{"id":194119,"date":"2025-10-22T16:35:14","date_gmt":"2025-10-22T16:35:14","guid":{"rendered":"https:\/\/www.europesays.com\/es\/194119\/"},"modified":"2025-10-22T16:35:14","modified_gmt":"2025-10-22T16:35:14","slug":"musica-antigua-2-0-alegria-y-dulzura-del-modo-quinto","status":"publish","type":"post","link":"https:\/\/www.europesays.com\/es\/194119\/","title":{"rendered":"M\u00fasica Antigua 2.0 &#8211; Alegr\u00eda y dulzura del Modo quinto"},"content":{"rendered":"<p>GREGORIANO: Benedicta es tu, Virgo Maria: Graduale, Modus V (2&#8217;29\u00bb). Coro de Monjes Benedictinos de la Abad\u00eda de Santo Domingo De Silos. NICOLAS GOMBERT: Dezilde al caballero (2&#8217;29\u00bb). La Caravaggia, Llu\u00eds Coll i Trulls. CRISTOBAL DE MORALES: Officium defunctorum: Invitatorium: Antifona: \u00abCircumdederunt me\u00bb (3&#8217;10\u00bb). Gabrieli Consort, Paul McCreesh. JOHANNES OCKEGHEM: Missa Quinti toni: Credo (7&#8217;27\u00bb). The Clerks&#8217; Group, Edward Wickham. CL\u00c9MENT JANEQUIN: La guerre, \u00e0 4, \u00abLa bataille de Marignan\u00bb: \u00abFan fan. Frere le le lan fan fan\u00bb (7&#8217;38\u00bb). Ensemble Cl\u00e9ment Janequin, Les Sacqueboutiers, Vincent Bouchot. FRAY TOM\u00c1S DE SANTA MAR\u00cdA: Fantasia Quinti Toni (1&#8217;06\u00bb). Arturo Sacchetti. JEAN RICHAFORT: Veni Sponsa Christi (3&#8217;19\u00bb). Cappella Mariana, Vojtech Semerad. CLAUDIN DE SERMISY: Tant que vivray (1&#8217;50\u00bb). The Attaignant Consort, Marta Graziolino. CLAUDIN DE SERMISY: Tant que vivray (2&#8217;49\u00bb). Pierre Attaingnant, Pierre Gallon, Thomas Dunford. HEINRICH ISAAC: Innsbruck, ich muss dich lassen (4&#8217;46\u00bb). Capilla Flamenca. ANTONIO DE CABEZ\u00d3N: Quatro Favordones del Quinto Tono (1&#8217;48\u00bb). Claudio Astronio. <\/p>\n","protected":false},"excerpt":{"rendered":"GREGORIANO: Benedicta es tu, Virgo Maria: Graduale, Modus V (2&#8217;29\u00bb). Coro de Monjes Benedictinos de la Abad\u00eda de&hellip;\n","protected":false},"author":2,"featured_media":194120,"comment_status":"","ping_status":"","sticky":false,"template":"","format":"standard","meta":{"footnotes":""},"categories":[170],"tags":[54038,146,147,25,24,184,185,54037,133,1448,1986,1987,23],"class_list":{"0":"post-194119","1":"post","2":"type-post","3":"status-publish","4":"format-standard","5":"has-post-thumbnail","7":"category-musica","8":"tag-alegria-y-dulzura-del-modo-quinto","9":"tag-entertainment","10":"tag-entretenimiento","11":"tag-es","12":"tag-espana","13":"tag-music","14":"tag-musica","15":"tag-musica-antigua-2-0","16":"tag-online","17":"tag-radio","18":"tag-rne","19":"tag-rtve-play","20":"tag-spain"},"share_on_mastodon":{"url":"https:\/\/pubeurope.com\/@es\/115418793681045140","error":""},"_links":{"self":[{"href":"https:\/\/www.europesays.com\/es\/wp-json\/wp\/v2\/posts\/194119","targetHints":{"allow":["GET"]}}],"collection":[{"href":"https:\/\/www.europesays.com\/es\/wp-json\/wp\/v2\/posts"}],"about":[{"href":"https:\/\/www.europesays.com\/es\/wp-json\/wp\/v2\/types\/post"}],"author":[{"embeddable":true,"href":"https:\/\/www.europesays.com\/es\/wp-json\/wp\/v2\/users\/2"}],"replies":[{"embeddable":true,"href":"https:\/\/www.europesays.com\/es\/wp-json\/wp\/v2\/comments?post=194119"}],"version-history":[{"count":0,"href":"https:\/\/www.europesays.com\/es\/wp-json\/wp\/v2\/posts\/194119\/revisions"}],"wp:featuredmedia":[{"embeddable":true,"href":"https:\/\/www.europesays.com\/es\/wp-json\/wp\/v2\/media\/194120"}],"wp:attachment":[{"href":"https:\/\/www.europesays.com\/es\/wp-json\/wp\/v2\/media?parent=194119"}],"wp:term":[{"taxonomy":"category","embeddable":true,"href":"https:\/\/www.europesays.com\/es\/wp-json\/wp\/v2\/categories?post=194119"},{"taxonomy":"post_tag","embeddable":true,"href":"https:\/\/www.europesays.com\/es\/wp-json\/wp\/v2\/tags?post=194119"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}}