Veisson tunnistab, et p\u00e4ris sajaprotsendiliselt rahul nad filmiga ei ole, kuid tema meelest oleks m\u00e4rksa suurem probleem see, kui nad oleksid. \u00ab\u00d5nneks me p\u00e4ris rahule ei j\u00e4\u00e4nud, muidu oleks vaatajate jaoks ehk kahtlane tundunud, et k\u00f5ik on liiga sile ja ilus. Midagi seal siiski on. Tore on tagasi vaadata ja meenutada, mis kunagi juhtus,\u00bb kinnitab Veisson.<\/p>\n
Ta j\u00e4tkab: \u00abSee film on DocPointi avafilm, aga dokumentaalid on minu jaoks \u00fcks \u00f5udsamaid \u017eanre. Nad j\u00e4tavad mulje, nagu k\u00f5ik olekski t\u00e4pselt nii p\u00e4riselt juhtunud. Justkui olekski ainult \u00fcks t\u00f5de. Aga mis oli nende kaadrite vaheline kontekst? Kuidas need asjad omavahel kokku on monteeritud? Kes on filmist t\u00e4iesti v\u00e4lja j\u00e4etud? Seda vaataja ei n\u00e4e. Ja kui sa ise oled seal peategelane, siis tekib omamoodi kriis: ma saan aru, et ma enam ei kontrolli seda, kuidas mind kujutatakse v\u00f5i milline mulje minust j\u00e4\u00e4b. Artistina tahaks seda ju kontrollida. Siiani on mulle olnud oluline, kellele ma intervjuusid annan ja millistes projektides osalen. Aga n\u00fc\u00fcd on terve dokumentaalfilm, ja inimesed k\u00fcsivad ikka: \u00abSee on ju teie film?\u00bb Tegelikult ei ole. Me oleme seal lihtsalt nagu n\u00e4itlejad.\u00bb<\/p>\n
Kogu filmi Veisson ette r\u00e4\u00e4kida ei tahaks, aga samas toob ta v\u00e4lja, et filmis on ka veidi ekstreemsemaid olukordi. \u00abFilmist tuleb h\u00e4sti v\u00e4lja, kui erinev v\u00f5ib olla n\u00e4iteks Kanada folgipublik v\u00f5rreldes Eesti omaga. Sealne l\u00e4bil\u00f5ige on t\u00f5esti teistsugune, kuigi see ei t\u00e4henda, et igal pool Kanadas oleks publikus ainult vanad inimesed,\u00bb s\u00f5nas Veisson.<\/p>\n","protected":false},"excerpt":{"rendered":"Veisson tunnistab, et p\u00e4ris sajaprotsendiliselt rahul nad filmiga ei ole, kuid tema meelest oleks m\u00e4rksa suurem probleem see,…\n","protected":false},"author":2,"featured_media":99866,"comment_status":"","ping_status":"","sticky":false,"template":"","format":"standard","meta":{"footnotes":""},"categories":[16],"tags":[1086,39228,48055,37,33,35,173,34,36,208,1554,140,7594,48056],"class_list":{"0":"post-99865","1":"post","2":"type-post","3":"status-publish","4":"format-standard","5":"has-post-thumbnail","7":"category-meelelahutus","8":"tag-aasia","9":"tag-docpoint","10":"tag-dokumentaal","11":"tag-ee","12":"tag-eesti","13":"tag-eesti-keel","14":"tag-entertainment","15":"tag-estonia","16":"tag-estonian","17":"tag-film","18":"tag-kanada","19":"tag-meelelahutus","20":"tag-singapur","21":"tag-veisson"},"share_on_mastodon":{"url":"https:\/\/pubeurope.com\/@ee\/116006718275462694","error":""},"_links":{"self":[{"href":"https:\/\/www.europesays.com\/ee\/wp-json\/wp\/v2\/posts\/99865","targetHints":{"allow":["GET"]}}],"collection":[{"href":"https:\/\/www.europesays.com\/ee\/wp-json\/wp\/v2\/posts"}],"about":[{"href":"https:\/\/www.europesays.com\/ee\/wp-json\/wp\/v2\/types\/post"}],"author":[{"embeddable":true,"href":"https:\/\/www.europesays.com\/ee\/wp-json\/wp\/v2\/users\/2"}],"replies":[{"embeddable":true,"href":"https:\/\/www.europesays.com\/ee\/wp-json\/wp\/v2\/comments?post=99865"}],"version-history":[{"count":0,"href":"https:\/\/www.europesays.com\/ee\/wp-json\/wp\/v2\/posts\/99865\/revisions"}],"wp:featuredmedia":[{"embeddable":true,"href":"https:\/\/www.europesays.com\/ee\/wp-json\/wp\/v2\/media\/99866"}],"wp:attachment":[{"href":"https:\/\/www.europesays.com\/ee\/wp-json\/wp\/v2\/media?parent=99865"}],"wp:term":[{"taxonomy":"category","embeddable":true,"href":"https:\/\/www.europesays.com\/ee\/wp-json\/wp\/v2\/categories?post=99865"},{"taxonomy":"post_tag","embeddable":true,"href":"https:\/\/www.europesays.com\/ee\/wp-json\/wp\/v2\/tags?post=99865"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}}