{"id":4557,"date":"2025-07-26T11:40:17","date_gmt":"2025-07-26T11:40:17","guid":{"rendered":"https:\/\/www.europesays.com\/es\/4557\/"},"modified":"2025-07-26T11:40:17","modified_gmt":"2025-07-26T11:40:17","slug":"el-cuadro-robado-el-mundo-del-arte-como-thriller-expresionista-el-mundo","status":"publish","type":"post","link":"https:\/\/www.europesays.com\/es\/4557\/","title":{"rendered":"El cuadro robado: El mundo del arte como thriller expresionista (***) &#8211; El Mundo"},"content":{"rendered":"<ol>\n<li><a href=\"https:\/\/news.google.com\/rss\/articles\/CBMiggFBVV95cUxOeGlqc1dGY200NG5OTXppQWRwZUtxYnJoM1JmNmwyOHRlOFk3Tkd3d0JmcXBzSTloODBzVllPZzVyUG5PX29Td0JzTnJGSF9oOWdXcVdibkcyaGxTR3lPZklPT25TbGRlZEdfREdQMHcxTXE4b2hLbnhPYnl0cjBKd1lR0gGCAUFVX3lxTE1oSkhMNkk0cGNycDNzZzB5RFZSXzN4SXJNb295LTQ1YXczREZUZVNTOTJ3WEo0eFhnRjd3cmwzS3g0cGppUUdkM3hFRTVzbXhNU2Z4cGZfN0R0dk9GcjVhSTFxRlBiYzY2eFpORlhQQ1BmNFRsdXk3MmhaX2xGd0R5SlE?oc=5\" target=\"_blank\" rel=\"nofollow noopener\">El cuadro robado: El mundo del arte como thriller expresionista (***)<\/a>&nbsp;&nbsp;El Mundo<\/li>\n<li><a href=\"https:\/\/news.google.com\/rss\/articles\/CBMiygFBVV95cUxPNzExT3hVSWFjdzZQWU9pUmZoME1NbmpwdmxPZWJwaWVRaVpNbzFkQ0lBdDhqc2FtUkFZV3dpVWVPQTF6bkZfMkVISFVENlhqRVNRMDA0U0lRWlgyTWZVeU5ScVF2c2FRMk9rVEpoTTZlZ2Q4cWRxaUx0T2d3ZXJSV1h3WnJSaldqZFMzdmRueXJsXzdFU2UzdXg3Y3pVNmJVV3E1NzlfbldTZVBzRVZKNEpJODVWaGVWZ1ZxUUlodkNOeXVfa1VsWDRn?oc=5\" target=\"_blank\" rel=\"nofollow noopener\">\u2018El cuadro robado\u2019: clasismo y resentimiento en torno a los girasoles de Egon Schiele<\/a>&nbsp;&nbsp;EL PA\u00cdS<\/li>\n<li><a href=\"https:\/\/news.google.com\/rss\/articles\/CBMihgFBVV95cUxQRDY5czFOdnBUWW9paWRnOE9OLXdrVXdick5UelpkczhaYUllLXlRMkxhbTZnc1JzOFhGQmZiMlBUZWtTdXJBY21YTFBYZFVlajR0bkpzbVZGMmppNWNWckc4V2xQcHh0Z2RiTlJEdmlBb2pFS0NvLVdpTkhNY1JWSmFFWlJkUdIBiwFBVV95cUxOTnVzSE13cEpseDNJMWJjRE9NMWZpNDZxTi1BbWxxVWN2MzJYc0U4Y2M5Tl81a29XUHB4U0dVOENtd1JWd2EyQm5nZ3FlbDRnbXJBdTFvdDVBdTFxYWlLdFlMS0RqUmdaV0lpcmpFUUhjLTBfc19jc296XzlyaWVSU0hDZWoybGtLd1Vr?oc=5\" target=\"_blank\" rel=\"nofollow noopener\">Hacia la depuraci\u00f3n absoluta<\/a>&nbsp;&nbsp;Faro de Vigo<\/li>\n<li><a href=\"https:\/\/news.google.com\/rss\/articles\/CBMihgFBVV95cUxNRHQteGdKMmVjODN5by1zY29RZGhYUjV3bWhKUjRTYktubXpsZXRIZlhvVEdaX21ISEdVbFZ4RC1tN3h6eWJjckxiR3BncHlvSlJvZkxIcFYtb2FsTS1MOVllbTdoUkliWmsyY2RwSnZ4d3dqdlBodFo1UHdJMklhek9kOUxXUQ?oc=5\" target=\"_blank\" rel=\"nofollow noopener\">Entre pinceles, lienzos y secretos<\/a>&nbsp;&nbsp;naiz:<\/li>\n<li><a href=\"https:\/\/news.google.com\/rss\/articles\/CBMivAFBVV95cUxNZmExSUR2WWRISVBIeThSTEZpcWQ0VzF3Vm0tOVJVcW1HMWVselB3bTd3LTV1aDlINk0tWW9yNmN0RXVjc05FR1Rpek1GcC1MQjlZajVkQVdqTG5zRjRWNjBIR2FZczZ1dFp5WmJRdTdZQ21sLXJEcHhNdHdRejhXVTRadklCSVNfM2ZZVWhJQU8zeTUzUE1rdXktbjZSQ0Ntc0FnT0sySmJSTWlzWEJnem5NNVpZMVBoMnpETw?oc=5\" target=\"_blank\" rel=\"nofollow noopener\">Una pel\u00edcula narra la historia del cuadro expoliado por los nazis (y despu\u00e9s aparecido) de Egon Schiele<\/a>&nbsp;&nbsp;El Confidencial<\/li>\n<\/ol>\n","protected":false},"excerpt":{"rendered":"El cuadro robado: El mundo del arte como thriller expresionista (***)&nbsp;&nbsp;El Mundo \u2018El cuadro robado\u2019: clasismo y resentimiento&hellip;\n","protected":false},"author":2,"featured_media":4558,"comment_status":"","ping_status":"","sticky":false,"template":"","format":"standard","meta":{"footnotes":""},"categories":[173],"tags":[229,233,231,230,177,4176,232,234,146,147,25,24,23],"class_list":{"0":"post-4557","1":"post","2":"type-post","3":"status-publish","4":"format-standard","5":"has-post-thumbnail","7":"category-arte-y-diseno","8":"tag-arte","9":"tag-arte-y-diseno","10":"tag-arts","11":"tag-arts-and-design","12":"tag-cine","13":"tag-cultura-cine","14":"tag-design","15":"tag-diseno","16":"tag-entertainment","17":"tag-entretenimiento","18":"tag-es","19":"tag-espana","20":"tag-spain"},"share_on_mastodon":{"url":"","error":""},"_links":{"self":[{"href":"https:\/\/www.europesays.com\/es\/wp-json\/wp\/v2\/posts\/4557","targetHints":{"allow":["GET"]}}],"collection":[{"href":"https:\/\/www.europesays.com\/es\/wp-json\/wp\/v2\/posts"}],"about":[{"href":"https:\/\/www.europesays.com\/es\/wp-json\/wp\/v2\/types\/post"}],"author":[{"embeddable":true,"href":"https:\/\/www.europesays.com\/es\/wp-json\/wp\/v2\/users\/2"}],"replies":[{"embeddable":true,"href":"https:\/\/www.europesays.com\/es\/wp-json\/wp\/v2\/comments?post=4557"}],"version-history":[{"count":0,"href":"https:\/\/www.europesays.com\/es\/wp-json\/wp\/v2\/posts\/4557\/revisions"}],"wp:featuredmedia":[{"embeddable":true,"href":"https:\/\/www.europesays.com\/es\/wp-json\/wp\/v2\/media\/4558"}],"wp:attachment":[{"href":"https:\/\/www.europesays.com\/es\/wp-json\/wp\/v2\/media?parent=4557"}],"wp:term":[{"taxonomy":"category","embeddable":true,"href":"https:\/\/www.europesays.com\/es\/wp-json\/wp\/v2\/categories?post=4557"},{"taxonomy":"post_tag","embeddable":true,"href":"https:\/\/www.europesays.com\/es\/wp-json\/wp\/v2\/tags?post=4557"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}}