{"id":9525,"date":"2025-10-02T04:44:09","date_gmt":"2025-10-02T04:44:09","guid":{"rendered":"https:\/\/www.europesays.com\/ee\/9525\/"},"modified":"2025-10-02T04:44:09","modified_gmt":"2025-10-02T04:44:09","slug":"maria-helen-kand-kuidas-niki-de-saint-phalle-koletised-kangelannadeks-moondas-suutu-pilk-edasi","status":"publish","type":"post","link":"https:\/\/www.europesays.com\/ee\/9525\/","title":{"rendered":"Maria Helen K\u00e4nd: kuidas Niki de Saint Phalle koletised kangelannadeks moondas. “S\u00fc\u00fctu pilk” \u2013 Edasi"},"content":{"rendered":"

\t\t\t\"\"\t\t\tNiki de Saint Phalle\u2019i, Jean Tinguely ja Per Olof Ultvedti koost\u00f6\u00f6s valminud teos \u201cHon \u2013 katedraal\u201d. Moderna Museet, Stockholm, 1966. Foto: Madoga Media \/ Getty Images\t\t<\/p>\n

Mis oleks Eesti kunstielus t\u00e4na teisiti, kui oleksime saanud ka 1966. aastal \u00fcleelusuuruses naise jalge vahelt sisse jalutada ja piima juua? Ilmselt oleks paljud eestlaste t\u00f5rked kunsti vastu lahustunud.<\/p>\n

Kui kahe miljoni aasta p\u00e4rast leitakse meie tsivilisatsioonist m\u00e4rk, v\u00f5iks see olla Prantsuse-Ameerika kunstniku Niki de Saint Phalle\u2019i (1930\u20132002) erksav\u00e4rviline \u201cNana\u201d (prantsuse keeles t\u00fcdruk). Kuju on omamoodi meie aja Willendorfi Venus ning kehastab naiselikku elur\u00f5\u00f5mu, v\u00e4ge ja pehmust. Kuidas vormistas see ise\u00f5ppijast, jeannedarciliku \u00f5rna oleku, ent s\u00fcdika loomuga kunstnik end kaanonisse? Saint Phalle tulistas s\u00f5na otseses m\u00f5ttes kunstimaailmast l\u00e4bi. Sellest, mis ajendas kunstnikku relva haarama, aga hiljem juba v\u00e4rvik\u00fclluse ja voolujoonelisusega patriarhaalse m\u00f5juv\u00f5imu vastu protestima, teeme juttu rubriigi \u201cS\u00fc\u00fctu pilk\u201d seekordses loos.<\/p>\n

\"\"<\/a><\/p>\n","protected":false},"excerpt":{"rendered":"Niki de Saint Phalle\u2019i, Jean Tinguely ja Per Olof Ultvedti koost\u00f6\u00f6s valminud teos \u201cHon \u2013 katedraal\u201d. Moderna Museet,…\n","protected":false},"author":2,"featured_media":9526,"comment_status":"","ping_status":"","sticky":false,"template":"","format":"standard","meta":{"footnotes":""},"categories":[16],"tags":[424,37,33,35,173,34,36,1426,1427,190,672,140,192,2928,715],"class_list":{"0":"post-9525","1":"post","2":"type-post","3":"status-publish","4":"format-standard","5":"has-post-thumbnail","7":"category-meelelahutus","8":"tag-edasi","9":"tag-ee","10":"tag-eesti","11":"tag-eesti-keel","12":"tag-entertainment","13":"tag-estonia","14":"tag-estonian","15":"tag-kino","16":"tag-kogemus","17":"tag-kunst","18":"tag-majandus","19":"tag-meelelahutus","20":"tag-skulptuur","21":"tag-suhted","22":"tag-uhiskond"},"share_on_mastodon":{"url":"","error":""},"_links":{"self":[{"href":"https:\/\/www.europesays.com\/ee\/wp-json\/wp\/v2\/posts\/9525","targetHints":{"allow":["GET"]}}],"collection":[{"href":"https:\/\/www.europesays.com\/ee\/wp-json\/wp\/v2\/posts"}],"about":[{"href":"https:\/\/www.europesays.com\/ee\/wp-json\/wp\/v2\/types\/post"}],"author":[{"embeddable":true,"href":"https:\/\/www.europesays.com\/ee\/wp-json\/wp\/v2\/users\/2"}],"replies":[{"embeddable":true,"href":"https:\/\/www.europesays.com\/ee\/wp-json\/wp\/v2\/comments?post=9525"}],"version-history":[{"count":0,"href":"https:\/\/www.europesays.com\/ee\/wp-json\/wp\/v2\/posts\/9525\/revisions"}],"wp:featuredmedia":[{"embeddable":true,"href":"https:\/\/www.europesays.com\/ee\/wp-json\/wp\/v2\/media\/9526"}],"wp:attachment":[{"href":"https:\/\/www.europesays.com\/ee\/wp-json\/wp\/v2\/media?parent=9525"}],"wp:term":[{"taxonomy":"category","embeddable":true,"href":"https:\/\/www.europesays.com\/ee\/wp-json\/wp\/v2\/categories?post=9525"},{"taxonomy":"post_tag","embeddable":true,"href":"https:\/\/www.europesays.com\/ee\/wp-json\/wp\/v2\/tags?post=9525"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}}