{"id":154758,"date":"2025-10-03T11:12:09","date_gmt":"2025-10-03T11:12:09","guid":{"rendered":"https:\/\/www.europesays.com\/es\/154758\/"},"modified":"2025-10-03T11:12:09","modified_gmt":"2025-10-03T11:12:09","slug":"taylor-swift-publica-the-life-of-a-showgirl","status":"publish","type":"post","link":"https:\/\/www.europesays.com\/es\/154758\/","title":{"rendered":"Taylor Swift publica &#8216;The Life of a Showgirl&#8217;"},"content":{"rendered":"<p>The Life of a Showgirl&#8217; es un \u00e1lbum m\u00e1s inmediato y corto bajo la producci\u00f3n de Max Martin, el indiscutible arquitecto del pop comercial.<\/p>\n<p>Taylor Swift inaugura una nueva era con el lanzamiento de The Life of a Showgirl, un disco que reafirma su lugar en la cima del pop contempor\u00e1neo, por si alguien osaba disputarle el trono. Un \u00e1lbum m\u00e1s inmediato y corto: con canciones de tres minutos y medio, estribillos con gancho y estructuras m\u00e1s convencionales. Todo bajo la producci\u00f3n de Max Martin, el indiscutible arquitecto del pop comercial. A lo largo de su tracklist le da tiempo a mencionar al real Madrid, a tirarle beef a Charli xcx, a colaborar con Sabrina Carpenter y a homenajear a George Michael.<\/p>\n<p>Adem\u00e1s, Miguel R\u00edos responde a nuestro cuestionario cultura en FAQ!; y hablamos con Nation of Language sobre hacerse mayor, repasar los recuerdos, confiar en la memoria y asegurar un v\u00ednculo emocional con sus seguidores a trav\u00e9s de su fant\u00e1stico nuevo disco, \u2018Dance Called Memory\u2019. <\/p>\n<p>Playlist:<\/p>\n<p>The xx &#8211; Angels <\/p>\n<p>Phantogram &#8211; Black Out Days <\/p>\n<p>Yeah Yeah Yeahs, Perfume Genius &#8211; Spitting Off the Edge of the World <\/p>\n<p>Massive Attack, Hope Sandoval &#8211; Paradise Circus <\/p>\n<p>Jon Hopkins &#8211; Emerald Rush <\/p>\n<p>Pional, Empress Of &#8211; The Way That You Like <\/p>\n<p>Lorde &#8211; Royals <\/p>\n<p>Lykke Li &#8211; sex money feelings die <\/p>\n<p>BICEP, Clara La San &#8211; Water <\/p>\n<p>Disclosure, Eliza Doolittle &#8211; You &amp; Me (Fume remix)<\/p>\n<p>The Strokes &#8211; Brooklyn Bridge To Chorus<\/p>\n<p>Lambchop &#8211; Little Black Boxes<\/p>\n<p>Young Marco &#8211; What You Say?<\/p>\n<p>Overmono &#8211; Is U <\/p>\n<p>DJ Seinfeld, Confidence Man &#8211; Now U Do<\/p>\n<p>SPRINTS &#8211; Need<\/p>\n<p>Rata Negra &#8211; Hawai <\/p>\n<p>Mujeres, LA \u00c9LITE &#8211; Cardio y caladas <\/p>\n<p>Nia Archives &#8211; Unfinished Business <\/p>\n<p>OIiver Sim &#8211; Obsession  <\/p>\n<p>Jens Lekman &#8211; On a Pier, On the Hudson<\/p>\n<p>Caribou &#8211; Never Come Back <\/p>\n<p>JADE &#8211; Unconditional  <\/p>\n<p>Confidence Man, JADE &#8211; gossip <\/p>\n<p>Yaeji, underscores, Aliyah\u2019s Interlude &#8211; booboo2<\/p>\n<p>Fcukers &#8211; Play Me<\/p>\n<p>Ghouljaboy, Lucca &#8211; Ultra Dante<\/p>\n<p>Nourished by Time &#8211; BABY BABY<\/p>\n<p>Danny L Harle, Caroline Polachek &#8211; Azimuth <\/p>\n<p>Caroline Polachek &#8211; I Believe <\/p>\n<p>Taylor Swift &#8211; Father Figure <\/p>\n<p>HAIM &#8211; Gone <\/p>\n<p>Ralphie Choo &#8211; PIRRI <\/p>\n<p>Buscabulla &#8211; Miraverah\u00ed  <\/p>\n<p>Sudan Archives &#8211; DEAD <\/p>\n<p>AMAARAE &#8211; KISS ME THRU THE PHONE PT.2 <\/p>\n<p>Bb trickz &#8211; fresa<\/p>\n<p>Barry B &#8211; Monster Truck<\/p>\n<p>Fred again.., Amyl and The Sniffers &#8211; you\u2019re a star <\/p>\n<p>Fred again, Anderson .Paak, CHIKA &#8211; places to be (CLIPZ remix)<\/p>\n<p>Nation of Language &#8211; In Your Head <\/p>\n<p>Geese &#8211; Au Pays du Cocaine <\/p>\n<p>Oasis &#8211; Champagne Supernova (Unplugged) <\/p>\n","protected":false},"excerpt":{"rendered":"The Life of a Showgirl&#8217; es un \u00e1lbum m\u00e1s inmediato y corto bajo la producci\u00f3n de Max Martin,&hellip;\n","protected":false},"author":2,"featured_media":154759,"comment_status":"","ping_status":"","sticky":false,"template":"","format":"standard","meta":{"footnotes":""},"categories":[170],"tags":[146,147,25,24,184,185,36884,133,1448,1986,1987,23,46501],"class_list":{"0":"post-154758","1":"post","2":"type-post","3":"status-publish","4":"format-standard","5":"has-post-thumbnail","7":"category-musica","8":"tag-entertainment","9":"tag-entretenimiento","10":"tag-es","11":"tag-espana","12":"tag-music","13":"tag-musica","14":"tag-nanana","15":"tag-online","16":"tag-radio","17":"tag-rne","18":"tag-rtve-play","19":"tag-spain","20":"tag-taylor-swift-asegura-su-trono-pop"},"share_on_mastodon":{"url":"","error":""},"_links":{"self":[{"href":"https:\/\/www.europesays.com\/es\/wp-json\/wp\/v2\/posts\/154758","targetHints":{"allow":["GET"]}}],"collection":[{"href":"https:\/\/www.europesays.com\/es\/wp-json\/wp\/v2\/posts"}],"about":[{"href":"https:\/\/www.europesays.com\/es\/wp-json\/wp\/v2\/types\/post"}],"author":[{"embeddable":true,"href":"https:\/\/www.europesays.com\/es\/wp-json\/wp\/v2\/users\/2"}],"replies":[{"embeddable":true,"href":"https:\/\/www.europesays.com\/es\/wp-json\/wp\/v2\/comments?post=154758"}],"version-history":[{"count":0,"href":"https:\/\/www.europesays.com\/es\/wp-json\/wp\/v2\/posts\/154758\/revisions"}],"wp:featuredmedia":[{"embeddable":true,"href":"https:\/\/www.europesays.com\/es\/wp-json\/wp\/v2\/media\/154759"}],"wp:attachment":[{"href":"https:\/\/www.europesays.com\/es\/wp-json\/wp\/v2\/media?parent=154758"}],"wp:term":[{"taxonomy":"category","embeddable":true,"href":"https:\/\/www.europesays.com\/es\/wp-json\/wp\/v2\/categories?post=154758"},{"taxonomy":"post_tag","embeddable":true,"href":"https:\/\/www.europesays.com\/es\/wp-json\/wp\/v2\/tags?post=154758"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}}