‘Sirat’,<\/a> la pel\u00edcula espa\u00f1ola dirigida por Oliver Laxe, est\u00e1 nominada en dos categor\u00edas. Por un lado, mejor pel\u00edcula internacional y, por otro, mejor sonido. El cineasta asegura estar \u00abmuy tranquilo\u00bb, pese a que reconoce que compite contra \u00abdinosaurios\u00bb.<\/p>\n\nLista completa de nominados a los Premios Oscar 2026\n<\/p>\n
A continuaci\u00f3n, te mostramos el listado completo de nominados <\/strong>a la 98 edici\u00f3n de los Premios Oscar<\/strong>:<\/p>\n\nMejor direcci\u00f3n\n<\/p>\n
\n- \n
\nChlo\u00e9 Zhao (‘Hamnet’)\n<\/p>\n<\/li>\n
- \n
\nJosh Safdie (‘Marty Supreme’)\n<\/p>\n<\/li>\n
- \n
\nPaul Thomas Anderson (‘Una batalla tras otra’)\n<\/p>\n<\/li>\n
- \n
\nJoachim Trier (‘Sentimental value’)\n<\/p>\n<\/li>\n
- \n
\nRyan Coogler (‘Sinners’)\n<\/p>\n<\/li>\n
ul>\n<\/ul>\n
\nMejor actor protagonista\n<\/p>\n
\n- \n
\nTimoth\u00e9e Chalamet (‘Marty Supreme’)\n<\/p>\n<\/li>\n
- \n
\nLeonardo DiCaprio (‘Una batalla tras otra’)\n<\/p>\n<\/li>\n
- \n
\nEthan Hawke (‘Blue Moon’)\n<\/p>\n<\/li>\n
- \n
\nMichael B. Jordan (‘Sinners’)\n<\/p>\n<\/li>\n
- \n
\nWagner Moura (‘El agente secreto’)\n<\/p>\n<\/li>\n
ul>\n<\/ul>\n
\nMejor actriz protagonista\n<\/p>\n
\n- \n
\nJessie Buckley (‘Hamnet’)\n<\/p>\n<\/li>\n
- \n
\nRose Byrne (Si pudiera, te dar\u00eda una patada’)\n<\/p>\n<\/li>\n
- \n
\nKate Hudson (‘Song Sung Blue’)\n<\/p>\n<\/li>\n
- \n
\nRenate Reinsve (‘Sentimental value’)\n<\/p>\n<\/li>\n
- \n
\nEmma Stone (‘Bugonia’)\n<\/p>\n<\/li>\n
ul>\n<\/ul>\n
\nMejor actor secundario\n<\/p>\n
\n- \n
\nBenicio Del Toro (‘Una batalla tras otra’)\n<\/p>\n<\/li>\n
- \n
\nJacob Elordi (‘Frankenstein’)\n<\/p>\n<\/li>\n
- \n
\nDelroy Lindo (‘Sinners’)\n<\/p>\n<\/li>\n
- \n
\nSean Penn (‘Una batalla tras otra’)\n<\/p>\n<\/li>\n
- \n
\nStellan Skarsg\u00e5rd (‘Sentimental value’)\n<\/p>\n<\/li>\n
ul>\n<\/ul>\n
\nMejor actriz secundaria\n<\/p>\n
\n- \n
\nElle Fanning (‘Sentimental value’)\n<\/p>\n<\/li>\n
- \n
\nInga Ibsdotter Lilleaas (‘Sentimental value’)\n<\/p>\n<\/li>\n
- \n
\nAmy Madigan (‘Weapons’)\n<\/p>\n<\/li>\n
- \n
\nWunmi Mosaku (‘Sinners’)\n<\/p>\n<\/li>\n
- \n
\nTeyana Taylor (‘Una batalla tras otra’)\n<\/p>\n<\/li>\n
ul>\n<\/ul>\n
\nMejor guion original\n<\/p>\n
\n- \n
\nRobert Kaplow (‘Blue Moon’)\n<\/p>\n<\/li>\n
- \n
\nJafar Panahi (‘Un simple accidente’)\n<\/p>\n<\/li>\n
- \n
\nRonald Bronstein y Josh Safdie (‘Marty Supreme’)\n<\/p>\n<\/li>\n
- \n
\nEskil Vogt y Joachim Trier (‘Sentimental value’)\n<\/p>\n<\/li>\n
- \n
\nRyan Coogler (‘Sinners’)\n<\/p>\n<\/li>\n
ul>\n<\/ul>\n
\nMejor guion adaptado\n<\/p>\n
\n- \n
\nWill Tracy (‘Bugonia’)\n<\/p>\n<\/li>\n
- \n
\nGuillermo del Toro (‘Frankenstein’)\n<\/p>\n<\/li>\n
- \n
\nChlo\u00e9 Zhao y Maggie O’Farrell (‘Hamnet’)\n<\/p>\n<\/li>\n
- \n
\nPaul Thomas Anderson (‘Una batalla tras otra’)\n<\/p>\n<\/li>\n
- \n
\nClint Bentley y Greg Kwedar (‘Sue\u00f1os de trenes’)\n<\/p>\n<\/li>\n
ul>\n<\/ul>\n
\nMejor pel\u00edcula internacional\n<\/p>\n
\n- \n
\n‘El agente secreto’ (Brasil)\n<\/p>\n<\/li>\n
- \n
\n‘Un simple accidente’ (Francia)\n<\/p>\n<\/li>\n
- \n
\n‘Sentimental value’ (Noruega )\n<\/p>\n<\/li>\n
- \n
\n‘Sirat’ (Espa\u00f1a)\n<\/p>\n<\/li>\n
- \n
\n‘La voz de Hind Rajab’ (T\u00fanez)\n<\/p>\n<\/li>\n
ul>\n<\/ul>\n
\nMejor fotograf\u00eda\n<\/p>\n
\n- \n
\nDan Laustsen (‘Frankenstein’)\n<\/p>\n<\/li>\n
- \n
\nDarius Khondji (‘Marty Supreme’)\n<\/p>\n<\/li>\n
- \n
\nMichael Bauman (‘Una batalla tras otra’)\n<\/p>\n<\/li>\n
- \n
\nAutumn Durald Arkapaw (‘Sinners’)\n<\/p>\n<\/li>\n
- \n
\nAdolpho Veloso (‘Sue\u00f1os de trenes’)\n<\/p>\n<\/li>\n
ul>\n<\/ul>\n
\nMejor dise\u00f1o de vestuario\n<\/p>\n
\n- \n
\nDeborah L. Scott (‘Avatar: fuego y ceniza’)\n<\/p>\n<\/li>\n
- \n
\nKate Hawley (‘Frankenstein’)\n<\/p>\n<\/li>\n
- \n
\nMalgosia Turzanska (‘Hamnet’)\n<\/p>\n<\/li>\n
- \n
\nMiyako Bellizzi (‘Marty Supreme’)\n<\/p>\n<\/li>\n
- \n
\nRuth E. Carter (‘Sinners’)\n<\/p>\n<\/li>\n
ul>\n<\/ul>\n
\nMejor maquillaje y peluquer\u00eda\n<\/p>\n
\n- \n
\nMike Hill, Jordan Samuel y Cliona Furey (‘Frankenstein’)\n<\/p>\n<\/li>\n
- \n
\nKyoko Toyokawa, Naomi Hibino y Tadashi Nishimatsu (‘Kokuho’)\n<\/p>\n<\/li>\n
- \n
\nKen Diaz, Mike Fontaine y Shunika Terry (‘Sinners’)\n<\/p>\n<\/li>\n
- \n
\nKazu Hiro, Glen Griffin y Bjoern Rehbein (‘The Smashing Machine’)\n<\/p>\n<\/li>\n
- \n
\nThomas Foldberg y Anne Cathrine Sauerberg (‘La hermanastra fea’)\n<\/p>\n<\/li>\n
ul>\n<\/ul>\n
\nMejor montaje\n<\/p>\n
\n- \n
\nStephen Mirrione (‘F1’)\n<\/p>\n<\/li>\n
- \n
\nRonald Bronstein y Josh Safdie (‘Marty Supreme’)\n<\/p>\n<\/li>\n
- \n
\nAndy Jurgensen (‘Una batalla tras otra’)\n<\/p>\n<\/li>\n
- \n
\nOlivier Bugge Coutt\u00e9 (‘Sentimental value’)\n<\/p>\n<\/li>\n
- \n
\nMichael P. Shawver (‘Sinners’)\n<\/p>\n<\/li>\n
ul>\n<\/ul>\n
\nMejor sonido\n<\/p>\n
\n- \n
\nGareth John, Al Nelson, Gwendolyn Yates Whittle, Gary A. Rizzo and Juan Peralta (‘F1’)\n<\/p>\n<\/li>\n
- \n
\nGreg Chapman, Nathan Robitaille, Nelson Ferreira, Christian Cooke and Brad Zoern (‘Frankenstein’)\n<\/p>\n<\/li>\n
- \n
\nJos\u00e9 Antonio Garc\u00eda, Christopher Scarabosio and Tony Villaflor (‘Una batalla tras otra’)\n<\/p>\n<\/li>\n
- \n
\nChris Welcker, Benjamin A. Burtt, Felipe Pacheco, Brandon Proctor and Steve Boeddeker (‘Sinners’)\n<\/p>\n<\/li>\n
- \n
\nAmanda Villavieja, Laia Casanovas and Yasmina Praderas (‘Sirat’)\n<\/p>\n<\/li>\n
ul>\n<\/ul>\n
\nMejor dise\u00f1o de producci\u00f3n\n<\/p>\n
\n- \n
\nTamara Deverell y Shane Vieau (‘Frankenstein’)\n<\/p>\n<\/li>\n
- \n
\nFiona Crombie y Alice Felton (‘Hamnet’)\n<\/p>\n<\/li>\n
- \n
\nJack Fisk y Adam Willis (‘Marty Supreme’)\n<\/p>\n<\/li>\n
- \n
\nFlorencia Martin y Anthony Carlino (‘Una batalla tras otra’)\n<\/p>\n<\/li>\n
- \n
\nHannah Beachler y Monique Champagne (‘Sinners’)\n<\/p>\n<\/li>\n
ul>\n<\/ul>\n
\nMejor banda sonora\n<\/p>\n
\n- \n
\nJerskin Fendrix (‘Bugonia’)\n<\/p>\n<\/li>\n
- \n
\nAlexandre Desplat (‘Frankenstein’)\n<\/p>\n<\/li>\n
- \n
\nMax Richter (‘Hamnet’)\n<\/p>\n<\/li>\n
- \n
\nJonny Greenwood (‘Una batalla tras otra’)\n<\/p>\n<\/li>\n
- \n
\nLudwig G\u00f6ransson (‘Sinners’)\n<\/p>\n<\/li>\n
ul>\n<\/ul>\n
\nMejor canci\u00f3n original\n<\/p>\n
\n- \n
\n‘Dear Me’ (‘Diane Warren: Relentless’): Diane Warren\n<\/p>\n<\/li>\n
- \n
\n‘Golden’ (‘KPop Demon Hunters’): EJAE, Mark Sonnenblick, Joong Gyu Kwak, Yu Han Lee, Hee Dong Nam, Jeong Hoon Seon y Teddy Park\n<\/p>\n<\/li>\n
- \n
\n‘I Lied To You’ (‘Sinners’): Raphael Saadiq y Ludwig Goransson\n<\/p>\n<\/li>\n
- \n
\n‘Sweet Dreams Of Joy’ (‘Viva Verdi!): Nicholas Pike\n<\/p>\n<\/li>\n
- \n
\n‘Train Dreams’ (‘Sue\u00f1os de trenes’): Nick Cave y Bryce Dessner\n<\/p>\n<\/li>\n
ul>\n<\/ul>\n
\nMejores efectos visuales\n<\/p>\n
\n- \n
\nJoe Letteri, Richard Baneham, Eric Saindon and Daniel Barrett (Avatar: fuego y ceniza)\n<\/p>\n<\/li>\n
- \n
\nRyan Tudhope, Nicolas Chevallier, Robert Harrington and Keith Dawson (‘F1’)\n<\/p>\n<\/li>\n
- \n
\nDavid Vickery, Stephen Aplin, Charmaine Chan and Neil Corbould (‘Jurassic World: El renacer’)\n<\/p>\n<\/li>\n
- \n
\nCharlie Noble, David Zaretti, Russell Bowen and Brandon K. McLaughlin (‘The Lost Bus’)\n<\/p>\n<\/li>\n
- \n
\nMichael Ralla, Espen Nordahl, Guido Wolter and Donnie Dean (‘Sinners’)\n<\/p>\n<\/li>\n
ul>\n<\/ul>\n
\nMejor casting\n<\/p>\n
\n- \n
\nNina Gold (‘Hamnet’)\n<\/p>\n<\/li>\n
- \n
\nJennifer Venditti (‘Marty Supreme’)\n<\/p>\n<\/li>\n
- \n
\nCassandra Kulukundis (‘Una batalla tras otra’)\n<\/p>\n<\/li>\n
- \n
\nGabriel Domingues (‘El agente secreto’)\n<\/p>\n<\/li>\n
- \n
\nFrancine Maisler (‘Sinners’)\n<\/p>\n<\/li>\n
ul>\n<\/ul>\n
\nMejor largometraje animado\n<\/p>\n
\nMejor cortometraje animado\n<\/p>\n
\nMejor largometraje documental\n<\/p>\n
\nMejor cortometraje documental\n<\/p>\n
\n- \n
\n‘All the Empty Rooms’\n<\/p>\n<\/li>\n
- \n
\n‘Armed Only with a Camera: The Life and Death of Brent Renaud’\n<\/p>\n<\/li>\n
- \n
\n‘Children No More: Were and Are Gone’\n<\/p>\n<\/li>\n
- \n
\n‘The Devil Is Busy’\n<\/p>\n<\/li>\n
- \n
\n‘Perfectly a Strangeness’\n<\/p>\n<\/li>\n
ul>\n<\/ul>\n
\nMejor cortometraje de acci\u00f3n<\/p>\n","protected":false},"excerpt":{"rendered":"15\/03\/2026 a las 05:30h. La 98\u00aa edici\u00f3n de los Premios Oscar tendr\u00e1 lugar este domingo 15 de marzo,…\n","protected":false},"author":2,"featured_media":447765,"comment_status":"","ping_status":"","sticky":false,"template":"","format":"standard","meta":{"footnotes":""},"categories":[91],"tags":[3076,36844,9781,146,147,25,24,12182,23219,2789,532,23],"class_list":["post-447764","post","type-post","status-publish","format-standard","has-post-thumbnail","category-entretenimiento","tag-3076","tag-categorias","tag-completa","tag-entertainment","tag-entretenimiento","tag-es","tag-espana","tag-lista","tag-nominados","tag-oscar","tag-premios","tag-spain"],"share_on_mastodon":{"url":"https:\/\/pubeurope.com\/@es\/116231476749735275","error":""},"_links":{"self":[{"href":"https:\/\/www.europesays.com\/es\/wp-json\/wp\/v2\/posts\/447764","targetHints":{"allow":["GET"]}}],"collection":[{"href":"https:\/\/www.europesays.com\/es\/wp-json\/wp\/v2\/posts"}],"about":[{"href":"https:\/\/www.europesays.com\/es\/wp-json\/wp\/v2\/types\/post"}],"author":[{"embeddable":true,"href":"https:\/\/www.europesays.com\/es\/wp-json\/wp\/v2\/users\/2"}],"replies":[{"embeddable":true,"href":"https:\/\/www.europesays.com\/es\/wp-json\/wp\/v2\/comments?post=447764"}],"version-history":[{"count":0,"href":"https:\/\/www.europesays.com\/es\/wp-json\/wp\/v2\/posts\/447764\/revisions"}],"wp:featuredmedia":[{"embeddable":true,"href":"https:\/\/www.europesays.com\/es\/wp-json\/wp\/v2\/media\/447765"}],"wp:attachment":[{"href":"https:\/\/www.europesays.com\/es\/wp-json\/wp\/v2\/media?parent=447764"}],"wp:term":[{"taxonomy":"category","embeddable":true,"href":"https:\/\/www.europesays.com\/es\/wp-json\/wp\/v2\/categories?post=447764"},{"taxonomy":"post_tag","embeddable":true,"href":"https:\/\/www.europesays.com\/es\/wp-json\/wp\/v2\/tags?post=447764"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}}
![\"Patricia](\"https:\/\/www.europesays.com\/es\/wp-content\/uploads\/2026\/03\/autor-7048-foto-2.png\")
<\/p>\n