Eestis leidub palju silmapaistvaid operaatoreid, kuid vaatajanumbrite pealt v\u00f5ib \u00f6elda, et Mihkel Soe t\u00f6\u00f6d on eestlased k\u00f5ige rohkem n\u00e4ha saanud. V\u00e4he sellest, et Soel on v\u00f6\u00f6 vahel terved \u00abKlassikokkutuleku\u00bb ja \u00abApteeker Melchiori\u00bb triloogiad, on ta olnud mitme dokumentaalfilmi (\u00abKikilipsuga m\u00e4ssaja\u00bb, \u00abUus Maailm\u00bb) ja telesarja (\u00abPank\u00bb) operaator. Omamoodi triloogiana v\u00f5ib v\u00f5tta ka \u00abT\u00e4iuslikke v\u00f5\u00f5raid\u00bb, sest k\u00f5ik kolm Balti riiki tegid Leedus j\u00e4rjest uusversiooni samanimelisest 2016. aasta Itaalia menufilmist.<\/p>\n
Soe s\u00f5nul tekkis tal juba mitu aastat tagasi Itaalia originaali vaadates \u00e4ratundmine, et selle p\u00f5neva ning nappi m\u00e4nguruumi n\u00f5udva loo saaks vormistada eestikeelseks. Pika t\u00f6\u00f6staa\u017eiga operaatorina teab Soe, et k\u00f5ige olulisem on l\u00f5ppkokkuv\u00f5ttes algmaterjal ning ohtlikust s\u00f5pradevahelisest nutitelefonim\u00e4ngust r\u00e4\u00e4kiv \u00abT\u00e4iuslikud v\u00f5\u00f5rad\u00bb on selle koha pealt hiilgav.<\/p>\n
\u00abKui on p\u00f5nevate tegelaste ja probleemidega lugu, mis kuidagi k\u00f5netab, siis just see mind s\u00fctitabki. Olles n\u00e4inud \u00abT\u00e4iuslike v\u00f5\u00f5raste\u00bb algset, Itaalia versiooni, helistasin Apollo produtsendile Tanel Tatterile ja p\u00f5rgatasin talle ideed, et seda filmi oleks lihtne \u00fcle tuua. Siis sain guugeldades teada, et teisedki riigid on sama idee peale tulnud,\u00bb selgitab Soe filmi valmimislugu. \u00abTanel \u00fctles, et nendel on seesama m\u00f5te peast l\u00e4bi jooksnud, aga asi on \u00f5iguste ja juriidika taga kinni, kuidas seda ellu viia. N\u00fc\u00fcd, neli-viis aastat hiljem sai see teoks.\u00bb<\/p>\n","protected":false},"excerpt":{"rendered":"Eestis leidub palju silmapaistvaid operaatoreid, kuid vaatajanumbrite pealt v\u00f5ib \u00f6elda, et Mihkel Soe t\u00f6\u00f6d on eestlased k\u00f5ige rohkem…\n","protected":false},"author":2,"featured_media":90501,"comment_status":"","ping_status":"","sticky":false,"template":"","format":"standard","meta":{"footnotes":""},"categories":[16],"tags":[33065,37,33,35,173,34,36,140,44335,25320,28416,44336],"class_list":{"0":"post-90500","1":"post","2":"type-post","3":"status-publish","4":"format-standard","5":"has-post-thumbnail","7":"category-meelelahutus","8":"tag-dokumentaalfilmid","9":"tag-ee","10":"tag-eesti","11":"tag-eesti-keel","12":"tag-entertainment","13":"tag-estonia","14":"tag-estonian","15":"tag-meelelahutus","16":"tag-mihkel-soe","17":"tag-operaator","18":"tag-taiuslikud-voorad","19":"tag-telesarjad"},"share_on_mastodon":{"url":"https:\/\/pubeurope.com\/@ee\/115935498971696831","error":""},"_links":{"self":[{"href":"https:\/\/www.europesays.com\/ee\/wp-json\/wp\/v2\/posts\/90500","targetHints":{"allow":["GET"]}}],"collection":[{"href":"https:\/\/www.europesays.com\/ee\/wp-json\/wp\/v2\/posts"}],"about":[{"href":"https:\/\/www.europesays.com\/ee\/wp-json\/wp\/v2\/types\/post"}],"author":[{"embeddable":true,"href":"https:\/\/www.europesays.com\/ee\/wp-json\/wp\/v2\/users\/2"}],"replies":[{"embeddable":true,"href":"https:\/\/www.europesays.com\/ee\/wp-json\/wp\/v2\/comments?post=90500"}],"version-history":[{"count":0,"href":"https:\/\/www.europesays.com\/ee\/wp-json\/wp\/v2\/posts\/90500\/revisions"}],"wp:featuredmedia":[{"embeddable":true,"href":"https:\/\/www.europesays.com\/ee\/wp-json\/wp\/v2\/media\/90501"}],"wp:attachment":[{"href":"https:\/\/www.europesays.com\/ee\/wp-json\/wp\/v2\/media?parent=90500"}],"wp:term":[{"taxonomy":"category","embeddable":true,"href":"https:\/\/www.europesays.com\/ee\/wp-json\/wp\/v2\/categories?post=90500"},{"taxonomy":"post_tag","embeddable":true,"href":"https:\/\/www.europesays.com\/ee\/wp-json\/wp\/v2\/tags?post=90500"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}}