{"id":130816,"date":"2026-01-01T15:42:07","date_gmt":"2026-01-01T15:42:07","guid":{"rendered":"https:\/\/www.europesays.com\/fi\/130816\/"},"modified":"2026-01-01T15:42:07","modified_gmt":"2026-01-01T15:42:07","slug":"elokuva-arvio-suurin-rikos-on-jaada-tyottomaksi-osoittaa-viiden-tahden-korealainen-taidonnayte","status":"publish","type":"post","link":"https:\/\/www.europesays.com\/fi\/130816\/","title":{"rendered":"Elokuva-arvio: Suurin rikos on j\u00e4\u00e4d\u00e4 ty\u00f6tt\u00f6m\u00e4ksi, osoittaa viiden t\u00e4hden korealainen taidonn\u00e4yte"},"content":{"rendered":"<p>Elokuva-arvio|Ty\u00f6tt\u00f6m\u00e4n kiipelist\u00e4 kertova No Other Choice on ohjaaja Park Chan-wookin uusin taidonn\u00e4yte, osoitus uskomattomasta visuaalisesta tyylitajusta.<\/p>\n<p class=\"article-body mb-nof-24 px-nof-16\">Draama, komedia<\/p>\n<p class=\"article-body mb-nof-24 px-nof-16\">No Other Choice. Ohjaus Park Chan-wook. 139 min. K16. \u2605\u2605\u2605\u2605\u2605<\/p>\n<p class=\"article-body mb-nof-24 px-nof-16\">Suurin rikos, jonka ihminen voi tehd\u00e4? J\u00e4\u00e4d\u00e4 ty\u00f6tt\u00f6m\u00e4ksi.<\/p>\n<p class=\"article-body mb-nof-24 px-nof-16\">Man-su (<a class=\"font-bold underline-offset-[0.12em] [text-decoration:var(--person-link-text-decoration)] ![text-decoration-color:var(--person-link-text-decoration-color)]\" href=\"https:\/\/www.hs.fi\/haku\/?query=Lee%20Byung-hun\" rel=\"nofollow noopener\" target=\"_blank\">Lee Byung-hun<\/a>) on paperitehtaan asiantuntija, ty\u00f6ss\u00e4\u00e4n palkintoja voittanut ja yhti\u00f6lle valtavasti rahaa tehnyt keskiportaan tukipilari. Markkina ei ole en\u00e4\u00e4 entisenlaisensa, ja kun amerikkalaiset ostavat yhti\u00f6n, \u201dei ole muuta vaihtoehtoa\u201d kuin potkia jengi pihalle.<\/p>\n","protected":false},"excerpt":{"rendered":"Elokuva-arvio|Ty\u00f6tt\u00f6m\u00e4n kiipelist\u00e4 kertova No Other Choice on ohjaaja Park Chan-wookin uusin taidonn\u00e4yte, osoitus uskomattomasta visuaalisesta tyylitajusta. Draama, komedia&hellip;\n","protected":false},"author":2,"featured_media":130817,"comment_status":"","ping_status":"","sticky":false,"template":"","format":"standard","meta":{"footnotes":""},"categories":[131],"tags":[155,137,33,173,31,30,46,172,32,109],"class_list":{"0":"post-130816","1":"post","2":"type-post","3":"status-publish","4":"format-standard","5":"has-post-thumbnail","7":"category-elokuvat","8":"tag-elokuvat","9":"tag-entertainment","10":"tag-fi","11":"tag-film","12":"tag-finland","13":"tag-finnish","14":"tag-helsingin-sanomat","15":"tag-movies","16":"tag-suomi","17":"tag-viihde"},"share_on_mastodon":{"url":"https:\/\/pubeurope.com\/@fi\/115820609045807010","error":""},"_links":{"self":[{"href":"https:\/\/www.europesays.com\/fi\/wp-json\/wp\/v2\/posts\/130816","targetHints":{"allow":["GET"]}}],"collection":[{"href":"https:\/\/www.europesays.com\/fi\/wp-json\/wp\/v2\/posts"}],"about":[{"href":"https:\/\/www.europesays.com\/fi\/wp-json\/wp\/v2\/types\/post"}],"author":[{"embeddable":true,"href":"https:\/\/www.europesays.com\/fi\/wp-json\/wp\/v2\/users\/2"}],"replies":[{"embeddable":true,"href":"https:\/\/www.europesays.com\/fi\/wp-json\/wp\/v2\/comments?post=130816"}],"version-history":[{"count":0,"href":"https:\/\/www.europesays.com\/fi\/wp-json\/wp\/v2\/posts\/130816\/revisions"}],"wp:featuredmedia":[{"embeddable":true,"href":"https:\/\/www.europesays.com\/fi\/wp-json\/wp\/v2\/media\/130817"}],"wp:attachment":[{"href":"https:\/\/www.europesays.com\/fi\/wp-json\/wp\/v2\/media?parent=130816"}],"wp:term":[{"taxonomy":"category","embeddable":true,"href":"https:\/\/www.europesays.com\/fi\/wp-json\/wp\/v2\/categories?post=130816"},{"taxonomy":"post_tag","embeddable":true,"href":"https:\/\/www.europesays.com\/fi\/wp-json\/wp\/v2\/tags?post=130816"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}}