huLossi r\u00fchmitusse kuuluva ehtekunstniku \u2013 Piret Hirve, Kristiina Lauritsa, Eve Marguse, Villu Plinki ja&hellip;\n","protected":false},"author":2,"featured_media":89007,"comment_status":"","ping_status":"","sticky":false,"template":"","format":"standard","meta":{"footnotes":""},"categories":[16],"tags":[37,33,35,20774,173,34,36,43776,43775,140,195,43773,43774,18301,8089,43777],"class_list":{"0":"post-89006","1":"post","2":"type-post","3":"status-publish","4":"format-standard","5":"has-post-thumbnail","7":"category-meelelahutus","8":"tag-ee","9":"tag-eesti","10":"tag-eesti-keel","11":"tag-ehtekunst","12":"tag-entertainment","13":"tag-estonia","14":"tag-estonian","15":"tag-eve-margus","16":"tag-kristiina-laurits","17":"tag-meelelahutus","18":"tag-naitus","19":"tag-ohuloss","20":"tag-piret-hirv","21":"tag-tanel-veenre","22":"tag-tarbekunsti-ja-disainimuuseum","23":"tag-villu-plink"},"share_on_mastodon":{"url":"https:\/\/pubeurope.com\/@ee\/115924249002116290","error":""},"_links":{"self":[{"href":"https:\/\/www.europesays.com\/ee\/wp-json\/wp\/v2\/posts\/89006","targetHints":{"allow":["GET"]}}],"collection":[{"href":"https:\/\/www.europesays.com\/ee\/wp-json\/wp\/v2\/posts"}],"about":[{"href":"https:\/\/www.europesays.com\/ee\/wp-json\/wp\/v2\/types\/post"}],"author":[{"embeddable":true,"href":"https:\/\/www.europesays.com\/ee\/wp-json\/wp\/v2\/users\/2"}],"replies":[{"embeddable":true,"href":"https:\/\/www.europesays.com\/ee\/wp-json\/wp\/v2\/comments?post=89006"}],"version-history":[{"count":0,"href":"https:\/\/www.europesays.com\/ee\/wp-json\/wp\/v2\/posts\/89006\/revisions"}],"wp:featuredmedia":[{"embeddable":true,"href":"https:\/\/www.europesays.com\/ee\/wp-json\/wp\/v2\/media\/89007"}],"wp:attachment":[{"href":"https:\/\/www.europesays.com\/ee\/wp-json\/wp\/v2\/media?parent=89006"}],"wp:term":[{"taxonomy":"category","embeddable":true,"href":"https:\/\/www.europesays.com\/ee\/wp-json\/wp\/v2\/categories?post=89006"},{"taxonomy":"post_tag","embeddable":true,"href":"https:\/\/www.europesays.com\/ee\/wp-json\/wp\/v2\/tags?post=89006"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}}