{"id":265673,"date":"2025-12-01T15:59:08","date_gmt":"2025-12-01T15:59:08","guid":{"rendered":"https:\/\/www.europesays.com\/es\/265673\/"},"modified":"2025-12-01T15:59:08","modified_gmt":"2025-12-01T15:59:08","slug":"cameron-winter-mejor-cancion-de-2025-para-pitchfork-con-una-de-2024-jenesaispop-com","status":"publish","type":"post","link":"https:\/\/www.europesays.com\/es\/265673\/","title":{"rendered":"Cameron Winter, Mejor canci\u00f3n de 2025 para Pitchfork (con una de 2024) \u2013 jenesaispop.com"},"content":{"rendered":"<p>Cameron Winter encabeza la lista de <a href=\"https:\/\/pitchfork.com\/features\/lists-and-guides\/best-songs-2025\/\" rel=\"nofollow noopener\" target=\"_blank\">Mejores canciones de 2025<\/a> para Pitchfork con \u2018Love Takes Miles\u2019, una canci\u00f3n publicada en realidad a finales de 2024 (\u2018Love Takes Miles\u2019 se lanz\u00f3 el 6 de diciembre, exactamente cuatro d\u00edas despu\u00e9s de que Pitchfork publicara su lista de Mejores canciones de 2024; este a\u00f1o han esperado menos incluso). El cantante de Geese vuelve a aparecer en el puesto 10, ahora junto a la banda, con \u2018Taxes\u2019.  <\/p>\n<p>En el 2 sigue Smerz con \u2018<a href=\"https:\/\/jenesaispop.com\/2025\/03\/30\/495783\/smerz-money-critica\/\" rel=\"nofollow noopener\" target=\"_blank\">You got time and I got money<\/a>\u2018, su canci\u00f3n inspirada en \u2018Bittersweet Symphony\u2019, y en el 3 figura Amaarae con la innovadora \u2018<a href=\"https:\/\/jenesaispop.com\/2025\/06\/21\/501744\/amaarae-smo-critica\/\" rel=\"nofollow noopener\" target=\"_blank\">S.M.O.<\/a>\u2018. Completan el top 5 Addison Rae con \u2018<a href=\"https:\/\/jenesaispop.com\/2025\/04\/18\/497301\/addison-rae-headphones\/\" rel=\"nofollow noopener\" target=\"_blank\">Headphones On<\/a>\u2018 y Ryan Davis &amp; the Roadhouse Band con \u2018New Threats From the Soul\u2019.<\/p>\n<p>En el 6 aparece \u2018<a href=\"https:\/\/jenesaispop.com\/2025\/05\/09\/498744\/pinkpantheress-underworld-illegal\/\" rel=\"nofollow noopener\" target=\"_blank\">Illegal<\/a>\u2018 de PinkPantheress, elegida <a href=\"https:\/\/www.nme.com\/lists\/end-of-year\/best-songs-2025-3912937\" rel=\"nofollow noopener\" target=\"_blank\">Mejor canci\u00f3n de 2025 para NME<\/a>. Bad Bunny se queda a las puertas del top 10 con \u2018<a href=\"https:\/\/jenesaispop.com\/2025\/07\/12\/503228\/nuevayol-bad-bunny\/\" rel=\"nofollow noopener\" target=\"_blank\">NUEVAYOL<\/a>\u2018, que se coloca en el 11. Y dentro del top 20 figuran oros temas como \u2018Yamaha\u2019 de Dijon (13), \u2018Afterlife\u2019 de Alex G (16) o \u2018LV Sandals\u2019 de EsDeeKid (20). <\/p>\n<p>Entre las ausencias se pueden contar a Rosal\u00eda, que no coloca ning\u00fan tema de su disco \u00abBest New Music\u00bb (aunque es cierto que \u2018Berghain\u2019 no hab\u00eda gustado a la redacci\u00f3n); o a favoritos previos de Pitchfork como Blood Orange o Black Country, New Road.<\/p>\n<p>1.- Cameron Winter \u2013 Loves Takes Miles<br \/>2.- Smerz \u2013 You got time and I got money<br \/>3.- Amaarae \u2013 S.M.O.<br \/>4.- Addison Rae \u2013 Headphones On<br \/>5.- Ryan Davis &amp; the Roadhouse Band \u2013 New Threats From the Soul<br \/>6.- PinkPantheress \u2013 Illegal<br \/>7.- Wednesday \u2013 Townies<br \/>8.- Babyfxce E \u2013 PTP (Remix) ft. Monaleo<br \/>9.- James k \u2013 Play<br \/>10.- Geese \u2013 Taxes<\/p>\n<p>11.- Bad Bunny \u2013 NUEVAYOL<br \/>12.- Oklou \u2013 Bade Girl<br \/>13.- Dijon \u2013 Yamaha<br \/>14.- Water From Your Eyes \u2013 Playing Classics<br \/>15.- Nino Paid \u2013 Tomorrow Will Be Better<br \/>16.- Alex G \u2013 Afterlife<br \/>17.- aya \u2013 off to the ESSO<br \/>18.- Pluto &amp; YK Niece \u2013 Whim Whamiee<br \/>19.- Chuquimamani-Condori \u2013 Breathe Kullawada Caporal E DJ edit<br \/>20.- EsDeeKid, fakemink, Rico Ace \u2013 LV Sandals<\/p>\n","protected":false},"excerpt":{"rendered":"Cameron Winter encabeza la lista de Mejores canciones de 2025 para Pitchfork con \u2018Love Takes Miles\u2019, una canci\u00f3n&hellip;\n","protected":false},"author":2,"featured_media":265674,"comment_status":"","ping_status":"","sticky":false,"template":"","format":"standard","meta":{"footnotes":""},"categories":[170],"tags":[65792,65793,65794,146,147,25,24,52337,184,185,65795,65796,18815,65797,23],"class_list":{"0":"post-265673","1":"post","2":"type-post","3":"status-publish","4":"format-standard","5":"has-post-thumbnail","7":"category-musica","8":"tag-addison-rae","9":"tag-cameron-winter","10":"tag-caroline","11":"tag-entertainment","12":"tag-entretenimiento","13":"tag-es","14":"tag-espana","15":"tag-geese","16":"tag-music","17":"tag-musica","18":"tag-pinkpantheress","19":"tag-pitchfork","20":"tag-sabrina-carpenter","21":"tag-smerz","22":"tag-spain"},"share_on_mastodon":{"url":"https:\/\/pubeurope.com\/@es\/115645144406357307","error":""},"_links":{"self":[{"href":"https:\/\/www.europesays.com\/es\/wp-json\/wp\/v2\/posts\/265673","targetHints":{"allow":["GET"]}}],"collection":[{"href":"https:\/\/www.europesays.com\/es\/wp-json\/wp\/v2\/posts"}],"about":[{"href":"https:\/\/www.europesays.com\/es\/wp-json\/wp\/v2\/types\/post"}],"author":[{"embeddable":true,"href":"https:\/\/www.europesays.com\/es\/wp-json\/wp\/v2\/users\/2"}],"replies":[{"embeddable":true,"href":"https:\/\/www.europesays.com\/es\/wp-json\/wp\/v2\/comments?post=265673"}],"version-history":[{"count":0,"href":"https:\/\/www.europesays.com\/es\/wp-json\/wp\/v2\/posts\/265673\/revisions"}],"wp:featuredmedia":[{"embeddable":true,"href":"https:\/\/www.europesays.com\/es\/wp-json\/wp\/v2\/media\/265674"}],"wp:attachment":[{"href":"https:\/\/www.europesays.com\/es\/wp-json\/wp\/v2\/media?parent=265673"}],"wp:term":[{"taxonomy":"category","embeddable":true,"href":"https:\/\/www.europesays.com\/es\/wp-json\/wp\/v2\/categories?post=265673"},{"taxonomy":"post_tag","embeddable":true,"href":"https:\/\/www.europesays.com\/es\/wp-json\/wp\/v2\/tags?post=265673"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}}