La \u00faltima ola nunca llega. Pero las marejadas de las \u00faltimas dos d\u00e9cadas nos trajeron muchas bandas y discos que combinaban influencias del garage, el surf, la psicodelia o el folk sobre un tapiz actualizado a su momento. Esto es solo una m\u00ednima parte de la punta de ese iceberg.<\/p>\n
Playlist;<\/p>\n
(sinton\u00eda) LA LUZ \u201cIn the country\u201d (Instrumentals, 2022)<\/p>\n
BLACK LIPS \u201cGet it on time\u201d (Sing in a world that\u2019s falling apart, 2020)<\/p>\n
THE LOVE LANGUAGE \u201cBrittany\u2019s back\u201d (Libraries, 2010)<\/p>\n
HOUNDSTOOTH \u201cFrancis\u201d (Ride out the dark, 2013)<\/p>\n
WARM SODA \u201cTell me in a whisper\u201d (I don\u2019t wanna grow up, 2017)<\/p>\n
ALLAH-LAS \u201cCould be you\u201d (Calico review, 2016)<\/p>\n
JENNY O. \u201cWell Ok honey\u201d (Home EP, 2010)<\/p>\n
GRINGO STAR \u201cHanging around\u201d (On and on and gone, 2023)<\/p>\n
THE NUDE PARTY \u201cPaper trail (money)\u201d (The Nude Party, 2018)<\/p>\n
ULTIMATE PAINTING \u201cUltimate painting\u201d (Ultimate Party)<\/p>\n
THE PROPER ORNAMENTS \u201cShining bright\u201d (Waiting for the summer, 2013)<\/p>\n
SHANNON and THE CLAMS \u201cThe boy\u201d (Onion, 2018)<\/p>\n
ARTHUR and YU \u201cAfer glow\u201d (In camera, 2007)<\/p>\n
THE SNAILS \u201cHeters be learners (respect my snail style)\u201d (Worth the wait, 2014)<\/p>\n
THE ROARING 420\u2019S \u201cSweet destiny\u201d (You can\u2019t get out alive, 2015)<\/p>\n
THE BLANK TAPES \u201cDon\u2019t ever get old\u201d (Vacation, 2013) <\/p>\n","protected":false},"excerpt":{"rendered":"La \u00faltima ola nunca llega. Pero las marejadas de las \u00faltimas dos d\u00e9cadas nos trajeron muchas bandas y…\n","protected":false},"author":2,"featured_media":58387,"comment_status":"","ping_status":"","sticky":false,"template":"","format":"standard","meta":{"footnotes":""},"categories":[170],"tags":[10860,146,147,25,24,24740,184,185,133,1448,1986,1987,23],"class_list":{"0":"post-58386","1":"post","2":"type-post","3":"status-publish","4":"format-standard","5":"has-post-thumbnail","7":"category-musica","8":"tag-el-sotano","9":"tag-entertainment","10":"tag-entretenimiento","11":"tag-es","12":"tag-espana","13":"tag-la-ultima-ola","14":"tag-music","15":"tag-musica","16":"tag-online","17":"tag-radio","18":"tag-rne","19":"tag-rtve-play","20":"tag-spain"},"share_on_mastodon":{"url":"","error":""},"_links":{"self":[{"href":"https:\/\/www.europesays.com\/es\/wp-json\/wp\/v2\/posts\/58386","targetHints":{"allow":["GET"]}}],"collection":[{"href":"https:\/\/www.europesays.com\/es\/wp-json\/wp\/v2\/posts"}],"about":[{"href":"https:\/\/www.europesays.com\/es\/wp-json\/wp\/v2\/types\/post"}],"author":[{"embeddable":true,"href":"https:\/\/www.europesays.com\/es\/wp-json\/wp\/v2\/users\/2"}],"replies":[{"embeddable":true,"href":"https:\/\/www.europesays.com\/es\/wp-json\/wp\/v2\/comments?post=58386"}],"version-history":[{"count":0,"href":"https:\/\/www.europesays.com\/es\/wp-json\/wp\/v2\/posts\/58386\/revisions"}],"wp:featuredmedia":[{"embeddable":true,"href":"https:\/\/www.europesays.com\/es\/wp-json\/wp\/v2\/media\/58387"}],"wp:attachment":[{"href":"https:\/\/www.europesays.com\/es\/wp-json\/wp\/v2\/media?parent=58386"}],"wp:term":[{"taxonomy":"category","embeddable":true,"href":"https:\/\/www.europesays.com\/es\/wp-json\/wp\/v2\/categories?post=58386"},{"taxonomy":"post_tag","embeddable":true,"href":"https:\/\/www.europesays.com\/es\/wp-json\/wp\/v2\/tags?post=58386"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}}