{"id":183685,"date":"2025-10-17T21:15:19","date_gmt":"2025-10-17T21:15:19","guid":{"rendered":"https:\/\/www.europesays.com\/es\/183685\/"},"modified":"2025-10-17T21:15:19","modified_gmt":"2025-10-17T21:15:19","slug":"altagama-imogen-heap-entre-lo-humano-y-la-ia","status":"publish","type":"post","link":"https:\/\/www.europesays.com\/es\/183685\/","title":{"rendered":"ALTAGAMA &#8211; Imogen Heap, entre lo humano y la IA"},"content":{"rendered":"<p>Imogen Heap siempre ha sido una artista avanzada a su tiempo. Pionera en el uso de procesamiento vocal de forma expresiva, sus creaciones han estado marcadas por el uso de wearables (sus famosos guantes Mi.Mu) y, ahora, por la inteligencia artificial. En su single reci\u00e9n publicado, \u00abAftercare\u00bb, Imogen Heap reflexiona sobre la relaci\u00f3n entre humanos y la IA desde la dualidad: por un lado, crea una nueva voz a partir de la suya (que ha bautizado ia.mogen) y, por otro, utiliza la voz real de su hijo, Scout, al final de la canci\u00f3n. El resultado es bell\u00edsimo.<\/p>\n<p>Tambi\u00e9n en este ALTAGAMA estrenamos el pr\u00f3ximo single del proyecto barcelon\u00e9s Persona y escuchamos a leyendas como Pretendes, TLC o Elton John. Un regalo.<\/p>\n<p>Playlist:<\/p>\n<p>Pretenders &#8211; Back on the Chain Gang<\/p>\n<p>Depeche Mode &#8211; Wagging Tongue<\/p>\n<p>Caro Raro &#8211; Si no la vuelvo a ver<\/p>\n<p>TLC &#8211; Waterfalls<\/p>\n<p>Christina Rosevinge &#8211; Tu boca<\/p>\n<p>Olivia Dean &#8211; Man I Need<\/p>\n<p>Lorde &#8211; Clearblue<\/p>\n<p>Imogen Heap &#8211; Aftercare<\/p>\n<p>Everything but the Girl &#8211; Love Is Strange<\/p>\n<p>El Petit De Cal Eril &#8211; Jo ja no soc qui era<\/p>\n<p>Persona &#8211; NPDR<\/p>\n<p>Saya Gray &#8211; SHELL ( OF A MAN )<\/p>\n<p>Kinky Lover &#8211; Un pedacito de mi<\/p>\n<p>The Beths &#8211; Mosquitoes<\/p>\n<p>Elton John &#8211; I Guess That&#8217;s Why They Call It They Blues <\/p>\n","protected":false},"excerpt":{"rendered":"Imogen Heap siempre ha sido una artista avanzada a su tiempo. Pionera en el uso de procesamiento vocal&hellip;\n","protected":false},"author":2,"featured_media":183686,"comment_status":"","ping_status":"","sticky":false,"template":"","format":"standard","meta":{"footnotes":""},"categories":[170],"tags":[36599,146,51935,147,25,24,51934,184,185,133,1448,1986,1987,23],"class_list":{"0":"post-183685","1":"post","2":"type-post","3":"status-publish","4":"format-standard","5":"has-post-thumbnail","7":"category-musica","8":"tag-altagama","9":"tag-entertainment","10":"tag-entre-lo-humano-y-la-ia","11":"tag-entretenimiento","12":"tag-es","13":"tag-espana","14":"tag-imogen-heap","15":"tag-music","16":"tag-musica","17":"tag-online","18":"tag-radio","19":"tag-rne","20":"tag-rtve-play","21":"tag-spain"},"share_on_mastodon":{"url":"","error":""},"_links":{"self":[{"href":"https:\/\/www.europesays.com\/es\/wp-json\/wp\/v2\/posts\/183685","targetHints":{"allow":["GET"]}}],"collection":[{"href":"https:\/\/www.europesays.com\/es\/wp-json\/wp\/v2\/posts"}],"about":[{"href":"https:\/\/www.europesays.com\/es\/wp-json\/wp\/v2\/types\/post"}],"author":[{"embeddable":true,"href":"https:\/\/www.europesays.com\/es\/wp-json\/wp\/v2\/users\/2"}],"replies":[{"embeddable":true,"href":"https:\/\/www.europesays.com\/es\/wp-json\/wp\/v2\/comments?post=183685"}],"version-history":[{"count":0,"href":"https:\/\/www.europesays.com\/es\/wp-json\/wp\/v2\/posts\/183685\/revisions"}],"wp:featuredmedia":[{"embeddable":true,"href":"https:\/\/www.europesays.com\/es\/wp-json\/wp\/v2\/media\/183686"}],"wp:attachment":[{"href":"https:\/\/www.europesays.com\/es\/wp-json\/wp\/v2\/media?parent=183685"}],"wp:term":[{"taxonomy":"category","embeddable":true,"href":"https:\/\/www.europesays.com\/es\/wp-json\/wp\/v2\/categories?post=183685"},{"taxonomy":"post_tag","embeddable":true,"href":"https:\/\/www.europesays.com\/es\/wp-json\/wp\/v2\/tags?post=183685"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}}