{"id":178232,"date":"2025-10-15T11:08:20","date_gmt":"2025-10-15T11:08:20","guid":{"rendered":"https:\/\/www.europesays.com\/es\/178232\/"},"modified":"2025-10-15T11:08:20","modified_gmt":"2025-10-15T11:08:20","slug":"estas-son-las-25-mejores-peliculas-espanolas-del-siglo-xxi-segun-fotogramas","status":"publish","type":"post","link":"https:\/\/www.europesays.com\/es\/178232\/","title":{"rendered":"Estas son las 25 mejores pel\u00edculas espa\u00f1olas del siglo XXI, seg\u00fan &#8216;Fotogramas&#8217;"},"content":{"rendered":"<p>                    <img src=\"https:\/\/www.mundodeportivo.com\/files\/image_449_465\/files\/fp\/uploads\/2025\/10\/15\/68ef60a115549.r_d.900-831-2339.jpeg\" data-full-src=\"https:\/\/www.europesays.com\/es\/wp-content\/uploads\/2025\/10\/68ef60a115549.jpeg\" class=\"nolazy\" decoding=\"async\" fetchpriority=\"high\" width=\"449\" height=\"465\"\/><\/p>\n<p>La redacci\u00f3n del medio especializado en cine ha elaborado un ranking con los mejores t\u00edtulos de los \u00faltimos 25 a\u00f1os\n<\/p>\n<p>                        <img loading=\"lazy\" decoding=\"async\" class=\"swiper-lazy\" alt=\"'Campeones' (Javier Fesser, 2018)\" data-full-src=\"https:\/\/www.mundodeportivo.com\/uploads\/2025\/10\/15\/68ef60c71649a.jpeg\" src=\"https:\/\/www.europesays.com\/es\/wp-content\/uploads\/2025\/10\/68ef60c71649a.jpeg\" width=\"372\" height=\"558\"\/><\/p>\n<p>                        &#8216;Campeones&#8217; (Javier Fesser, 2018)\n<\/p>\n<p>                25.\u00a0&#8216;Campeones&#8217; (Javier Fesser, 2018)<\/p>\n<p>                        <img loading=\"lazy\" decoding=\"async\" class=\"swiper-lazy\" alt=\"'Truman' (Cesc Gay, 2015)\" data-full-src=\"https:\/\/www.mundodeportivo.com\/uploads\/2025\/10\/15\/68ef60e2b36da.jpeg\" src=\"https:\/\/www.europesays.com\/es\/wp-content\/uploads\/2025\/10\/68ef60e2b36da.jpeg\" width=\"392\" height=\"558\"\/><\/p>\n<p>                        &#8216;Truman&#8217; (Cesc Gay, 2015)\n<\/p>\n<p>                24.\u00a0&#8216;Truman&#8217; (Cesc Gay, 2015)<\/p>\n<p>                        <img loading=\"lazy\" decoding=\"async\" class=\"swiper-lazy\" alt=\"'Chico y Rita' (Fernando Trueba, Javier Mariscal y Tono Errando, 2010)\" data-full-src=\"https:\/\/www.mundodeportivo.com\/uploads\/2025\/10\/15\/68ef611c44547.jpeg\" src=\"https:\/\/www.europesays.com\/es\/wp-content\/uploads\/2025\/10\/68ef611c44547.jpeg\" width=\"380\" height=\"558\"\/><\/p>\n<p>                        &#8216;Chico y Rita&#8217; (Fernando Trueba, Javier Mariscal y Tono Errando, 2010)\n<\/p>\n<p>                23.\u00a0&#8216;Chico y Rita&#8217; (Fernando Trueba, Javier Mariscal y Tono Errando, 2010)<\/p>\n<p>                        <img loading=\"lazy\" decoding=\"async\" class=\"swiper-lazy\" alt=\"'Saben aquell' (David Trueba, 2023)\" data-full-src=\"https:\/\/www.mundodeportivo.com\/uploads\/2025\/10\/15\/68ef614104864.jpeg\" src=\"https:\/\/www.europesays.com\/es\/wp-content\/uploads\/2025\/10\/68ef614104864.jpeg\" width=\"446\" height=\"558\"\/><\/p>\n<p>                        &#8216;Saben aquell&#8217; (David Trueba, 2023)\n<\/p>\n<p>                22.\u00a0&#8216;Saben aquell&#8217; (David Trueba, 2023)<\/p>\n<p>                        <img loading=\"lazy\" decoding=\"async\" class=\"swiper-lazy\" alt=\"'Maspalomas' (Jos\u00e9 Mari Goenaga y Aitor Arregi, 2025)\" data-full-src=\"https:\/\/www.mundodeportivo.com\/uploads\/2025\/10\/15\/68ef6164017d7.jpeg\" src=\"https:\/\/www.europesays.com\/es\/wp-content\/uploads\/2025\/10\/68ef6164017d7.jpeg\" width=\"392\" height=\"558\"\/><\/p>\n<p>                        &#8216;Maspalomas&#8217; (Jos\u00e9 Mari Goenaga y Aitor Arregi, 2025)\n<\/p>\n<p>                21.\u00a0&#8216;Maspalomas&#8217; (Jos\u00e9 Mari Goenaga y Aitor Arregi, 2025)<\/p>\n<p>                        <img loading=\"lazy\" decoding=\"async\" class=\"swiper-lazy\" alt=\"'Balada triste de trompeta' (\u00c1lex de la Iglesia, 2010)\" data-full-src=\"https:\/\/www.mundodeportivo.com\/uploads\/2025\/10\/15\/68ef6180ad306.jpeg\" src=\"https:\/\/www.europesays.com\/es\/wp-content\/uploads\/2025\/10\/68ef6180ad306.jpeg\" width=\"387\" height=\"558\"\/><\/p>\n<p>                        &#8216;Balada triste de trompeta&#8217; (\u00c1lex de la Iglesia, 2010)\n<\/p>\n<p>                20.\u00a0&#8216;Balada triste de trompeta&#8217; (\u00c1lex de la Iglesia, 2010)<\/p>\n<p>                        <img loading=\"lazy\" decoding=\"async\" class=\"swiper-lazy\" alt=\"'Esp\u00edritu sagrado' (Chema Garc\u00eda Ibarra, 2021)\" data-full-src=\"https:\/\/www.mundodeportivo.com\/uploads\/2025\/10\/15\/68ef61a1318c7.jpeg\" src=\"https:\/\/www.europesays.com\/es\/wp-content\/uploads\/2025\/10\/68ef61a1318c7.jpeg\" width=\"395\" height=\"558\"\/><\/p>\n<p>                        &#8216;Esp\u00edritu sagrado&#8217; (Chema Garc\u00eda Ibarra, 2021)\n<\/p>\n<p>                19. &#8216;Esp\u00edritu sagrado&#8217; (Chema Garc\u00eda Ibarra, 2021)<\/p>\n<p>                        <img loading=\"lazy\" decoding=\"async\" class=\"swiper-lazy\" alt=\"'La caja 507' (Enrique Urbizu, 2002)\" data-full-src=\"https:\/\/www.mundodeportivo.com\/uploads\/2025\/10\/15\/68ef61b986d90.jpeg\" src=\"https:\/\/www.europesays.com\/es\/wp-content\/uploads\/2025\/10\/68ef61b986d90.jpeg\" width=\"394\" height=\"558\"\/><\/p>\n<p>                        &#8216;La caja 507&#8217; (Enrique Urbizu, 2002)\n<\/p>\n<p>                18. &#8216;La caja 507&#8217; (Enrique Urbizu, 2002)<\/p>\n<p>                        <img loading=\"lazy\" decoding=\"async\" class=\"swiper-lazy\" alt=\"'Los cronocr\u00edmenes' (Nacho Vigalondo, 2007)\" data-full-src=\"https:\/\/www.mundodeportivo.com\/uploads\/2025\/10\/15\/68ef61dfebd05.jpeg\" src=\"https:\/\/www.europesays.com\/es\/wp-content\/uploads\/2025\/10\/68ef61dfebd05.jpeg\" width=\"395\" height=\"558\"\/><\/p>\n<p>                        &#8216;Los cronocr\u00edmenes&#8217; (Nacho Vigalondo, 2007)\n<\/p>\n<p>                17. &#8216;Los cronocr\u00edmenes&#8217; (Nacho Vigalondo, 2007)<\/p>\n<p>                        <img loading=\"lazy\" decoding=\"async\" class=\"swiper-lazy\" alt=\"'Robot dreams' (Pablo Berger, 2023)\" data-full-src=\"https:\/\/www.mundodeportivo.com\/uploads\/2025\/10\/15\/68ef61fdead9c.jpeg\" src=\"https:\/\/www.europesays.com\/es\/wp-content\/uploads\/2025\/10\/68ef61fdead9c.jpeg\" width=\"395\" height=\"558\"\/><\/p>\n<p>                        &#8216;Robot dreams&#8217; (Pablo Berger, 2023)\n<\/p>\n<p>                16. &#8216;Robot dreams&#8217; (Pablo Berger, 2023)<\/p>\n<p>                        <img loading=\"lazy\" decoding=\"async\" class=\"swiper-lazy\" alt=\"'La novia' (Paula Ortiz, 2015)\" data-full-src=\"https:\/\/www.mundodeportivo.com\/uploads\/2025\/10\/15\/68ef621d5a331.jpeg\" src=\"https:\/\/www.europesays.com\/es\/wp-content\/uploads\/2025\/10\/68ef621d5a331.jpeg\" width=\"387\" height=\"558\"\/><\/p>\n<p>                        &#8216;La novia&#8217; (Paula Ortiz, 2015)\n<\/p>\n<p>                15. &#8216;La novia&#8217; (Paula Ortiz, 2015)<\/p>\n<p>                        <img loading=\"lazy\" decoding=\"async\" class=\"swiper-lazy\" alt=\"'REC' (Jaume Balaguer\u00f3 y Paco Plaza, 2007)\" data-full-src=\"https:\/\/www.mundodeportivo.com\/uploads\/2025\/10\/15\/68ef6250829bf.jpeg\" src=\"https:\/\/www.europesays.com\/es\/wp-content\/uploads\/2025\/10\/68ef6250829bf.jpeg\" width=\"394\" height=\"558\"\/><\/p>\n<p>                        &#8216;REC&#8217; (Jaume Balaguer\u00f3 y Paco Plaza, 2007)\n<\/p>\n<p>                14. &#8216;REC&#8217; (Jaume Balaguer\u00f3 y Paco Plaza, 2007)<\/p>\n<p>                        <img loading=\"lazy\" decoding=\"async\" class=\"swiper-lazy\" alt=\"'Verano 1993' (Carla Sim\u00f3n, 2017)\" data-full-src=\"https:\/\/www.mundodeportivo.com\/uploads\/2025\/10\/15\/68ef626cf0968.jpeg\" src=\"https:\/\/www.europesays.com\/es\/wp-content\/uploads\/2025\/10\/68ef626cf0968.jpeg\" width=\"394\" height=\"558\"\/><\/p>\n<p>                        &#8216;Verano 1993&#8217; (Carla Sim\u00f3n, 2017)\n<\/p>\n<p>                13. &#8216;Verano 1993&#8217; (Carla Sim\u00f3n, 2017)<\/p>\n<p>                        <img loading=\"lazy\" decoding=\"async\" class=\"swiper-lazy\" alt=\"'Celda 211' (Daniel Monz\u00f3n, 2009)\" data-full-src=\"https:\/\/www.mundodeportivo.com\/uploads\/2025\/10\/15\/68ef62d7b524f.jpeg\" src=\"https:\/\/www.europesays.com\/es\/wp-content\/uploads\/2025\/10\/68ef62d7b524f.jpeg\" width=\"387\" height=\"558\"\/><\/p>\n<p>                        &#8216;Celda 211&#8217; (Daniel Monz\u00f3n, 2009)\n<\/p>\n<p>                12. &#8216;Celda 211&#8217; (Daniel Monz\u00f3n, 2009)<\/p>\n<p>                        <img loading=\"lazy\" decoding=\"async\" class=\"swiper-lazy\" alt=\"'Magical Girl' (Carlos Vermut, 2014)\" data-full-src=\"https:\/\/www.mundodeportivo.com\/uploads\/2025\/10\/15\/68ef62f3e0aa3.jpeg\" src=\"https:\/\/www.europesays.com\/es\/wp-content\/uploads\/2025\/10\/68ef62f3e0aa3.jpeg\" width=\"394\" height=\"558\"\/><\/p>\n<p>                        &#8216;Magical Girl&#8217; (Carlos Vermut, 2014)\n<\/p>\n<p>                11. &#8216;Magical Girl&#8217; (Carlos Vermut, 2014)<\/p>\n<p>                        <img loading=\"lazy\" decoding=\"async\" class=\"swiper-lazy\" alt=\"'Tarde para la ira' (Ra\u00fal Ar\u00e9valo, 2016)\" data-full-src=\"https:\/\/www.mundodeportivo.com\/uploads\/2025\/10\/15\/68ef632f0fef2.jpeg\" src=\"https:\/\/www.europesays.com\/es\/wp-content\/uploads\/2025\/10\/68ef632f0fef2.jpeg\" width=\"395\" height=\"558\"\/><\/p>\n<p>                        &#8216;Tarde para la ira&#8217; (Ra\u00fal Ar\u00e9valo, 2016)\n<\/p>\n<p>                10. &#8216;Tarde para la ira&#8217; (Ra\u00fal Ar\u00e9valo, 2016)<\/p>\n<p>                        <img loading=\"lazy\" decoding=\"async\" class=\"swiper-lazy\" alt=\"'Los lunes al sol' (Fernando Le\u00f3n de Aranoa, 2002)\" data-full-src=\"https:\/\/www.mundodeportivo.com\/uploads\/2025\/10\/15\/68ef6348bbf48.jpeg\" src=\"https:\/\/www.europesays.com\/es\/wp-content\/uploads\/2025\/10\/68ef6348bbf48.jpeg\" width=\"394\" height=\"558\"\/><\/p>\n<p>                        &#8216;Los lunes al sol&#8217; (Fernando Le\u00f3n de Aranoa, 2002)\n<\/p>\n<p>                9. &#8216;Los lunes al sol&#8217; (Fernando Le\u00f3n de Aranoa, 2002)<\/p>\n<p>                        <img loading=\"lazy\" decoding=\"async\" class=\"swiper-lazy\" alt=\"'Mi vida sin m\u00ed' (Isabel Coixet, 2003)\" data-full-src=\"https:\/\/www.mundodeportivo.com\/uploads\/2025\/10\/15\/68ef63616f038.jpeg\" src=\"https:\/\/www.europesays.com\/es\/wp-content\/uploads\/2025\/10\/68ef63616f038.jpeg\" width=\"425\" height=\"558\"\/><\/p>\n<p>                        &#8216;Mi vida sin m\u00ed&#8217; (Isabel Coixet, 2003)\n<\/p>\n<p>                8. &#8216;Mi vida sin m\u00ed&#8217; (Isabel Coixet, 2003)<\/p>\n<p>                        <img loading=\"lazy\" decoding=\"async\" class=\"swiper-lazy\" alt=\"'Te doy mis ojos' (Ic\u00edar Bolla\u00edn, 2003)\" data-full-src=\"https:\/\/www.mundodeportivo.com\/uploads\/2025\/10\/15\/68ef6379b666a.jpeg\" src=\"https:\/\/www.europesays.com\/es\/wp-content\/uploads\/2025\/10\/68ef6379b666a.jpeg\" width=\"392\" height=\"558\"\/><\/p>\n<p>                        &#8216;Te doy mis ojos&#8217; (Ic\u00edar Bolla\u00edn, 2003)\n<\/p>\n<p>                7. &#8216;Te doy mis ojos&#8217; (Ic\u00edar Bolla\u00edn, 2003)<\/p>\n<p>                        <img loading=\"lazy\" decoding=\"async\" class=\"swiper-lazy\" alt=\"'Dolor y gloria' (Pedro Almod\u00f3var, 2019)\" data-full-src=\"https:\/\/www.mundodeportivo.com\/uploads\/2025\/10\/15\/68ef6397df973.jpeg\" src=\"https:\/\/www.europesays.com\/es\/wp-content\/uploads\/2025\/10\/68ef6397df973.jpeg\" width=\"391\" height=\"558\"\/><\/p>\n<p>                        &#8216;Dolor y gloria&#8217; (Pedro Almod\u00f3var, 2019)\n<\/p>\n<p>                6. &#8216;Dolor y gloria&#8217; (Pedro Almod\u00f3var, 2019)<\/p>\n<p>                        <img loading=\"lazy\" decoding=\"async\" class=\"swiper-lazy\" alt=\"'El laberinto del fauno' (Guillermo del Toro, 2006)\" data-full-src=\"https:\/\/www.mundodeportivo.com\/uploads\/2025\/10\/15\/68ef63b526a66.jpeg\" src=\"https:\/\/www.europesays.com\/es\/wp-content\/uploads\/2025\/10\/68ef63b526a66.jpeg\" width=\"401\" height=\"558\"\/><\/p>\n<p>                        &#8216;El laberinto del fauno&#8217; (Guillermo del Toro, 2006)\n<\/p>\n<p>                5. &#8216;El laberinto del fauno&#8217; (Guillermo del Toro, 2006)<\/p>\n<p>                        <img loading=\"lazy\" decoding=\"async\" class=\"swiper-lazy\" alt=\"'La sociedad de la nieve' (J. A. Bayona, 2023)\" data-full-src=\"https:\/\/www.mundodeportivo.com\/uploads\/2025\/10\/15\/68ef63ce6642e.jpeg\" src=\"https:\/\/www.europesays.com\/es\/wp-content\/uploads\/2025\/10\/68ef63ce6642e.jpeg\" width=\"377\" height=\"558\"\/><\/p>\n<p>                        &#8216;La sociedad de la nieve&#8217; (J. A. Bayona, 2023)\n<\/p>\n<p>                4. &#8216;La sociedad de la nieve&#8217; (J. A. Bayona, 2023)<\/p>\n<p>                        <img loading=\"lazy\" decoding=\"async\" class=\"swiper-lazy\" alt=\"'As bestas' (Rodrigo Sorogoyen, 2022)\" data-full-src=\"https:\/\/www.mundodeportivo.com\/uploads\/2025\/10\/15\/68ef63e837791.jpeg\" src=\"https:\/\/www.europesays.com\/es\/wp-content\/uploads\/2025\/10\/68ef63e837791.jpeg\" width=\"377\" height=\"558\"\/><\/p>\n<p>                        &#8216;As bestas&#8217; (Rodrigo Sorogoyen, 2022)\n<\/p>\n<p>                3. &#8216;As bestas&#8217; (Rodrigo Sorogoyen, 2022)<\/p>\n<p>                        <img loading=\"lazy\" decoding=\"async\" class=\"swiper-lazy\" alt=\"'La isla m\u00ednima' (Alberto Rodr\u00edguez, 2014)\" data-full-src=\"https:\/\/www.mundodeportivo.com\/uploads\/2025\/10\/15\/68ef6412cd9d8.jpeg\" src=\"https:\/\/www.europesays.com\/es\/wp-content\/uploads\/2025\/10\/68ef6412cd9d8.jpeg\" width=\"391\" height=\"558\"\/><\/p>\n<p>                        &#8216;La isla m\u00ednima&#8217; (Alberto Rodr\u00edguez, 2014)\n<\/p>\n<p>                2. &#8216;La isla m\u00ednima&#8217; (Alberto Rodr\u00edguez, 2014)<\/p>\n<p>                        <img loading=\"lazy\" decoding=\"async\" class=\"swiper-lazy\" alt=\"'Los otros' (Alejandro Amen\u00e1bar, 2001)\" data-full-src=\"https:\/\/www.mundodeportivo.com\/uploads\/2025\/10\/15\/68ef64256a2d8.jpeg\" src=\"https:\/\/www.europesays.com\/es\/wp-content\/uploads\/2025\/10\/68ef64256a2d8.jpeg\" width=\"390\" height=\"558\"\/><\/p>\n<p>                        &#8216;Los otros&#8217; (Alejandro Amen\u00e1bar, 2001)\n<\/p>\n<p>                25. &#8216;Los otros&#8217; (Alejandro Amen\u00e1bar, 2001)<\/p>\n<p data-gtm-element-container=\"modulo-texto-link\" class=\"paragraph\">Elegir<strong> las mejores pel\u00edculas espa\u00f1olas del siglo XXI<\/strong> parec\u00eda un imposible pero<strong> &#8216;Fotogramas&#8217; se aventur\u00f3 a hacerlo<\/strong>. Hace unos d\u00edas, con motivo del D\u00eda del Cine Espa\u00f1ol, el pasado 6 de octubre, este medio especializado public\u00f3 <a href=\"https:\/\/www.fotogramas.es\/noticias-cine\/g68852655\/mejores-peliculas-espanolas-siglo-xxi-lista-ranking-donde-ver-streaming\/\" rel=\"nofollow noreferrer noopener\" target=\"_blank\">un elaborado ranking<\/a> con los que consideran que son los mejores t\u00edtulos de los \u00faltimos 25 a\u00f1os.\u00a0<\/p>\n<p>    Lee tambi\u00e9n<\/p>\n<p data-gtm-element-container=\"modulo-texto-link\" class=\"paragraph\">El listado fue elegido por votaci\u00f3n de la redacci\u00f3n de &#8216;Fotogramas&#8217;, y de ah\u00ed salieron<strong> hasta 50 largometrajes<\/strong>. Eso s\u00ed, se estableci\u00f3 como norma que no pod\u00eda haber<strong> m\u00e1s de un t\u00edtulo por director o directora<\/strong> en el ranking, lo que ha permitido tener una lista mucho m\u00e1s<strong> variada y plural<\/strong> en cuanto a g\u00e9neros y cineastas. Y t\u00fa, \u00bfhas visto todas estas pel\u00edculas?<\/p>\n<p>\n        Mostrar comentarios\n    <\/p>\n<p>{\u00aballowComment\u00bb:\u00bballowed\u00bb,\u00bbarticleId\u00bb:\u00bbarticle-1002550109&#8243;,\u00bburl\u00bb:\u00bbhttps:\\\/\\\/www.mundodeportivo.com\\\/elotromundo\\\/television\\\/20251014\\\/1002550109\\\/son-25-mejores-peliculas-espanolas-siglo-xxi-fotogramas-dct.html\u00bb,\u00bblivefyre-url\u00bb:\u00bbarticle-1002550109&#8243;}<\/p>\n<p>Cargando siguiente contenido&#8230;\n                <\/p>\n","protected":false},"excerpt":{"rendered":"La redacci\u00f3n del medio especializado en cine ha elaborado un ranking con los mejores t\u00edtulos de los \u00faltimos&hellip;\n","protected":false},"author":2,"featured_media":178233,"comment_status":"","ping_status":"","sticky":false,"template":"","format":"standard","meta":{"footnotes":""},"categories":[169],"tags":[177,146,147,25,24,176,175,23],"class_list":{"0":"post-178232","1":"post","2":"type-post","3":"status-publish","4":"format-standard","5":"has-post-thumbnail","7":"category-cine","8":"tag-cine","9":"tag-entertainment","10":"tag-entretenimiento","11":"tag-es","12":"tag-espana","13":"tag-film","14":"tag-movies","15":"tag-spain"},"share_on_mastodon":{"url":"","error":""},"_links":{"self":[{"href":"https:\/\/www.europesays.com\/es\/wp-json\/wp\/v2\/posts\/178232","targetHints":{"allow":["GET"]}}],"collection":[{"href":"https:\/\/www.europesays.com\/es\/wp-json\/wp\/v2\/posts"}],"about":[{"href":"https:\/\/www.europesays.com\/es\/wp-json\/wp\/v2\/types\/post"}],"author":[{"embeddable":true,"href":"https:\/\/www.europesays.com\/es\/wp-json\/wp\/v2\/users\/2"}],"replies":[{"embeddable":true,"href":"https:\/\/www.europesays.com\/es\/wp-json\/wp\/v2\/comments?post=178232"}],"version-history":[{"count":0,"href":"https:\/\/www.europesays.com\/es\/wp-json\/wp\/v2\/posts\/178232\/revisions"}],"wp:featuredmedia":[{"embeddable":true,"href":"https:\/\/www.europesays.com\/es\/wp-json\/wp\/v2\/media\/178233"}],"wp:attachment":[{"href":"https:\/\/www.europesays.com\/es\/wp-json\/wp\/v2\/media?parent=178232"}],"wp:term":[{"taxonomy":"category","embeddable":true,"href":"https:\/\/www.europesays.com\/es\/wp-json\/wp\/v2\/categories?post=178232"},{"taxonomy":"post_tag","embeddable":true,"href":"https:\/\/www.europesays.com\/es\/wp-json\/wp\/v2\/tags?post=178232"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}}